IWMUflliliHHIIiMI
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BACK ISSUES AVAILABLE:
Back issues 137, 143, 145-146, 148-149,
152-155, 156 Pt2, 157, 159-161, 166, 168-
175, 177-184 are as stated above in sub-
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DEADLINES FOR NEXT ISSUE:
Scene Reports: continuously, with photos!
Interviews: continuously, with photos!
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■'■lit:<L l l |l| l '.liliNN!l;MIB. l ,MIII.',lll. l .IiTiTir?:
ITOP
For what it's worth (not much),
here's some of the MRR crew's
current Top 10 lists of stuff we review.
10
AD SIZES AND RATES:
1/6 page: (2 1/2" x 5") $25
1/3 page long: (2 1/2" x 10") $60
1/3 page square: (5" x 5") $70
AD CRITERIA:
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for music and zine releases. All other ads
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COVER: Mark Murrmann
ROB COONS
ABSTAIN/NASUM-split-EP
'FMD/TWENTY THIRD CHAPTER-split-EP
! NASHVILLE PUSSY-Sock it To Me-EP
SLIGHT SLAPPERS-Very Best of...-2"
lETRIBUTION-Broker-EP
JEFF HICRMANN
lANDUMBS-Back From Sonoma-EP
V/A-We Are a Happy Family?-LP
dASONICS-ln a Man's Heart-EP
DUDMOUTHS-Spit It Out-EP
D ANTHER-Broken Rock 'n Roll Blaster-EP
TOM HOPKINS
iTRIBUTION-Broken-EP / SUFFER-Conform-EP
■150/UNABOMBER-split-EP-
iRSUADERS-Van Ride-EP / SONICS-45's
'PARIS AT 2A.M.-6-4 Measures-EP
IROYAL PENDLETONS-Oh Yeah Baby-LP
CAROLYN KIDDY
ROYAL PENDLETONS-Oh Yeah Baby-LP
PERSUADERS-Van Rides-EP
NASHVILLE PUSSY-Sock it to Me-45
LEWD-Kill Yourself...Again-CD
V/A-Teenage Shutdown-LPs
DULCINEA LOUDMOUTH
LEWD-Kill Yourself...Again-CD
NASHVILLE PUSSY-Sock it to Me Baby-45
CHINESE TAKEAWAYS-Take Me Away-2xEP
TUNNEL RATS/HELLSTOMPER-split-EP
PERSUADERS-Van Ride-45
SELL MRR AT GIGS: Within U.S., well sell ray lujan
them to you at $1.50 each ppd, cash up
front. Must order 5 or more of the same
issue. Need street address (not PO Box) to
UPS to.
STORES: If you have problems getting
MRR from your distributors, try contacting
Mordam Records at tel (415) 642-6800 or
Dutch East, Get Hip, Smash, Subterra-
Armadillo, Ubiquity, Choke Inc, Desert
Moon and Marginal.
Please send all records, zines, letters,
articles, scene reports, photos, subscrip-
tions, interviews, ads, etc., to:
MAXIMUMROCKNROLL
. PO BOX 460760
SAN FRANCISCO, CA 94146-0760
Phone (415) 923-9814
Fax (415) 923-9617
Email: maximumrnr@mindspring.com
(use this mainly for comments & Fetters.
Use phone for ads & other business stuff)
LOOSE CHANGE-Fire It Up-CD
AEROBITCH/LOUDMOUTHS-split-EP
SCARPER-Not As Punk As You-EP
NASHVILLE PUSSY-Sock It To Me-45
LIP MONGER-Disse d Again-CD
iMl.JJ.'WI.'.H.-JB
ABSTAIN/NASUM-split-EP
DETENTION-Live in NJ 1983-EP
'FUCKFACE-LP/V/A-Hardcore Ball-CD
LEWD-Kill Yourself...Again-CD
|0J0K0J0/INFLICTED-split-EP
ALLAN MCNAUGHTON
I ALTERNATIVE TV-Image Has Cracked-LP
CRACKED COP SKULLS-Why Pussyfoot-EP
|EATER-TheAlbum-LP
I GOOD CLEAN FUN-EPs
|RESMISSION-Temporary Service-EP
ASSHOLE PARADE-Lhighve-8"
FUCKFACE-LP
REMISSION-Temporary Service-EP
SUFFER-Conform-EP
SEEIN RED-Live
HAVE N0TS-LP
DEAD CITY REBELS-Rock 'n Roll Enemy #1-10"
PERSUADERS-Van Ride-EP
HIGH SCHOOL SWEATHEARTS-Find a Way-45
V/A-Teenage Shutdown-LPs
DETENTION-Live In New Jersey, 1983-EP
DROPKICK MURPHYS-Curse Of A Fallen Soul-EP
ASSHOLE PARADE-Lhigve-EP
SWITCHBLADE-A Hall Pack Of M orley's-EP
V/A-We Are A Happy Family-LP
ROOM 41-Shake-EP/HAVENOTS-LP
MASONICS-ln a Man's Heart-EP
WAILERS-LP+45s/SONICS-45s
CRISPY NUTS-Will-EP/RESINATORS-Live
BRAINEATERS-I, Braineater-EP
PUSSYCATS-Playin' Dirty-LP
EATER-The Album-LP/RANDUMBS-EP
V/A-Teenage Shutdown-LPs
5, 6, 7, 8's-Smilly Willy-45
HIGH SCHOOL SWEATHEARTS-Find a Way-45
CHINESE TAKEAWAY-2xEP/MY PAL TRIGGER-CD
ROOM 41-45/NOTHING COOL-Wonderful World CD
MR. CRISPY/PETER THE GREAT-split-EP
ARMCHAIR MARTIN-Monsters CD/Live
ASSHOLE PARADE-Lhighve-8"
DOOM/CRESS-split-10"
GODSTOMPER-Saturday Morning Powerviolence-EP
MANEURYSM-Swallowed By Karma-EP
REMISSION-Temporary-EP
ASSHOLE PARADE-Lhighve-8"
DOOM/CRESS-split-10"
E-150/UNABOMBER-split-EP
HAIL MARY-My Will to Die is Dead-EP
SUFFER-Conform-EP/SWITCHBLADE-EP
.'. F'VN I .'. 1 1 1 J. I :l i M ^ J i ;l 1 1 ■ — .'. Fi»!4 1 f. 1 1 1 , f . I ;i il *l N .' I ;l i II ^W Am^J 1 . [ 1 1 ' I f^ 1 1,^ ^ ^jijli
TVM-t P'ease send us your records (2 copies of vinyl, if pos- j ** i
I fJMsible-one for MRR and one for reviewer), or CD-only | II
■ wi re |ease. See Records section for where to send tapes.
RAIMUNDO MURGIA
PENIS FLY TRAP-Tales Of Terror-CD
LAST YEAR'S YOUTH-Modern Living-EP
DETENTION-Live In New Jersey, 1983-EP
TUNNEL RATS/HELLSTOMPER-split-EP
EATER-The Album-LP
RANDUMBS-Back FromSonoma-EP
BILLY BOY Y SU BANDA-Preti E Soure-EP
BOOT PARTY-The Suss-EP
LOUDMOUTHS-Spit It Out-EP
UNITED BLOOD/PRESSURE POINT-split EP
MARK MURRMANN
V/A-Teenage Shutdown-LPs
CRIMPSHRINE-Sound of a New World...-LP
SONICS-45s/WAILERS-45s+LP
V/A-Es Chaos is die Botschaft-LP
HAVE NOTS-LP
CHINESE TAKEAWAY-2xEP
ROOM 41 -Brain Shake-45
MASONICS-ln a Man's Heart-EP
5, 6, 7, 8's-Smilly Willy-45
HIGH SCHOOL SWEATHEARTS-Find a Way-45
BLOOD AND GUTS PEP SQUAD-live
THE LEWD-Kill Yourself...Again-CD
NASHVILLE PUSSY-Sock It To Me, Baby!-45
CHINESE TAKEAWAY-2xEP
HAVE NOTS-Do It Again-LP
JAH NELL
THE BRAINEATERS-I, Braineater-EP
THE RETARD BEATERS-Pulling Jive-EP
AEROBITCH/LOUDMOUTHS-split-EP
BIKINI KILL-The Singles-CD
EATER-The Album-LP
JACQUELINE PRICHARD
Generator Shows/SEEIN' RED-live PARIS AT 2AM-EP/HAIL MARY-EP
MASONICS-EP/PERSUADERS/EP HEADCOATS/LOLLIPOP-split-EP/PANTHER-EP
MANEURYSM-EP/SUFFER-EP SWITCHBLADE-EP/DENTENTION-EP
ASININE SOULUTION-EP/FEDERAL OFFENSE-EP SLIGHT SLAPPER-27V/A-There's Something Rotten.,
RADIATION NATION/TOXIC DRUNKS-split-EP GLOBAL HOLOCAUST/OBNOXIOUS RACE-split-EP
BRUCE ROEHRS
DROPKICK MURPHY'S-Curse Of A Fallen Soul-EP TUNNEL RATS/HELLSTOMPER-split-EP
PRESSURE POINT/UNITED BLOOD-split-EP
RANDUMBS-Back FromSonoma-EP
HEADCASE-CD / BOOT PARTY-The Suss-EP
DUCKY BOYS-CD / ON FILE-Monday-Friday-EP
RYAN WELLS
ROOM 41 -Shake-45
V/A-Es Chaus Is Die Botschaft-LP
DETENTION-Live In New Jersey, 1983-EP
PERSUADERS-Van Ride-EP
THE LEWD-Kill Yourself...Again-CD
REMA YOUNG & KENNY KAOS
DUCKY BOYS-CD
TUNNEL RATS/HELLSTOMPER-split-EP
AEROBITCH/LOUDMOUTHS-split-EP
LOUDMOUTHS-Spit It Out-EP
STEEL MINERS-Ballin'-LP
LAST YEAR'S YOUTH-Modern Living-EP
KLASSE KRIMINALE-Mind Invaders-EP
BRUISERS/RANDUMBS-split-EP
V/A-Punks, Skins & Herberts vol. 4-LP
CRISPY NUTS-Will-EP
V/A-We Are A Happy Family-LP
HAVE NOTS-Do It Again-LP
CHINESE TAKEAWAY-Totally Taken Away-2xEP
V/A-Teenage Shutdown-LPs
EATER-The Album-LP
HAVE NOTS-Do It Again-LP
CHINESE TAKEAWAY-Totally Taken Away-EP
THE STRYCHNINE BABIES-Kill Society/Dead Love
THE DEAD CITY REBELS-Rock N Roll Enemy #1-10"
Aragorn
Paul Barger
Lily Boe
Enrico Cadena
Mel Cheplowitz
Catherine Cook
Rob Coons
Rafael DiDonato
Gardner Fusuhara
Zabet Gerber
Katja Gussmann
Chris Hall
Jeff Heermann
Jenn Hyman
Kenny Kaos
Mick Krash
ZINE SHITWORKERS
John Backstrom
er Michelle Barnhardt
Jerry Booth
dena Chris Charla
owitz Brianna Chesser
Cook Jeremy Cool
s Mikel Delgado
)onato Jonathan Floyd
usuhara Brian Gathy
ber Todd Gullion
smann Lance Hahn
Harald Hartmann
nann Tom Hopkins
an George Impulse
os Carolyn Keddy
h Rachel Liba
Dulcinea Loudmouth Michael Lucas
Ray Lujan
Steve Mar
Mary Jane
Paul Miller
Mundo Murguia
Allan McNaughton
Jah Nell
Donna Poole
Sam
Harry Sherrill
Martin Sprouse
Sean Sullivan
Tsixie
Max Ward
Shane White
Kelli Williams
Charles Wolski
Rema Young
Sparx
Hal MacLean
Timojhen Mark
Jeff Mason
Tobia Jean Minckler
Kim McGee
Mike Millett
Jeff Nesper
Bruce Roehrs
Greta S
Steve Spinali
Dave Stevenson
Travis T
Jason Valdez
Ryan Wells
Joe Whiting
Winni Wintermeyer
Jeff Yih
Jeff Nesper
Zabet Gerber
ZINE CONTRIBUTORS
ZINE TOP TEN
SPAGHETTI DINNER &DANCING #12
WILLZINE #2
SURREPTITIOUS #8
HERE BE THE DRAGONS
RUMPSHAKER #4
NO ACTION #2
SPIDER STOMPING #2
VISION ON #14
TRAILER TRASH #10
COMPLETE CONTROL #1
Mykel Board
George Tabb
Jason Beck
Ted Rail
Renae Bryant
Nick Fitt
Nathan Berg
Sheri Gumption
Brian GTA
Ann R. Key
Generic
Pete Menchetti
Jose Palafox
Brian Burch
Matt Average
Floyd Cochran
Trev
Rev Norb
John Kohut
Brian Zero
Queenie
Dave Emory
Mark Hanford
Larry Harmon
Felix Von Havoc
Erich Schulte
Joey Alone
Ryan Richardson
Craig Hill
Serena Sigma
Seth Nobody
Revi Langrel
Joe Schoenmann
Yann
ZINE COORDINATORS
Mark Murrmann Jacqueline Prichard
)JiV<| l llllfJiiiNN!l;|illBAmi,NII,!I^H!f1iJillMJJ^I^I| l 'J;^!li|i|||
MAXIMUM ROCKNROLL IS A MONTHLY PUBLICATION. ALL WORK IS DONATED AND NO ONE RECEIVES ANY SALARY. ALL PROCEEDS ARE EITHER INVESTED IN TECHNOLOGICAL
IMPROVEMENTS OR GO TO OTHER SIMILARLY NOT-FOR-PROFIT PROJECTS. ANYONE IS WELCOME TO REPRINT ANYTHING FROM MRR, BUT •ONLY 'IF IT' " i NOT-FOR-PROFIT.
#137/Oct '94. Guitar Wolf, Billy Child-
ish, Boxhamsters, A.F.I. , Disassociate,
Jack Kevorkian & The Suicide Machines,
Sound Bite House, Boston Archives, The
Trashwomen, Violent Society, Hell-
billys, No Demuestra Interes, Spider
Babies, "Roots Of Punk: Chess, Sun...".
#143/Apr '95. Vindictives, Stinkerbell,
Jesus Christ Superfly, New Day, Regis-
trators, Youth Brigade, Pit, "True Crime",
"Roots Of Punk-The Northwest Sound".
#145/June '95. Conflict, No Empathy,
Tina Age 13, Screw 32, The Harries, The
Rejects, Bob Cutler, Badger, "Roots Of
Punk--MC5", "Cartoons Of Ted Rail".
#14*67July '95. Riverdales, Head, Bris-
tles, Aut Aut, Schleprock. Spanakorzo,
McRackins, Y.A.P.O., 10-96, Empress
Of Fur, Underhand, Nailed Down.
#148/Sept '95. Adversives, Thorazine,
Toe Rag Studios. Scott Radinsky, Wizo,
Bollocks, Shitworkers, Opposition Par-
ty, Moody Jackson, Opcion Crucial,
Rebel Rebel. Teen Idols, Soda Jerks,
Walking Ruins. "Roots Of Punk-The
Sixties Pt I".
#149/Oct '95. Manic Hispanic. Pet UFO,
Campus Tramps, Joe Kidd, Bad Luck
Streak. Chumpslap, The Humpers. No
Violence, Diferentes Actitudes, Juve-
niles, Richard the Roadie, "Roots Of
Punk-The Sixties Pt 2".
#152/Jan '96. Assfort, Turbonegro. Jun-
ior, Compound Fracture, Murder Junk-
ies, Bottomfeeders, Battalion Of Saints,
Heartbreakers, Florida Scum Pitt.
#153/Feb '96. Snort, Hatchetface, Little
Ugly Girls, A.D.Z., Oxymoron,
N.O.T.A., Stun Guns, Gutfiddle, Karen
Monster, Dimestore Haloes, "Uncle Sam
& The Swastika".
#154/Mar '96. The Motards, Subinci-
sion, Stisism. The Donnas, The Stal-
lions, Count Backwurds. Crunch, Final
Warning, "Roots Of Punk-Instrumental
R'n'R", Roots Of Punk-The Darned".
#155/ Apr '96. Third Degree, Pussy
Crush, Surfin' Turnips, Sickoids. Anti-
Flag, Slight Slappers. High Plains Drift-
ers, Cro-Mags. Hockev Teeth, "The
Knights Of Malta".
#156 pt 2/May '96. Australian Special:
Beanflipper, Melancholy, Blitz Babiez,
Crank. SubRosa, Mindsnare, T.M.T., H-
Block.B-Sides.Fallout.Erenzal Rhomb,
Lawnsmell. One Inch Punch, Chicken-
shit, No Deal, Ussue 1, Clint Walker.
#157/Jun '96. Against All Authority.
The Criminals. Wardance, Heroines,
Brain Bats, Rudiments, Chinese Mil-
lionaires, SonsOf Hercules, YourMoth-
er. Yellow Scab, "Roots of Punk-Sham
69".
#159/Aug '96. The Smugglers. Brand
New Unit. Tone Deaf Pig-Dogs. Round
Ear Spocks. David Hayes of Very Small
Records. Man Afraid, Blind Side, Vox
Populi, Death Wish Kids, Fun People,
Fat Drunk & Stupid, "Roots of Punk-
The Dickies".
#160/Sept '96. The Automatics, Boy-
cot, Toast, Morning Shakes, The Mor-
mons, John Q Public, Sex Offenders, Ball-
gagger. The Business, Apocalypse Babys,
Good Riddance, Russia update. "Roots of
Punk-Eater".
#161/Oct '96. Jet Bumpers, Steel Miners,
Divisia, Lopo Drido, Red #9, Nothing Cool,
Sink, Sires, Newtown Grunts, "Roots of
Punk-Ohio 77".
#166/Mar '97. Walking Abortions, Hick-
ey, '77 Spreads, Sanity Assassins, Cards In
Spokes, Joey Tampon & The Toxic Shocks,
Adjective Noun, Suicide King, Lenguas
Armadas, Trauma, De Crew, "Roots of
Punk-Dead Boys".
#168/May '97. Cretin 66, Fishsticks, UK
Subs, Distemper, Enewetak, Fields Of Shit,
"Roots of Punk-SLF, Undertones".
#169/June '97. Hard Skin, Cluster Bomb
Unit, Jihad, Purgen, Speed Queens, Re-
mission, Halflings, The Old Man, De-
face. "Roots of Punk— Clash, Ramones,
Sex Pistols".
#170/July '97. Bristle, Mine, Tedio Boys,
The 4 Cockroaches, Absconded, Mean-
while. Broken, (Young) Pioneers, Hood-
rat, "You're Dead!". "Roots of Punk-
The Slits".
#171/Aug '97. Strychnine, Idiots, Patrick
Grindstaff of Pelado Records, Misan-
thropists, Racetraitor, Violent Society,
Knuckleheads.
#172/Scpt '97. Withdrawls, Judgement, No
Motiv, Oppressed Logic, Truents, Left For
Dead, Yellowskin, the Weird Lovemak-
ers. Smash YourFace, Flatus, Straight Faced,
Klaxon. X-lt, web designer Vic Gedris,
filmmaker Doug Cawker.
#173/Oct '97. Hot Water Music, Fat Day,
Los Tigres Guapos, Les Partisans. The
Bristols, My 3 Scum, The Space Shits.
Chris of Pessimiser Records. The Reclu-
sives. NickQwik. "Pioneers of Punk: GG
Allin".
#174/Nov '97. Stratford Mercenaries, Lic-
kity Split, Bladder. Piss Shivers, Barn-
hills, In/Humanity, "Education" theme is-
97a, Infiltrators, The Jack Saints, Stray
Bullets, "Pioneers of Punk-Patti Smith".
#181/June '98. Grapefruit, The Druggies
Stiletto Boys, All Bets Off, Bonecrusher'
Summerjack, Cell Block 5, D.D.I., The
Normals, "Pioneers of Punk-999", "Pirate
Radio" theme issue.
#182/July '98. Thee Headcoatees, Vapids,
Manchurian Candidates, Squiggy.Nema,
Traffic Violation Records, Jumpin' Land
Mines, B-Movie Rats. Budget Girls, The
Bruisers, Discount, Dead End Kids, "Pio-
neers of Punk-Adverts".
#183/Aug '98.Lewd. Asshole Parade. His
Hero Is Gone, Cee Bee Beaumont, Teen
Idols, "Pioneers of Punk-X-Ray Specs",
Article on Chiapas.
#184/Sept '98. Absentees. Devoid of Faith,
UXA, Umlaut, Four Letter Word. Street-
walkin' Cheetahs, Ricanstruction, Liber-
tine, Indecision, Snarkout Boys, "Pio-
neers of Punk-Black Flag" .
#175/Dec '97. One Man Army. Those-
Unknown, Boiling Man, PiaoChong, Ex-
ploding Crustaceans, Last Year's Youth,
Heartdrops, Dirty Burds, Dimestore Ha-
loes, "Pioneers of Punk: The Henchmen".
Filmmaker Lech Kowalski.
#177/Feb '98. Superfly TNT's. Subma-
chine, Dropout, Society Gone Madd, Pin-
head Circus, Ann Beretta, Blackbird, Na-
ive, Useless I.D., Quarantine, "Roots of
Punk-Generation X.
#178/Mar '98. Forgotten Rebels. The Dirt-
ys. Josh Collins, The Letterbombs, Go-
Devils/Gyogun Rend's/Room 41, Tone
Deaf Pig-Dogs, American Steel, "Econom-
ics theme issue".
#179/ApriI '98. Boy Sets Fire, Tres Kids,
Idyls, Spat & The Guttersnipes. The Pos-
ers, Explosive Kate. Douche Flag. They
Still Make Records, "Pioneers of Punk-
Dangerhouse Records".
#180/May '98. Reinforce, Discontent, TV.
Killers, Slack Action, The Eyliners, Made-
moiselle, MK Ultraviolence, Haulin' Ass,
WANNA SEND US
SOMETHING?!
Scene Reports: PUtyK'S not
DEAD! It's happening out
there and MRR readers want
to near about |tf Hi! My name
is jenn and 1 input and edit
the scene reports that come
in. mrr relies on you scenes-
ters out there to keep the
pulse or what's, happening
in your town, wnte up some-
thing fun and interesting
about it, and send it in to
MRR. Photos and artwork
are mandatory. Tell us about
local bands, zines, and cool
and uncool venu.es. Include
info for travelling punks
(non-ys scene reports are
especially welcome!) such as
where to find cheap veggie
eats, record stores, and
strong coffee. Hasyourpunk
scene spawned any commu-
nally-run enterprises such as
show spaces, cafes or record
stores/ Are racist or ho-
mophobic thugs threatening
yojlr scene's narmony? En-
quinngpunk mmds want to
knowrsfee details below for
FormatJnro.
Interviews: Bpy, is MRR
ever.looking to improve the
quality of our interviews
(which . shouldn't be hard!)
We'd like to get a staff of
reliable people across the
country and around the
world who could turn in
some good, prpbmg inter-
views Sn a Semi-regular ba-
sis. We're, looking Tor peo-
ple who already ifave some
experience doing interviews
-.your—
a, wider audience), who can
challenge bands « know, I
know, most bands doii't
havesquattosay.butagood
interviewer can take mem
where they haven't been be-
fore!) or give some long
overdue support for those
behind-the-scenes types
who do an.awful lot of the
hard, work in punk rock but
get little of the. ego or mon-
etary rewards. Please give
us a call ifyou are interested
in covering new hardcore,
Punk or garage bands,. .
ormats for submitting
stuff! We prefer thing!
typed up on a 3 1/2" com-
puter disk, either Mac (pre-
ferred) or IBM. Please don't
type in ALL CAPS! Ifyou can't
access a computer, then
typed .up cleanly on paper
should work, aslong as it's
in a fairly common and
straightforward font. Graph-
ic stuff? Send photos (B&W
preferred/but color OK too),
logos, etc. Thanks
Rfcords/xines? See detailed
information listed on the
mas.theads pf the Record
Review and Zine Review sec-
tions.
BACK ISSUE SALE: For every three you purchase, you get a fourth one free!!
Please list alternates in ease we're out of a particular issue. Price list is on previous page.
PE4
MAILORDER
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i/te
THE
DUCKY BOYS
DARK DAYS
COMING SOON
THE (TEMPLARS
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OUT NOW!
SHORING STREET PUNK
PROM BOSTON MASS.
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WORLD ADD $2.00
ALSO ON GMM CD'S
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RUIN, THE BURDENS
AND SHITLOADS MORE!!
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PO BOX 15234 ATLANTA GA. 30333
IMS TRIBIJ TED BY
SCREWBALL
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4-song split 7" (excellent fast
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punk from these two NW
bands. Get it!)
Only $3 (while they last)
Also still available:
V/A - 31 Bands Trash 31 Songs to Find
the Way to Sesame Street CD - $9
V/A - 20 Bands Trash 20 Songs to Find
the Way to Sesame Street LP - $7
V/A - Boise Punk compilation LP - $6
Red #9 - No Hope? 10-song 12" - $7
Make checks / MOs payable to Mark Hanford.
All prices are postpaid to North America. Oth-
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Pig Destroyer deliver intense grind from members
of Agoraphobic Nosebleed and Enemy Soil while
Orchid is brutal chaotic hardcore from Massachu-
setts. $3 US, $5 Elsewhere
LOSTRIBE
Guide To Survival, CD
13 punk rock tunes from Virginia Beach by
ex-skate pro's. $7 US, $10 Elsewhere
Unabomers
Stand For Something Fall For Nothing, 7"
Seven Tracks of Virginia Beach street punk.
$3 US, $5 Elsewhere
Mandatory Marathon, 20 band
comp CD, OUT SOON!
Ru\entiment
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ELEVATOR MUSIC
Pwuufcu) Ike iweit
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mmm.
CALAVERA Day of the Dead
CD • Aggressive punk rock/
psychobilly from LA Can! lose.
BONECRUSHER No Escape V ■
Pure punk rock. This four songer
flat out rips.
ONE MAN ARMY Dead End
Stories CO/LP - Killer debut by
these SF street punk favohtes.
SHOEGAZER Intoxicating Birthday
Lies CD/LP - Punishing sounds
from this great SoCal noise band.
JOHNNY THUNDERS
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Rare 1971 recording.
NASHVILLE PUSSY Let
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Kicks much assll!
LOTS OF STUFF:
BRAND NEW UNIT Diddley Squat CD
CHAOS UK Enough To Make You Sick CD
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FERD MERT All This And Morons CD
FRIGG A GO GO Penetrating Sounds of CD/LP
GBH Live In Japan CD • 1 7 songs
HOOKERS Satan's Highway CD/LP
THE LOWDOWNS Diggin A Hole LP/CD
TH' LUNKHEADS Swingin' Sinners CD/LP
PROSTITUTES Cant Teach Kids Responsibility LP
SCREAM Live at the Black Cat CD
SHAM 69 Kings & Queens CO
SMARTBOMB ca Smartbomb ca CD
STALLIONS Hey Baby Its' The Stallions CD/LP
STISISM Coping With Society LP
STRYCHNINE Dead Rats i Oakland Dogs CD/LP
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SWINGIN' UTTERS More Scared CO
TEXAS TERRI i THE STIFF ONES Eat Shit CO
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V/A "No Guts, No Glory" 4 band comp with Workin'
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Comp with Working Stilts. Suspects, Prostitutes, Dropkick
Murphys, Dimestore Haloes, Dead End Cruisers & morel
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price: $12) with Candy Snatchers, Pleasure Fuckers,
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SEVEN INCHES:
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FUCKFACE12"
rs finally out! The last will and testament of this great San Francisco hardcore band. This
will be the only pressing of this record.
Europe In Decline comp. 12"
AH previously unreleased songs from: Freak Show, Mrtva Budoucnost, Cripple Bastards,
Tc4shock,Purgen, Coche Bomba, Wasserdicht, Active Minds, Bullshit Propaganda, Crooked
Cops, Insane Youth, Rezeznia, Silna Wola, Totuus, Left In Ruins, Shock Troop, Total
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Also distributed by Bottleneck, Choke, Revolver U.S.A.,
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OUT NOW
7"/CD-EP
initial state
LP/CD
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.fuckingcom7"
TALK IS POISON
ON TOUR 8/ 1998
8th-New Orleans, LA
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llth-Chicago, IL
12th- Milwaukee!
Manitowoc
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corduroy
■■ .. . ■■ .
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On Acid's
Frank
CD
is out
now
$10.ppd.
1 Sprocket Wheel CD only SlO.ppd.
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WHAT WOULD YOU RATHER SEE, PRODUCT LISTINGS OR ASIAN CHICKS?
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cheaply produced piece of shit live CD
BulgelO*8ppdUS Can' 10 rest of Earth
...I dunno. how many rounds of "Strip Capitals" k
can YOU take? Two sets o' live BORIS recorded i
to DAT off the soundboard in a Wisconsin tavern |
in I99S. 32 songs, 2 discs and lots of babbling. I
Limited to 1 000, if that's any consolation. ,?
| photo of crowd! ' *"" f ^y,'y»
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| Green Bay WI 54305 USA Earth
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currently available:
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Coming out very soon:
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Releases in near future:
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picture disc
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CD = $8ppd
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Buy any three things and get a free 7"
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Quadiliacha
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Amazing &
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Its
Heretical Response EP
Aggressive Grind/
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Das Krimlnai EP
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Awesome 82 song 3 cd box set with
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Can/Mex $3 $4 $5 $6 $9 $10
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>\ t
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Cash or M.O.'s to:" Will Killingsworth'
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rn^tartim^^mal^istR^^vrite^for^radel
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AND MOREur; :m
ORENlEVERYDA YIlOam - 8pm
||§09)J!£4$;1778 ^//.fore/^/Ons/ (I mean diredions) : g|
new wave action
"battle of the bands*
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the ron dell es
iskinned teenl
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laneorai
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Ichecks to "seth bogard" are good £01
|you paranoid types but cash is fine.|
j super-eight undergrbunc
spost. office box 41593
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ammoamma * r 1
lookout for the knock-ups/chase
spli t LP + the pill/lucky tiger -7".
@nn £f*.eir»f Qnvp
^
Rear Estate fraud
Tovgh Guy V &
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3219 LyndaleAve. S. #105
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▼ ■— ■ m " NEW RECC
NEW RECORDS ]
A bunch of bands
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17 band CD
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THE FIXTURES
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27 song CD
1st 2 LP s on one CD.
S8ppd N. Amerlco/$IOppd World
SAM McPHEETERS
AS
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SINKING BODY
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All the stuff on one CD.
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INSULT
I WANNA BE A BURN VICTIM
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Fuck all that weak shit. Brutal.
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0MIM B*MnUkGS&
IS song CD
2nd full length by these O.C. drunks.
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NOTHING TO BELIEVE IN
36 band compilation CD
The Suspects, Naked Aggression,
Horace Pinker, The Meatmen, All Day,
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Klown, Voodoo Glow Skulls, Insult,
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Media Blitz, Apocalypse Hoboken,
Mora) Crux, The Process, etc
$8ppd N. Amertca/$ lOppd World
Dai Klown "Holy Crap!" CD $8ppd North Amarica./$10ppd World
Araon Family "La Coaa Noatra" CD $10ppd N. AJ$ .2ppd World
Scream 'Live At the Black Cat" CD $10ppd N. AJ$12ppd World
The Suspect* "Voice of America 1 1at 7""CD $10ppd N.A/$12ppd World
P.U.S70.M O.B.N.A apllt 7" (3.50ppd N.A/$6ppd World
The Flxturaa "Screw The World" 7" $3.50ppd N.A/S5ppd World
Positive State/The Twenty Two's apllt 7" $3.50ppd N.A J$5ppd World
Positive Staia/Ma|ority Rule split 7" $3.50ppd N. A A5ppd World
Brother Infarlor "Anthems For Greater ..." LP 57ppd NATSIOppd World
Highway Strippers "Stories For Stags" 7" $3.S0ppd N.A/S5ppd World
Subaanity "Human Is Shit" 7" fcl.SOppd N.A-/*5ppd World
46 short aft 7" J3.50ppd N.A^SSppd World
NaM-
ftavtXv«r. OB, UeanatrMt, Chofc* floa. T«mpenwi«
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send a stomp
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RecomS
Mail Mary play these dates
3 SONG 7
TOUR
A TZ WASHINGTON, DC @ CPAC THEATRE ON GW UNtVEBSI-
8 Sat Greenville, NC
9 Sun Columbia, SC
I o MON Tampa, FL @ 403 CHAOS
H TUES GAINSVILLE, FL @ THE HARDBACK CAFE
I 2 Wed Atlanta, GA
I 3 THUR KNOXVILLE, TN fi* £f^
I 4 Fri Richmond, VA ^&i
I 5 SAT READING. PA ^ VebM |FOBM
( l6 SUN A LBANY. NY @ THE LOFT pQ ^ I ^
^— ^— — ^— ^— — — — ^— ^— ^^ Richmond, vm =---
SEND STAMP OR IRC FOR CATALOG P ,eaSG " ^
0r#
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1 iMMm,
i 7" en Whit* Vinyl *
' On the Rag 'lb* M;
IKOkb'j^" $1.50 pp or 5 stamps
P.O. Sox 251 Norco,Ca 91760-0251
www.ontherag.com
A n
Open
Letter
From AML
Records,
My name is
MattBraun.I'min
the band Dick Army here in New York
(not to be confused with the band by the
same name from Arlington, VA). I also,
along with DA's bass player, Rob Novick,
run AML Records. We're a small opera-
tion and have just released our second
and third 7", Dick Army's "Winners By
Default" andThe Bad Popes debut single,
"Fall in Love With...". However, the size
of the headache I am left with due to the
events of the past two weeks or so is
gargantuan.
The record covers for these two
releases were to be printed at Punks
With Presses in Oakland. We sent them
our artwork along with a money order for
$350,.00, which was the price we had
been quoted. We sat back, ready to wait
one to three weeks while the job was
being printed. At least that's how long we
were told it would take.
Three weeks came and went, and
still we had no record covers. With the
record release show rapidly approach-
ing, we were starting to get nervous. Rob
called up and was told that the covers
would be printed on June 4th and folded
on the 5th. After some discussion, Rob
and I agreed that we should ask Punks
With Presses to send the order two day
air rather than UPS ground, so that we'd
have them in time for the record release
show on June 12th, even if it meant
paying a little extra. We then called Punks
repeatedly during normal business hours,
but, strangely, we kept getting the an-
swering machine.
Finally, I spoke to a woman at
PWP named Marie who informed me
that; 1 ) We wouldn't have our covers by
the 1 2th, 2) They hadn't been printed yet,
and 3) Jux, the punk behind the presses,
was in jail. Worse yet, she told me that
she couldn't even promise me ourcovers
three weeks from then, and that she
couldn't return our money at the present
time.
So here we sit $350.00 poorer
with no record covers. I'd be anxious to
hear from anyone who could let me know
what's going on at Punks With Presses
as well as anyone who finds themselves
in a similar bind at the presenttime. In the
meantime, I'd also like to recommend
Imprint in Venice, Florida to anyone who
needsthings such as record covers printed
up. Talk to Walt, he seems to be a great
guy. He also beat the PWP price!
Rest assured we will get the money
back sooner or later, one way or another.
I truly hope that doesn't have to include
legal action. Not just because it wouldn't
be very "punk rock", but it would also be a
huge hassle for all involved.
You can write to us at AML, PO Box
1503, NYC, NY 10009. Thanks a lot.
Matt
Matt,
Unfortunately, you aren't the only
one we've heard with this problem. We
called the folks at PWP to get a response
to this letter and were told that that Jux is
still in jail. It doesn't look like he's getting
out anytime soon and nobody is taking
over in his absense. Basically, what we
were told was for people to just consider
their money spent as a loss. Yeah, it
sucks, and yeah $200 or $300 or more is
a big loss to take, but really there's not
much anyone can do about it. Occasion-
ally, people are at the press, so just be
persistent in calling. Hopefully you'll get
someone to answer; they should be able to
return your art, films and whatever else
PWP might have. Good luck, and thanks
for the recommendation of the printer in
Venice. MRR
s, —
Dear MRR,
B
I've got a beef with
Pushead. A couple of them ac-
^ — tually. First, I was foolish enough
to send Pushead more money for phase
sans of his fan club. I should have learned
my lesson from phase 2. What the fuck? I
can't remember the last time I received
any records from that rip off scam club. All
I get is an update sheet apologizing for the
delay and promising great records. The
only thing I've gotten so far was the 'privi-
lege' to buy the Devoid of Faith 10". I paid
thirty bucks for the privilege to buy a ten
inch for $10. 1 didn't even get the Bacteria
Sour 2x7" comp. from him. I had to buy it
through a mailorder. He said in his update
that we're all getting a copy of that one,
well it's out and I haven't gotten one. He
said the Devoid of Faith 1 0" sold out and as
'a plus to fan club members' it will be
remixed and re-released. How is that a
plus? The value of the 1 0" will drop with its
re-release. He's said he sending a 'Shop 2'
catalog in June, well it's June 20th at the
time of writing and I haven't gotten it yet.
Want to bet I don't by the end of the
month? So for over a year Pushead has
had my $40 and I have nothing but prom-
ises. I'm thinking class action suit if he
doesn't shape up quick.
I've got another problem with Brian.
Remember when Green Day went to
Reprise and sold like 10 million. Every-
one bitched they sold out, and rightfully
so. Same with Offspring, Chumbawumba
and Bad Religion. What about Pushead.
He's still viewed as some scene god.
Sure, Septic Death was great. 'Attention'
was one of the first punk records I ever
bought. But is it any better than early
Discharge or the second Napalm Death.
When their later releases sucked, no one
hesitated to criticize them. Although
Pushead hasn't made any new music, he
sure has sold out in other ways. His first
Metallica work, I believe, was the sleeve
art for the singles, 'One' and 'Eye of the
Beholder'. OK.
Metallica was still somewhat un-
derground then. Well, not really, they
opened for Ozzy on the 'Master of Pup-
pets' tour, so their direction was clear an
album before Pushead was hired. He
went on to do other designs for Metallica
when they were headlining Lollapalooza.
And he's bragging about doing new de-
signs for them in his fanclub updates.
There have been many bands he's done
work for that are totally out of the punk
realm: Dr. Dre, House of Pain and Prong.
I know he has to make a living but with
punk, you're either in or out. No band
would get away with this fence walking,
why should he? Let's not forget that he
licensed out his 'skull in the hand' image
to some mainstream temporary tattoo
peddler who put them in the malls, went
out of business, and gave all the unsold
ones back to Pushead who sent them out
to us as fan club premiums. And of course,
there's the Rush 'Roll the Bones' tour
shirt he did.
People bitch about Agoraphobic
Nosebleed's deal with Relapse, or MRR
'exposes' AK Press for it's dealing with
Epitaph, but nobody says shit about
Pushead. Probably because they're afraid
they'll get black-balled from his club and
won't get the copper cover edition of his
next release which they'll try to trade for
an SSD record or sell for $40. So it's not
all him, it's my fault as well for buying his
records and excuses. Most of his Bacte-
ria Sour releases like Rocket from the
Crypt and Cocobat are indie rock at best.
And others like OAC or Snakeburn just
&m$mimfflmmmm
plain suck. If they
weren't on his la-
bel they'd sell
probably 50
records. Sure he
j pulls off a good
one from time to
time but then signs the sleeve and who
cares about the band, it's got Pushead's
signature. The sleeve is merely a vehicle
for, or extension of the record that's
inside. It's the music that is important.
Who cares if he found some old floppy
discs in the trash and stamped a design
on them (Roswell Project 7"). He could
hand paint every cover and if the record
sucks, it doesn't mean shit.
Maybe he's hanging on to the punk
scene because he's hanging on to his
youth or, more likely, to make a buck,
either way I don't think he's contributing
anything anymore. His days of 'Burial'
and 'Thrash til Death' are over. Thanks,
Jeremy Janson/ 1529 W. Homer/ Chi-
cago, IL 60622
y^MRR,
^L %^^ I'm writing this as a
. ^%^^ warning to anyone planning to
order from a distro in Marietta,
Georgia called Disdrunk. Almost a year
ago I received a catalog and showed it to
a friend. We went together on an order
for a couple of shirts and patches.
I know that people running small
distros can be slowed down and a lot of
the time they are testing the waters. After
a month or two I wrote a letter to see what
was going on. After another letter I finally
got a response from one of the guys that
helped out with the distro. He basically
said I was trying to cheat him and said
some other stupid crap. After that I wrote
another letter and got a letter back from
another guy there. He said he was sorry
and that he had found one of my letters.
He went on to say that my order was
ready but the other guy had sent it out to
someone else. He said he would send
out my order and that I could have a
couple of extra shirts for my troubles. I
wrote back and said I just wanted my
money back because I was sick of wait-
ing, and that's the last time I heard from
Disdrunk.
Joe Van Nurden/ Nowhere Fast/ HC 1
Box 147/ Marcell, MN 56657
P.S.I also wish to apologize to the
small number of bands that sent in songs
for my tape compilation, yet another
project that fell through the cracks.
JjUJfc Dear Renae and Jen,
M K I don't doubt it's good
^L«Jf intentions, but Renae Bryant's
column on birth control (in #1 80)
was fulloi inaccuracies!
You (Renae) say you switched from
using the pill (usually with a condom) to
using the diaphragm because you were
afraid of getting pregnant, but you don't
mention that the diaphragm is a much less
effective form of birth control than the pill.
I don't have any exact figures in front of
me, but the diaphragm is considered to be
about 77% effective, while the pill is over
90% effective and when doubled up with a
condom it is something like 98% effective,
or the mosf reliable form of birth control
besides sterilization. When I asked my
doctor about using the diaphragm she said
I would have to consider abortion as a
backup because the diaphragm fails a
substantial percentage of the time.
Withdrawal, which you call a non-
method, is actually about as effective as
the diaphragm (of course it requires that
the guy be totally reliable.) Obviously, it's
not safe sex so I'm not recommending it. It
makes me mad that health practitioners
tell kids that withdrawing is the same as
using nothing (or the same as not with-
drawing). Common sense alone can tell
you that's not true.
Vasectomies are not easily revers-
ible. Although they can sometimes be re-
versed they are generally considered irre-
versible. In other words, if you get one,
don't expect that it can be undone, be-
cause sometimes it can't.
Rather than causing cancer, the pill
actually protects against some cancers. It
can also reduce severe cramping.
Also, no one told you about the
morning after pill because until recently no
one told anyone about the morning after
pill in the U.S. — I had read about it in
women's magazines in Europe in the 70's
and was under the impression it was rou-
tine, but when I asked about it at University
health services in the U.S., they told me
there was no such thing, even though it is
just regular birth control pills taken at a
specific dosage. (I don't know what that
dosage is, but it would be a good thing to
print in MRR).
And let's not forget that there is a
method of birth control of last resort that is
1 00% effective: abortion. No one who gets
pregnant has to stay pregnant. That's an
important thing to mention with all this
sanctimonious talk about unwanted teen-
age pregnancies being caused by sex.
They are caused by, among other factors
(such as feeling desperate, needy, and
unfulfilled), lack of education about and
access to birth control, and by keeping
silent about abortion. The right wing fun-
damentalists and hate mongers have suc-
ceeded in making it a taboo issue, notjust
in the media, but even among health
practitioners, who would not dare to give
a scared young girl the advice that if she
finds herself unwittingly pregnant, an
abortion is the first thing she should con-
sider, and that it is, in fact probably the
best choice in most cases and not some-
thing to be approached with shame and
guilt but as just another birth control op-
tion. (But which is still a medical proce-
dure and which can be quite painful, so it
should still be avoided as far as possible
by always using birth control.)
Also, the list you give of possible
side effects that can be brought on by the
pill is misleading because every medica-
tion has a similar roster and most of the
side effects occur only rarely. The pill is
safer than most prescription medicines.
/4//medications list nausea, nervousness,
dizziness, and rash as possible side ef-
fects, by the way.
Anyway, thanks for bringing up the
issue. We certainly need a lot more info
about sex and birth control out there.
Women's magazines in Europe are a
great source of frank information. Like:
did you know that if you're on the pill you
can delay your period by continuing to
take the pill when you're supposed to
stop (at the end of the 21 -day cycle) and
then when you do stop, you'll get your
period? Love,
Clementine
P.S. Another big problem with the
pill and diaphragm is that you have to go
to the doctor to get it (as if having sex was
some disease!) which costs mucho $$$ if
you have no insurance (like me) and
which is so unpleasant I won't even con-
sider it (anymore).
^£j\ Dear MRR readers,
vmuj% I have been an avid
^K^ reader of Sheri Gumption's
column for the past six months,
and have appreciated the points that she
has made in her column; however, one of
her columns (I believe it was issue # 1 80)
really bothered me. I came to realize that
the public in general is very ignorant
when it comes to rape. I have recently
become a volunteer for the local rape
crises center and I am faced with this fact
again. So, what I
would like to do is
offer to all of the
readers of MRR a
way to become
educated. I have
oodles of informa-
tion that I can send to anyone who wants
it. Unfortunately the information on the
specific laws is only locally based, so I
can not tell you what the exact wording
and the sentencing would be like foryour
area, but the basic meaning of the word
rape stays the same from state to state.
If you have information about the laws in
your area then I would greatly appreciate
it if you could send me a copy so I can
pass it on to someone else in the same
state. (Rape laws are usually state wide).
Also if you have any specific questions
then let me know what they are. There is
no such thing as a stupid question, how
can you be expected to know something
you have never been told about. You can
reach me at ambrai@starmail.com or
P.O. Box 62033, N. Charleston, S.C.
29419.
Ambrai
Dear MRR,
I've heard enough of
the bitching going on in the
scene about Rancid and Green
Jf
Day "selling out". I think it's great that the
scene gets built by the addition of some
of us newer punx and isn't strength found
in numbers anyway.
I am one of the many kids exposed
by the great sound of Rancid. Though
"selling out" has changed Rancid's sound,
I have to also say that by exposing me to
punk rock that it has helped build a scene
that is slowly being built. I have always
heard and complained of a shitty scene.
I didn't think of doing shows until I looked
through the latest Book Your Own... I
started doing shows in a small town of
Bridgton, Maine. My shows have brought
in 50-1 00 people which is a good turn out
for a town out in the woods of Maine. It
seems the strongest places in our scene
(Maine) in up north in the woods near
Augusta or down south which is in
Kennebunk or here in Bridgton both 30 or
20 minutes away from from the nearest
city, Portland. My point in all of this is that
by "selling out" Rancid has helped the
scene by getting more kids in the scene,
and also have helped by getting more
d.i.y. shows in small towns areas like the
Maine state. Some of the kids Rancid
has exposed have done more than the
kids who've been around for years and
years. I would like to finish by thanking the
bands and people who have helped our
still small scene in Maine: the Ducky Boys,
the Showcase Showdown, Ron Lacer,
A.L.U., the Pinkerton Thugs, Big Meat
Hammer, Crack Rock Records, and all the
Maine punx and bands who have done
shows here. Bands who wanna play in
Maine, please write me. Thank you,
Josh Lundin/ RR #1 Box 1258/ Bridgton,
ME 04009
P.S. Keep doing Book Your Own
Fucking Life. It's a great help.
©Dear Maximum,
I don't know if you have
found the stolen records. But if
not I believe you should ask read-
ers to help keep up the library of
records that Tim left. From what I read, it
seems that the collection (which is exten-
sive) is available for many people to listen
to. This is a valuable and non-replaceable
resource for those of us who love and
believe in Maximum Rocknroll (I hate the
term punk, ei Punk Planet, etc.)'and should
be maintained. Anyways, I am enclosing
$20 and would be willing to make regular
contributions for a worthy cause — kind of
like donating to a sucky public tv station.
If such a program/charity is feasible
and/or set up, please use the $20 to re-
place or keep up the Tim Yo record collec-
tion and if you can respond to this letter
about regular donations in the future, I'd
appreciate it. I hope that I can be helpful as
Tim + MRR have meant the world to me
and taught me all I know about good mu-
sic. Thanks for keeping it trashy, raw, fast,
loud, etc.
Matthew C. Wallack/ 410-B Park Ridge
Lane/ Winston-Salem, NC 27104
Mat,
Thank you very much for the ges-
ture. We have funds to replace the records,
the problem is finding the records. The
records stolen are very rare and don't
come up for sale very often.
We'll continue to leave the library
open as a place for people to check out
music. We're not going to let a few jerks
ruin it for everyone else. Thanks again for
writing.
Jacqueline
W
Hello everyone...
After reading the 'What's
the Scoop?" page in #182 (July
1 998) I felt compelled to respond to those
people who answered. Community and
unity in the punk scene (and, on a broader
scale, between all groups or peoples
involved in resistance to the capitalist
machine) is vitally important, and despite
the pessimistic and cynical remarks of-
fered on that page, is happening, and will
continue to grow. I know it sometimes
seems as if we're fractured and disjointed
and like there's no reason to hope for any
change, but we can see that unity at
every show, when people are united by
the music, and at every rally or protest,
when people set aside differences to
fight a greater enemy. There's always
differences, and cliques, and petty
bullshit — we're all human, and we're all
living in a fucked-up world. But there is
hope, and if we just look around we can
see it. If we close ourselves off, both to
hope or to other people who aren't "punk,"
then there will be no hope, and the sys-
tem will have beaten us down for good.
Keep your idealism, keep your hope,
keep your sense of humor, because with-
out those things, there's just no reason to
keep fighting. "I'm not right to judge you
and you are wrong to judge me/If we shut
our eyes and opened our minds we'd see
things differently" —The Pist. Thanks for
listening, and for the chance to respond.
Chad/ 710 Montclaire NE/ Albuquerque,
NM 871 10/ askwhy@x-net.com
P.S. To Pogo and Beaver Boy—
what makes you think you are any better
than the "preppy assholes" or "pc
assholes" you complain about? To me,
you two sound like the prejudiced mo-
rons, judging people just 'cause they
don't have a studded leather jacket or a
mohawk...
MRR,
Hello my name is Weird Paul, a
^^^ denizen of the punk commu-
I nity in Tallahassee. Lately I've
^^^^ been looking at things in a new
light. It is like my eyes went blind
and were replaced with fresh ones. I
used to look at the younger kids getting
into it as degenerates, dumb asses, and
posers. I really loved making fun of them,
but maybe I've matured a little, now I see
them as a potential instead of a failure.
I've been looking back when I was just
getting into punk, and I think about the
way the older punks probably thought
about me. They, the older punks, prob-
ably thought I was a degenerate, dumb
ass and a poser. Being older should not
give me a right to
judge, I think in-
stead my experi-
ences and ideas
should be ex-
| pressed to help
- •■"■-* younger kids to
understand who I am as a person. Un-
derstanding other people is the first step
to seeing that the other person is your
equal. And in the end, we are all equals,
no matter how different our opinions are.
The government sucks, right? Police, for
the most part, abuse their power, right?
That is probably two opinions almost all
of us would agree on, and these are more
social positions to stand on. Eating meat
is bad. Drinking alcoholic beverages is
fun. Those are two opinions a lot less
people agree upon, and these opinions
should be kept personal. These are
choices we make ourselves, we should
not try and force people into personal
choices. Do you like Christianity crammed
down your throat? I don't like veganism
crammed down my throat. People are a
lot less open to ideas when somebody is
insulting their lifestyle. In the back of our
head we always have a justification for
our own actions.
Admitting you are wrong is prob-
ably the hardest thing you can possibly
do, but you will be a better person for
admitting you are not perfect. We should
appreciate not being perfect. Being and
knowing you are not perfect is a lot less
pressure on you. You don't have to live
up to anybody's expectations. And for
you younger kids, not doing what your
parents expect is rebellious, and being a
rebel is showing your parents you got
your own mind. After awhile your parents
will learn to lay off you, at least my father
did. We don't have to be anyone except
ourselves. Being different to everyone
else is by my standards one part of being
a punk. Look at gangstas, rednecks, and
hippies, they all pretty much talk the
same, dress the same, share the same
beliefs of their group, and they all pretty
much think we suck because we are
different.
We all have people who influence
us, there is no way around it. We have
influences because people have some-
thing we want to learn about them, the
same applies to bands. Learn not to rely
on or idolize your influences, 'cause they
like you and me are less than perfect,
and they will do something that will dis-
appoint you. Learn whoever you hold in
high regard is your equal and if they do not
see you as their equal than should you
hold them in such high regard? Equality no
matter how different we are is the only way
we can have unity. Why unit/? The sim-
plest answer I can give you is this. Is one
voice louder than ten or even a hundred or
even a thousand voices? An answer in the
form of a question, I am getting old!!! I am
not trying to say we all have to be friends.
But we all have a few common opinions
that would be better heard if we shouted
together. I know that unity can never hap-
pen because people have egos, and if they
were to be for unity then they would be the
same as a person they think is a nerd or
whatever. Self pride stops us short of our
potential. Different opinions stops us too,
even though we should respect and be
tolerant of different opinions. I hope I got
through to at least one person. Be differ-
ent, be yourself and at least I will respect
you for it. Send letters about your own
beliefs to:
Weird Paul/ 2909 Gallahadion Ct./ Talla-
hassee, FL 32308
P.S. Sheldon Marcus in DC and
Ross in England, both of the letters I sent
you guys were returned, sorry.
P. P.S. Wrestling punx write me, I
like the ECWN!
P. P. P.S. Power to the punx!!!
Paul,
First you say that if we have a con-
troversial opinion (like eating other critters
being bad) we should keep that opinion to
ourselves. Then you bag on gangstas, et
al. for all having the same beliefs. Well
which is it? Should we only say what we
think when everyone agrees? Thats's about
as punk as a $20 tie-dye. Jeff M.
Dear Maximum R+R,
Mr. Brian Dickinur Daughter here,
just fucking writing you guys [sic]
to express the current situation
with punk/rock-n-roll. What the
fuck happened? I've been to sev-
eral shows lately and it seems to me like
the bands that have been coming out the
past few years are getting more retarded
by the minute, these motherfuckers think
punk rock is about having a blue mohawk
+ throwin' 40s at people. And every god
damn band sounds like fucking Bad Reli-
gion or NoFX, whatever happened to
originality? I mean having a blue mohawk
+ throwin (empty) 40s at shit while listen-
ing to NoFX is all good, but it's like they
completely missed the whole message of
what punk rock is all about. And back
when punk first started nobody sounded
the same! Sex Pistols didn't sound like
the Clash + the Clash didn't sound like
the Ramones, + the Ramones didn't
sound like the Misfits or the Germs or the
Dead Kennedys, I mean I could go on all
night here. And I could give you a thou-
sand instances of new school punk bands
that sound just like NoFX. Hell, half the
fuckin' bands on Fat Records sound just
like NoFX (but that's Fat Mike forya), and
Ben Weasel thinks he's fuckin' Joey
Ramone, I mean the list of bands that
sound just like somebody else is never
ending, and I'm fucking sick of it. I mean
I can't be the only motherfucker in the
punk rock world that feels the way I do.
And thank god for a magazine like Maxi-
mum Rocknroll that keeps my appetite
for original punk rock/rock-n-roll occa-
sionally fed, and allows me to express my
opinion about this shit. And for those of
you who are sitting there thinking "what
the fuck are you going to do about it?",
I've been playing in bands my whole life
(well since I was 15), and none of them
sounded like any other band, so fuck off.
And I hope to god that these kids that
think they are punk rock, and have Ex-
ploited patches on their backpacks but
don't own any albums, eventually some-
how grasp that we're not just fighting for
no reason, that we're fighting for some-
thing! And when you put on your Dead
Kennedys album, listen to the lyrics this
time. And for you punk rock bands that
that cover Operation Ivy songs, and NoFX
tunes, and sound just like another band,
scratch your whole set list + write some-
thing original! Later, I'm fucking gone,
Mr. Daughter
MRR,
Why is it when I open
up the latest issue of
MaximumRockNRoll 90% of
the bands inside are totally
UNHEARD OF up here in Vancouver,
B.C. CANADA. I think it has mainly to do
with the fact that 90% of these bands
NEVER tour here. The last good concert
I saw was Poison Idea where the lead
singer almost burnt down the starfish
room., or the Real McKenzies who are
one of the best live acts around...
But even our REKKID STORES
are BUNK. Christ, A/OBODVcanies any-
thing by Poison Idea, the Pist or even
good compilations. Probably due to the
fact again that most of these bands
NEVER TOUR in
Canada.
Why is this? I
must know! Is it
because a six-
I pack of beer costs
$11? Is it because
all the venues suck? Is it because of our
fucked tax laws? Or is it the nazi boot
patrol customs canada boarder guards?
WHHAT?
WHHHAT?
Fucked up shit,
Jesus Bonehead - not of the dayglo
abortions
Jesus,
Canada??? Where's Canada?
Mark
DearMRR,
Recently, I have been
hearing a lot of shit recently,
well not recently, but for the
last three years which I have been into
punk, about shit like, "Oh, well punk is
dead, blah, blah..", "I remember the good
old days, blah blah..", "the scene is not
like it used to be.. .blah..". Well, you get
the point.
This letter was actually first going
to be written to respond to Brian Zero's
statment that "punk is so dead that it is
undead, blah. .blah". But in issue #1 82 of
your fine publication, there was a letter I
read that made this letter take a more
urgent and confrontational stance on the
"Punk is dead" debate. This was the
letter from Jakkie Klinick who had been
into punk for one and a half years and
wanted to let people know what "punk
really is."
Well Jakkie, you are going to have
a hard time doing this, because punk is
not one thing in particular. Punk is a
thousand things at the same time. To
some, punk is leather jackets and
Ramones albums, to others, it is greased
back hair and Cramps albums, to many it
is dreadlocks and Neurosis 7"s. It is
diverse and segmented into a thousand
microchosms, but that does not really
matter.
What does matter is your reason
for being a punk. Whatever reason it is, if
it is a good one then you will stay in the
scene forever. Contrary to what many
believe, the spirit of punk never really
dies. It lives on with every new punk who
involves himself with the punk rock scene
and every old punk who just can't seem
to give up the ghost and grow up.
Mr. Brian Zero, your sentiments are
well taken, but they are not the truth. To
begin my argument, l)People have been
declaring punk rock as being dead since
1 979. If you don't believe me, then pick up
any flipside from that era. 2)The people
who are saying this are not truly looking at
the scene objectively, instead they are
speaking from their own jaded feelings of
abandonement. They feel that what got
them into punk (whateverthe reason might
be) is no longer there anymore, and punk
rock is changing on them.
This reminds me of a scene from
that cheesy, '80s movie "The Breakfast
Club". The scene where the high school
Principal is talking to the janitor saying,
"There is something wrong with these kids,
they've changed on me." The Janitor re-
sponds with "These kids haven't changed,
you have."
Now I am not saying that punk rock
hasn't changed. Never before has there
been more media exposure to our cher-
ished scene. But if the only reason you got
into punk was so that you could be mem-
ber of some elitist, underground organiza-
tion, then you can always join the shriners
or the masonic temple.
But if you are like me, then there are
times late at night where you put on your
favorite punk album (whether it be pop-
punk, crusty-punk, hardcore, whatever)
and you still feel the excitement that got
you into punk s6 many years ago, then it is
all worth it. To quote Aaron Cometbus,"We
have no food. The water is shut off. The
plumbing is destroyed. The backyard is
piled with bags of our own shit. We have no
hope and no future. As normal members of
society, these are signs of failure. We may
as well kill ourselves. But as punks, these
things are badges of honor, the subject of
the proudest boasts. Let us remember
who we are, and the fact that our failure
and misery is but a tribute to our culture,
the lifestyle of the true believer." Signed,
Lindsay McLeary
MRR,
About the July '98 issue.
Your guest column was written
by Kenneth, the bass player of 10-96, not
by me Mike Beer City. Let's give credit
where it's due. I just e-mailed it to MRR.
Take care, stay well, sk8 tough, f.s.u.,
Mike Beer City
P.S. 10-96 just completed another
tour! Look for Kenneth's new tour diary
very soon.
A Maximum,
OK so I forgot to bitch
about the "review" that Lance
Church did on the Disgruntled
Nation 7" on Beer City. What the fuck?
OK so you don't like the band—
that's perfectly ok (I disagree with you—
the shit is raw baby), but dissing Beer
City?!?!? What the fuck?
That is some fuckin' bullshit. You've got
some damn nerve. Mike Beer is not only
a great guy, he has helped out a ton of
bands by giving them a 7"— whether they
deserved it or not. You don't like Beer
City? It's boring? I'm sorry— I mean I'm
nor sorry— but your J Church shit is as
fucking slow and boring as a bowl of Karo
syrup. Yes, this boils down to a matter of
opinions, but that "review" boils down to
a matter of a personal attack on Beer
City— one that was not deserved. Why
would you even run that review? I won-
der. Maybe I missed something I don't
know. Either way, he better watch out.
There are a lot of us "boring" bands on
Beer City and many are more pissed off
and a hell of a lot more psycho than I am.
Does that sound like a threat? It's not, I'm
just saying. . . Thanks for letting me vent.
Love,
Garthy
P.S. Tim Yo R.I. P.
Maximum Rocknroll,
Nyar!! Issue #181 was fuckin'
spectacular! An issue dedicated
:::: " to pirates, what a great idea! I
think this is the best issue of MRR yet!
Keep up the great work. Thanx,
Mr. Ko/ 830 Fogg Pike Road/ Mt. Sterling
Rd./40353-9580/mrkpunk@hotmail.com
C63
Readers:
This is Chris who lays out
the letters. We had some
room, so since I also lay out the
scenes, I thought I'd write a quick letter
asking someone who lives in New Or-
leans or Baton Rouge to write a scene
report. Also, remember, if you do a scene
report, take clear, well lit pictures. Posed
pictures of a band are way better than
dark uselss shots of them playing. Also,
send pictures from parties, they're neat.
—Chris
Email:
maximumrnr@mindspring.com
(use this mainly for comments &
letters-to-editor. Use phone for
ad reservations. Do not expect
answers, but you might get one)
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They're gonna put me in the movies
They're gonna make a big star out of me
The biggest fool that ever hit the big time
All I gotta do is act naturally.
— Buck Owens, Ringo
Star, Charles Starkweather
It was more frustrating than a con-
stipated GG Allin. Coming at me from all
sides. Vegetarianism is natural. Homo-
tude is natural. Patriarchy is natural. Oy
vey!
' In how many arguments have I
proved that humans are naturally om-
nivorous — not vegetarian? How many
times have I shown that people aren't
naturally endowed with a particular sex-
uality, but with every sexuality? How
often have I demonstrated to those who
say history is naturally male-dominated,
that males are the ones who write the
history?
What's natural is an argument used
by everyone from animal rightists to
white supremacists. So this month, I
wanna look at that argument and see
what I can do with it.
First, what the fuck is natural ? There
are a few choices. Three of the most com-
mon are:
l.Naturalissomethinggenetically pro-
grammed, not a product of choice.
2. Natural is something common to
animals and reflected in everyday life in the
animal kingdom.
3. Natural is something that occurs
without interference from products of human
invention.
Reflecting my affinity for the rear,
let's examine the last definition first.
DOCTORSDISCOVERNATURAL,
proclaim the headlines of my health food
store giveaway. I pick it up, expecting to
find a hot spread with pics of naked
doctors. Instead, there's a story on or-
ganic food. Yawn!
View number three, however, is the
one used to promote everything from
organic foods to nudism. It divides the
world into "natural" and "artificial." God
makes the former. Humans make the
latter. Natural is good. Artificial is bad.
What is the validity of such a dis-
tinction? Humans are not the only ani-
mals to make things. Spiders make webs.
Beavers make dams. Birds make nests.
Are these structures "unnatural" because
God didn't unzip them directly into the
earth directory?
It's 1969. I'm at Big Sur in Califor-
nia, making the pilgrimage required by
the decade. Three college buddies have
joined me in the rite. We're there to com-
mune with nature. To go where Henry
Miller went. To experience the joy of that
green covered rock, rising majestically
out of the sea.
The four of us stop to smoke a bit of
nature brought with us from town. I
can't enjoy the view, though. Too much
Mexican food has set loose the waters of
my l«wer intestine. My fecal Titanic de-
mands to sink. I excuse myself.
Walking uphill, I come to a small
area fenced in with barbed wire. The
wire is low, four strands around eight
wooden stakes. What evil lover of pri-
vate property could build a fence here? I
will violate that abomination.
"No one owns this beauty." I think,
pushing the wire down with my boots.
"I shit on your ownership. All pow-
er to the people!" I tell the vegetation.
Pushing over a stake, I climb past
the wire and enter a little grove of trees.
Shiny green underbrush covers the
ground.
Lowering my pants to my knees, I
squat. Ecstasy! Thebrownness explodes
outward, covering the leaves, the ground,
the back of my legs. Another rumble.
Another splat. Ahh, this is heaven-
fenced in with barbed wire.
After I'm done, I grab a handful of
leaves and wipe my gloriously tender
little hole. Wipe the backs of my legs.
Wipe my fingers. Throwing the leaves
back on the ground I think, "take that
you barbed-wire oppressor." It's a few
days later that I realize the leaves I used
were poison oak.
Natural? Sure. But for weeks, I
wished I'd had the artificiality of
Charmin. Even if we accept the natural/
human distinction, we have to acknowl-
edge sometimes humans do it better . This
definition does not make a good argu-
ment for natural. It certainly doesn't give
ammunition to people who decide good
or bad based on "what's more natural."
Now let's look at the second defini-
tion. Maybe we can judge what's natural
if we look at what animals do.
A correspondent named Roxie
wrote, There are some ducks (mallards) who
live in the lake near my house. Every year,
four males chase a female around (always the
same female). One drake will hold down her
head, two will stand lookout, while the fourth
jumps on top of her. Of course, it is a lot of
commotion.
In Discover magazine, author Bar-
bara Smuts (yep, that's her name) de-
scribed the following: Theattackcame with-
out warning. One of the males charged to-
ward us, enraged, hair on end, looking twice
as large as the small female. As he rushed by,
he picked her up, hurled her to the ground,
and pummeled her. She cringed and screamed.
He ran off, rejoining the other males seconds
later, as if nothing had happened. It was not
so easy for the female to return to normal. She
whimpered and darted nervous glances at her
attacker, as if worried that he might renew his
assault.
Was this a hardcore matinee? Nope.
It was in the jungle, among chimpanzees,
humanity's closest relatives. (Much clos-
er than most attendees of hardcore mat-
inees.) The conclusion: RAPE IS NATU-
RAL, at least by this definition.
Do we justify it because animals do
it? Do we say it's part of our nature,
because it's part of animals' nature? Does
this make it right?
Animals can prove anything to any-
one. Social Darwinists have used perver-
sions of the animal argument as long as
there have been Social Darwinists.
Anything is allowed," they say,
"in the end it's the survival of the fittest.
The strong triumph over the weak. Law
of the jungle, you know?"
When Darwin talked about "sur-
vival of the fittest" he only meant the
ability to drop puppies. Screw and spew.
He wasn't talking about strength, pow-
er, ruthlessness or any of the other qual-
ities the bell curvers use. Law of the
jungle? Survival of the toughest? Yeah,
just look at the dinosaurs. They didn't
have a clue about survival. They were
just big.
Besides, animals are cannibals, mur-
derers and torturers. Is it valid to claim
what we do is better because it's more
like them?
Definition number three is the most
difficult. It is the vaguest. When dealing
with it, it slips away like a limpie on
virgin.
How do we know what's "geneti-
cally programmed?" How can we tell
what we add onto ourselves, and what is
"really" us?
The idiots of science, and other self-
serving institutions mutilate fruit flies in
hopes of finding "the alcoholic gene,"
"thehomo gene," "the intelligence gene."
Genetics has replaced patriotism as the
last refuge of the scoundrel.
Instead of "the devil made me do
it," of the 1600s we have the "my genes
made me do it" of the 2000s.
A young new-ager sits in full lotus
position on the floor. She is naked. Her
long black hair hangs limply down the
side of her face. Her breasts, double-fist
size, dangle loosely against her ribcage.
A small red candle bums on the floor in
front of her. She trains her gaze on the
candle, focusing her mind on the flicker-
ing flame. Her thoughts turn inward. She
sees herself as a huge onion. Through her
meditation she peels that onion. One lay-
er at a time. She looks for center. At that
point, she'll discover her real self, her
true nature.
Slowly she peels. The outer layer.
The next. Then, the next. As the wax
trickles down the candle stem, the young
woman removes her ego, her personali-
ty, her parental influence. The great on-
ion that was her being, slowly diminish-
es. When she peels the last layer, the
inside is revealed. It is empty.
See? Both science and meditation
are wrong. There is no REAL inner you.
There is no you independent of the out-
side world, independent of your will and
influences. Genetics may make your eyes
green or your penis short. But it doesn't
make you fuck boys or take drugs. Your
personality is not an inner soul, but a
combination of everything that happened
in your life. When you throw away those
onion skins, you're throwing away what
has real meaning.
Twelve steppers tell each other
they're powerless. Their body, their
genes, have made them what they are.
They have no choice. But others have
gone through the same thing — and
through the force of their own will, con-
trolled it. Different genes? How do you
prove it? With fruit flies?
Homos now use "it's my genes" as
an argument for their sexuality.
'I can't help what I am," they say.
"It's genetic."
Homosexuality becomes a disease,
like Ty-Sachs.
"Feel sorry for me. Don't hate me,"
is the implication. "If I could, I'd be just
like you."
This argument takes away the "re-
cruit" problem. "Your kids are safe," say
the homos. "You can't catch a genetic
disease."
Though they keep looking, scien-
tists can't find thathomogene. How could
they? The idea of homosexuality is based
in our culture. Other cultures consider
only male butt-fuckees homos. In some
cultures, there's not even the concept of
homo. How can a cultural idea be genet-
ic? It can't.
That's not the point though. The
fault is not in the answer, but in asking
the wrong question. Why bother looking
for a homogene in the first place? Why
shouldn't you CHOOSE to be a homo if
you want? And, if you want, why
shouldn't you recruit new members into
your club. Homo recruits have more fun
than army or Jesuit recruits. What's the
problem?
Basically, it doesn't matter what's
natural. If we define natural as anything
in nature, then everything is natural
Nothing occurs outside of nature.
That means natural is not an argu-
ment for anything. Not for PETA. Not for
Pat Robertson. Not for me. It should nev-
er have been important. Now, what do
we talk about? How about: what's right?
ENDNOTES:
— >I've only seen a few Video-music CDs.
Though I usually hate music videos, I
like the idea of putting them on a disk.
Then, unlike with MTV, the viewer has
control over what to see and when.
Grita's (www.grita.com) "Todos
Tus Muertos" and Sudden Death's
(www.suddendeath.com) DOA (yes,
THAT DOA), have done good jobs.
They're an alternative to MTV's DIT (Do
It THEIR way). Also, there's some fun
stuff for you to just stumble on.
By the way, DOA, in its latest incar-
nation, put on a great live show at Coney
Island High. They played with THE PAR-
ASITES giving something for the kids to
enjoy as well as us oldsters.
I wanna thank Bob Cutler for guest-
listing me and giving me a $1 bribe for
"product placement." Now, place that
product right here...
— > So they're on a major label dept: I saw a
kick ass record release double bill. DICK
ARMY (the New York one) and THE
BAD POPES. George thinks DA are like
early Black Flag. I think they're too funny
for that. TBP are right there in The Stoog-
es mold. Tim wudda loved 'em. As to the
major label thing. That's the name of
their record company, A MAJOR LA-
BEL. Get it?
— > What a deal dept: A company called
TAXI ("The Leader In Independent A&R"
(800) 458-2111 or www.taxi.com) sent
me promo material. It promises "The
easiest way to make money with your
music will be staring you in the face
tonight."
What do these guys do?
They send you a list of record com-
panies. Next to each company is a note
on the kind of music they're looking for.
You then match your music to the
need and send TAXI what matches. They
listens to your cassettes and forward on
what they like. So, not only can you have
major labels reject you, you can have
these guys reject you too! Double the fun.
With a deal-making success rate of
"from 5% to 6%," how could you NOT
jump aboard?
Oh yeah, the cost: if you join before
June 29 (too late!) you can get 50% off.
That leaves you to pay a measly $249.95
for the year. Or "The Best Deal Ever"
only $399.95 for two years. Wow! Where's
my checkbook?
— > / need an extension dept: A couple
months ago I wrote in praise of REO
SPEEDEALER. I planned to see them
again at LIFE, a homocore club here in
NYC. It didn't work out.
I quote the press release
...promoter MICHAEL SCHMIDT
claims that the use of the words Jag' and
'nigger' zuere overheard in the band's dress-
ing room, by "extensions of" himself. He then
cancelled the show, less then a week before it
was scheduled.
Yow! Overheard by an extension!
Now that's scary. Makes you wonder
who those people on the street are exten-
sions of.
If you can't beat 'em, join 'em, I say
I'm now recruiting extensions of myself
for sexual escapades, exotic travel, and
drug testing. If you want to apply, just
tell me in 50 words or less, why you want
to be my extension. Applications with-
out nude photos of the applicant will be
ignored.
— > Letter of the week dept: This one
(abridged by me) came from Collin:
I applied to go to a college this summer
to take philosophy classes. I was accepted. I
was then sent an application to fill out about
what sort of roommate I wanted. The applica-
tion said "list 3 things you look for in a
roommate". I put "an iron lung, a lazy eye,
and a prosthetic leg." I got a letter back that
said that they thought about not letting me
go, because ' it's not good to make fun of the
handicapped. " I was informed that I "need to
be a bit more politically correct" but I would
still be allowed to go.
Maybe if I had told them I didn't want
to room with a 'spic' or a 'nigger', they
would've been somewhat justified in sending
the letter, but personally, I think iron lungs
and lazy eyes are really funny.
Letters, humorous or otherwise are
always welcome. As usual, you can reach
me at: Mykel Board, POB 137, Prince St.
Sta, New York NY 10012 or via email at:
MykelB@ix.netcom.com or through my
fledgling webpage at: http://www.
freeyellow.com/members2/seidboard/
Sign the guestbook. Check the personals.
Who knows what you'll find. Just clean
up after yourself.
— >The pain of constantly being right dept:
I've long argued that there are really no
homos or heteros and no males or fe-
males. The whole thing is a bunch of
made-up bologna, promulgated by a
great conspiracy to make more Chris-
tians. Biologically, we're neutral with a
whole world of possibilities.
So, on July Sixth, the New York Times
runs an article:
"A Canadian boy who was raised as a
girl after his penis was irreparably damaged
during circumcision continues to live as a
woman, suggesting gender identity develops
after birth, researchers say."
Hmmm, if gender identity devel-
ops AFTER birth, that means it's not
genetic, and it is malleable. That means
you can be whatever gender you want to
be. Don't limit your choices to one or two.
Okay?
PP^%
RALL
DEAL
The businessman had always been
kind of dumb.
All his life, he'd always marveled
when he witnessed a human mind con-
juring new ideas from seemingly thin air.
The Journal would run one of those long,
witty middle-column-front-page puff
pieces about some guy who'd been star-
ing at old streetcar tracks emerging from
beneath the poorly-maintained asphalt
on a city street, and how that observation
had led the guy to an idea about a new
type of computer operating system that
had made him and the people smart
enough to buy his stock when he was
nothing — nothing'. — millions and mil-
lions of dollars, and the businessman
would wonder: How did that asshole do
that? And he'd wonder about those smart
investors and ask himself whether he'd
ever jump at such an opportunity if it had
ever been presented tohim. The answer
was always no, of course; his default
response to new concepts was inevitably
no, no, God no. He knew his conserva-
tism doomed him to mediocrity, but he
couldn't help himself. He was just intel-
ligent enough to recognize his limita-
tions.
The businessman was like a person
who has never traveled overseas. He
knew that the rest of the world must be
different, but he couldn't imagine exact-
ly how. Similarly, the businessman knew
that it was possible to be smart and funny
and insightful though he himself was
not, and he couldn't fathom what that
must be like.
Being kind of dumb was what had
led the businessman into business in the
first place. Back in the high school in the
suburb where he'd been raised, the only
class he "got" right away was economics.
Supply-and-demand doesn't require a
knack with words or a paintbrush or the
ability to call up exactly the right equa-
tion to determine how long it takes a
marble to fall from the observation deck
of the Empire State Building to the side-
walk. People sell things to other people.
Whichever side is scarcer— buyer or sell-
er — commands an advantage in that
transaction. Middlemen take a cut. Sim-
plicity is a beautiful thing.
The businessman had gone to busi-
ness school, where he'd met and married
his wife, whose dad owned a big compa-
ny that miraculously found an opening
for him on the "fast track," which was
reserved for people who knew the "right"
people. The best thing about business
was that all the work, the hard analytical
stuff, was done by analysts, people in
their twenties who'd burn out after a
couple of years only to be replaced by a
fresh crop of recruits. Businessmen went
to cocktail parties and accumulated fre-
quent flyer miles and ate steak with cli-
ents and fucked their secretaries in hotels
in dismal middle-sized American cities
whenever they could get away with it,
which wasn't very often.
Soon he found himself on his com-
pany's board of directors. He liked being
on the board; everyone else was kind of
dumb like him. They liked golf. So when
the share price — which determined how
much he was worth, which in turn deter-
mined how much he could borrow from
the bank, which set the size of his new
house, started to fall— the guys on the
board knew what they had to do: They
called around to find someone smart to
lead them.
"I must eliminate whatever is not
the best," the smart guy told the board.
"They call me Rambo in pinstripes, you
know."
The smart guy gave each board
member a copy of his book, "Buy Low,
Sell High, Fire Everyone." "Read it," he
assured the bedazzled coven, "and you'll
see how I turned such companies as
Amalgamated Aluminum, S3 Media and
Houston Crockery around. Let me be
your CEO, and I'll do the same for you."
They all stared at the book in front of
them, but none of them planned to read
it. What was inside was irrelevant; what
mattered was that he had the clout to hire
someone to ghostwrite a book. On the
cover was a photo of the smart guy,
wearing a Brooks Brothers suit and a
shit-munching grin.
Somewhere in a distant corner of
the businessman's brain, a tiny doubt,
the germ of a bonafide idea, presented
itself. Amalgamated Aluminum, S3 Me-
dia and Houston Crockery had all gone
out of business a few years earlier, the
doubting voice whispered. The business-
man reminded himself to have one of his
analysts look into it, but by the end of the
meeting he had been so distracted by the
smart dude's extravagant pledge to in-
crease his shares by 20 percent per quar-
ter that he forgot.
The vote for the smart guy was unan-
imous. He would collect $35 million per
annum, plus options, in the event that he
did what he said, and $35 million per
annum, plus options, if he did not. It was
simple. The businessman, who had yet to
earn a million a year himself, was pleased
with his decision. It was only right that
he pay for the expertise of the smart CEO.
After all, he was kind of dumb, and he
knew it.
It only took a few months for every-
thing to fall apart. The smart CEO fired
80 percent of the company's work force.
When those 35,000 workers lost their
jobs, they dragged 45,000 members of
their families with them onto the dole, a
fact which local journalists never failed
to discuss ad nauseum over the TV at the
clubhouse where he discussed golf with
businessmen from other companies. The
businessman did feel a little guilty— he
wasn't an evil person — but his macro-
economics teacher had assured him that
a rising tide lifts all boats. He didn't
know this personally, having never lived
by the shore, but it seemed to make sense.
More importantly, his company stock
went up 18 percent the first quarter after
the smart guy started work.
What the CEO had never considered
was increased demand. When the word
got out that the company was fiscally
sound, customers put in a lot of orders.
Suddenly the company had massive de-
mand and no employees to fulfill it.
They tried to rehire the people
they'd fired, but in the middle of the
greatest labor shortage in American his-
tory they'd all moved out of the state or
started their own businesses. No one
wanted to work for the company be-
cause it had a reputation of laying people
off, so orders went unfilled. Customers
got tired of waiting, and the word soon
went out that the outfit was unreliable.
The banks pulled out, and that was it.
The end came when an anonymous
Delaware holding company bought the
place for the price of the ouildings where
the company's offices had been housed.
The businessman shared an elevator
down to the executive parking garage
with the CEO he'd voted in six months
earlier. "You turd," he accused, "I'm go-
ing to lose my house because of you. You
were supposed to prevent this. You said
you were smart."
The CEO smiled sadly at the busi-
nessman, his blue eyes flashing. "You
poor, dumb fuck," he said, "you're a lot
smarter than I ever claimed to be. You
were just too dumb to see it."
Send stuff to: Ted Rail, PO Box 2092, Times
Square Station, New York NY 10108, web:
h ttp://wivw. rall.com.
SCREAMS
THE
GUTTER
Rob Coon*
Well fuck me! I recently got to go
down to Atlanta for the Prank Records
festival. It was a ripping good time. I got
to see DAMAD, WORD SALAD, DE ATH-
REAT, MEADOWLARK, HIS HERO IS
GONE, BURNED UP BLED DRY, SCRO-
TUM GRINDER, SOCIAL INFESTA-
TION, FROM ASHES RISE, and MUR-
DER SUICIDE PACT. IN/HUMANITY
was scheduled to play, but they canceled
at the last minute. I believe they canceled
due to a line up change, and being out of
practice. The actual show was only for
two nights, but we were there for a total of
five days.
The first full day we were there, we
went around to most of the local record
stores. I didn't find too many great records,
but I did find a gem of a record store. I
belie ve it is called Revolutionary Records .
The store itself was really tiny, but they
had a good used selection. It was small,
but well stocked. I found a VICIOUS CIR-
CLE LP there that I had never seen before.
They also had a VENOM blacklight post-
er on the wall, which unfortunately was
not for sale. It reminded me of Epicenter
Zone, except it was much smaller. So if
you are in Atlanta, check them out.
The show on the first night was brief,
but fun. Unfortunately only four bands
played, due to FROM ASHES RISE hav-
ing van problems. The highlight of the
night had to be DEATHREAT's set. They
busted out with some fast raging punk
that was a throwback to days long gone.
Maybe even a little reminiscent of "This Is
Memphis Not LA" ! For those of you geeks
who like splitting punk rock hairs
DEATHREAT contains two members of
HIS HERO IS GONE. But it doesn't really
matter, because their styles are complete-
ly different. DAMAD cranked out a de-
mented slap to the face. The lights were
turned down to an eerie red glow. And
DAMAD was in fine form with their blend
of dark drunken rage. They whipped the
crowd into frenzy that wasn't matched
for the rest of the weekend. And to top
things off, during their set one of my
friends accidentally reached over and
pinched the end of my cock so hard that I
yelped in pain. I know it sounds funky,
but he was swinging his hands around
and just grabbed the wrong place at the
wrong time.
After the show the guys from WORD
SALAD were running around trying to
round up some people to go to this strip
club called the Clairmount Lounge. Usu-
ally, something like this could easily be
dismissed. But when one of the rowdies
from WORD SALAD is telling you that
there are 300-pound women in the club
squishing beer cans with their breasts,
you start to take notice. So after watching
them try to unsuccessfully kidnap Ken
(from Prank Records), and make him go
to the club. We piled into the DAMAD
van and followed the WORD SALAD crew
over to the place. When we actually got
into the club it wasn't even half as crazy as
I expected. But I did see some gnarly shit.
The first thing that caught my eye was the
old guy walking around with a shirt that
had an American flag on it. Around the
flag it said, "Trying burning this you com-
munist bastard" Jason from WORD SAL-
AD went up to the guy and started asking
him if he was a good ole' boy, and if he
liked LYNYRD SKYNYRD. They hit it off,
and before you knew it the old guy showed
Jason his 44 Magnum tucked in his waist-
band. Of course this didn't even faze Jas-
on, and then he leaned over and started
whispering to us about how he was going
to take the gun from the guy and "bust a
couple of caps in him". Fortunately for us
this never transpired. A little later I was
watching this women slap this guys face
with her breasts. Sure enough she picked
a beer can up off the table, wedged it
between her breasts, and crushed it. We
all sat there slacked jawed, and applaud-
ed like mad men. And to top things off I
watched this women give this guy a blow-
job as he sat in this booth chair. Overall it
was pretty crazy, and definitely worth
going to.
The next night started off pretty
weird. The first band to play was MUR-
DER SUICIDE PACT. This is the FAIL-
URE FACE offshoot with Bob Suren on
vocals. Less than a minute into their first
song Suren started swinging the micro-
phone around and clocked some kid in
the head. The kid blacked out and fell to
the floor. After they got the kid outside,
the band kept playing for about four more
songs. They were being pretty aggressive
and Ken told them that their set was over.
It seemed that a lot of people were really
down on Bob for clocking that kid. My
take on the situation was a little different
than most. I really doubt he hit that kid on
purpose. It appeared to me that he was
caught up in the moment, "going off" if
you will. And thenhe accidentally clocked
this kid. I have heard stories of some
rowdy FAILURE FACE live shows, so I
didn't find any of this surprising. I would
imagine that at a lot of their shows, the
crowd is even rowdier than the band. I
just don't think that the crowd at the
Atlanta festival was into a band with a
super aggressive stage presence. And I
also feel that due to the negative feelings
of the crowd towards the band, that Ken
made the right choice in cutting their set
short.
FROM ASHES RISE finally got to
play after mundo van problems. They
had a solid set. After a couple more bands,
SCROTUM GRINDER played. They had
the crowd wrapped up in a powerful set,
until Kevin from MURDER SUICIDE
PACT decided to ruin it. He was standing
at the back of the stage during their set,
and I saw him throw a drumstick, and a
beer can into the crowd. The beer can that
he threw hit Ken from Prank in the fore-
head! Then after a couple of songs he took
off running into the crowd and plowed
over a bunch of people. He started throw-
ing these crazy elbows blasting every-
body around him. He hit Todd from HIS
HERO IS GONE, who in turn grabbed
him around the neck and took him down
onto the floor. I ran over and grabbed this
guy Kevin and pulled him away from
Todd. All I was trying to do was break up
the fight. So while I am hanging onto this
guy, somebody punched me in the back
of the head. I am not sure who it was, but
my friends thought it was another band
member of MURDER SUICIDE PACT.
Then the singer from SCROTUM GRIND-
ER started pulling my hair and grabbing
at me, telling me to let go of this guy. So
we finally got this guy outside, and got
the situation calmed down. Ken then asked
the entire band of MURDER SUICIDE
PACT to leave. And fortunately they left
without further incident.
I spoke to Bob Suren a few days after
this incident. He didn't have a lot to say,
because he wasn't even in the room when
the fight happened. He was up front sell-
ing records through his dis tro Sound Idea .
He didn't really try to make excuses for
his band members' behavior, except to
say that Kevin can be a little crazy some-
times. I also talked to the singer from
SCROTUM GRINDERrightafterthefight,
and asked her why she went ballistic on
me. She told me that she was trying to get
me to let go of the guy, because she was
worried about what he might do. She also
told me he was crazy. So now I have got
two people telling me this guy is crazy.
You Know in all honesty, I don't really
care about the fight or the guy who start-
ed it. He was dealt with accordingly, and
the fight was diffused before it became a
big issue. The lesson shown here is when
people start fucking up your show shut
them down. Tell them to stop, and if they
step over the line then gang up on them
and tell them to leave. Sometimes this
isn't as easy as it sounds, but it needs to be
■^
done.
A lot of people were pretty bummed
out about the whole fight situation, but I
didn'tletitdampenmy evening. BURNED
UP BLED DRY tore things up on stage.
And then the almighty HIS HERO IS
GONE took the stage. I have seen them a
couple of times, and this one was no dif-
ferent. They might as well just stand on
stage and drop huge steel balls on your
head, because that is what one of their live
sets fell like. Overall the whole trip was a
great time for all of my crew, and I look
forward to doing it again next year! I just
want to give a few thanks for those who
made the trip a success. So here is a big
MANOWAR hail to Josh and Ted (My
travel companions), Joshua (for hooking
us up on a place to stay), Gavin (for great
conversation and the floor space to crash),
Carl from New Orleans (the crazy cock-
grabber), all the folks at the C-ll and C-12
warehouses (where the shows happened),
John and FROM ASHES RISE (for keep-
ing a P.M. A. through all the van troubles),
Bob Suren (For keeping a level head
throughout a shitty situation, and step-
ping forward and wanting to discuss ev-
erything after the incident), and of course
Ken from Prank for putting the whole
shebang together.
Unfortunately, I am a bit limited this
month due to time constraints. So I
couldn't squeeze all the records that I had
into this column. So I will try to do a
column next month, instead of skipping a
month like I usually do. So let's see what
is store for this month.
ASCENSION - "Abomination" CD
- So I open the CD case, and the first thing
that caught my eye is that there is two
hairfarmers in the band. Well it is about
time! So many of these band members
that play slow metalcore nowadays have
militantstraightedgestylehaircuts.Ifyour
gonna play metal then, be metal and grow
some hair! So here is the scoop. This is
slow chunky hardcore, with a flair for the
darker side of things. The vocalist spits
out some apocalyptic lyrics that have a
total Holy Terror slant. At times the music
gets a little monotonous, but the overall
package is still worth a spin. (Toybox
Records, PO Box 14401, Chicago, IL 60614)
BOTCH - "American Nervoso" CD -
I can't tell you how stoked I am to have the
new 9 song full length from Seattle's
BOTCH in my hands. In all honesty, upon
first listen I was almost let down. It didn't
seem to match the sheer power of the
"John Birch. . ." EP. But after a few listens,
this really grabbed my goat. This time
around, the songs are a more complex
reflection of their influences. And the way
they flow from super mellow bits, to bruise
filled surging hardcore will knock you
out. They even throw in a little piano
action, just to make sure you are paying
attention. If you like bands like KISS IT
GOODBYE, you'll love BOTCH. Oh yeah,
and see them live. You will be annihilat-
ed. (CD: Hydra Head Records, PO BOX
990248, Boston, MA 02199)
FROM ASHES RISE - "Fragments
Of A Fallen Sky" EP - This reminds me of
HIS HERO IS GONE without the heavy
duty steamroller production. If you're into
that kind of musical destruction then this
would be your cup of tea. The lyrics deal
with the white collar worker, marital tra-
dition, and some personal streams of con-
scious. I think there is definitely some
solid potential here for future releases.
(Clean Plate Records, PO Box 709, Hamp-
shire College, Amherst, MA 01002)
JENNY PICCOLO - "Joined At The
Brain" EP - I know this is just what you
were looking for. More of JENNY PICCO-
LO'S rapid fire hardcore that seems to be
taking the West Coast by storm. And guess
what,justtomakethispackageevenmore
desirable they put it all on a pretty picture
disc. So bow down to Al's clear blue drum
set, and consume young man, consume.
(Three.One.G, PO Box 178262, San Diego,
CA 92177)
SLOBBER/SPAZZ - split EP - Hmm,
this has to be one of the more interesting
splits SPAZZ has done. If you are not
familiar with SLOBBER then prepare for
some out of sync snotty punk rock. The
SPAZZ side is some live material proba-
bly recorded at various Gilman shows.
But I really couldn't tell you, because
there is no insert. That's right, no lyrics,
band names, addresses, or anything to let
you know what you are holding in your
hand. So good luck in finding it, because
even if you find it you won't even know it.
(No Address)
TOCCATA AND BULLA - Concebi-
dos En La Tierra Bastarda" 3"CD - Wow!
P.F.F.E. hits the mark again with this top-
notch release of TOCCATA AND BULLA
from Ecuador. This is really all over the
place. It has 15 songs of mostly super fast
metal thrash with really harsh dual vo-
cals. The lyrics are full of politically
charged rage. They seem incredibly bitter
about the repression that their govern-
ment has inflicted upon its people. And
with lyrics like "Fight for all we have,
fight for all we don't have yet" and "Your
imperfect face painted of affliction, sins,
sadness. Open your eyes, your mind and
fight" they definitely seem to be ready for
battle. Essential! (Profane Far East, c/o
Izumi Kubo, 55 Sannaicho, Higashiya-
maku, Kyoto, 605-0977 JAPAN)
V/A - "World Class Punk" CD -
Well, what can I say about this CD. This
thing has been out on cassette since 1984.
And I listened to it about 40 zillion times.
Now it is available on CD, ready for mass
consumption. It has got MOTTEK,
E.A.T.E.R., RATOS DE PORAO, DEZERT-
ER, B.G.K., SOLUCIONMORTAL, CHEE-
TAH CHROME MOTHERFUCKERS, and
a bunch of other bands you have never
heard of. But it really doesn't matter, be-
cause when you combine 27 punk bands
from 27 different countries from this era
of punk you know it is a keeper. Even
though there are a couple of tracks to-
wards the end of the CD that miss the cut,
this is a good representation of a period of
punk that will never be duplicated. (Roir,
611 Broadway, Suite 411, New York, NY
10012)
Endnotes:
1) I wanted to give support to Gavin from
Atlanta. He has a distribution called Stick-
figure Mailorder. He is a rad guy, and he
wants to sell cool punk records to you at
a low price. So Iook for his ads in various
zines, including MRR.
2) If you want to send me something write
to PO Box 13085, Berkeley, CA 94712, or
you can E-mail me at xgoatcorex
©hotmail.com.
3) I heard the best description of an ARA
skinhead ever! How about an "equal op-
portunity ass-kicker"?!!
4) I Hate The Kids!
First off, fuck fat pants! Who cooked
this shit up and why hasn't it gone out of
style like pet rocks and the "tail". That
fabric could be used to clothe the poor of
the world. Darby Crash never wore fat
pants, Sid Vicious never wore fat pants,
Bon Scott, Iggy Pop all would look ridic-
ulous in fat pants. There is nothing, noth-
ing, rock n roll, punk or hardcore about
fat pants. When Fall Silent played at the
Bombshelter I almost didn't let them play
because the guitar player was wearing fat
pants. I changed my mind 'cos they are a
cool band and I thought maybe punk
style standards were slipping in Reno but
it was not really my business. If you are
f;oing down to the punk rock show, please
eave you fat pants at home. Code 13
recently brought a sewing machine to a
show we played and I pegged fat pants
for free out front before we played. In fact
if you are reading this right now wearing
fat pants, take them off, or skip this col-
umn.
Here's another thing. Don't bring
your dog to the punk show. I love dogs,
my dog Mad Max is standing right here
as I type. Max and the other dogs are
living beings who need to be treated with
care and respect. Do you think your little
dogs ears are used the ear splitting vol-
ume of a thrash show? Do you think its
good for your dog to breathe all that
cigarette smoke and lick beer and puke
off the floor. Yeah your dog is cute, cuter
than you I bet, but bring it around some
other night.
Lets get a few things straight, I'm
not a regular reader of Punk Planet and I
have thought for several years that Larry
Livermore is full of shit. A copy of Punk
Planet happened to be on display at the
record store and I noticed that Larry in
his column (which used to run in MRR)
was perpetrating some serious shit. Lar-
ry says Tim's positive contributions bare-
ly outweighed his negative ones. Bullshit.
MRR stood consistently by the same prin-
ciples while bands, labels and zines
packed it in, sold out, or jumped onto the
next bandwagon. Tim ran the zine the
way he wanted to and if you didn't like it
you could go start your own. Which is
exactly what Larry did since he had a few
hundred grand laying around to work
with.
I am friends or acquaintances with
several ex-MRR columnists: Chris Dodge,
Jen Angel, Adrienne Droogas, Ken Sand-
erson, even Jeff Bale, all of whom quit or
got fired for whatever reason. I guess I
figured I was gonna drop dimes on the
wrong cat and get fired too at some point,
I still might. I can't really criticize the
dude for doing his own thing his own
way, especially since he was so consis-
tent even as the punk scene sunk into
mediocrity around him. Larry has done
much more damage to the punk scene
with his bullshit Lookout records and all
that pop jive than Tim ever did by firing
somebody or refusing to review a record
or run an ad. If you ask me, the biggest
mistake Tim and MRR ever made was
supporting vacuous pop bands like
NOFX, Screeching Weasel, the Offspring,
etc. and Larry's bogus Lookout label.
When MRR started, it was down
with the straight up hardcore punk rock.
Look at the bands interviewed in the
early issues; they are almost all legend-
ary now. Can you say that about the
bands interviewed in the last few years.
Here's proof those cats knew what time it
was: the "Welcome to 1984" LP which
stands as a monumental work of interna-
tional hardcore of the 80's. In my opin-
ion, "Welcome to 1984" remains the best
compilation album ever and MRR gets
major demerits for dragging its feet on
the vinyl (Not CD!) re-issue. Punk Plan-
et, give me a break. Putting Punk on the
cover of this magazine is a misnomer and
tantamount to false advertising. Punk
Planet is a college rock magazine with a
tiny amount of space dedicated to punk
and hardcore. Cover stories like "Art and
Design" and "Steve Albini," no thanks.
The only vaguely interesting article in
the history ofPunk Planet was the rebut-
tal of the ex-Black Flag members to Hen-
ry Rollins' novel Get in the Van.
It used to be fashionable in these
pages to dis Felix Von. A few years back,
there was a series of exchanges between
myself and Livermore and his pal Ben
Weasel. I met Larry Livermore once when
Screeching Weasel played in my living
room at Castle Chaos. I didn't watch the
band and I didn't talk to Larry because I
thought he was somebody's clad. I later
met Weasel at a Screeching Weasel/
Queers show at the University. I went
because the guys in the Quincy Punks
told me the Queers were cool and I was
pretty sure it was the same band as on
Killed By Death #3. I found both the
Queers and Screeching Weasel to be ut-
terly tame, happy and boring, but I was
determined to enjoy myself anyway. That
was in back in the days before I was
nailed to the X and things were a little
blurry, as I had been drinking since Hap-
py Hour started at three and had snuck
in a bottle of Blue 100 Schnapps. I talked
a bunch of shit to Weasel after the show,
none of which I remember. I was living
the chaos in those days and didn't bother
to save the issue of MRR where Weasel
called me a "Sid Vicious clone" and a
"walking talking cartoon character." He
was even going to have me thrown out
by security! That was some really hilari-
ous shit. So was Livermore's prediction
that I would one day go to graduate
school and become "professor of anar-
chy" at the taxpayers expense. I did get
some college, still do, but I was never
really White Collar material.
I cannot help but find it ironic that I
am now a columnist in these pages, where
points against me were once chalked. I
don't really know what Livermore and
Weasel have been up to since they tired of
dissin' Felix Von and my pals at Profane
Existence. Whatever they're up to, it
doesn't have much relevance to punk rock
at the sharp end where it counts. I gain a
great deal of satisfaction from the fact that
Profane Existence continues to publish an
anarchist punk fanzine and records long
after the "anti-PC" backlash against it. I
bucked Livermore's predictions and still
work construction so I can be in a hard-
core band and put out records on a DIY
label.
Here's the clincher, cats like me and
the people at the Profane Collective are
not going away! There will always be a
segment of the punk scene who are true to
the game and could give a shit about the
commercial college rock and pop crap
that is the latest fad. All that shit will blow
over and become irrelevant as Haircut
100 and the Thompson Twins. Hardcore
Punk Rock is indestructible. It has taken
root in the seamy underside of Rock N
Roll, where it will continue mutate and
grow despite society and the music busi-
ness. Forever baby, forever; it will never
die. If I moved into Larry's neighborhood
he would probably start a petition to get
me kicked out. While we are talking about
wack shit, how about Epitaph records. Its
cool to slag Epitaph in this mag but you
have to admire Brett Guerwitz as an en-
trepreneur. I mean here's a guy who made
millions selling weak washed-up ex-punk
bands to the fat pants mall rats. This guy
has made a fortune off of the most unorig-
inal, third rate, past their prime acts ever
to get laughed out of the punk scene (Ex-
cept maybe the Cramps, who aren't what
they used to be but are still cool). People
talk about how this band or that "sold
out". Shit, what these bands got to sell
ain't worth my punk dollar. What integri-
ty to most pop bands have to sell out
anyway? They've been playing commer-
cial music since day one.
Onto more wack shit. The UPC
code. I'm not one of these conspiracy
nuts who thinks that the UPC code is the
mark of the beast or anything; however,
it definitely doesn't belong on a punk
record. I did buy the Blood For Blood LP
on Victory which had a UPC code, but
now I'm gonna have to draw the line (At
least Victory has the decency to do vinyl,
color vinyl at that, as opposed to CD
only). Now some anti-corporate crusad-
er columnists can fill you on the evils of
the UPC system and how it serves the
man. What I'm tryin' to say is, who does
the label intend to sell this record too?
Hepcats like you and mebuy our records
from local independent record stores or
mailorder from righteous dudes like Vac-
uum, Sound Idea or Profane, which is of
course where it's at. Now, when I see a
record with a UPC code on it, right away
that tells me that this is intended for the
chain stores, the mall shoppers, the main-
stream. I'm right away gonna assume its
commercial and weak. Don't come at me
with that shit about making the music
accessible to kids in suburban malls who
can then discover the underground etc.
Punk is so mainstream now that it's no
longer the well kept secret it was in the
early 80's. You can still get the same
"starter punk" records at the chain stores
now that you could when I was 14 (Dead
Kennedys, Black Flag, Suicidal, Exploit-
ed etc.) So why add to the confusion?
These entry-level hardcore bands have
been serving us well for going on fifteen
years and still sound good. Keep the
UPC codes on toilet paper and shotgun
shells, not fucking punk records. I have
spoken out on recycled band names be-
fore. I don't understand how anyone
with any knowledge of punk and hard-
core would re-use the name of a popular
band from the eighties that had records
out, toured, etc. Nonetheless here we are
in '98 with Teen Idols, Armed Citizens
and Iconoclast using names from bands
who had records out in the not so distant
past. Now here in front of me is a flyer
(from Mankato, MN) boasting, get this,
Aggression, the Nihilistics and Dirge!
All three names already belong to bands
that put out LPs, toured, etc. I refuse to
believe that all the creativity has been
sucked out of hardcore. If you don't like
80's hardcore fine, but show some re-
spect to the bands that blazed the trail
you now trod and think up your own
band name!
WAR NOW ! We the punk rock com-
munity demand that the United States
launch a war immediately! All the grisly
war photos from the last several major
wars have already been used on at least
two punk record covers. We demand a
really bloody war with lots of photogra-
phers present to catch the action as it
comes down. Bombs away! Props go to
Benumb, who just released an LP and a 7"
on Relapse. Rather than the usual name
drop thanks list, Benumb listed all the
bands they've played with or are friends
with and their addresses. They also list-
ed the addresses of underground HC
Distributors and labels like Vacuum, Pro-
fane Existence, etc. So what you ask?
Benumb is a pretty grind oriented band
coming out of the Bay Area HC/ Power
violence scene but on a bigger metal la-
bel. Now thousands of metal kids will
buy these albums out of brand loyalty to
Relapse and be exposed to the entire
hardcore underground with addresses
to write to, etc. If Metallica had listed
Discharge and the Misfits addresses in-
stead of just wearing their T-shirts.. .Hail
to Detroit! The Motor City home of High
Energy Rock! The Stooges, the MC5, Al-
ice Cooper, Funkadelic, Ted Nugent,
Negative Approach, the State, the Meat-
men, the Necros, etc.
I have said this before but I'm gonna
say it again, Punk Rock started in the
Midwest! That's right Michigan and Ohio,
not London, Paris, Munich or New York.
Fucking Detroit and Clevelandbaby! I am
frequently asked "Felix who do think was
the first punk rock band?" To which I
reply "the firstest, with the mostest, was
undoubtedly the MC5 from Detroit/ Ann
Arbor." Followed closely by the greatest
Rock n' Roll band ever Iggy and the Stoog-
es. Anyone who reads MRR's fine "Pio-
neers of Punk" series knows about this
shit. I would recommend one book by
Heylin, Clinton. From the Velvets to the
Voidoids. New York: Penguin, 1993. Un-
fortunately, Heylin is a rock critic and an
expert on Bob Dylan, so he falls a little to
heavily into the art camp devoting whole
chapters to the Velvet Underground, the
Talking Heads etc. This space could have
been much better spent on the Pagans,
Dead Boys, Dictators, Rubber City Rebels,
Stooges, etc. Heylin points out that in the
early days of punk there was a split be-
tween the "visionary and creative" art
school /junkie /rich kid element and the
"fuck art lets rock," hard drinking, hard
rocking element. All that arty shit led us
to New Wave (what Alice Cooper meant
when he said "Punk turned out to be
Disco in disguise") while shit like the
Stooges and the Dead Boys still rocks out
with the best of them.
All you squares who think punk
rock started in England should take note
that the Sex Pistols got started playing
Stooges covers! I have no idea what it was
exactly in the Detroit area around the time
I was born. Whatever was going around it
was some potent shit and it changed the
face of Rock N Roll forever. Put away
your Epif at records and take a trip back to
the Nixon era for MC5's classic live LP
"Kick out the Jams"; this is probably the
best live album ever made, totally killer
high-energy rock mixed with the radical
politics of the White Panther Party. Dope,
guns, and fucking in the streets baby . This
was the Motor City's answer to Cali's
"Summer of Love." Unfortunately, both
the Stooges and the MC5 were influenced
by some wack shit called "free jazz" in
those days, so you might want to just tape
these albums without the psychedelic
space jams that have no place in "High
Energy" rock. The MC5's most trium-
phant second album "Back in the USA"
trades in the hippie jazz shit for balls-out
roots rock and roll; this LP is a solid clas-
sic. Taken together with Kick out the Jams,
you've got some serious ground breaking
pro to-punk rock n roll. Now, I know the
MC5 came first, but I really think the
Stooges took it to the next level for the
Detroit sound. The Stooges self-titled LP,
Raw Power LP and Fun House LP are
probably the best Rock N Roll albums
ever. You just can't touch this shit. Total
head crushing riffs, nihilism and self-de-
struction, chaos and provocation, Sex
Drugs Rock N Roll baby, this is the shit!
All "shocking" rock acts from GG Allin to
Marilyn Manson were just ripping pages
out the Detroit scrapbook because Iggy
Pop and Alice Cooper did that shit when
it was really shocking and not just a talk
show gimmick. Detroit was also home to
the great Creem magazine.
I know the 'Nuge isn't exactly punk
and he's got a right wing radio talk show
but he did lay down some rockin' jams in
the High Energy tradition. To be honest,
I'd rather play air guitar to a Nugent
song than listen support some of the
wack music that passes for punk these
days.
I've spoken before about Alice Coo-
per in these pages. I'm not really qualified
to talk about R&B but if you ask me,
George Clinton is one of the most cre-
ative, talented, wacky individuals in the
history of music. A little known fact is that
Clinton was a Motown "Doo-Wop" dude
until he started hanging out with the
Stooges and the MC5 and doing a lot of
the shit that was going around. The result
was of course Funkadelic whose early
albums are totally heavy in a radically
different sort of way. That band was taped
into a groove so pure it is still being mined
today. You have probably never heard a
Funkadelic album, but you've heard their
riffs and beats sampled and copied by
every popular hip hop and rap band of
the last fifteen years. Lucky for everyone
who is a fan of aggressive rock music in
the early 80's, Hardcore Took Over. De-
troit continued in its High Energy tradi-
tion with some of the best national acts of
the early 80's. Negative Approach was,
and remains, one of the best and most
influential hardcore bands of the era. I've
used this space to praise Ann Arbor's
State before, another mad wicked hard-
coreband. To be honest, I was never super
into the Necros or the Meatmen, but both
are great bands, especially when com-
pared to like, what passes for hardcore
today. Detroit continued a little bit with
Angry Red Planet, Son of Sam and then
fizzled out with a whimper, not a bang.
There was a cable access TV show from
Dearborn in the day called "Why be some-
thing you're not," which has been widely
copied and traded — especially the Mis-
fits show. Check it out, hardcore before
dreadlocks, before the internet, before
emo, before pop, before all the corrupting
influences that diluted the High Energy
Rock spirit from back in the day.
Quiz time! The first thirteen people
to correctly answer the following ques-
tions receive the Havoc Records 7" of
their choice free! 1. Nashville Pussy got
their name from? Complete the follow-
ing Phrases: 2."When in doubt " 3.
MotorCity 4." withthestroke
of my hand". True or False: 5. Ted Nu-
gent served in Vietnam. 6. Ted Nugent is
a Vegetarian. 7. Ted Nugent is poison
free. Answers in next months issue of
MRR.
One more thing before I go: Fuck
Ska!
One of, if not the most carefully con-
structed and censored aspects of social
discourse is history. Most people would
agree with Voltaire that "history is but a
bag of tricks we play on the dead (or
something like that)," but the extent of
those tricks in both magnitude and partic-
ipation is often truly amazing. I'll De us-
ing two examples, one that has been de-
bunked, and one which we are in the
midst of. The reality is that most of history
is equally distorted, but if you want proof
of that , you'll have to read more than just
a fanzine column. Try the books I men-
tion, as well as the work of Vidal, Zinn, or
anyone who looks interesting to you.
The best known example of the ma-
nipulation of U.S. history is the fact that
the story of the American Indians went
mostly untold, being replaced with a com-
plete fabrication, until the 1960's. To you
young whipper snappers", that may seem
like a long time ago, but it was only 30
years. Look at it this way, a solid majority
of the people alive today were alive when
it wasbelieved by practically everyone in
America that the Indians populated North
America very sparsely when the Europe-
ans showed up, and that there were few
or no mass slaughters, pestilence and vi-
olent relocations. A more contemporary
myth is that the superior White man rode
in and easily slaughtered the primitive
natives. Technology may have resulted in
some one sided battles, and there were
definitely many slaughters, but the reali-
ty is that the Whites conquered the Indi-
ans primarily by spreading disease. Some
estimates are that 90%-96% of the native
population of New England was wiped
out by disease. If this topic interests you,
it is discussed in more detail along with
other historical distortions in Lies My
Teacher Told Me by James W. Loen. The
book also hypothesizes that the complete-
ly biased, and uncontroversial version of
history taught in schools is the primary
reason school children are bored by the
subject of history. To me this is part of the
fact that most public k-12 schools func-
tion to teach students how to be obedient
and sit in a place they don't want to be for
roughly 8 hours a day, rather than to
educate, but that's a separate issue.
I'm beginning with the example of
the Indians because its clearly demon-
strates how history is manipulated, and
flat out fabricated, as the facts of the mat-
ter are now common knowledge. The most
amazing aspect of this great lie is the total
complicity of scholars. The true story of
the Indians wasn't uncovered by some
archeological dig, like the dead sea scrolls.
It was there the entire time. The diaries of
people from those who came over on The
Mayflower to First Ladies clearly docu-
mented the attitudes and actions taken
against Indians and that they were not
savages at all. Court records, presidential
quotations, the Congressional record, and
Anthropological research all document
the same. How is it that for decades, his-
torical scholars never seemed to stumble
across these historical records? The an-
swer is that many certainly did, and chose
to ignore anything (which in this case
means nearly everything) that conflicted
with the doctrine of U.S. benevolence.
But that was then, and this is now. Thank-
fully, American scholarship is now con-
ducted with unparalleled objectivity and
integrity. Yeah, and Ronald Reagan can
do long division in his head. Perhaps the
most widely discussed, recent historical
event is the war against Vietnam. In var-
ious books, including Year 501; The Con-
quest Continues, Noam Chomsky discuss-
es the reality of the Vietnam War, as con-
trasted with the discussion of the events
within the U.S. culture. It seems that the
first question any rational person would
ask about the whole event is how the U.S.
could justify invading a small, mostly
peasant country to attempt to impose our
favored government (which slaughtered
roughly 80,000 of its own people before
the war) on an unwilling population. Ap-
parently though, the real question, is
whether the US. properly acted on its
benevolent intentions. Some radical dis-
sidents feel that the war should not have
been waged because it was unwinnable,
others, wild hippie types mostly, feel that
we should have used different strategies
and techniques. Many others feel that the
problem was the media. If the population
at home could only have been kept from
catching glimpses of what was actually
taking place, they could have been co-
erced into supporting the war (this prob-
lem was nicely remedied in the Gulf War) .
Very rarely will mainstream figures in the
media and scholarship bring up the no-
tion that the war was an exorcise in mur-
der, imperialism, and international des-
potism from the beginning, not a case of
good intentions gone wrong. Even if this
is somehow not true, it seems almost un-
real that the question is even raised.
Because they conflict with the offi-
cial version of history, certain facts that
might otherwise seem important, are not
widely circulated. For example, many of
you may know that about 50,000 Ameri-
cans were killed in the conflict, as this fact
is commonly cited. However, very few of
you probably know that between 3 and 5
million Vietnamese, along with illegally
and secretly bombed Cambodians and
Laotians were slaughtered. Furthermore,
about 75% of the bombs Vietnam, and all
or nearly all of the Agent Orange de-
ployed were dropped on SOUTH Viet-
nam. For some reason I can't quite put
my finger on, that doesn't seem to match
the with the story that we were defend-
ing our allies in the South from the anti-
democratic forces in the North.
Vietnam is an interesting case be-
cause some issues surrounding it linger
on today, and we can watch official his-
tory being composed as it happens. One
issue is land mines. Its widely known
that the U.S. is the only western country
which refuses to participate in a ban on
land mines. What is not widely known is
that there are still a large number of
unexploded land mines and bombs in
Vietnam. The Canadian press reported
that in one region (they don't specify
what constitutes a region, but it seems to
be fairly small, probably the area that the
journalist was able to survey) alone about
5,000 people had been injured and killed
by such devices between 1976 and 1991.
Another estimate is that well over a thou-
sand people a year are killed by these
explosives. The U.S. response to this trag-
edy has been a refusal, to this day, to turn
over maps of land mines to the Vietnam-
ese government so that the mines may be
deactivated. Additionally, the State De-
partment blocked or attempted to block;
the attempt by Mennonites to send pen-
cils to Cambodia, Oxfam's attempt to
send 10 solar pumps to Vietnam, reli-
gious groups' attempts to send shovels
to Louse to dig up land mines, and the
attempt of India to send 100 water buffa-
lo to Vietnam for fertilizer and plowing
crops. None of this is discussed in any
history books, or in the mainstream me-
dia.
Another example is the case of
POWs. As we all know, the Vietnamese,
while they were tormenting the helpless
U.S., did not stop at massacring innocent
invaders. They made it a special point to
capture as many of our boys as possible
so that they could subject them to un-
speakable torture. The question is, do
they still have these thousands of prison-
ers, or have the little yellow bastards
already killed most of them. At least
that's the Rambo/Chuck Norris/Ross
Perot version of history . In reality, it seems
that, according to the chairman of the
New York State Senate Vietnam Veter-
ans Advisory Council, both the rate and
actual number of MIAs in the Vietnam
war were extraordinarily low. It turns
out that only 2,505 of the total American
battle deaths in Vietnam were MIAs (or
about half the number of Vietnamese
civilians casualties remaining explosives
in a single region after the war). This is
5.5% of the total U.S. battle deaths, as
compared with 15.2 percent in the Kore-
an War and 27% in WWII. "Of that num-
ber, 1,113 were killed in action, but their
bodies were not recovered. Another 631
were presumed dead because of the cir-
cumstances of their loss- i.e. airmen
knownjo have crashed into the sea- and
33 died in captivity. The remaining 728
are missing. It should be noted that 590 of
the missing Americans were airmen; and
there are strong indications that more
than 442 of these individuals went down
with their aircraft. " Meanwhile, between
200,000 and 300,000 Vietnamese soldiers
are missing or unaccounted for.
Just to make it nice and sparkling clear,
here is the logic of virtually every pundit,
politician and the like in the whole coun-
try; "All we did is invade Vietnam and
kill about 3 million people there, mostly
civilians. Now that it's over, although
you have about 250,000 soldiers who
defended your country still missing, we
feel it is morally reprehensible that you
do not concentrate your efforts on ac-
counting for these few dozen invaders
who participated in reducing your coun-
try to rubble."
Who needs Goebbels when you
have a system like this?
Next month, more history, but it'll
focus more on individuals than on events .
Homerrmone@aol.com
somas
by L"rry
sell zines. As a wholesaler, the mark up is
low and can vary between approximately
15-30 percent of the cover price. Since
most zines have a $2-4 cover price, which
means the distributor is seeing little mon-
ey while having to handle a mountain of
paperwork along with shippinglabor and
costs. The only way to make it worth the
effort is to sell tons of zines, but that
doesn't happen. For someone like AK
Press who sells books, or Get Hip, which
distributes records, carrying zines some-
times isn't worth it.
I think the best thing that could hap-
pen right now is if zine publishers and
others interested carried small amounts
in their town. Any medium sized town
has at least one or two places that carry
zines and if one person in the area brought
in a few copies of their favorite zines, it
could help in more than sales. First off, it's
hard to find a variety of zines besides the
biggies like MRR or Flipside in small
towns. People also seemed to get more
excited when finding new things in small-
er towns. In LA or San Francisco, your
zine is just another unknown title on the
rack, but in a place like Yuma, AZ, people
might (I know the town well and inten-
tionally use the word "might," so don't
flood the city with your zine) get more
excited about reading it for the first time.
***
About 20 people sent zines to be
reviewed over the past month. I'm hop-
ing to get to them next month. Don't
forget to send me any clips of stories
about witchcraft, Satanism, Christians
gone bad, etc. from your local newspa-
pers. Please included the name of the
paper or magazine the story appeared in
and the date. In return, I'll send you a new
copy of Genetic Disorder.
I can be reached at PO Box 15237,
San Diego, CA 92175 or email at <har-
monl @mail.sdsu.edu>
"Lefty" Hooligan
Going along with everything I've
mentioned in the last couple of columns,
zine distribution is still shrinking. I re-
ceived a letter from AK Press this mortth
they're dropping a number of zines, in-
cluding mine, from their catalog. They've
informed the zines that are being dropped
that they'll receive a check and unsold
issues after September 1.
It's sad because I was proud of the
fact that AK would carry copies of my
zine and I felt the money from the sales
were going towards a good cause. I'm not
upset at them in any way, and actually, I
don't really blame them. It's expensive to
What's Left?
Stepping onto Berkeley's Telegraph
Avenue is like stepping into a time Warp.
The sunny sidewalks are crowded
with a mixture of tourists, students and
freaks. Hopping, cymbal clanging, saffron
robed Hare Krishna's occupy the street
corner opposite a tract wielding group of
amplified Jesus freaks loudly preaching
the gospel. Individuals are taping and sta-
pling up flyers calling for an end to the
"police state" on the Avenue while red
flags wave above a table sporting a banner
that calls for "people's war" and "socialist
revolution. " Street vendors are everywhere
selling hand-made jewelry, incense by the
stick, screened and tie-dyed t-shirts, drug
paraphernalia, swirled candles, clunky
pottery and artwork of varying quality.
Equally ubiquitous are the hordes of street
people — mostly young ragtag kids — who
mob the sidewalks with their bedrolls and
dogs begging for spare change, getting
drunk or high, sitting in boisterous clumps,
and lending to the street's carnival chaos.
Badly outnumbered, small groups of cops
nevertheless bluster and swagger along
the Avenue, harassing and occasionally
arresting young people with impunity...
With slight changes in clothing fash-
ions and hair styles, this could be 1968 or
1978 or 1988. However I haven't had to
utilize Mr. Peabody's Way Back Machine
from "Rocky & Bullwinkle" fame this time
around. It's 1998 and ironically the scent of
petulie oil laces the warm breeze.
I'd intended to talk about the differ-
ence between Left and ultraleft this col-
umn. Instead, I'm continuing to comment
on local events, this time concentrating on
the community — Berkeley — just north of
my home town of Oakland . When I moved
to the Bay Area almost eight years ago I'd
narrowed the choice of my future home to
San Francisco, Berkeley or Oakland. San
Francisco was expensive, snooty and — for
such a "liberal" city — remarkably racially
segregated, whereas Berkeley was liberal-
ism run amok. Leaving me Oakland. I've
never regretted my choice.
As usual, my picture of Berkeley as
liberalism run amok goes against "com-
mon wisdom." I picked up a post card on
Telegraph Avenue in 1989 while up in the
Bay Area for the Anarchist Convention/
Gathering of that year. It featured a white
outline map of the world with a full third
of the land colored bright red to represent
the old "Communist Bloc." A red dot
marked the west coast of the United States
on the post card, prominently labeled "Peo-
ple's Republic of Berkeley." A version of
that card is still available on the Avenue,
though the Soviet empire is now white and
there's a warning that the remaining red
areas may fade without notice.
Several mostly college towns elected
very liberal city governments in the late
70's/early '80's, among them Ann Arbor,
MI and Santa Monica, CA which with Ber-
keley gained the epithet "People's Repub-
lic of..." (Marc Cooper, in a 5-25-98 article
"The New Oakland Raider" in The Nation,
speculates that Oakland will receive the
same label after the election of Jerry Brown
as mayor!) Yet this is a media portrayal of
so-called "radical leftism" based almost
solely on the fact that those elected were,
and are largely former '60's radicals. Local
press likes to make the distinction between
a "progressive" or "left liberal" majority
on the Berkeley city council and a "moder-
ate liberal" or just plain "liberal" minority.
There's very little genuine municipal so-
cialism, let alone true-socialism-in-embryo
in any of these "People's Republics" how-
ever.
What there is a lot of are highly sym-
bolic acts. Thus Berkeley is a self-pro-
claimed "nuclear free zone" even while
UC Berkeley maintains an operational
nuclear reactor for "research
purposes. "Thus Berkeley wholeheartedly
divested from South Africa to protest apart-
heid, yet always used the police to "keep
the peace" in west Berkeley's version of
Soweto. Thus People's Park — that fought-
over piece of turf symbolic of '60's rebel-
lion — now has signs listing municipal/
university park rules and regulations.
In every respect Berkeley is the quint-
essential liberal compromise between rad-
ical dreams and capitalist realities. Need-
less to say, this liberal rapprochement fre-
quently has its whacked applications in
real life. Consider Berkeley's relationship
to the car.
Berkeley is a small urban concentra-
tion adjacent to much larger ones, molded
by the exigencies of capital, to include
private home ownership and private trans-
portation based on the automobile. Dur-
ing the late '60's Berkeley Peoples Archi-
tecture developed a radical critique of this
social reality which included equally rad-
ical proposals for banning cars from the
city and knocking down back yard fences
to create block long common areas. The
"Peoples Republic of Berkeley's" bizarre
compromise took on the car only to the
extent of creating a maze of partially
blocked off streets between heavily con-
gested main thoroughfares; a thoroughly
half-assed solution much like Berkeley's
pathetic rent control "challenge" to pri-
vate property. Casual car cruising is dis-
couraged, yet visiting folks unfamiliar with
this labyrinth get frustrated and lost. The
locals still know how to get around the
traffic jams, though it takes longer and
wastes more gas.
Returning to the example with which
I started this column, Berkeley's city man-
ager ordered the beginning of "Operation
Ave-Watch" on June 15 to increase the
police presence on Telegraph Avenue for a
30-day trial period. Six more officers were
added to the street 7 days a week between
10 a.m. and 8 p.m., funded according to the
6-22-98 San Francisco Chronicle with $80,000
in police overtime pay. The target of this
operation — the crowds of street kids —
were cited by the increased number of
cops for drinking in public, skateboarding
on the street, having an unregistered dog
and other "offenses."
What the cops couldn't legally ticket
the kids for was sitting or lying on the
sidewalk and leaning up against build-
ings, so this increased police presence had
a"multidepartmentapproach"thatalso in-
cluded more sidewalk cleaning, checking
street vendor licenses, and other ways to
harass folks who make their livings and
homes on the streets. Berkeley voters
passed Measure O in 1994 to ban sitting
and lying on the sidewalk as well as pan-
handling. The present "radical" city coun-
cil majority rescinded the measure and
defeated an attempt to criminalize sitting
or lying on sidewalks in commercial dis-
tricts as recently as July 7, 1998 (7-9-98 SF
Chronicle /Oakland Tribune). However, the
Telegraph Avenue Merchants Association
continues to complain about the hordes of
youth camped out on the sidewalks as well
as the competing sometimes unlicensed
street vendors in front of their businesses,
and the recent crackdown was a direct
result of such commercial pressures.
"It feels like a war zone," commented
a Berkeley social worker. Ground zero for
this past month's war primarily on street
kids and secondarily on street vendors
was the intersection of Telegraph and Haste
where the ownership of Amoeba Records
and Cody's Books are the most vocal mer-
chants complaining about the street kids
congregating on the sidewalks around their
stores. The cops frequently parked their
black-and-white mobile command center
bus known as "Orca" near the intersection.
"Operation Ave-Watch" in turn prompted
the street kids to mass for self-protection,
asserting their claim to Telegraph Ave-
nue's sidewalks with their sheer numbers,
not to mention in protests, speakouts, signs,
graffiti and vandalism. During all of this,
the Berkeley city council neither questioned
nor overturned the police crackdown, but
instead appropriated $400,000 on June 23
for a self-cleaning public toilet, a homeless
youth drop-in center, more public show-
ers and lockers, a community health-and-
safety team and other social service mea-
sures (6-25-98 SF Chronicle).
Now, I regularly stroll the Avenue,
so I can confirm that the street folks are
occasionally out-of-control, and not just in
the positive Hooligan sense. The street
people sometimes fight among themselves,
fight with the Avenue's vendors and mer-
chants, fight with passers-by, and fight
with the cops. I can see where passing a
row of 20 sullen panhandling punk kids
seated against the iron fence north of Amoe-
ba might be considered intimidating to
parents visiting their precious child at-
tending Cal. And I certainly don't enjoy
walking past somebody's spiky collared
growling bulldog when nobody's holding
the dog's leash. Nothing to warrant this
last month's crackdown mind you. My
point, and what I tried to say at the begin-
ning of the column is that this has been
going on for the past 30 plus years on
Telegraph Avenue (as well as on the Haight
in San Francisco) in one form or another.
It's easy to make fun of the fact that
Berkeley continues to be a seedy mecca for
alienated, foot-loose youth in search of
dead or diseased counterculrural Utopias.
The irony here is that there is an underly-
ing consistency to this three plus decade
history of successive youth street subcul-
tures, despite changing demographics,
social conditions and superficial differ-
ences in style over that time. Also despite
the rise of the People's Republic of Berke-
ley in the meantime...
Folks who maintain that the Berkeley
city council coddles these young street
hooligans by not criminalizing their activ-
ities but instead giving them do-gooder
social programs are also missing my point.
Similar street scenes existed along the
Avenue and around Berkeley from 1966
through the 1970's, before Berkeley's mu-
nicipal turn-to-the-left. The current youth-
ful, punkish street scene, under police
crackdown for the past month, is in no way
unique. Nor is it very large. Berkeley's
leftist city council thus neither created nor
has it resolved the situation on Telegraph
Avenue.
In turn, periodic police crackdowns
have been implemented over the past 30
plus years to sweep Telegraph of the "riff-
raff," under conservative and "radical"
city governments alike. A couple of years
back it was black youth on the Avenue
supposedly causing all the problems,
prompting a similar police state response
which I also witnessed. Between 1964 and
1974 Berkeley youth vigorously contend-
ed with the powers-that-be for control of
first the university and then the city streets.
Even in the heyday of '60's radicalism
however the Berkeley cops, Alameda sher-
iffs and California National Guard ulti-
mately had the upper hand in the streets
and on campus. There's no question that
presently the cops alone quite easily con-
trol Telegraph Avenue, so let's see how
they do it.
Police omnipresence is used to ha-
rass and intimidate. Mobile units of 2 to 4
cops sweep quickly through public throngs
to pick out, isolate and arrest troublemak-
ers without stirring things up too much.
Mobile command centers coordinate po-
lice activities over a wide urban area. Re-
serves are called in for back-up strategical-
ly, when and where needed. I saw these
tactics in operation in New York two, three
years ago on the Lower East Side, in Times
Square and in Washington Square Park as
Guiliani used them against political pro-
test, drug dealing, prostitution, sidewalk
vending and street performance indiscrim-
inately. This model is not one of a rigid
riot-equipped army of cops engaged in
conquest and occupation, but one of flexi-
ble rapid-deployment-forces engaged in
counterinsurgency. Nice to see Berkeley
getting up to speed in the latest police
social control techniques.
Now remember, this is all going on
with a so-called radical left Berkeley city
council firmly in power. The "progres-
sive" majority defeated the July 7 attempt
to criminalize sidewalk sitting by one vote
but kept the police crackdown in place.
What we have here then is a velvet glove
covering an iron fist; a classic carrot-and-
srick approach with council members mere-
ly quibbling over what proportion to ap-
ply. Lyndon Johnson built his liberal Great
Society welfare state while committing a
half million troops to Vietnam, authoriz-
ing the CIA to try assassinating Castro and
unleashing the FBI on the Black Panthers.
In comic microcosm this has been Berkeley
for the past month. In other words, liberal-
ism run amok.
No doubt folks will take offense that
I would equate the Berkeley city council's
attempts to deal with the Avenue's street
people to Johnson's escalating undeclared
war in southeast Asia. I'm not saying
they're of the same magnitude, only of the
same category. Part of liberalism run amok.
I place them side-by-side because some-
times it's easier to see the characteristics in
something small when it's magnified.
This column goes to press on July 15,
as the Berkeley police crackdown ends
along Telegraph Avenue. "Operation Ave-
Watch" is not likely to be extended be-
cause it was much more expensive than
the overtime pay to cops would indicate.
Copwatch, several longtime local street
activists and a few ACLU lawyers are help-
ing folks challenge tickets and lodge com-
plaints against the Berkeley Police Depart-
ment; additional costs for the city. Yet the
same social forces remain at play. As city
council elections approach, Telegraph mer-
chants are now supporting a petition to
once more ban sitting or lying on Berkeley
sidewalks for the November ballot...
All I can say is I'm fucking glad I live
in Oakland. Next column, Left and ul-
traleft. Honest.
...ALL THE NEWS THAT FITS-
NO LONGER AT NEWSSTANDS NEAR
YOU... Love & Rage, the newspaper, will
cease publication with the vol. 9/no. 2
issue because Love & Rage the federation
has split into two factions. One faction,
comprising among others the old Revolu-
tionary Socialist League Trotskyites who
converted to anarchism to originally form
L&R's core and known as the What We
Believe (WWB) faction because of their
statement so titled, consider classic anar-
chism to be a sufficient body of theory and
practice for present-day conditions and
denounce deviation from classic anarchism
as Marxist infiltration. The other faction,
known as the Fire By Night Organizing
Committee (FBNOC), maintain that clas-
sic anarchism is not adequate, particularly
in regard to issues of white privilege, and
needs to be amended, criticizing the WWB
faction as well for slipshod revolutionary
work. The newspaper had a fair amount of
debts, and both factions agreed that the
federation's split meant an end to publish-
ing L&R. I was around for the newspaper's
and federation's controversial beginnings
and I've always been highly critical of their
ideas and actions. Nevertheless, I did buy
and read L&R, and I enjoyed their Mexico
coverage even while I disagreed with L&R's
slavish devotion to the EZLN. I participat-
ed in their "black bloc" Columbus Day
1992 disruptions in SF, and their "USA Out
Of Mexico" poster is on my wall at work.
The folks at L&R were wrong, but what
they were doing was important enough to
keep track of, which was why I always
gave their address when I talked about
their newspaper. The FBNOC faction will
print the last issue of L&R and assume its
debts as well as its assets. The WWB folks
will work to build Anti-Racist Action as an
anti-authoritarian mass movement, might
publish something called "Liberty" or
"Utopia" and wants to form yet another
north American federation of anarchist
collectives. Nothing like beating a dead
horse. You can get the last issue of Love &
Rage from the FBNOC folks at POB 853
Stuyvesant St, NY NY 10009.
PERSONAL PROPAGANDA... I can be
contacted at hooligan@sirius.com. My
book, End Time, can be purchased from AK
Press (POB 40682, SF, CA 94140-0682) for
$10. Keep sending me your newsworthy
items and interesting news clippings c/o
MRR.
A thank you goes out to Ed Dawson
for sharing, complete with lurid draw-
ings, a position that facilitated more clito-
ris-friendly intercourse for him and his
ex. Why she is his ex is beyond me cuz
anyone this focused on my orgasms would
have to gnaw their arm off to get away.
Anyway, allow me to paraphrase what
Ed said: The woman lies on her back with legs
slightly spread, knees down. Boy gets on top,
missionary style, but does not spread her legs
any farther apart. Once he's in "normal"
thrusting position, he opens his legs and plac-
es his knees outside of hers AND positions
himself about 6-8 inches higher than her. The
latter has the added benefit of placing the two
more face to face, facilitating kissing. How
sweet! What all this does is force the penis to
thrust in a curve, rather than straight in,
(Here's where the pictures came in, which
unfortunately, I can't duplicate here. But
take it from me, PURE PORN!) angling the
penis to rub more directly against the clitoris.
Unfortunately this position also increases
urethral irritation which may lead to uri-
nary tract infections in women. Ed also
pointed out that boys need to have a little
slack cuz anything less than 6 inches of
manhood won't reach her clitoris, much
less curve around it and will probably
pop out. So, for those with petite penises
(peni??), unless your woman has an inny,
this one ain't for you.
But fear not, there are actually many
different positions that increase clitoral
stimulation during intercourse. And there
are a thousand techniques and exercises I
could recommend that will result in mind-
blowing "Oh what a beautiful morning!"
simultaneous orgasms for some couples
but nada for others. Cuz the sad truth is
that for some women, no amount of posi-
tioning, angling, blocking or choreograph-
ing will provide enough prolonged, di-
rect clitoral stimulation to result in or-
gasm during intercourse. Difficulty and/
or inability to reach orgasm can be due to
a variety of factors: basic anatomy issues,
i.e. does her clit sit high or low and is his
penis too small to feelor too big to take?;
performance anxiety and/or (lack of) en-
durance; past or present sexual, emotion-
al or physical abuse; psychological issues;
infections; lack of or too much concentra-
tion, and insufficient communication are
just a few. Being that there is so much
more to sex than just intercourse, I delib-
erately choose not to list every technique,
position and meditative mantra that prom-
ises simultaneous orgasm through inter-
course alone. If a little maneuvering is all
it takes, then more power to you! But why
suffer through a bladder infection, not to
mention all that undue pressure and anx-
iety just cuz books featuring Fabio say it's
more romantic? An orgasm is an orgasm.
Enjoy them however you can get them.
For those seeking more detailed
guidance as well as visual inspiration,
Down There Press, the nation's only inde-
pendent publisher exclusively devoted to
the publication of sexual health books for
both children and adults, has just released
two small but highly informative sex
manuals. The first in a series of Good
Vibrations Guides, which will "combine
the expertise experience of GV's staff and
customers alike for the purpose of shar-
ing sex-positive information and advice. "
The GV Guide to the G-Spot contains
everything you need to know about the
G-spot and female ejaculation. Included
is an incredibly thorough lesson on fe-
male anatomy, covering vaginal eroge-
nous zones, the PC muscle, female fluids,
etc. as well as tips, techniques and recom-
mendations for optimum G-spot stimula-
tion. Solid, practical information mixed
with personal anecdotes makes for quick,
entertaining reading. The GV Guide to
Adult Videos is perfect for those who still
choose porn videos by their covers. In-
cludes reviews of over 100 current and
classic adult films, a listing of notable
directors and their films, tips to find vid-
eos well suited to your taste, as well as
how to watch porn with a partner, inter-
views with industry insiders and a histo-
ry of porn and its censorship battles. Plus
it identifies which videos contain hard to
find elements such as natural female bod-
ies, female orgasm, internal male ejacula-
tion, people of color, older actors, safer
sex practices, gay, lesbian and bisexual
perspectives. Tremendously helpful. Both
The GV Guide to the G-Spot and The
GV Guide to Adult Videos were written
by Cathy Winks, GV's video and sex toy
buyer of ten years. Orders can be made
directly to Down There Press (toll free 1-
800-289-8423; 938 Howard Street, #101, San
Francisco, CA 94103) Each book is $11.50
ppd. But if you're ever in the neighbor-
hood, do stop by one of their retail stores
(1220 Valencia at 23rd Street in San Fran-
cisco and 2504 San Pablo Ave at Divight Way
in Berkeley). Women centered, non intru-
sive shopping without worrying about
stepping in strange puddles. With a wide
selection to choose from. They even let
you try out their vibrators in the bath-
room before you buy ! Talk about custom-
er service! For catalog requests, call 1-800-
BUY-VIBE or visit their web site at http:/
/www. goodvibes.com.
As always, I have so much to write
about and so many letters to answer, but
never enough time. Bitch, bitch bitch... It's
been a rough couple of months. But to-
night I'm going to party like it's 1999. I
refuse to have any more drama in my life,
so I've decided to hire new story writers.
Things are looking a lot brighter already.
Good thing too cuz time moves way too
fast to be sad. The 15th Annual Folsom St.
Fair is scheduled for the 27th of Septem-
ber and Dore Alley is this month. Whew!
Well, just to be on the safe side, I'd better
start administering all those enemas now.
Can't have anyone being messy at the fair
now, can we? Fill'er up y'all and play
clean and hard...
Hmmm... not a lot to say this month.
Nothing that interesting's been going on,
just trying to stay out of the sun. So, I'll get
right to the reviews. THE SHRUBBERS
play some mid- tempo, catchy punk, that
sounds a little influenced by SCREECH-
ING WEASEL. They don't get quite as
poppy or as punky as WEASEL gets at
times, but they still make me think of
them. Pretty cool. 6 songs, good produc-
tion. 900 S. Silverbrook Dr./ West Bend,
Wi. 53095. ONE SIZE FITS MOST, on the
other hand, make me think a lot of old 7
SECONDS. Slightly thrashy hardcore,
with a good amount of melody thrown in,
and a nice, strong bass sound. 7 songs,
decent production. 901 S. 28th/ Lincoln,
Ne. 68510. THREE DEGREES sound just
like all those pop punk bands that were so
prevalent around '94- Fat Wreck-ords type
stuff, in other words. Do you miss those
days? Get this tape. 13 songs, decent pro-
duction. 2403 General Arnold NE/ Albu-
querque,N.M. 87712. BLACKLISTED play
some awesome old fashioned punk rock.
This is one for the punks, man- go check
them out. They sound a bit like a cross
between the DEAD KENNEDYS and
BLACK FLAG. Pretty damn cool. 1 1 songs
(including gratuitous BLACK FLAG cov-
er), good production. 406 Caple Ave./
Fairdale, Ky. 40118. I reviewed BAD
DREAMS ALWAYS' demo in my first
column, years ago, and haven't heard from
them since. Well, I'm happy to report they
didn't break up, and have a new tape out.
I'm also happy to see they still play awe-
some, brutal thrashcore mayhem. Great
fucking stuff! 4 songs (including gratu-
itous DISCHARGE cover), good produc-
tion. Hantverkevagen 8C/ 737 48 Fagers-
ta / Sweden. FAMILY play thrashy, kinda
eclectic and noisy hardcore (a little like
RORSCHACK), with A lot of distortion,
notes, changes, and screamy vocals. TER-
TIUM QUIDS play a pretty interesting
mix of punk, thrash, metal, and alterna-
tive that make me think a bit of mid peri-
od crossed with early SUICIDAL TEN-
DENCIES (probably because their vocal-
ist sounds a lot like Mike Muir). They get
pretty intense at times, but mix it up a lot.
9 songs, good production. 822- A Ken St. /
Austin, Tx. 78758. SUMMERJACK play
kinda poppy, rockin' punk, like NOFX
crossed with GREEN DAY. It's not bad,
just needs more personality. 5 songs, good
production. P.O. Box 4916/ Boise, Id.
83711. And lastly, LIVING WARROOM
play crusty ass thrash with a lot of distor-
tion and a vicious, screaming vocalist. I
love this stuff. 5 songs, good production.
421 Sherwood Way/ Half Moon Bay, Ca.
94019. That's it for this month. As always,
I'm at: P.O. Box 2584/ Conroe, Tx. 77305.
Late'.
I Believe in Homicide
Actually, I do, but that has nothing
to do really with what this column is
about. Ok, maybe it does, but its tangen-
tial (did Tspell that right?) to the real point
I'm going to be making and since I don't
really plan on making a point I guess that
by the transitive property the title doesn't
really exist. Its a figment of your imagina-
tion. So there.
There is exists, somewhere within
the bowels of cosmopolitan and trendset-
ting Providence, RI, a house. Not so much
a house, but the top two floors of a house,
where a guy can go to get some good
times, good friends, good beer and a lousy
chance at getting laid. A place a guy can
go to watch the Simpsons, and play his
choice of N64 or the Sony PlayStation.
Such a shining beacon is not a figment of
your imagination, but a real place. Right
off of 1-95. A place where one can go to
forget about the way that life brings you
down on a daily basis and kick back with
some beer and rock and roll. I know such
a place exists because I have seen it. And
my faithful reader, I have seen the light.
I happened upon such a beacon just
at the beginning of this summer. But actu-
ally, it didn't exist too much before then,
so I wasn't missing too much. My connec-
tion with the hard-driving rock and roll-
ers that live at the Homicide House began
some time ago. Let me back track.
Matt "Scumbag" Spenser- renais-
sance man, rock and roll party machine
and straight edge warrior- is a person
whose acquaintance I made in 1996, two
years ago, not long after I started doing
this column. I received a package in the
mail with a tshirt displaying a Klansman
on a noose and a patch with a swastika
crossed out on it and the word "ROAR"
emblazoned on the top. It was said patch
that got me bounced from high school. If
you want the details of that I invite you to
dig up your old copies of Maximumroc-
kandroll and read about it. Matt and I
have been friends since he saw me sport-
ing the patch at the mall and started talk-
ing to me.
It was through the Almighty Scum-
bag that I met Brian "Mullet" Mullen.
Mullet is a crazy motherfucker. He is per-
haps the only person that truly appreciat-
ed the difference between a dead baby
and a bathtub. He is sick, disgusting, loath-
some and a damn good guy to know. I
also believe that he's been unemployed
for about three years. Any guy that is that
good at avoiding work deserves major
props.
Occupying the top floor of the Ho-
micide house are three (nearly) equally
disgusting characters who answer to Tim,
Matt and Gonnaherpasyphilaids. Actual-
ly, if you called Big Daddy G by the name
I just gave him, he might kill you. Its a
long story and I'm sure I would get my ass
kicked if I shared it with the huge MaxRnR
readership (who now include patrons of
Borders). If you ever meet me I'll clue you
in, though. Plus I can't remember if his
real name is Mike or Mark.
There are visitors to the Homicide
House who, like myself, can appreciate
all the things which make the house great.
They appreciate the finer things in life.
Two of my favorite visitors are the cutest
young couple you ever did see, Jesse (who
is NOT a skinhead) and Roxanna (who is,
but her name is NOT RoxannE and if you
begin singing a Police song to her, she
might be liable to kill you because she has
probably heard that "joke" since the G-d
damn song came out [which doesn't stop
me from doing it, not for a second]).
If you haven't got friends, what have
you got? Nothing really. As shitty as my
life has been lately, there are really only
two things that make me forget about it.
One I can't mention here. The other is
friends. And every time that Mullet's old
shitbox Volvo pulls up in my driveway
the troubles seem to float away. They do
it with increasing rapidity once I actually
get to the house. Sure, I may still bitch
about my life, but rest assured, I am not
worried anymore. When I'm around my
friends you can bet that everything will be
alright.
If I didn't have friends I have no idea
what I would do. Probably lots of drugs.
And I wouldn't really like that because I
think that most drugs are self-destructive
and anti-social (yes there are exceptions
and no the exceptions aren't the only drugs
I use, because the only thing I do is drink
and smoke and drinking can be anti-so-
cial and self- destructive and I recognize
that, but I really don't give a fuck, so
there).
Its weird being friends with guys.
You'll never hear a guy say "Wow, I really
appreciate the emotional support and
companionship that you provide from
me." More likely it will be "Hey, you
lousy cocksucker, get your ass over here. "
Or something like that. I can't say that I'd
like to have it any other way.
Besides, who else will pick up RISD
pre-college girls with you?
ENDNOTES: 1. Write me if you want.
404A South Main Street, Attleboro, MA
02703. XnickfittX@aol.com. Take yer pick...
2. You will send two dollars to the Peeps
c/o Liz P.O. Box 12264 Scottsdale, AZ
85267... that is if you like good rock and
roll. 3. Speaking of good rock and roll, its
future is embodied in Danko Jones. Go to
their website at www.fetching.com/
dankojones
NetPunk
Okay, time for another non-theme
oriented column where I take a look at all
of the web addresses that you, kind read-
er, have sent me over the last few months.
Lots of stuff to mention that is worth a
look. Actually, if I find a website boring or
otherwise a waste of time or energy I
usually won't mention it, rather than slam-
ming it, even if somebody asks me to
"review it" in this column. As this is the
September issue, and school is getting
underway, I thought I'd mention the
School Sucks website (http://
www.schoolsucks.com). This actually
isn't really about how much school sucks,
butitis a repository of other people's term
papers and reports. There's also a chat
room where you can hang out with other
students and more. One warning for those
of you thinking of scamming papers to
hand in for a class - apparently teachers
are hip to this site, so you'll probably end
up screwing yourself. Nice name, though.
A few issues ago, I mentioned a punk
rock webring. I don't even remember
which one it was at this point, so I might
mention it here again. Anyway, a we-
bring is a collection of sites on a certain
subject that have agreed to create a link to
another site on the same subject. Then
that site connects to another site, and so
on, until the last site on the list hooks up
with the first site. That way, you can start
on one page and continue around the ring
visiting all kinds of cool pages on the
same subject. There are webring sites ded-
icated to bands (usually stuff like Nirva
na, et al), but of course there are several
punk webrings as well. One pretty cool
ring is "The Punk and Ska Ring" at http:/
/ www.geocities.com/ SunsetStrip / 2743 /
. As of this writing, this ring has over 500
sites. More stuff than I could write about
in 10 columns! Some of it is good, some of
it boring, some of it stupid, but all of it
(supposedly) punk. Another ring to check
out is the Alterna-Punk Nation Web Ring
(http://users.ap.net/~ploschitz/
altpunk.html). While I'm not exactly sure
what the fuck the "Alterna-Punk Nation"
is, there are over 100 punk and alternative
sites in this ring. Best of all, its run by a
punk rock geezer - Yep, another 50-some-
thing doing the punk rock thing. This ring
appears to consist mostly of bands, so that
makes it a good way to find out about a lot
of bands you've never heard. A final ring
I'm going to mention is for those of you
who like to listen to punk bands online.
Personally, I'd rather throw in a CD in
most cases, but it can be cool to listen to
new music from bands you've never
heard. The Punk MP3 ring at http://
locals.chatsubo. com/mp3/ .
MP3 files are another format for
sound files, sort of like wav and Real
Audio, but with a lot better sound quality.
You need to get a player to listen to files of
this type, and a decent *free* play for both
Mac and Windows can downloaded from
http://www.audioactive.com/player/ ,
Get the player, go to the ring, and start
listening. The next site isn't exactly punk,
but it is pretty funny, and it there is a
minimal amountof punk content. The site
is titled "El Contenido de Mis Pantal-
ones" and basically takes a look at the 17
items that Matt, the site designer, found in
his pant pockets one February day. Pretty
innovative web design concept, but those
pants must have been feeling heavy with
all that shit in them. Check out the site at
http://alc.hartford.edu/matt/pocket/
pockets.html .
The next site we visit is the I Dunno
Punk Zine at http://www.sonic.net/
-mpaglia/zine/ . At this site you'll find
articles, interviews, bass and guitar tabs,
photos, reviews, and more. Some of it is
worthwhile, some of it is stupid, but they
seem to be keeping it updated, so why not
check it out (like you have anything better
to do)? For those of you meatballs who
like your punk Swedish, the Swedish Punk
Hardcore Archive (http: //www.
spha.org/) has just the menu for you.
There is so much here, I can't even begin
to list it all. Over 200 bands, plus labels,
zines, distros and more are listed, as well
as interviews, reviews, columns, chat, ar-
chived songs and more. Don't miss this
site, especially if you need a taste of for-
eign hardcore. I'm not sure where I found
out about this site, but Punknet at http: / /
www.punknet.com looks like it has some
serious possibilities, even if at the time of
this writing nothing seems to work there.
It's been up since May, and there have
some serious problems with areas of their
site (missing files, links that don't work
the way they are suppose to, etc., but they
are looking for "staff" so you might drop
by their site and see if you can lend a hand.
Next we have the Ontario Punk /
Ska / Oi page, which has stuff about the
Ontario, Canada scene. They have a list of
upcoming shows, a few sound files, a list
of links and a few pictures. Pretty sparse,
but some decent stuff, especially if you're
gonna be in that area sometime soon.
Check the page out at http://
www.king.igs.net/~webster/opr.htm .
Finally this month is a fun little (unpunk)
questionnaire where you can "Rate Your
Risk of Being Murdered". Find out exact-
ly how likely it is that you'll become a
statistic. It's free, it's fun, and terribly
useful. Take the test at http://
www.nashville.net/~police/risk/
murder.html . I scored a 59. Okay, so that
does it for this month. Check out the Net-
punk website at http://netpunk.base.org
or e-mail me at hanford@cruzio.com. Of
course, you can always write me via the
good old USPS as well, at PO Box 8059;
Santa Cruz C A 95061.
making new friends with
goanocgres
soos im -<*« uajjd ti 1 1 xa
REV. N0RB INTERVIEWS THE
GUITAR PLAYER FOR GENERA-
TION X
PHONE: Brrrrring!
GUY ON OTHER END: Hello?
REV. N0RB: Hi, is Bob there?
GUY ON OTHER END: I'm sorry, you
must have the wrong number.
REV. N0RB: Okay, thank you.
PHONE: Click!
AND NOW FOR SOMETHING COM-
PLETELY DIFFERENT: Although i have
not seen last month's MRR as of yet (just
lucky, i guess), i was told by someone at
the magazine (whom i may not mention)
that last month's column would run mi-
nus a certain "offensive" portion (which i
also may not mention), along with edito-
rial commentary by that same unmen-
tionable individual indicating that said
unmentionable portion had been, in fact,
removed for reasons of national security,
which might render other, mentionable
portions of the column a bit more perplex-
ing than usual, if such a thing is indeed
possible. While i am, of course, all in favor
of censorship (on the grounds that it makes
me seem much more interesting than i
actually am), it has recently come to my
attention that the Part Of The Column
Which I May Not Mention was (essential-
ly coincidentally) in close syntactic prox-
imity to a Part Of The Column Which I
Actually May Mention involving my dec-
laration that a certain individual (whom i
may mention, but choose not to, in the
interests of damage control) had a hot
girlfriend — PROBLEM BEING that, due
to certain factors (which i don't particu-
larly feel like mentioning), it might very
well be the case that the removal of The
Part Of The Column Which I May Not
Mention and The Editorial Commentary
Explaining That There Was A Part Of The
Column Missing might give the long-suf-
fering reader the notion that The Part Of
The Column Which I May Not Mention
was some type of rude and/or lascivious
and /or generally improper commentary
regarding the main squeeze of He Whom
I Already Said I Did Not Feel Like Men-
tioning, which, LET THE RECORD
SHOW, was not the case. I AM INNO-
CENT OF ALL WRONGDOING (except
for kind of just being an ass)/.'/ INNO-
CENT I SAY!!! I was going to apologize,
but, then again, it's not my fault that other
people (whom i may not mention) wanna
ruck with my column, so the hell with it
(and, naturally, because i am so goddamn
crafty and persistent, i will just sneak The
Part Of Last Month's Column Which I
May Not Mention into this month's col-
umn, in some sort of super-special secret
agent man fashion which i can't get bust-
ed for. YOU'LLNEVER TAKE CODYJAR-
RETT ALIVE, COPPER!!! In a completely
unrelated matter, i was just, talking to
Zatanna the Sorceress, and she told me
"Sanigav fo Callidac eht!" STRANGE,
ISN'T IT, GEORGE MICHAEL DO-
LENZ??? ...oh, all right, never mind, The
Man isn't going to be fooled by such va-
pid parlor trickery — i'm just going to
wind up in more trouble, and with more
stuff hacked out of my column, which, of
course, if you buy into the theory that my
column is my wing- wang, signifies a sym-
bolic Bobbitting [at the very least, a demi-
Bobbitting] of my oftTmaligned private
parts, and who the hell needs additional
penile downsizing [note: columnists re-
cently received notice to submit
penises...er...co/wwws of no longer than
one-and-one-half pages, effective imme-
diately] at a time like this? I mean, geez,
what an outrage — i can only spend a
page and a half whining about how i'm
not allowed to use the phrase "th* C*d*ll*c
*f V*g*n*s" instead of two pages! FEEL
MY PAIN!!! FEEL MY PAIN!!! [actually, i
would imagine that most of the anguish
felt this month has been on the part of the
hapless reader, caught in a veritable shit-
storm of asterisks and Veiled References
To Things Which I Can Not Mention and
kooky backwards sorceress talk and the
like. I can't help it. It's hotter than fuck
and i had to take my shirt off and i can't
think lucidly while bare chested, on ac-
counta i get too engrossed in my own
engrossing grossness. Further, i installed
the Metal House™ screen windows in the
Metal MRR Column Writing Room to-
day, which, of course, implies a certain
amount of curtain-opening {and other
generally punk-unsanctioned acts of sun-
light control treason), which, as fate would
have it, caused sunlight to glare off my
monitor screen in an unacceptably yucky
fashion — which would, in most cases,
suggest a timely 180-degree desk-spin
(question: if drunken teenagers get bed-
spins, do drunken office workers get
deskspins? And what about drunken carn-
ies who fall asleep on the Tilt-a- Whirl? Do
they undergo queasy feelings that the
ride is remaining stationary?) and that
would be the end of it; however, whereas
the Metal MRR Column Writing Room is
also the Metal 12-Inch Vinyl Keeping
Room, and said 12-inch vinyl is, with the
exception of about a dozen albums, still
swamped across virtually every square
foot of the floor not actively utilized for
the process of MRR Column Writing (with
the one significant exception being, of
course, the square footage used for the
Honkerin' ((though non-metallic)) 12-Inch
Vinyl Shelf that the 12-Inch Vinyl is not
on) (yet) {see, the problem is, after a life-
time of staunchly holding the line against
alphabetization in the World Of
Rock'n'Roll ((the recap of earlier writings
on this matter being that alphabetization
is an arbitrary order that has absolutely
no relevance to rock'n'roll whatsoever
[[with the sole exception being the one
line in the song "Boulevard Bulldog" that
mentions "alphabet lickin' at the Bamboo
Curtain," which itself is merely a semi-
crafty reference to the late visionary Sam
Kinison's recipe for quality cunnilingus
anyhow]] [[actually, no, there are two in-
stances of the alphabet being relevant to
rock'n'roll, the other involving a verse in
that dippy Beatles song from Yellow Sub-
marine that goes "A-B-C-D, can I bring my
friend to tea?" Yeah, boy, REAL -FUCK-
ING PUNK ROCK, that alphabet!]], and,
as such, should not be imposed on things
of a rock'n'roll nature [[i mean, fuckin'-A-
thru-Z, munch the irony: The same Zodi-
ac Mindwarp & The Love Reaction album
that howls h 'DEFY THE LOGIC OF AL-
PHABETS!!!" in its introductory spiel is
routinely filed away alphabetically by clue-
less music lovers — a sin no less insipid
than that perpetrated by the Screeching
Weasel devotees who fall all over them-
selves attempting to the be the first on
their block to own the band's new CD for
Eurposes of learning all the words to the
and's anti-compact-disc song before the
next twit ({of course, being as his band
name began with the last letter of the
alphabet and all, i suppose Mr. Mind-
warp had a bit of a vested interest in
realignment of the status quo))]]. Nope, i
got no respeck for people who alphabet-
ize their records, on accounta i know,
deep down, where it counts, they don't
rock. Unless, of course, i find out that
Heath from the Fells alphabetizes his
records, in which case it must be okay)), i
decided that, with my new house ((New-
ly Uncovered Norb Metal House Fun
Facts: I have found out that my residence
is known as a Lustron™ brand home.
2,498 of these little gems were manufac-
tured in a converted aircraft hangar in
Columbus, Ohio between 1948 and 1950,
by an offshoot of the Chicago-based com-
pany that made the metal wall panels for
White Castle restaurants and Standard
gas stations. They thought they could
churn out 100 of these a day, but never
wound up being able to produce more
than 26 daily, hence couldn't turn a profit
quickly enough to pay back their loans
from the government on time, hence got
foreclosed on, hence the people who in-
vented the Rev. Norb Metal House died
broke, disgraced, and insane. Kick ass!! !)),
and new life, must come the dawning of a
New World Order in my record collection
— a veritable hostile NWO 12-inch take-
over, hold the Bischoff. I mean, the one
area where i was left vulnerable on this
"no alphabetization" thing has always
been the "well, how do you FIND stuff?"
angle. Admittedly, taking a half-hour out
of my life any time i want to find a partic-
ular record is not the type of blazing effi-
ciency that befits a gentleman of distinc-
tion who spend his todays in yesterday's
home of tomorrow. Some type of organi-
zation seemed called for. Obviously, reg-
ular loser alphabetization was, is, and
always will be out of the question —
however, in some sort of gaily spasmodic
lightbulb-over-the-antler-helmet burst of
serendipity, i decided that i could Get Shit
Organized whilst remaining true to my
punk rock convictions ((actually, it's not a
crime if you don't get caught)) by simply
alphabetizing my records in the manner of a
typewriter keyboard. Eu-the-fuck-REEKA!
Band names beginning with Z, X, C, V, B,
N, and M would go on the bottom shelf;
the ASDFGHJKL bands on the next shelf
up, the QWERTYUIOP bands above them
((note: Since "R" comes before "N," the
Queers would precede Queen with this
system; exactly how much anybody real-
ly wants to have Freddy Mercury right
behind them is a matter i dare not specu-
late on)), and so forth ((which, of course,
brings up the question of what records go
on the fourth/ top shelf — the one that
represents the row of keys for numerals
and non-alphanumeric characters. Even
pushing things so that Splash Four records
got filed under "4," We Five records un-
der "5," and Payola$ records under "$"
[ [if i owned any Crass records, they would
get filed under "@," but i'll have you
know that point is quite moot, thank you] ],
that shelf would be unacceptably barren
[[i suppose i could toss the V/A shit up
there, but who wants to put a bunch of
shitty comp records on top of the real
records anyway?]])). So.. iboughtall these
plastic dividers, and printed up cool little
black labels with white letters on them
and laboriously taped all the labels on the
dividers with clear packing tape and put
all the dividers on the shelf in the right
order and got about twelve records filed
away when i decided that alphabetizing
records really fucking sucks, i'll do it in like the
year 2000 or something so now i'm com-
pletely surrounded by a floor full of 12-
inch vinyl), and it would take me about an
hour to clear enough records out of here
to allow me to spin this desk around so the
sun doesn't glare on the monitor any more,
so instead i just pulled down the Venetian
blinds and closed 'em most-but-not-all of
the way, so now, when i look at my reflec-
tion in the monitor, i have all these excep-
tionally punk rock looking light and dark
stripes behind me, and i've been sitting
here for the last two hours looking at my
reflection in the monitor and making
sneery faces and pretending i'm posing
for a Registrators record cover and not
really getting much of anything done.
Pogo! Pogo! Pogo Machine! Actually, this
was funnier when i still had my shirt on,
never mind]). Anyway, anyway, anyway,
that's not important. Alphabetizing your
records isn't important, my column hav-
ing to be shorter isn't important, my inter-
view with Bob Andrews isn't even impor-
tant (i just would've asked him questions
about the three-minute long solo at the
end of "Youth Youth Youth" until he hung
up on me anyway). What IS important is
that you go see Marky Ramone & The
Intruders, should they breeze through
your area. It isn't actually that imperative
that you watch them, although i found
them to be a bit better than their CD
would indicate — but whatever you do,
make sure — make absolutely goddamn cer-
tain — that you bring this band out for an
encore — and KEEP bringing them back
for additional encores, until you have, by
whatever means necessary (have the
soundman secretly play cassettes of audi-
ence sounds from the Beatles Shea Stadi-
um appearance through the PA if need
be), forced them to dig deep enough into
the encore bullpen that they consent to
perform their.. .ex. ..special rendition of "I
Wanna Be Sedated" with MARKY ON
VOCALS. You GOTTA see this, man. I
had an opportunity to behold just such a
spectacle when my band played in town
with the Intruders and the Beatnik Ter-
mites earlier this month ("WIG OUT with
MARKY RAMONE & THE INTRUDERS"
read the flyer. What asshole thought THAT
one up???). It was simultaneously one of
the lamest and greatest things i have ever
seen in my life, ever. They got Reggie from
the Termites to sit in on drums, and Marky,
totally stiff, with his shoulders still all
hunched up and his arms rigidly at his
sides, stood in front of the stage and emo-
tionlessly croaked along to "I Wanna Be
Sedated" in his thick New Yawk accent.
Twenny-twenny-twenny-fawh aiwahs ta go.
I wanna be suh-dayted. I got nuthin' to do, I
got nowheah ta go. I wanna be suh-dayted.
Even his lyrics were, like, mere approxi-
mations of the Real Deal (and y'd suspect
he'd'a heard the song enough times to
have the lyrics down in a slightly more
finely-tuned fashion that was evident by
his vocal delivery). As i watched from a
chair behind the merch table, completely
transfixed by this bizarre tableau sudden-
ly unfolding before me, my friends began
walking past me on their way out, shak-
ing their heads in a combination of disbe-
lief, disgust, and evilbemusement. "That's
why you don't give the drummer the micro-
phone" said one exiting patron; another
indicated that we were perhaps witness-
ing the lowest point of Punk Rock in all of
recorded history. A third pointed out —
quite accurately — that the scenario was
far more evocative of some type of Satur-
day Night Live type parody of a post-Ra-
mones punk rock continuum than an ac-
tual foray into legitimate punkitude, or
legitimate anything, really. All this is true,
yet — YET! — as if possessed by tasteless
demonic forces far beyond mortal ken, i
found myself not only not quietly jeering
the band, but dancing the fucking Bart-
man (such as i remember it from those
halcyon days of 1991) on my chair, as
Marky obliviously muttered on. It was
fucking great. And the reason why it was
fucking great was because it sucked. And
the reason why it could suck and still be
great was because it was SUPPOSED to
suck. HE'S THE FUCKING DRUMMER,
FOR CHRISESAKESH! WHEN THE
DRUMMERS GET THE MICROPHONE,
IT'S SUPPOSED TO SUCK!!! IT CAN'T
NOT SUCK! !! If the drummer gets a hold of
the microphone, and it doesn't suck, THE
EARTH IS DOOMED!!! However, okay,
mere fulfillment of the drummer-vocal
suck-role doesn't automatically bestow
greatness on the incident — if it did, one
could, say, buy a Vice Squad or Exploited
record, take it home, find out it sucks, and
go "Wow, this record sucks, exactly as is right
andproper! How great of it!", which would
really be a drag. The reason that the Marky
Vocal Suckness = Total Punk Rock Great-
ness is because the Ramones were not
only a. the best and most influential punk
band of all time, but b. one of the (if not
the) most un-punk, neo-rock punk bands
ever invented. I mean, sure, other punk
bands might've went on to make more
money, sell more records, hire a bigger
road crew, and generally get more ob-
scenely bloated than the Ramones, but
NO bands EVER whined as long and as
loudly as the Ramones about how unjust it
was they weren 't able to make as much money,
sell as many records, hire as large a road crew
and get as obscenely bloated as they felt they
deserved to be. I mean, aw, geez, guys, i
really feel for ya: it is a shame that piece-of-
shit songs like "Poison Heart" don't go to
#1, and therefore we only have to pay
$22.50 to see you instead of the $34.50 you
so richly deserve, where 's the justice in this
world??? I mean, these guys oozed total
subservience to the established Rock Star
•ideology: We should be big stars. We should
be big stars. No, I mean, REALLY REALLY
big star s!Geddouttamyway,schmuckl — and,
as such, would never do anything as
fraught with Certain Suck as have the
drummer sing an encore (badly) — in-
stead opting to do things like have C.J.
sing "Journey To The Center Of The Mind"
by Ted Nugent & the Amboy Dukes and
somehow maintaining that, impossibly
enough, it didn 't suck. The fact that Marky
probably a. was — somehow — totally
unaware that him standing there like a
goober groaning out a rib-tickling rendi-
tion of "I Wanna Be Sedated" pretty much
sucked (onpaper, anyway), and b. viewed
the entire escapade as some sort of step-
?ing stone to Great Wealth And Fame In
he Rock Biz notwithstanding, i thought
his version of "I Wanna Be Sedated" was,
all things considered, tremendous, in that
it reclaimed the legacy of the World's
Greatest Punk Band, Emeritus, from the
ROCK dimension, and spewed it back out
for all and sundry to manhandle in the
PUNK dimension, albeit in somewhat
mutilated form (i also noticed that one of
the stops on the band's tour is The Box, in
Tyler, Texas. Hey, Marky! What's that dirt
doin in the boss' hole???). Whilst, truth be
told, i consider Mr. M. Ramone as the
third dog in a three-dog race as regards
Ramones drummers (although ill give
him the benefit of the doubt vs. Clem
Burke), let the record show that i officially
approve of his new band, simply on the
strength of "I Wanna Be Sedated" — oh,
and the fact that they (seriously) dedicat-
ed a song to my dick. Hey, it pays to
advertise!
THESE ARE THE DAYS
The motherfuckin' DUCKY BOYS
areback with a vengeance! The new GMM
CD "Dark Days" is a fuckin' scorcher! The
DUCKY BOYS are one of the stronger
bands playing around today! The new
CD starts off with a bang! In "These Are
The Days", the DUCKY BOYS sing "Got
up today with an aching head. I thanked
the lord that I wasn't dead. Take each day
as your last. Live it all the way into your
past. Wake up. Seize the day, or you'll be
asking how it slipped away... These are
the days I'll look back to for my whole
life." Great stuff!
Besides the excellent new songs are
several songs from last year's CD and
1995's "I've Got My Friends," from the
Flat Records compilation CD Boston vs.
San Francisco that included the DROP-
KICK MURPHYS, the REDUCERS and
many more.The DUCKY BOYS are one
of those punk rock bands that has an
innate gut- feeling about rock n' roll as
well as the songwriting abilities to con-
vey the frustration about the difficulties
of making ends meet for working class
men and women. Pay attention to the
DUCKY BOYS! These guys are going to
escort you through the troubled times . If
you've got punk rock and you've got
camaraderie, you're going to survive this
fucking mess!
In addition to this fine GMM DUCKY
BOYS CD release, you have a good 7" on
GMM by the top-flight streetpunk band
LAST YEAR'S YOUTH from St. Louis.
This EP is called "Modern Living" and it
contains some hard-bitten punk songs to
destroy your delicate little world. In "Gone
But Not Forgotten," Derek Bean writes
(and sings): "...What it was like to be
young - I'm not saying it all was fun - there
were lessons to be learned. A new direc-
tion is what I earned." In the title cut
"Modern Living" LAST YEAR'S YOUTH
sing: "Working all day, six days a week -
Go home from work ain't got no shit to eat
- Got no money, but I got a job - That's
what it's like to be a dead-end yob. ..Don't
know where I'm going, but I gotta go.
Gotta rise above this stinking hole..." This
band continues to put out good punk
records and you will be hearing more
from these guys. Contact LAST YEAR'S
YOUTH at: P.O. Box 190183, St. Louis,
MO 63119.
THE TEMPLARS are poised to re-
lease a full length on GMM and it has all
the earmarks of being a success. The early
demos illustrate how Carl and the TEM-
PLARS have refined their sound and ar-
rived at a recording technique they are
pleased with. We are patiently waiting for
"Phase Two" from the TEMPLARS. As
you surely remember, Vulture Rock was
a early supporter of of the TEMPLARS
and has been loyal to them throughout.
Boston's DROPKICK MURPHYS
have an excellent EP out on TKO/Hellcat
Records this month called "Curse of a
Fallen Soul" with the great Al Barr scream-
ing out the songs. This EP has two songs
from the upcoming full length release
"The Gang's All Here" on Hellcat, as well
as two more originals on side two. One of
the songs on side two is the raging punk
anthem "On The Attack" which is the
DROPKICK MURPHYS tribute to Boston
hardcore. The bonus third song on side
two is a cover of the great IRON CROSS
song "You're a RebeP. The DROPKICK
MURPHYS are stronger now than ever! It
was extremely fortunate that the other
singer quit - Al Barr is one of the most
powerful streetpunk singers in the busi-
ness and he is 100% committed to the kind
of music and the kind of beliefs that the
DROPKICK MURPHYS stand for. The
streetpunk world welcomes Mr. Barr to
the DROPKICK MURPHYS fold. Look
for a split single featuring the DROPKICK
MURPHYS and Germany's OXYMORON
soon as a dual production of Flat Records
(Boston, USA) and Knockout Records
(Dinslaken, Germany). Look for the
DROPKICK MURPHYS on tour in your
town soon!
Those bad men from Sonoma THE
RANDUMBS have two good rercords out
this month. Number one is called "Back
from Sonoma," with a great parody of the
ANGRY SOMOANS record cover. The
songs on this fucker rock! You've got
"Money Shot," right into "Noma Girl"-
Good shit! On the back side you have
"Last Dad" and a real good punk tune
"Big I". Number two is a split with THE
RANDUMBS and THE BRUISERS called
"I Got My Dirts"- a live ep from these two
bands. THE BRUISERS side is recorded at
Fishtracks in New Hampshire with the
band covering "Nation on Fire" by BLITZ
plus the song"Greed". THE RANDUMBS
side is live on KZSU radio station, with
"Gas Pumper" and a great version of THE
RANDUMBS classic "Noma Pride". Get
your copy today by writing to: THE RAN
£PJLgtt*3$
DUMBS, PO BOX 132, Sonoma, CA. USA.
We have a good release for you this
month from DSS/Longshot from Aus-
tria / Canada. It features two fine oi bands,
one of the best from the early eighties the
OPPRESSED, and a band from Canada,
IMPACT, that has been developing an
ever -increasing following for the last few
years. The OPPRESSED have shown time
and time again that they are the survivors
of the oi wars. The best selection on the
Welsh side of Disc 1 is the OPPRESSED
original "CF-3". The OPPRESSED cover
"Skinhead Girl" (Naismith) which is more
melodic/pop oi.
The real treat in this 2 EP package is
the IMPACT material. The band plays
"Clockwork Symphonie" (sung in French)
and this fucker is some serious street-
punk! Both "Toujour Debout" and "Au
Front" are first class oi songs! Contact
IMPACT at CP 451 Boucherville,
PQJ4B6Y2, Canada.
Also available on DSS Records this
month is the debut EP by the BIERMU-
DAS. After eight years knocking about
the Rheinland they have graced us with
some melodic oi/streetpunk vinyl. Some
of the songs are slower and plodding
while "Peter 1st Ein Skinhead" is fast and
quite punk!
Those people at Helen of Oi Records
have Vol. 4 of "Punks, Skins and Her-
berts" available for you. It is called "Take
a Look at Life, Seems So Unfair, So Many
Fucked Up Bastards Refuse to Care." This
compilation starts out with a working
class streetpunk outfit from Madison Wis-
consin called BRASS TACKS. These punks
have a good sound somewhat reminis-
cent of THE WORKIN' STIFFS. Good vo-
cals are supported by a powerhouse of
guitar, bass and drums.
Next up you have the Scottish band
ON FILE, who present a melodic brand of
oi with good vocals, good harmonies, and
guitar playing that might remind one of
the classic bands from the days of yore;
the NEWTOWN NEUROTICS for exam-
ple. ON FILE also have a good 7" avail-
able on Helen of Oi. This one starts out
with "Monday Thru To Friday" about the
working man's plight. The band really
gets into a substantial punk-melodic
groove on this tune. On the flipside ON
FILE plays a slower number "Back to the
Roots" harkening back to the good old
days of oi, oi music in 1981.
Turn "Punks, Skins and Herberts"
Volume 4 over, and another Scottish band
hammers you straight away! BEERGUT
100 starts off pounding with "Fuck the
J.S. A." This hard punkrant segues into an
even faster punk number "Government
Filth".
The final punk crusher on this com-
pilation is provided courtesy of THE MFC
from York, Pennsylvania, USA. These
fucks are all over this punk shit with their
initial barrage "Inner City Attack". The
song starts off very fast with blaring punk
and leads right into another rager "Just
Another Nostalgia Fad" which slows the
tempo in mid-stride, only to come right
back full volume.
This month there's a band from Bel-
gium that has a violent rocker of a mini-cd
out right now. The band is HEADCASE
and the EP is entitled "Still Fighting".
This fucker starts out with the proper
momentum with the HEADCASE theme
song called, as you might have surmised
"Headcase," about that ultra-violent guy
you all know who takes pleasure in beat-
ing the fuck out of some napless soul. He
might be employed as a bouncer where he
can actually be paid to gleefully hurt peo-
ple. In "Runaway," HEADCASE warns
those on the dole that they are "Running
away fromlife" and "You've got no bloody
pride." In "New Breed" the band says "If
you want a future, join the new breed
now, oi!" To finish off HEADCASE cele-
brates football with their song "Still Fight-
ing" about trouble on the terraces. Over-
all a good release, with perhaps just a few
too many guitar leads on one or two songs .
Order from: Pure Impact, PO Box 16, 1910
Kampenhout, Belgium.
Those veterans of many campaigns
with Skinheads Against Racism, KLASSE
KRTMINALE has a new EP out. These
Italian Skins have. been consistent with
their beliefs and backed it up with their
actions. Included is one KLASSE KREMI-
NALE song, one Luther Bisset song and a
food cover of "Angels With Dirty Faces"
y SHAM 69.
PRESSURE POINT and UNITED
BLOOD have a good split EP out on Cold-
front Records. The PRESSURE POINT side
starts out with a fast-and-hard version of
the CLASH'S "Police On My Back"- very
good! The PRESSURE POINT song "Boots
n' Booze" is a good vehicle for Mike's
extra-tough vocals. You better listen to
this one!
The UNITED BLOOD side has more fast-
action punk with Orlando and company
performing "Crossfire" and a sped-up
version of "Drunk Last Nite". Fun for the
drunk- punks! Find it! Buy it!
THE GLORY STOMPERS from Can-
ada have a very good 10" out on Knock-
out Records. Some of the good songs are
; "Look Out Here We Come", "Clockwork
Society", and "Ham Fisted Thugs". A cou-
ple of these songs are quite memorable
and would be appreciated by TEMPLARS
fans amongst others. Give this a listen at
your earliest convenience.
The STEAM PIG from Ireland have
a split EP with TOMORROW from Japan.
TOMORROW plays aggressive hardcore.
The STEAM PIG lash out at you with
1980's style UK anarcho/oi music. The
lyrics are good: "It's reality street punk,
not an egg box world. That's another the-
ory shot to shit. Get out of my way yqu
fucking prick. You're just another cunt
who walks the line . They're looking across
with that sickening grin. I hope they choke
on their mirth." Good shit! Check it out!
Keith Woundup has a rowdy split
single out now on his Woundup Records
out of Kansas City, Kansas. First on the
bill is New Hampshire's TUNNEL RATS
doing a tribute to the great Kevin Sullivan
called "The Prince of Darkness" . This song
kicks ass! The second song ain't quite as
powerful musically but the lyrics ring
true - it's about beating the shit out of
hippies. On the "B" side you have the
mighty HELLSTOMPER from Tennessee
doing one original, "Prison Tan" and an
amped-up version of ALABAMA'S "Ten-
nessee River". This here is good country
flavored rock n' roll. It's all approved by
The Confederacy of Scum.
Billy Boy E La Sua Banda from Italy
have two singles kickin' around Maxi-
mum this month. The first "Preti e Suore
= T.N.T." is fast punk with dramatic sing-
ing and good guitar parts and is already
into it's third pressing. The second single
puts more emphasis on the rock n' roll
elements including a cover of AC /DCs
TNT. This band's sound probably im-
proves as the pints of beer are consumed.
THE BREWTS have thrown the
streetpunks a curve ball. THE BREWTS
LP has some good songs. The opening
theme is slow instrumental ska with horns.
The second song "P.O.A" has rough and
tough vocals with full guitar accompani-
ment. The singer sings "You're in pris-
on!", and "Beingpoor is the greatest crime
in the land of the free." The horns are
present here as well. This record is hard to
pin-down because of the traditional ska
parts. It would not be recommended to
the strict oi/streetpunk crowd.
After four years together BOMB
SQUADRON has disbanded. Two new
bands arose from the ashes- HALF EMP-
TY and THE VIRUS. We will wait to hear
what music comes from these new groups .
ALTERNAR ZINE from Sao Paulo,
Brazil has come out with issue number
two featuring interviews with DESMOND
DEKKER, KLASSE KRIMINALE and the
4-SKINS. This zine has eclectic tastes and
includes many interviews with older tra-
ditional skin and oi bands as well as em-
phasis on record reviews of newer bands.
Write to ALTERNAR ZINE at : C. Postal;
1364, Sao Paulo, SP, CEP; 01059-970 BRA-
SIL.
Till next month-
See ya round...
See ya in hell!
Consumed
"Breakfast At Pappa's"
CD-EP/10 inch out July 28th
Mad Caddies
"Duck And Cover"
CD/LP/CASS out Aug 11th
Screeching Weasel
"Television City Dream"
CD/LP/CASS out Aug 25th
Swinqin' Utters
"Five Lessons Learned"
CD/LP/CASS
_ ■ \A/RECK
CHORD
■c=isc=o, c; ***.
I rona
bi foi h fEi h iTt
BlQJHLsJ
cd only!
HONEST DON'S
GREATEST SHITS
14 SONG LABEL COMP
ONLY $4.00 PP d within us
CANADIAN ORDERS AD 20%
REST OF WORLD AD 30%
write for a free catalog
HONEST DONS • PO BOX 192027
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"Save
Room
For
Dessert"
CD
$10 ppd
THIS ALBUM IS Vegt BXUTAL. SO WIAK HIASTS NHO MOT APPLY.
thus smc is haudcosh punk -puhkis> than youn mothis 21m
This stuff is crary Fast, This Stuff is craey Hard. I doo t knn*. Its sort of
a Punk style, hut then its eKtreemly Hardcore. But. win all said, and
done its KICKASS! The vocal: are neck pulsing loud and aggressive, the
guitars are hard, aggressive, hut also well combined. All this stuff is
also 100°«, DIV. The cover delicts everything someone has to 'digest in
the world we live in today, if I must say, that's super punk rock!
ElimiNatioN ZlnE
Rnn.iai~i blew shirts! Blacl< with white printing.
\ i Available in L XL, XXL. S 1 00
i* I i Cruel Sidewalk shirt still
V I available in L& XL. SI 0.00
WRENCH * RECORDS
PUNK LABEL & MAILORDER presents
"WILL", the new EP by Japan's
CRISPY NUTS
Contact us for other stuff available!
j^gTj Non
Buy Direct or tell your
odd sQ. local store to GET /r.'
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r> U BOX 7135 NAi/y
BURBANJK CA 9 15 !0 U.S.A.
e-mail: societygone@earthlink.net l *^5j
Check us out at: http://home.earthlink.net/~societygone
.'LIVE HARDCORE PUNK
JWI ROCK VIDEOS!
Sunny Day Real Estate Reunion
7/H/98 Seattle, WA. Live video
Amazing qaulity! Rest of tape has a
Promise Ring show.
$15 postage paid
We also have 100's of other videos:
Avail, Better than 1000, Propaganda, Los
Crudos, Fugazi, Op Ivy, Mineral, Inside
Out, Guilt, Earth Crisis, Snapcase, GB's
Rocket From, Rage Against, SOIA, 108
Madball, Minor Threat, Skankin' Pickle,
21ivecrew, Bloodlet, CapnJazz , Boysetsfire,
Chairrof Strength, Coalesce, DK's, Black Flag
Face to Face, GGallin, Mr.T Ex, Queers, Tilt
YOT, Shelter and tons of others!!!
Send stamp for complete list
or pick 3 of the above and send $15.
CTH,P0 BOX 95516, Seattle WA.
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Price £2.65 (UK), $5 (non-UK) incl airmail post
PRICE PRICE
THE WRENCH RECORDS BACK CATALOGUE: UK Non-UK
I LIL BUNNIES Unabunnie 7" (back in stock!) £2.50 $5.00
I RANCID HELL SPAWN Gastro Boy 7" £2.50 $5.00
RANCID HELL SPAWN Teenage Lard 7" £2.50 $5.00
RANCID HELL SPAWN Jumpin Jack Flesh LP £5.00 $12.00
I RANCID HELL SPAWN Gas Mask Love Mini-LP £4.00 $10.00
' RANCID HELL SPAWN Chainsaw Masochist LP £5.00 $12.00
RANCID HELL SPAWN Axe Hero CD £5.00 $10.00
SAVAGE MALIGNANT Lucky 7 7" £2.50 $5.00
STEVE McQUEENS Mission To Rock 7" £2.50 $5.00
A!' prices include (airmail) postage Send UK or US cash,
op UK cheques/money-orders. Send SAE/IRC for full list.
WRENCH RECORDS, BCM BOX 4049,
ILONDON WC1N 3XX, ENGLAND
Fax: 01 71 565 2838 Email: wrenchCS*>irjaemistral.co uk
Web site: ht4>://vvwvv3.mistral.co.ulv\VTench/irid9x.htrnl
Bacteria Zine
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INTERVIEWS
The Casualties
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BACTERIA
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alley cat
RECORDS
PUNK • SKA • MOD • CD'S
Allay Cat Records is an Independent Mall
Order company. We specialize in original
Punk, Ska, Mod * Rock N Roll on CD.
Get in touch for a free
mail order catalog today!
Stores - contact us for wholesale Information,
Bands - We can distribute your music t
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distribution
AML
est d:Wijor Ji«/><-/
dick army -winners by
default — yea sure you have
heard of them but have you ever
actually heard them? Now is
your chance No time like the
present No day like today.
Overdriven Punk Rock Fury. S}00
ppd!
The Bad Popes - Fall In
Love With... - ryp 01 g*ngc
rock? Hardly. Name another
garage band that would cover
Reagan youth in their live set
Fuzzed out Punk Rock! Terribly
well received in Green Bay,
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dick army -The First Four
of these bad boys were pressed
When they are gone they are
gone for good and they are
almost gone as it 11 Get it while
you can fanboy. $3.50 ppd.
Order Thru
Vital Music Mailorder
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Steve, Old wc bum your house tlowrf? I th*k we f«t=o> to <*
FOLLOW THROUGH
OFFICIAL LIVE CASSETTE
RECORDED 2/21/98 WITH
16 TRACK TECHNOLOGY!
9 SONGS INCLUDING ONE
UNRELEASED! GREAT
BETWEEN SONG RAPS! $4.00.
ALSO AVAILABLE ARE THE FOLLOWING NON-
OFFICIAL RELEASES...
BURN LIVE AT CBGB 1990 + 1991 . NUMEROUS
UNHEARD TUNES.
CLASSIC HARDCORE DEMOS 1 CRO MAGS
"AGE OF QUARREL", AGNOSTIC FRONT
'VICTIM IN PAIN" ORIGINAL MIX, AND SICK
OF IT ALL.
CLASSIC HARDCORE DEMOS 2 BREAKDOWN
NY HOODS, RAW DEAL, ALTERCATION.
CLASSIC HARDCORE DEMOS 3 YOUTH
DEFENSE LEAGUE, OUTBURST, WRECKING
CREW, EYE FOR AN EYE.
GORILLA BISCUITS LIVE 1986- 1989. RARE
EUROPEAN 7" TRACKS + LIVE NYC.
INSIDE OUT LOS ANGELES RADIO
BROADCAST 1991, DEMO 1989, LIVE 1990,
LIVE 1991. 46 MINUTES.
ALL CASSETTES ARE 60 MINUTES LONG
UNLESS OTHERWISE SPECIFIED. ALL
CASSETTES ARE $6.00 EACH. ALL
CASSETTES ARE CR02 AND SATISFACTION
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1
I
3
American Measles "Shover the Cupcake"CD($8) „_
Arson Family "La Cosa Nostra"CD($7.50) jf
Ashley Von Hurler & The Haters 7"($3) <g
August Spies "Face'ep ($2.50) Z
- "August Spies"ep ($2.50) g.
- / 13 Tons of Napalm split ep ($2.50) S
Binge "Binge'CD ($8) §.
Bottom "Run My Life" 7"($3) o
Bratface "A.D.D."CD ($8) o
Broke "Songs About Sucking"CD($6\50)
Broken Toys "Fury' IH"Cdep($5)
Brooklyn Steamer "RocknRoll pt.3"CD($7)
Carpet Patrol "Carpet Patrol'CD ($8)
Degenerates / Stalking Leaver split ep ($3)
Downfall "Pretty OriginaTep ($3)
Fat Day / Th.Jeff.SIave Apts. Split ep($3)
The F.l.D.s "Learn a Fourth Chord'ep ($3)
The Freeze "Token Bones"CD ($8)
God Told Me To "BrissTD ($6)
Greed Seed "20 Years Too Late'CD ($8)
Gringo / Fall River Overdrive split ep ($3)
- / The Degenerates split LP ($7.50)
Highway Strippers "Stories for Stags'ep ($3)
The Injections "The Kids Aren't Right'ep ($3) S'
The Itchies "Jerk Twist Twitch'ep ($3) "
The Johnnies " 1 2 Steps to Nowhere"CD ($8) |
Just About Done "On Our Own"CD ($8) |
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Purrr "Pussy Power'CD ($7)
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Showcase Showdown "Soothing Moments"ep($3)*<
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S.T.N. "Death and Destruction"ep($3) g
:30 Seconds Over Tokyo "All Ages..."ep($3)
Toxic Narcotic "You Wreckt'em"CD($5)
- "People Suck"CD($5)
25 Liars "Blind"ep($3)
Useless Fucks "Frat Boy Fuck You"ep($3)
- "Uncle Sid Wants You'ep ($3)
Wife Beater "Bad Reputation"ep($3)
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V/A "Coincidence or Consequence'ep ($3) - The
Freeze. The Unseen. S.T.N.+3
V/A "Guide To Your Dcmise'cp ($2.50) -Fat Day,
Pissed Officers, McVeighs, Chikita +3
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V/A "Runt of the Litter Vol.3"CD($10)-39 bands, inc
Useless Fucks, The Injections, Sanity Assassins,
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LEGENDARY 1977 U.K.PUNKROCKERS ARE BACK
THE DRONES
"Sorted b/w Johnny Go Home" 7" out now
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M\m&
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PUNKROCK HARDCORE & CRUST
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It's A Punk World After All"
IX Band 27 Song CD compilation
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Mofninq Oool
Veteran llasnbox
Rippinq OH Oocietu.
Owinqtones
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Milemarker
Non Plus Ultra Ip
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M Imense Overy Reject" 7"
Lux Vanitas
"mysterious deadly" 7"
out by July
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*the red scare* 7"
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You know, there used to be a time
when you could readily pick up a sincere
underground music rag without having to
wade thru miles and piles of faceless but-
twipe. Now, thanks to the advent of easy to
use desktop publishing tools, any doofus
with nothing to say and half a mind to say
it can feel free to waste our precious re-
sources, like trees, on poor attempts at
arranging words into sentences and dull,
canned graphics. It is enough to make even
the most dense fascist's argument against
Freedom of the Press and D.I.Y. empower-
ment seem all too palatable to the staunch-
est liberal. That is not to say that all or most
zines are filled with nothing but empty
reading calories, but that truly worthwhile
ones are usually issued infrequently and
don't last past a handful of issues. What
this does is make it harder for a record
label to keep an ongoing relationship with
a zine in regards to advertising, review
promos, gig guest lists, etc. No one wants
to send promos that will never get re-
viewed and pay for ads that may or may
not materialize, yet this happens time and
time again. One such time after purchas-
ing an ad that was supposed to run within
two month's time, the editor decided to up
and disappear, leaving no forwarding
number. Out of nowhere, the zine eventu-
ally shows up one year later featuring my
now outdated ad. At least one or more of
the distros listed as having my label had
been dumped on very bad terms, while
newer ones I had started to deal with were
not listed along with a handful of new
releases. They then call me, thinking that I
might like to purchase another ad!?! Any-
how, all of us fuck up sometimes 'cus
nobody is perfect, though this does not
give you free reign to ask for money with-
out having any intention of finishing what
you have started. One person I can always
count on to never try to shaft anyone in
such a manner is Al Quint from Suburban
Voice Fanzine. Over the years, Suburban
Voice has always been consistent in its
ability to stand up as a quality read. The
review section is done by someone who
knows their tunes and never seems har-
assed, which impresses the hell out of me
as a person running a label and as someone
who has done numerous reviews myself.
To top it all off, in the latest issue, Al has
included, along with the zine, a CD comp
with the likes of Justice League, AOD,
COC, Jerry's Kids, Stretch Marks, Nine
Shocks Terror, etc., which is enough to
make me more than a little envious. So,
without further hoopla, here is one of the
nicest, most honest, helpful and dedicated
people I know: Al Quint of Suburban Voice.
B: I've always considered your music
reviews to be fairly accurate and well in-
formed. Are there tips you could give to
younger reviewers out there to help them to
write better reviews, as they probably don't
have the amount of musical knowledge and
history under their belts as yourself?
A: Thanks. My first bit of advice is to
ignore the press releases that labels send
you because it might be tempting to just
parrot what's on there, as I've seen done by
many reviewers, both in zines and the
mainstream rock press. They're useful for
background info, if you need it, but don't
read it until after you write the review, if at
all. The way I handle reviews isn't the
same for every album. Sometimes I can
write it on one or two listens, sometimes it
takes several plays at different times to get
a feel for an album or decide whether I like
it or not. The toughest reviews are "mid-
dling" records - those that don't elicit a
strong response one way or another. What
I try to convey in a review is, first, trying to
put into words the musical sound of the
band and, also, the emotions conveyed by
both the music and lyrics. Lyrics are defi-
nitely an important variable to consider in
reviews - not 100% of the time, but I dopay
attention to what a band has to say. Labels
that send out pre-release packages with-
out lyrics or artwork are doing their bands
and writers a disservice, so I don't review
those sorts of packages anymore. As for
musical knowledge, it's an ongoing pro-
cess. I suppose I have an advantage, being
well into my 30 's, that I've been listening to
music for over three decades and, also,
spent a pathetic adolescence in my room,
devouring music reference books! Young-
er writers mive a lot of history to deal with,
having not experienced the older music as
it came out. Try to learn about the music's
roots as much as you can. Listen to stuff
from the 50's thru now, as much as time/
resources allow it. Check out your parents'
or older brother's /sister's music collec-
tions. It gives you a point of reference and
a sense of the music's continuity. When
writing a review, I jot down thoughts as
they come to mind. Try to express why or
why not the record didn't appeal to you.
Labels tend to bombard zines with a glut of
releases - don't feel obligated to review
every single piece of music you receive.
Concentrate on those that stand out for
good or bad. Spend more time doing fewer
reviews than half-assing all of them. (I
should talk - my review section is out of
control!)
B: I've heard from numerous people
that it is much harder to get paid by a
distributor for a zine than it is a record or
CD, to the point where you have to put a
new issue out to get paid for the old one.
Does it ever end up where you waste a lpt
of your time just trying to get paid?
A: I've had my share of difficulties
getting paid from distributors, both large
and small, on occasion. It hasn't been a
major problem in recent years for SV, but
I've heard the horror stories. It's probably
harder for zines 'cause they only nave one
item to sell, a zine, whereas a label that
puts out several items a year or on a more
frequent basis might have a little more
"leverage" with distributors. I always put
60 day billing on most of my open ac-
counts, but few pay within that period.
I've accepted it as part of the "game" that
I'll get paid when I put out a new issue. If
a distro falls more than one invoice be-
hind, I won't sell them the new issue until
they make good on their debt. Keep good
records. Keep a copy of every invoice you
send to a distributor. Keep track of when
you called them. Be persistent. It can defi-
nitely be a pain in the ass at times.
B: Have you found that your circula-
tion/sales have risen any with the inclu-
sion of a 7" or CD with your zine?
A: Definitely. It doubled my sales.
The current SV (#41) with the CD is going
to be the best-selling issue I've ever had.
For one thing, it opens up your zine to a lot
more overseas sales because, even if they
can't understand a word of it, they still
want the music. It was a happy accident -
Billy Rubin from Haywire approached me
in 1989 about including a split 7" with his
band and Left Insane to include with issue
#28. They paid for the pressing. Blackout
Records split the cost of a Sheer Terror/
Crawlpappy 7" with me for #29. With #30,
I started coordinating the 7"s myself, se-
lecting the bands, etc., and while it's nail-
biting time when waiting for tapes to show
up, including music with the zine was the
smartest thing I ever did. I do think, though,
that including samplers paid for by bands
or labels, with mostly-released material, is
lame. I appreciate the bands giving me
their work for a payment of copies of the
zine and record. I don't want money from
them - I make enough on ads and copy
sales. They're doing me the favor.
B: There seems to be a large amount of
rather skimpy new zines popping up out
there with weak, two sentence reviews, a
lame editorial, an interview with a band or
two that has nothing to put across other than
"we're wacky" and way too many ads. What
do you think is causing this glut of identical
pulp "punk" zines? Could it be too easy
access to desktop publishing software? An
overinflated sense of easy money to be had?
And/or the fact that some record labels feel
the urge to place an ad in every crappy
waste of dead trees that comes out?
A: Boy is that a loaded question! Talk
about leading the subject... but your state-
ments are probably true. Personal com-
puters are as common as TV sets now -
software is a lot more accessible. Labels are
willing to throw ad money at zines for
coverage - the old "interview our bands
and we'll buy ads" or "give us a free ad and
we'll send you CDs" routine and many of
these zines do just that. There's certainly a
cookie-cutter quality about many zines out
there. I admit, my format isn't that unique/
original - my contents seldom deviate from
letters, editorial columns, interviews and
record reviews. I have a shitload of ads in
the zine, but it's usually only about 25% of
the zine's contents. I do try to make the
content interesting and put some effort
into the writing. That's why it takes so
fucking long for each issue to come out. I
think a lot of zines interview the same
bands because they have them foisted on
them by the labels or because they' lack
imagination. Does the world need yet an-
other Descendents or Bouncing Souls in-
terview? Sure, I sometimes interview bands
that are well-covered elsewhere, but it's
because I have an interest in them. I do
want to tell you a funny anecdote. A few
months ago, I got a press package from
Ozzy Osbourne's publicist. It was a
"canned" interview they sent out to zines
to print. I found that humorous, but also
insulting that they'd think my zine is go-
ing to act as an adjunct to their publicity
department. And anyone who would re-
print such fluff isn't doing their job, either.
What's the fucking point?
B: What is the difference between an
OK zine and a great zine? How much do
you think that the editor's and writer's
own personalities affect this?
A: I think personality is what makes
a great zine. Something creative, whether
it's probing interviews, well written/re-
searched editorials or even something hu-
morous and off-the-wall, done in an orig-
inal manner. Where I can tell, it's a labor of
love, an expression of passion for some-
thing, whether it's an ideological bent or
musical form. When you can tell they're
doing it for those reasons and not just to
make money or get free CDs or as some
sort of status-climbing. If it makes me laugh,
holds my interest, gets me angry or makes
me want to learn more about something,
then that's the mark of a great zine.
B: Are there things that a record label
can do to piss you off, so as to make you not
want to deal with them or review their
releases?
A: Besides the aforementioned ad-
vance-type packages? Oh yeah. Constant-
ly calling me and badgering me about a
review. Some of these labels call four and
five times to see if I've reviewed some-
thing or if it's published yet. I even get calls
about whether I got fucking press releases.
And I don't like being put on the spot
when they ask me whether I liked some-
thing or not - but I don't bullshit them. I tell
them point blank when I think something
sucks. There are so many people out there
in the "biz" who I send zines to, who still
have no fucking clue what SV is about -
read the damn thing. You'll realize that it's
a punk zine and I don't want to review
your latest techno or alt-rock band. Don't
get me wrong, there's nothing better than
getting a mind-blowing record or CD in
the mail and I appreciate the bands and
small labels that respect my zine enough to
want to send me review materials. These
are the folks I want to deal with, that I enjoy
hearing from. It's a "community" I still
enjoy feeling I'm a part of. But many of
these label and professional music busi-
ness people drive me up a wall, some-
times. I got sick of the "schmooze" thing
years ago - the machinations of the music
industry and I've tried to get back to my
roots - covering punk and hardcore music
and whatever else I like and- not doing it
with regard to what's "trendy" or whatev-
er the industry is foisting on the press.
B: What are some of the measures
you take to make it easier for the print shop
that runs off your zine to do their job?
A: Putting numbers on the back of
each page to ensure continuity (Important,
since I don't have regular page numbers.).
It's all about quality control. I check the
proofs before it goes to press and make
sure, first, the pages are in order and that
they look good. It means a couple of extra
two-hour round trips to my printer in New
Hampshire, but it makes a big difference.
I think it's better to deal with someone
relatively local because you can have more
hands-on involvement in the process. I
realize that's not always possible for some-
one doing a zine in East Bumf uck, but if it's
possible and affordable, stay local. Also,
you save on shipping!
B: Besides its national /international
appeal, your mag seems to have a strong
localized flavor as well. Has your localized
fanbase helped greatly to keep you afloat?
As dumb as this question may sound, how
important is it to have both a local and
national/international readership?
A: I really don't know. To be honest,
I think my zine is sometimes better known
in other parts of the country, like NY / NJ or
California, than in Boston and New En-
gland. But that's changed somewhat in the
last few years, as I've gotten re-involved
with the local scene again. I think it's im-
portant to pay attention to what's going on
in your area. I've been neglecting that in
the interview department, but one of the
next issues will have an almost exclusively
local flavor. There are a lot of good local
bands that I want to make people outside
the area aware of. But, as parochial as it
sounds (and Bostonians are notoriously
parochial!), I love this area. I wouldn't
want to live anywhere else and I suppose
my affinity for it influences the zine, some-
what. But I'm not so parochial that I blind-
ly support any band just because they're
from here. Truth be told, there aren't all
that many local bands that I find palatable
right now. I can't think of much, outside of
the punk/hardcore/garage realm. That
wasn't always the case.
B: I know from experience that some
bands will agree to an interview or even
request that you do one with them, and
then proceed to answer all of your ques-
tions with short, one sentence replies. Are
there any tricks you can share for getting a
band to be more responsive and open up?
Does it matter whether you interview them
before or after their show, when quite pos-
sibly they are tired out and looking to head
out?
A: I've said this before. Of all the
things I do for the zine, interviews are my
least favorite. It's not that I don't want to
meet bands, but I sometimes have a hard
time coming up with questions or getting
a good flow going. Some bands I don't
interview because I have no fucking idea
what I'd ask them. But I guess the best
advice I can offer is to be prepared. Try to
write out some questions ahead of time -
get beyond the typical "influences/band
history" thing or letting things just get too
silly. But that's only a starting point. Don't
stick to a script. I try to get a conversational
mode going. I try to find out the motiva-
tion behind the music - why are they doing
this? What's on their mind? Try to make it
more of a conversation - a chat, instead of
a rigid Q&A session. I like to do my inter-
views before the show because, as you
said, the band might be tired out afterward
and, also, I usually like to leave right after
the show, myself. I want to get the stress of
doing the interview over with, so I can
enjoy their set without thinking, "What
the hell am I going to ask them?" And
besides, if something does come up that I
didn't ask them before the show, I can
always ask them a few more questions
afterward.
B: I'm sure you must have experi-
enced what's known as "writer's block" at
least once in your zine's history. Is there
anything that you do, specifically, to break
through or navigate around said block-
age?
A: Hmmm... I don't know how to
answer that. Nothing's coming to mind.
Tee-hee... Sorry, bad joke. Yeah, I definite-
ly go through days or periods of time
when I can't think as creatively as I'd like.
I take a break and try to come back to it.
Record reviews become cumbersome be-
cause the music isn't inspiring me (too
many same-sounding records) or I'm tired .
Sometimes, though, it just flows and that's
when you should keep going as long as
you can. I think a big cup of iced coffee
helps me. Seriously! When I'm on a caf-
feine jag in the morning, my writing seems
to improve. I guess that wouldn't be any
good for the straight-edge folks who es-
chew caffeine, though.
B: Now for the most important ques-
tion of all: Has anyone ever tried to kick
your ass after you gave their band a bad
review?
A: Amazingly, no! I've gotten calls
from some bands who were upset with
reviews. When I first started the zine, Stran-
glehold once called me collect to complain
about a review I didn't even write (one of
my writers did) ! And, last year, Toby from
H20 seemed ready to jump down my throat
about a review of their album when I met
him, until he realized it was Jim from
Jersey Beat who wrote the negative review
(Hey Jim, watch your back!). The only
trouble I ever had was when I wrote some
stuff about a small contingent of neo-Nazi
boneheads in Boston in the mid-80's and
they threatened me at a show, but nothing
came of it. Good thing. I haven't been in a
fight in 16 years, except when my ex-part-
ner, in a record store I co-owned, took a
swing at me a few years ago! Thanks for
the interview. Now for the shameless plug!
The latest issue of Suburban Voice is #41
and it's the 15th anniversary issue. It's 148
pages and includes a 33 track CD of mostly
out of print/unreleased/rare punk and
hardcore material from 1980 to 1997. It's
available for $6 ppd in North America, $8
ppd overseas. You can also e-mail or write
me for complete mailorder information.
Also, if Baz from Heresy/Ripcord is read-
ing this, or if anyone knows his where-
abouts, I'd love to hear from him. SUBUR-
BAN VOICE PO Box 2746 Lynn, MA 01903
e-mail: alellen@shore.net. Brian Grand
Theft Audo, 501 Glenoaks Blvd. Ste. 313,
Glendale, CA 91202.
Punk is confrontational. I just got
back from touring the West Coast with
Bread and Circuits- a band I play drums
in, Seein' Red (Holland), Yaphett Kotto,
and Former Members of Alfonsin. About
fifteen people traveled in 4 different vans /
cars. A few weeks before we left for tour,
a good friend of mine from San Diego
committed suicide. I did not want to go
on tour. I did not want to do anything that
had to do with punk/hardcore music.
Eric Allen was 23 years old when he took
his life. This is not a column about him or
about why he did what he did. I can say
that going on tour was definitely a weird
thing at first. I felt guilty for not having
kept in touch with Eric as much as I had in
the past. We were in two bands together
(Eric played guitar for Struggle and Swing
Kids). We were close. What the fuck
happened?
I remember thinking about how most
of our relationship was based on music.
Although we knew each other from high
school, most of the time we spent together
was either on tour, practicing, and record-
ing. Almost everything dealt with music.
Is this how I want to base my relation-
ships with my band members? With the
other folks on this last tour? Just what are
"the kids" about? While on tour, I found
myself trying to connect with folks on
other levels other than music. I remember
when Eric and I used to go to protests
together. He was a working class kid who
hated this country but could only express
himself though his music. I think Eric
related with many of the same problems
that other kids in San Diego, CA have
dealt with: going from a highly political
punk/hardcore scene in the early 90's to a
tight pants/fashion meaningless, apoliti-
cal scene.
Touring with people like Olav, Paul,
and Jos from Seein' Red (Holland), defi-
nitely encouraged me to continue to be an
activist and continue to play and be part
of a larger punk/hardcore "community."
These are some old cats! Having been
active in anti-Fascist movements in Eu-
rope, Olav, Paul, and Jos talked about
many different political activities through-
out their shows. This is inspiring. Ihaven't
seen many bands talk about politics as
much as them lately. And not just any
politics, but specifically communist ide-
ology.
One of the things that influenced my
interest in communism at age 14 was how
confrontational it was to the status quo.
My high school teachers hated whenever
I talked about how capitalism was fucked
up and that in fact, there was an alterna-
tive to that sort of system. I still believe
this. I also believe that art and culture is a
powerful weapon for social change but
that alone will not overthrow capitalism
and imperialism worldwide. We need
more than just punk rock shows, zines
like these (MRR), and even punk benefits
for social causes.
Throughout the tour, I was able to
talk to many different people who want-
ed information on a video I had been
showing. The video, "New World Bor-
der," a 36-minute documentary I helped
make with Casey Peek, deals with the
militarization of the U.S.-Mexico border
and how border activists have been fight-
ing back. This was a good way of getting
people hooked up to local organizations
who are doing work around issues facing
immigrants and refugees. It felt good to
have other people like Jos promote music
and politics. Loud in-your-face-music
and words about resistance.
A friend from Santa Barbara told me
that she liked our music but that she espe-
cially appreciated what we had to say in
between songs. She said that we were
inspirational. This meant a lot to me since
a few weeks earlier I was really question-
ing my involvement in hardcore. Some-
times I feel like we forget that our band
members, our friends, whoever; we for-
get that we as people need others at times.
Eric was not in a band, he was no longer
straight edge, he no longer went to shows,
but did that mean that he was no longer
important? I'm not saying people did not
try and help him, but, I guess I feel that
outside of talking about what new records
or what new bands to check out; the punk /
hardcore "scene" has become centered
around music.
Going on this tour /trip reminded
me a lot about why I got into punk/
politics in Jr. High School. I know this is
a short and weird column but many things
recently made me think about why I do
what I do in the hardcore scene . Thanks to
everyone who shared their homes, food,
and most importantly their thoughts.
f STARTLING DISCLOSURES
hypnotism, MOO
I Personal >*.»•, «.«.
I _ _ Am ForC0~Pmll It
IMagnetism **» r«. wm
IB. 1AMTS
(Reading time: 30 seconds {before
losing interest and moving to next col-
umn})
And now (as though I hadn't prob-
lems enough) comes a man accusing me
(although not directly) of rather constant
self-promotion given my privileged (in-
sert throat clearing onomatopoeia (hey, I
almost spelled "onomatopoeia" right on
the first try ! Ain't I fucking grand !} along
the lines of "hmmk, hmrnk" here) posi-
tion at this fine (well tol'able, at any rate)
periodical which no one seems asinine
enough to take seriously although many
assume that everyone else is dumb
enough so to do.
Sa\d party of the first part being
upset at aspersions I had cast on his corn-
rocket (speaking of which, does anyone
know the details of the free lunch for life
at Casa Sanchez with every Cornrocket
Kid tattoo deal? Just wondering.) Span-
ish castle pipe dream of Record Busi-
ness-dom by way of illustrating a sorely
needed lesson to many impressionable
youngsters who will probably nonethe-
less go ahead and overextend themselves
in the Indie Record Sweepstakes.
And so, yes, I do indeed put out
records (were I to actually be so tacky as
to engage in shameless self-promotion I
would mention {actually, I would trum-
pet, often) the Repent family of "labels"),
sir. Not surprisingly, I tend to hold in
esteem the bands whose music I've put
out in one or another form; after all. I put
out records that I think should exist (for
whatever cockamamie reason). That's
why I do it, motherfucking saint that I
am; not for money (what with a good
number of red ink releases, distributors
stiffing me, not to mention [though I am]
other distributors paying late enough
that the time value I lose in my so called
"investment" (in the sense that lighting
cigars with hundred dollars bills could
be considered an "investment"} makes
even some of the black ink releases less
financially rewarding than a 12 month
high-interest CD, it would take an even
greater idiot than me to do it for the
money), not for the prestige of having a
pissapenny operation which I could pre-
tend was some sort of real business or
even being associated with the cool and
happening bands (my preference is for
putting out ground breaking material
that would otherwise not see the light of
day {I must say with due modesty and
not a bit of SHAMELESS SELF-PROMO-
TION - I reckon not!}, such as the first
records by Loli & the Chones, the Titans
(OK, they'd had space on comps by the
time I put their single out), Snowman
and the Thunderous Staccato, and the
Have-Nots {but anon; this is not the ad-
vertisement, which appears elsewhere
this issue, and I would not wish to break
my oath against SHAMELESS SELF-
PROMOTION}), although I tend to re-
gard them as cool and happening and at
times others share (or come to share) my
view.
But even more satisfying (in my
Miltonic justification) to me is putting
out the likes of the transcenden tally stu-
pid straight to Loserville gunk such as
the Galactic Blasters EP and the Vulca-
neers LP (sales of both suffering from
NASA cutbacks, no doubt, but that's just
a couple more boxes I'll have when fu-
ture collector geeks offer to drop big
wads of Intergalcti-cred Units), despite
both of the aforementioned breaking up
on the verge of its release and thusly
guaranteeing a lack of financial satisfac-
tion. Interestingly enough (if not, I'm
afraid it will have to do), the Vulcaneers
LP is the most flagrant case of shameless
self-promotion in which I've engaged
(and fat lot of good it did) but one of
which I regard myself as npnculpable.
Among the many impish (shame-
less elf-promotion?) tricks of beloved
former leader Tim Yo (uneulogized at his
request) was his repeatedly assigning
me to review records which I had, my-
self, put out (as well as suggesting that I
give space in this column to a record on
which I appeared). "Tim," I would ob-
ject, "I'd feel ever so tacky doing this."
The basic thrust of his reply was general-
ly that I should believe in what I produce
strongly enough to be unconcerned with
how foolish I might appear for having to
stoop to S.S.P., which is a point of view
that certainly has merit but nonetheless
did not dissuade me from exchanging
assignments with another reviewer.
Came the day that I found myself
assigned to review the Vulcaneers LP, I
also received an angry letter from the fan
of an extremely lame instrumental group
who considered me too musically igno-
rant to be worthy of reviewing records,
as I failed to mention the pedigree of the
members of that extremely lame instru-
mental group (bringing to mind the story
of Oscar Levant's conversation with some
Hollywood mogul after the screening of
a film produced by the mogul, para-
phrased thusly; MOGUL: What did you
think? LEVANT: I think it stinks.
MOGUL: Who are you to think it stinks?
LEVANT: Who do I have to be to think it
stinks?).
Angry letters along the lines of "You
said that our record, which we recorded,
produced and put out ourselves (D.I.Y.),
was lame. This is wrong. Our record,
which we recorded, produced and put
out ourselves (D.I.Y.) is great. Please
rectify your error." are an accustomed
hazard hereabouts, but there was some-
thing annoying enough about that mi-
nuscule missive to get my goat to rise to
the challenge of ego-overcoming.
I'm not certain that the band or the
record were necessarily well-served by a
review in which I spouted off why I had
put out the record and contrasting it to
the evil forces of naboobbery with which
I felt at war, but I felt as though I had to
prove something (although it's no doubt
obvious that I've never been certain just
what).
And that's the story of how I have
used my position in the many-tentacled
cabal that is MRR to further my own
Freemasonic ambitions (next stop; the
White House). I am hoping that my
confession in this shameful affair will
undercut any attempts to make me look
bad and cry.
Speaking of making me cry, I would
like to plug the zine Deviated Prevert
(8033 Sunset Blvd, Suite #982; Holly-
wood, CA 90046), which is not only in-
formative but highly entertaining, espe-
cially the tale of video rental shop drudg-
ery that is on a level with Cometbus. It
also has a smartly delicious interview
with Mr. Eric Oblivian!
Gxis la!
TO THE WLLWNWW
A New Mexico man pleaded no contest
to charges that he swindled $15,000 out
of 12 people by selling them "California
Red Superworms" which he claimed ate
nuclear waste. He sojd the worms for
$500 for 4 pounds. The promotional bro-
chure enticed buyers into the "easier job
ever!" That being the use of the worms as
breeders to grow more worms that in the
future the buyers could in turn sell to the
United States government for use at the
government's nuclear waste repository
near Carlsbad, New Mexico.
The St. Joseph Catholic Cemetery in
Muskogee, Oklahoma, used a wrecker to
remove a 2,000-pound 5-foot-tall head-
stone from the burial plot of "Diamond"
Dayne Henry because a priest objected to
the marker's engravings of silhouettes of
naked women, tumbling die and a royal
flush poker hand, along with the inscrip-
tion, "This Is the Only Game I Didn't
Win. I Did It My Way." Henry is still
alive and living in Brazil where he is a
fugitive from federal tax evasion charg-
es. He said that he would take legal ac-
tion to have the stone returned.
Two Illinois men using firecrackers to
fish in Fox Lake, accidentally sunk their
boat. One man had thrown an M-250
firecracker (equivalent to a quarter-stick
of dynamite) into the lake to kill fish
when a wind gust blew their 14-foot alu-
minum boat over the firecracker. The
blast punched a hole in the boat's bot-
tom, sinking it. One of the two men
drowned in the incident.
In June a 47-year-old Kentucky man was
shot in the head by his best friend after
asking the friend to shoot a can of beer off
of the top of his head. Police said that the
CPl**rV£
two had been drinking prior to the inci
dent which took place in a parking lot.
The friend was charged with felony as-
sault.
The mayor of Parana, Brazil, Elcio Berti,
is giving away the male impotency drug
Viagra in an attempt to boost the town's
population and make it eligible for more
federal aid.
Police in Potsdam, Germany, discovered
the preserved dead body of a man found
sitting in a chair in front of his television
set. The man, dead for four years, lived in
the attic apartment of an unoccupied
house and was never reported missing.
Police said he died of natural causes.
In June Israel agreed to exchange 75 Leb-
anese prisoners for the corpse of an Israe-
li soldier killed in south Lebanon. The
pro-Syrian militia reportedly held part
of the soldier's body while the rest was
being held by the rival Lebanese Shi'ite
militia Hezbollah. Israel was also report-
edly returning 40 Lebanese corpses as
part of the deal.
Thomas Thompson, 43, convicted rapist
and murderer, was executed by lethal
injection in San Quentin in July. For his
last meal Thompson ordered Alaskan
king crab legs with melted butter, spin-
ach salad, pork fried rice, porkribs, choc-
olate sundae and Coke.
A shooting at a California county fair in
July that injured eight people started
when two men got into a fight over a
prize at a carnival game. The two simul-
taneously won a game requiring them to
toss a miniature basketball through a
small hoop. Each man demanded the
plush Tweety Bird doll prize of which
there was only one. One man pulled a
gun and started shooting.
According to Discovery magazine, a girl-
friend of New Age guru Frederick Lenz,
said that he killed himself in April be-
cause he could not get over the 1996
death of his favorite pet dog Vayu, a
Scottish terrier. Lenz planned the suicide
weeks in advance, hoarded Valium tab-
lets and on the appointed day fed the
drug to his two remaining dogs, took 150
himself and gave 50 to his girlfriend. He
also put Vayu's dog collar around his
neck. The two then jumped into the wa-
ter off his Long Island estate but the
girlfriend washed ashore and survived.
Three members of Wernher von Braun's
original German rocket team, Max
Nowak, 89, and Albert Schuler, 83, both
of Huntsville, Alabama, and Heinrich
Paetz, 88, of Grant, Alabama, died dur-
ing the second week of July in Alabama.
Nowak died Tuesday the 7th, Paetz died
Thursday the 9th and Schuler died Fri-
day the 10th, all three of natural causes.
I The three men worked with von Braun in
Germany to develop the V-l and V-2
rockets during World War II and after
the war worked in the United States for
the Army, developing the U.S. rocket
program, and later for NASA.
Animal control officers raided a house in
Poquoson, Virginia, in July and rescued
97 animals living inside. Animal control
officers charged a 59-year-old man with
animal cruelty charges. Floors of the two-
story house were rotted through with
urine and covered with feces. The count
of animals was 4 chickens, 23 rabbits, 37
dogs, 25 puppies, 7 cats and one rooster.
Grandpa Al Lewis, famous for his per-
formance as "Grandpa Munster" on the
1960s television show "The Munsters," is
running for governor of New York state
this year as the nominee of the Green
Party. The group originally wanted
Lewis's name to appear on the ballot as
"Al Grandpa Munster Lewis" but that
exceeded state law allowing only names
shorter than 15 letters.
A Rhode Island man was sentenced to 40
years in prison for shooting his neighbor
three times with a shotgun in a dispute
over a hedge. The two men, friends from
childhood, were lifelong neighbors who
both gardened, sometimes together.
However, their friendship ended two
years prior to the 1994 killing when the
shooter snipped the victim's hedge with-
out permission. In the 1994 incident, ac-
cording to the prosecutor, "Ron [the vic-
tim] went out to work on the hedges, and
he [the killer] apparently wasn't too hap-
py about that.
A robbery of a Payless shoe store in Costa
Mesa, California in June went wrong
from the beginning. The 26-year-old rob-
ber handed a clerk a note reading, "Put
the money in the bag" with the word
"bag" crossed out and the word "box"
written next to it. The clerk put $75 in the
box and triggered a silent alarm. When
the robber saw police outside the store he
tied up the clerk and dialed 911 claiming
to be a customer in the store and a wit-
ness to the robbery. He dialed 911 a sec-
ond time minutes later to say that he was
the robber, he had a gun, and he wanted
to make a deal. Then, minutes later, he
called police a third time to apologize,
say that he did not have a gun, and that
he wanted to surrender. Police later not-
ed that the robber wore a bandana but
apparently forgot to pull it up over his
face.
Kohnt's latest book, written ivith Ro-
land Sweet, is Dumb, Dumber, Dumbest,
published by Penguin USA and available in
bookstores everywhere. Please send all cor-
roborating evidence from your town 's news-
paper (with the paper 's name and the date the
article appeared please) to me at: Strange
Daze, PO Box 25682, Washington, DC
20007.
Brian Zero
There is something strange about
being in a car crash. When it happens,
everything seems to slow down, the mo-
ment becoming frozen, apart from any
sense of the movement of time. For me,
the largest car accident that I have ever
been involved in occurred in the summer
of 1987; and in that frozen moment, I
have found a metaphor for an even great-
er crash, the sort that occurs when one's
ideals collide hard with reality's truth,
where one road ends and another begins.
Just like everybody else, punks in
the 1980's attached symbolic importance
to their cars. Since being punk meant
being highly visible, whatever one drove
needed to attract attention. Perhaps noth-
ing would have stood out more than a
bright pink AMC Gremlin, but such a
vehicle did not fit into the punk aesthetic
of the time, an aesthetic which mixed the
idea of being at war against society with
various rebel imagery from popular cul-
ture. This produced clothing and behav-
ior that could best be described as a blend
of punk, the military, and Fonzi from
Happy Days. At every show, people
pledged their allegiance against the con-
formity of mainstream culture by wear-
ing nearly identical uniforms, uniforms
that seemed to be always based around
leather jackets and combat boots. Natu-
rally, in accordance with such battle fa-
tigues, the vehicles we owned needed to
be ready for combat; in short, tanks. Since
we couldn't buy these, we had to settle
for the next best thing, the 1960's road
car, a highly effective killer.
When I first became involved in
punk, the uniform meant little to me. I
wore funky cloth pants, Chinese flaps,
and an old denim jackets from the hippy
days, complete with a smiling sun em-
broidered on the back. I was what people
in the scene often referred to as a "peace
punk."
As I stated in my last column, how-
ever, the 1980's were not a time of peace,
and if you looked different from what
society deemed "normal," you were
thought of as the "the enemy": you were
always under the threat of attack from a
wide assortment of tyrants. In this type
of atmosphere, I soon gravitated away
from a less aggressive looking appear
ance and towards the more militant aes-
thetic of the scene. I wore my hair in blue
liberty spikes, put studs all over my den-
im jacket, removed the hippie sun, and
replaced my Chinese flaps with steel toe
boots made from naugahyde. I became
armored, and when the time arrived for
me to buy a car, I found a real war ma-
chine.
My first car was a white 1968 four
door Chrysler "New Port." Besides be-
ing a monster, a vehicle that other people
would steer clear of on the freeway, it
was my ticket to freedom. Because of it, I
could drive to Sacramento City College
to take classes, drive away from the trou-
bles at home in Davis when needed, and
drive to surrounding cities to make con-
tact with other members of the punk
scene. Unfortunately, the mobility pro-
vided by the car also helped me to drive
myself into a world of trouble.
Of all the villains in my life at that
time, none seemed more pronounced
than the Sacramento Skinheads, or the
"Sactos" [pronounced, "Sack-toes"], acol-
lection of avowed racists and assorted
oddballs who "prowled around the area
looking for people to victimize, typically
punk rockers. Most of their activities cen-
tered around petty assaults and such
thuggery as forcing punks to give up
their Doc Martins, boots the Sactos said
only belonged on skinheads. Some times,
though, when they gathered together in
groups and drank heavily, they could be
truly dangerous, capable of beating peo-
ple up with bats, chains, and pipes.
One night, early in 1987, while hand-
ing out flyers in Sacramento for a show I
was doing in Davis, I was attacked by a
group of five intoxicated Sactos. They
tried their best to beat the crap out of me,
apparently angry about my blue hair,
but were too drunk to be effective in this
task. One of them, an individual who
went by the name of "James No Class," a
marine corps reservist who wore a Hitler
mustache, succeeded in punching my
friend Jason Rosenberg in the face a bunch
of times. Jason, about half the size of
James, had made the mistake of trying to
talk the skinheads away from their act of
violence. As a result, Jason came out of
the whole ordeal much worse off than I
did: James wore lots of heavy rings on his
knuckles. Since I was fighting back, the
Sactos didn't really know what to do.
One of them pulled out a knife and stum-
bled towards me, intent on planting it in
my ribs, but he was stopped by the ap-
pearance of Glen, a street kid who I knew.
Being on friendly terms with the Sactos,
Glen somehow managed to call them off,
at least long enough for me to escape.
On my way home, I vowed to my-
self that I would never let another one of
my friends come to harm at the hands of
these thugs. I declared war, putting my
ideas of pacifism to rest. I still abhorred
violence, but as much as I detested fight-
ing, I hated the Sactos more. They be-
came my enemy, their faces combining
into a collective portrait of everything I
detested about our species, a portrait I
wanted to see chucked into an oven and
forever burned off the face of the planet.
I sought vengeance against them. I drove
to Sacramento, found one of the Sactos
who had engaged in the aforementioned
incident, and beat him up. I also started
carrying weapons, a butterfly knife that
proved more entertaining than a yo-yo,
and a Philippines police baton, a strange
device which telescoped with a flick of
the wrist from a small metal cylinder into
a mace.
One hot summer night of the same
year, a friend came to me looking for
help. His name was George, and he told
me that a bunch of Sactos had beaten up
his girlfriend, stealing her Doc Martins.
George wanted to find those who were
responsible and get the boots back, which
really meant that he needed my help in
brawling with the skinheads.
The two of us spent the next day
driving my Chrysler around Roseville, a
nasty suburb of Sacramento, with a car
load of young, angry punk rockers. We
had no luck in finding what we were
after, but a message had been conveyed
to us that the Sactos we were looking for
would be gathered in the evening at a
place called San Juan park.
Even with my judgment clouded,
red lights had begun to spin in my mind.
Nonetheless, I went back to Roseville; I
went to San Juan park that night, meet-
ing George and his motley assortment of
punk kids there. While these kids en-
tered the park, George and I talked about
calling the whole thing off. We finally
recognized the lack of wisdom we had
employed, but by then it was too late: all
hell broke loose.
We watched in horror as our group
came running from the park with what
looked like every skinhead in existence
on their tail: later CHP estimates of the
incident stated that between 35-50 skin-
heads were involved. Apparently, the
Sactos had set the whole thing up, Calling
reinforcements in from places like Grass
Valley and Oroville, all in the name of
stomping punk rock ass. What happened
instead would come to be known in local
lore as the "Blood Bash."
After seeing the army of skinheads
chasing our group, George and I jumped
into my Chrysler. Almost immediately,
the car was full of punk refugees fleeing
from their impending destruction. Be-
hind my car lay a dead end. In front of it,
a platoon's worth of club wielding skin-
heads, stampeding straight towards us.
With no way out, I stepped on the gas
and drove right through them.
While the more intelligent Sactos
bolted when they saw my car careening
towards them, some stood in the open,
defiantly hurling their weapons. One of
them, a massive ogre, charged straight at
the hood of my car, waving a baseball bat
over his head. I heard later that he was
their leader, and perhaps for this reason
he wanted to impress the others with his
foolhardy bravery. My car hit him hard,
and it was either his body or his bat that
cracked my windshield, making it diffi-
cult to see. Thumps on one side of the
Chrysler seemed to indicate that I hit
another Sacto, but I couldn't tell any-
more. Then someone fell under my left
wheel, and I could feel the car roll over
them. Even with the adrenaline rush, I
knew that whoever I hit this time must be
seriously hurt.
Soon enough, I was being chased
through Sacramento by five cop cars,
their lights blazing, their sirens howling
behind us. I drove down a dead end, and
the chase was over. I collided with three
cars, a tree, and finally a house, before
the Chrysler lost its momentum. The force
of the impact had torn the tires off, blan-
keting the area in ghastly smoke. Then
the police were upon us, their guns
drawn, yelling at us to come out of the car
or they would start shooting. Everybody
filed out as quick as they could, every-
body but me. I decided to try to commit
suicide. I knew enough about prison to
realize that it was no place for an 18 year
old punk rocker. I tried to stab myself
with my butterfly knife, but the thing
was nearly as dull as a spoon.
The police pulled me from my dead
car and threw me on the ground. I stared
up at the gathering people from the
neighborhood. They stood around in a
circle, watching me, their live news
broadcast for the evening. A man
emerged from the house I had run into,
and he started screaming about his dam-
aged porch. The police almost had to
arrest him as well. As for me, I was
placed in a special police car where an
officer told me that one of the people I
had run over had been with George's
group, a 16 year old girl named Tammy.
The officer told me that she would likely
die, and I thought how much better it
would have been to carry a cyanide tab-
let around rather than a butterfly knife;
but the battle wasn't over yet, it had only
begun, and I was taken away to a hell-
hole called Sacramento County Jail.
Next time: behind bars...
Brian Zero, PO Box 4842, Santa Rosa,
CA. 95402-4842
Over the past few months I've been
requesting those who do distros with emo
releases to send in catalogs so that I might
inform you, the reader, of their existence.
I think the response was pretty good. I
haven't ordered from any of these labels
so I can't vouch for their services; you
know the drill. Oh, I'd recommend send-
ing a buck for each catalog. Tunnel Tone,
9 Darius Court, Dix Hills, NY 11746 (about
20 items, good range from second wave
emo to present day). Spine Punch, 46
Oberholtzer Rd., Bechtelsville, PA 19505
(small selection, most of it from the PA
area). We Bite, Gonninger Str. 3, D-72793
Pfullingen, GERMANY (huge selection,
though the emo choices are rather sparse).
Rebound Records, 17019 Evergreen Elm
Way, Houston, TX 77059 (well rounded
selection of punk, with the emo stuff lean-
ing towards the midwest indy rock style).
Stonehenge, 81 Rue Des Chaises, 45140
Saint Jean De La Ruelle, FRANCE (excel-
lent selection of releases run by Chris-
tophe of the equally excellent Stonehenge
label). Tavis Zine Distro, PO Box 8183,
Victoria, B.C., V8W 3RB, CANADA
(bunch of zines, some emo, some not).
Diminutive, same address as above, (over
50 items, broad spectrum with a lot of
Canadian emo and emo violence) . X Mist,
Postf ach 1545, 72195 Nagold, GERMANY
(hundreds of items from all the punk
branches, not at all shabby with the emo
available, plus they sell motherfuckin'
DEEP WOUND t shirts!!!). Bottlenekk,
POBox 11794, Berkeley, CA, 94712-2794
(great all around selection with well over
500 items, has a number of exclusive deals
with some pretty interesting emo labels of
the moment). Enjoy!
Just like the Crumb character, Hy-
dra Head Records just keeps on truckin'
with a slew of new releases this month.
First up is a split EP with COALESCE and
BOY SETS FIRE, with each band cover-
ing the other's song. While i was less then
impressed with the same schtick on the
Second Nature GET UP KIDS/COA-
LESCE ep, it works pretty well here. The
success is due to the improvement the
other band's songs work on the band
doing the cover. COALESCE has never
really had much to recommend them-
selves, but the post hardcore songs of
BOY SETS FIRE forces them to open up
their sound a lot. When doing their own
songs BOY SETS FIRE fucking suck, due
to the miserable vocals. But here, cover-
ing the metalish COALESCE,
BOY SETS FIRE doesn't give the vocalist
as much of a chance to start his whiny
singing.
The DROWNINGMAN "Busy Sig-
nal At The Suicide Hotline" CD is the
prescription for those who've been listen-
ing to a bit too much of the midwestern
indy rock. Full out blasting hardcore with
a lot of crunch and some guitar octave
play. Fuckin' loud, but not in a metal way.
Why in the column? There are some emo
parts but in a slightly newer way, instead
of the soft parts with the traditional sing-
ing before screaming, they slip into cool
bass led grooves and spoken parts. This is
much better then the EP and methinks I'll
be hunting down the LP version.
Finally, the much anticipated
BOTCH full length, here in CD form.
"American Nervoso" isn't quite asblurred
as their EP on Phyte, but the tightening up
here doesn't weaken their northwest emo
violence at all. They hit everything hard
and loud, unfortunately things get a bit
too metal. It's mainly in the form of metal
crunch and drum action, but nothing too
overboard, and none of the dumb postur-
ing as say, KISS IT GOODBYE. Send all
inquiries for above releases to: Hydra
Head, PO Box 990248, Boston, MA 02199)
Amazing record of the month award
goes to SOLANKI for their "Buzz or Howl
Under The Influence Of Leeds 6" 10".
This record is the MINUTEMEN and the
BIG BOYS playing your backyard BBQ
and skate jam. This record is fun. (Flat
Earth, PO Box 169, Bradford, BD7 1YS,
ENGLAND)
If you wanted HOT WATER MUSIC
to be more direct and less melodramatic I
think PANTHRO U.K. UNITED 13's LP
may be your best bet. This is a pretty well
rounded band, with vocals mashed to-
gether with equal parts FUEL,
JOY DIVISION, and something a bit
sweeter. Melodic tunes that go from a bit
drawn out and moody to slightly upbeat
and still somewhat drawn out. Big two
guitar sound. ($7 ppd, No Idea, PO Box
14636, Gainesville, FL 32604-4636)
After two pretty lame EPs I was
convinced that the AMBER INN LP was
something I wouldn't be spending any
scratch on. Folks kept telling me that the
LP was much better, more focused and
less spacey. Well, several months after its
release a copy has made it my way, and
I'm impressed. Some of the songs are
really harsh and in your face full of speed
and hooks. Others slow down and open
up but don't start wandering away, keep-
ing good strong, rhythmic backbones. No
complaints, a solid listen by all accounts,
folks. (Ebullition, PO Box 680, Goleta, CA
93116)
I'd been wondering about the
BEHIND CLOSED DOORS 12" for a
while, seeing as it is on Vermin Scum, a
label whose earlier releases I love but
whose more recent stuff has been a bit
limp. This kicks ass . Hard hitting bass and
guitar pummel through bits that are rem-
iniscent of early UOA and
ANTIOCH ARROW but much more con-
trolled. The sudden slow downs to soft
parts are a bit cliche but work well with
the whole sound regardless. The insert
suggests that you can play this one sided
12" at 45 or 33, but you'd have to have a
hole in your head to want to listen to it at
33. (Vermin Scum, PO Box 2202, Balti-
more, MD 21203-4202)
I can't do it. I just can't getpast the
vocals of GIVE UNTIL GONE. The CD is
full of melodic, almostindyish tunes, with
a fairly good tempo. The vocals are sung
out in this rather annoying late 80's col-
lege rock way. No thanks. (Dim Mak,
PO Box 14041, Santa Barbara, CA 93107)
Yeah, yeah, yeah, so the
ATOM & HIS PACKAGE "A Society Of
People Named Elihu" CD has been out
forever. I'm just now getting around to
reviewing the promo that got sent in. As
with past releases, you've got this witty
nerd type ripping off hardcore, top 40,
and more with only a sequencer provid-
ing the music. One of the best concept
bands to come around in a while, surely
better then the MAKE UP. (Mountain,
PO Box 220320, Greenpoint PO, Brook-
lyn, NY 11222-9997)
More stuff from SONG OF ZAR-
ATHUSTRA whose EP was in here a few
months back, this time a split with Cana-
dians SPREAD THE DISEASE. Along the
same lines as the EP with their extremely
tight, rhythm intense sound, with the full
out screamed vocals that luckily pay at-
tention to what the music is doing. Solid
stuff, even if the production of the record-
ing is a bit off. SPREAD THE DISEASE
kicked me in the throat with their own
pleasant brutality. Metal madness in the
drum department and some weird buzz-
ing guitar smash away only to ease into an
empty space where they let the bass and
vocals fake you out with the soft touch
before lurching back into the hurricane.
(Witching Hour, PO Box 30287, Indianap-
olis, IN 46230)
Speaking of SONGS OF ZAR-
ATHUSTRA, I'm told that they have no
drummer at the moment and several songs
waiting to go on vinyl and if you are
interested in moving to Iowa then maybe
you should call (712) 239 5568.
^m
Iheard afew songs of the new KURT
LP which is still in the works. Sounds as
good as their last LP if not better due to the
vocals being a bit more upfront. Still the
same driving, slightly intricate moody
tunes.
For quite some time the HONEY-
WELL LP has been out of print and on
quite a few want lists. Those who never
had a chance to hear the vacuum cleaner
screamo-core of this awesome band can
fet a copy from those Florida grave rob-
ers Kurt and Jason. Too bad the covers
look like someone pooped on a LP sleeve
and attempted to fingerprint a reproduc-
tion of the original. (PO Box 14223, Gaines-
ville, FL 32604)
Word on the street is that three of the
HONEYWELL folks are in a new band
called VOLUME 11 in the spastic screa-
mo vein, not in the LOS CTNCOS style,
and an LP is in the works.
HARRIET THE SPY are on tour at
the moment, through the U.S., Canada,
and Europe. They have a one-sided tour
single with them which you should grab
because not only is it limited to 400, but it
is refreshingly raw and underproduced.
Cool repetitive guitar in the background
of a drum and bass march and somewhat
whine/drone vocals. It's on Troubleman
who have supposedly put out a HATED
EP.
Can I say something nice about
BRAID? Keep in mind, that they are fairly
responsible for encouraging the midwest
emo scene to bloom into the indy rock
quagmire it is today. And sure, this LP
"The Age Of Octeen" has some down-
right pretty parts and a guitar-lite ap-
proach at times which I wish people would
be avoiding more often. But, BRAID suc-
ceeds in the same way that
PROMISE RING does (thoughnot as well)
because they are able to pull things to-
gether and start to almost rock n' roll, or at
least get one dancing. Why is it that the
copycat bands forget this aspect of the
midwest emo sound and just drone on
and on in the fucking wimp zone?? (Mud
Records, 905 S. Lynn, Urbana, IL 61801-
5205)
If you're touring through New Or-
leans you should drop Daniel a note at
1805 Robert St., NO, LA 70115.
Two zines for you. The first is a split
between Eloquence and Wellfair. Both are
sort of on the personal tip with journal
entry bits. Wellfair focuses on travels
through Europe and Eloquence is a bit
more music oriented. (A. Baumgartner-
str. 44/A1/015, 1230 Vienna, AUSTRIA)
The other is a bit old and was under a pile
of stuff on my table, whoops. It's the final
issue of Alien and smacks emo around
pretty well. Check it out if you think you
can take it sensitive boy. ($1 and a stamp,
PO Box 11752, Portland, OR 97211)
You know what, I think that's enough
for now. Please keep sending stuff in as I
ain't got the bucks to keep as current as I'd
like. I can be reached at 1950 McAllister
#1, S.F., CA 94115. also hopkthOO
©usfca.edu. Take it easy.
NATHAN BERG
Here's the final installment of my
columns on technology. I apologize for
how boring they've gotten. They sound-
ed like a good idea at the time. Oh well,
like I said, it's the last one so don't worry.
FEELING BETTER?
The advances of the medical world
in the last century are too numerous to
count. I've mentioned that I had knee
surgery last year (and I should probably
shut up about it pretty soon) and I think
I've even mentioned my bout with food
poisoning (Domino's Pizza was the last
thing I ate before my hospitalization.
That seems fitting.). So, I got to spend
some heavy duty time in the hospital
(and received my first enema). It reaf-
firmed my belief that the medical indus-
try is completely fucked.
Hospitals have some pretty wacky
toys these days. They can even do some
amazing things with them. But who do
you think foots the bill for these toys?
Yeah, we do. It's to the point where a
quick check-up with the doctor will cost
almost $200. And that's at the non-profit
hospitals — I won't even get into HMO's
and big, profit-hungry chain hospitals
like Columbia/MCA (at least not in this
column). Yet, for some reason, we still
debate whether or not a national health
care plan is a good idea. Hmmm, that's a
toughie.
Besides the fancy machines, the
medical industry mostly uses new tech-
nologies for research. This research is
then used to create all kinds of new med-
icines for us to ingest. Look at this new
Viagra pill. Obviously, there are many
large problems facing this world, but I
certainly don't think a lack of hard-ons is
one of them. (I must point out a quick
hypocrisy here. If I wasn't able to have
sex, I'd be pissin' and moaning about
'finding a cure' too. Actually, I'd proba-
bly be pissin' more and moaning less,
hee hee.) What I'm getting at is that there's
more important things to tend to — like a
cure for AIDS or cancer maybe. But when
is the last time you heard of a "cure" for
anything? (No, the band doesn't count.)
Sure, you still hear the word a lot, but it
isn't applied the way it should be. Even
Viagra isn't a "cure" for impotence; it's a
treatment. If you want a stiffy, you have
to keep taking the pills. AIDS and cancer
are dealt with the same way. You can
take a mixture of certain pills, injections
and radiation blasts that will make you
feel better temporarily (maybe), but the
disease doesn't go away. But, whaddaya
know, medical companies turn a hefty
profit this way. Let's face it, a flat-out
cure for cancer wouldn't exactly be a
money-making endeavor, and if it doesn't
turn a profit or create jobs, what the hell
good is it? Sure, many of these treat-
ments have been very useful for people
living with serious illnesses. I'm not try-
ing to deny that. The point I'm trying to
make is that medical companies often
research ways to treat illnesses in lieu of
finding real cures because they'll make
more money that way.
And while I'm on the subject, let's
talk about society's fascination with fix-
its. Medical researchers can sell products
by convincing you that you have a med-
ical problem or physical deformity that
doesn't exist (or exists only because they
say it does). ADD (Attention Deficit Dis-
order) is a perfect example. Some people
are hyper, some are weird (go ahead and
lump me into both of those categories).
That's just the way it is. But these days,
you can't just be hyper (or talkative, or
whatever). Now, you'll get diagnosed
with ADD and you can buy ritalin (or
countless other psychiatric drugs) and
take care of your "problem." Prozac
works this way too. We have a large
number of depressed people on this plan-
et. Could it be because there's a huge
number of us working ourselves mad
just to squeak by? Could it be because we
have a large chunk of society trying to
mold themselves after the celebrities
they're taught to worship? Could it be
because once-friendly people have been
taught to step on each other's backs to get
ahead in this dog-eat-dog world? Nah,
it's not any of those. If you're depressed,
it's because you have a chemical imbal-
ance. In a terribly real sense, we're feed-
ing ourselves a pill to deal with all the
froblems we've created. I guess we can
uy happiness after all. Think of how
many medicines exist solely to fix minor
imperfections on our bodies: Acne med-
ication, cures for baldness, wart remov-
ers, etc. We're told that we have these
imperfections and that we can get rid of
them simply. Never ever are we remind-
ed that, in the grand scheme of things,
our little imperfections don't make a lick
of difference. And they definitely never
tell us that we can still be beautiful with
them. (I keep saying "we" because I, too,
am an honorary member of the Body
Blemish Club. I have a wart on my right
hand. It's not huge, but it's noticeable.
Going to the doctor to get it removed
would take all of 20 minutes and my
insurance would probably cover it. How-
ever, I'm not going to get it done. I've had
the thing for something like 12 years! I've
grown accustomed to it. It doesn't get in
my way or anything so I can't help but
think that getting it removed is an issue
of vanity. Yep, I have a wart and I'm
proud of it!)
Finally, I wanted to mention that
the technologies that we are using to
create medicines could easily backfire on
us. (Most of this paragraph will be based
on my own experiences, not scientific
evidence, so bear with me.) Here's how I
see it. Our bodies have immune systems
for a reason. They're supposed to ward
off various illnesses and infections. The
more you cram pills and the like down
your throat to cure your stuffy nose, the
less your immune system has to do. The
less your immune system has to do, the
more out of shape it'll be. So, if you deal
with your symptoms by sweating them
out, the less likely it'll be for them to
return. For instance, when I used to get
headaches, I would guzzle Advil. Then I
came up with this stupid anti-medicine
theory and decided I'd just treat them by
bitching a lot. Guess what? I hardly ever
get headaches anymore (unless it's a
morning after a large consumption of
wine, but that shouldn't count). I haven't
taken an aspirin (or anything like it) in
about 6 years. The only medicine I have
taken in the last 6 years was some pain
killers and anti-biotics for my post-op (I
stopped taking my Vicatin about 2 days
into my 10-day prescription. I was think-
ing it'd be cool to sit at home and pop
pain killers, but those things sucked! I
can't even see how Brett Favre got ad-
dicted.) I know quite a few people that
get some minor symptom of anything
(headaches, stuffy noses, sore throat, etc.)
and they feel like they instantly have to
take something for it. If you're one of
those people, I suggest you give my the-
ory a whirl. I mean, medicine companies
are no different than any other corpora-
tions. They're going to try to sell you a lot
of crap you don't need. (DISCLAIMER!
My theory only applies to the little things,
OK? You obviously aren't going to sweat
off a broken arm or prostate cancer, you
know?) I should probably also remind
you that there are a plethora of herbal
treatments that work pretty good.
IN ARM'S WAY.
Since the industrial age began, no
industry has had as many scary advanc-
es as weapons manufacturers. Stealth
bombers, neutron bombs, machine guns,
air-to-air missiles, tanks, land mines, gre-
nades, "smart" bombs and nuclear sub-
marines have all been developed over
the last century. We're never going to go
back. These weapons will be around for-
ever (or until we destroy the planet with
them). I'm none too happy about it, but
Lockheed Martin is. Lockheed Martin,
along with a few other defense contrac-
tor buddies like Northrup Grumman
(who it may soon merge with) and Boe-
ing, is paving the way towards a planet
with an endless supply of weapons.
First, they use their vast amount of
high-tech (mostly classified) knowledge
to create a brand-new killing toy. They
then showcase it on Capitol Hill who
snatch it up with zeal. Then, a couple
years later, they have Capitol Hill help
them sell it to other countries who are
lagging behind in new-weapons tech-
nologies. After that, the U.S. decides it
needs to get ahead of the game again and
gives them a new contract to create more
killing toys. It's a very lucrative market.
But, PEOPLE ARE DYING! Not the
suits who create and distribute these
weapons, mind you. Their houses are
far, far away from any sort of turmoil.
No, it's people just like you and I that are
catching Patriot missiles with their
homes, eating the butts of machine guns,
and playing doormat for tanks. Most of
these people are struggling for freedom.
Some have lived under oppression for
generations and are trying to do some-
thing about it. And some simply have the
misfortune of living under a dictator that
doesn't kiss U.S. ass. (With land mines,
some aren't doing anything more than
walking to the market!)
I don't want people dying because
of machines my tax dollars helped pay
for. I hope you don't either. However,
I'm fresh out of ideas on effective ways to
promote disarmament. If you have any,
please let the rest of us know. That is all.
THE FINISH LINES.
1. I went to the morethanmusic fest in
Columbus a couple of weeks ago and it
changed my life. Thanks go out to all of
the cool people I met (and went with).
Punk is still alive and well. (Actually,
punk is cooler than I ever thought it
could be!)
2. Nobody writes me anymore. Write me
and chat about whatever (or order my
zine for a buck — hint hint). My address is
P.O. Box 504, Chippewa Falls, WI 54729.
3. Now that these stupid technologies
rants are out of my system, I'm going to
start writing about specific companies
again. Stepping into the ring next month:
WALMART! (That should be fun.)
with
Anne
So, I'm looking down and thinking
hmmm, Seville? Eldorado? De Ville? No
I'd say it's a Catera, which is really a
Grand Am. My mom drives a Grand Am
and people always say I'm just like my
mother. Hey I'm ok with any comparison
as long its not a Bronco or one of those
fucking Neon cars that look like Kermit
the frog after he got squashed by a Geo. I
really wouldn't like to be compared to a
Toyota or a Honda because they kind of
remind me of Connie Chung's peepers.
Ok, for the rest of you folks that are
standing in the local bookstore/ record-
store/ exboyfriendshousethatyourebug-
ularizingtogetyourfuckingstuffback and
only picking this up to find out what
ridiculousness is in the gossip column
this month, I will deliver. Ok, this is a little
confusing but, Jason from JUST ADD
WATER who happened to once be en-
gaged to popular Boston scenester Mag-
gie Lee, who currently happens to be en-
gaged to the one and only vaginal car
dealer of Green Bay... (pant pant gasp)
Ok, yeah, Jason hooked up on tour with
mecn girl Monica (who happens to be
some hot dish). Monica drove 5 hours to
find out that he has the girth of a beer can.
Sounds like this Toyota's gonna have to
sue the car wash.
Todd from crappy NYC bar band
(don't let the haircuts fool you folks) LES
STITCHES got booted for doing Coke
endorsements. I guess that's why he al-
ways does that shit with his face on stage.
Rob of the GOGO RAYS can twist
his male protruding anatomy at least 5
times round. It's become a local attraction
that has actually allowed him to lure cute
15 year olds home with him. Well except
for the times when he lets it unwind and
pees all over their knickers.
BLONDIE tried to do another re-
union show. Debbie Harry in case you
don't know, has to read all the lyrics off a
teleprompter much like the late Frank
Sinatra. The problem was that some lack-
ey forgot to remove the Dictators lyrics
after they played and poor Deb started
singing about "beating up the kids from
Spain" during Tide is High and let go
with "Don't forget to wipe your ass" dur-
ing Hanging on the Telephone . Chris Stein
smoked some crack for the encore.
The drummer from the MIGRANES
frequents Brown Town.
Ok, the best thing I heard this month
is that Please Kill Me : The Uncensored
Oral History of Punk is being made into a
movie. So far Johnny Depp is to portray
Dee Dee Ramone, Quentin Tarantino as
Cheetah Chrome, John Turturro as Hand-
some Dick Manitoba, Tim Roth as Iggy
Pop and John Goodman as Wayne Coun-
ty-
DOA went on tour. Yeah, it's some-
thing people would have to read in a
rumor column. Someone may have actu-
ally attended one of the shows but you
know, I stretch the truth a little some-
times.
The people who do those Research
books were interviewed in Thrasher mag-
azine. They sincerely apologized for im-
plying that female ejaculate was pee in
their Guide to Bodily Fluids book. They
then declared that it is actually similar to
transmission fluid from a Coupe Deville.
THE STRIKE (the modpunkcommu-
nistband) from Chicago, well they used to
be from Minneapolis out they got sick of
that fucking gravel that tKey toss on the
streets there and it gets stuck in your
boots and blisters are a bitch during those
long Minnesota winters. Anyhow, they
started hanging out in this gay bar and
met up with Tony from Victory Records.
Guess what! After a couple of nights on
the town they're suddenly got a record
coming out. Yeah, they promised not to
let the gay bar thing out if they get a good
advance for recording... So they fucked
over Johann's Face, no Johann wasn't at
the bar it's a record label, and gave up
their pink sickle embroidered socks so
they can tour with ONE LIFE CREW.
Timmy V. of the LILLINGTON's
faked his own death because his parents
wouldn't let him go to Waterworld in
Denver. I'm not sure if this was supposed
to be a plug for the band or the theme
park.
HOT WATER MUSIC broke up.
Their black-eyed girlfriends all dumped
them too. An unnamed MRR columnist
from Minnesota won $100 betting on the
ponies. He then spent $700 on a NECROS
7".
Another unnamed MRR columnist
from New England was seen buying a
penis enlarger at State Line Porn the night
before he went to the prom with Donna F
of THE DONNAS.
THE MISFITS got kicked off of Gef-
fen. One step closer to going back to lay-
ing bricks it seems. Maybe cutting tile.
In more major label news, the bass
player from 3rd EYE BLIND jumped on
stage to moon GREEN DAY at some show
in some place I never heard of and the
security dragged him backstage and
shoved a plunger up his ass. (oh wait
wrong story). Well, anyway, they ruffed
him up and the poor little mooner decid-
ed to smack Mike from GREEN DAY on
the back of the head with his Zima bottle.
Mike went to the hospital for sour
stomach(they should stop playing shows
with free Zima) and a large head injury.
GREEN DAY are suing the guy with the
bottle ,the^bouncers and crappy tasting
Zima.
I keep getting stuff about Brian from
DROP DEAD. One thing was that he date
raped a designated CAPATALIST CA-
SUALTIES groupie in Japan or something.
Either that or it was putting out a best of
Slap AHambootleg that contained ablank
unmastered 7" record. I'm not sure which
but supposedly his ass is grass when he
gets to SF on August 8th.
THE DICTATORS were celebrity
judges on VH-1 's $1 .98 Beauty Contest 15
year reunion show.
FIFTEEN gotback together and were
gonna tour via wagon train. But the hors-
es complained about the smell.
Ok, that's all but remember girls,
change your oil or your engine will seize
and send me some more gossip so my
mailbox isn't 100% guys in the air force
trying to pick me up. heart Anne.
Annerkey@msn.com
"I am the Antichrist," I yell at the top
of my lungs, as sweat pours down my
face, past the Sears headphones, and to
the exercyle below. Images of The River
Styx, Satan and me on a surfboard, riding
through it all, dance in my mind.
"Are you okay?" my mom asks as
she opens the door to my basement bed-
room, which is completely devoid of light.
A black hole. A black, sweaty, sticky hole.
With me at the center, sucking in all the
hate, anger, and confusion I can.
"I am the Antichrist, it's what I was
meant to be, your God left me behind, and
set my soul to be free," I yell along with
Slayer, not hearing my mom at all.
"George," she yells, "you are sing-
ing in 'that' voice again. You sound like
Kermit The Frog on steroids. You're scar-
ing me!"
I kind of hear what she says as I stare
at her silhouette against the kitchen light.
Sweat is pouring past my eyes, and I keep
blinking, as I pedal faster and faster.
"George?" I see her mouth to me.
I pedal even harder, feeling my sweat
jacket stick to me like wet paper. From the
kitchen light, I can see that I'm about to
turn over the odometer on my second
exercyle. Another thousand miles. Big
fucking deal.
"George," I hear a male voice yell.
I look over, and through a sweaty
haze see my mom, and step-dad, Nick,
staring at me.
"I am the Antichrist, All love is lost,
Insanity is what I am, Eternally my soul
will rot," I scream.
I see Nick shrug his shoulders to my
mom, and then turn to leave. Suddenly I
hear a loud snapping sound, feel a sting
against my ankle, watch in what appears
to be slow motion as the weighted wheel
in the front of the bike rolls forward on the
floor, and then I topple over, yanking the
headphones and stereo over on top or me.
"Are you okay?" my mom asks me
as I lay flat on my back on floor, drenched,
with my exercyle and stereo on my stom-
ach. I think I detect a small smile on her
face.
I look up at my exercycle. The belt
had snapped, again, but this time the
wheel had fallen off. This caused the bike
to fall over and break the fork that holds
the wheel in the front. Another bike down
the toilet.
"You know Barbara," Nick then says
to my mom, "I think maybe it's time he
joined a gym. This is getting expensive.
Let him destroy someone else's proper-
ty-"
"I am the Antichrist?" I manage to
whisper as I push the stereo off my groin.
"Good idea, honey," my mom says,
"he screams so much when he works out.
And he sounds worse than Henry Rollins.
He scares the neighbors."
My mom was right. But I bet the
gyms I joined wished she'd kept me in the
basement.
I started working out when I was in
my late teens. It wasn't like I was out to get
in shape or anything. Actually, it was far
from that. I was very happy with my beer
and hamburger diet. So happy, in fact,
that I'd gained twenty pounds my first
quarter in college. Everything was going
fine. Well, almost everything was going
fine. Except for my colon. For some rea-
son, that had stopped going all together.
"George," explained Dr. Axelrod,
the college's in house doctor at the infir-
mary, "you just don't get it, do you?"
"Get what?" I asked the guy with the
curly brown hair, and curly mustache. I
had never really seen a curly mustache. It
looked like he had pubic hair on his face.
So I laughed.
"What's so funny?" asked Dr.
Crotch-Face.
I said nothing.
"Anyway," he continued, "you don't
seem to understand that your system
works as a whole. You must treat your
entire body like a temple. Take care of it.
Nourish it. Make it grow."
"It's growing fine," I said to him,
rubbing my big beer gut.
"Look," he said, starting to get
pissed, "what you need to do to make you
pass stools again is to drink Metamucil,
eat more fiber, and exercise daily."
"Pass stools?" I said, actually not
understanding him. I pass stools all the
time . Especially at the Orange & Brew, the
campus beer joint. They had orange ones.
Andblue ones. Near the bar. Wow.
"Defecate," said Dr. Axelrod.
I looked at him with more confu-
sion.
"Take a crap. Shit. Dump. Lay a log.
Poop!" he yelled.
"Oh," I said, "that".
"Yeah, that," he explained, "if you
don't cleanse your system, the toxins can
build up and you can get sick. When is the
last time you went?"
"Went where?" I asked.
He then explained to me that I should
start getting into the habit of taking a
dump. Either in the morning or evening.
And to try the same time everyday. He
also said I should exercise daily, eat more
salads and less hamburgers, and drink
Metamucil, which he gave me a canister
of.
When I got back to my dorm, I tried
the Metamucil. Bleech. I then jogged half
a mile. And I had a salad for dinner.
The next morning, I sat on the toilet
like Dr. Axelrod had told me to. Just to try
to go.
Nothing.
I did the same routine for the follow-
ing four days. Metamucil, jogging, and
salads.
On the fifth day, as I sat upon the
toilet, reading my roommate's Penthouse,
I felt my stomach start to move. First a
little. Then a lot. All of a sudden, I had
cramps so bad I swear I was gonna give
birth. I screamed for help, and lots of guys
on my floor ran into the dorm bathroom.
"Arrgh,"' I yelled, in total pain, from
stall number 2.
"What's the matter Tabb," I heard
Rich, my next door neighbor ask me.
"I dunno. I think I'm gonna have a
baby."
Suddenly my colon exploded, and I
went like I never did before. It shot out
like a cannon ball, and when it hit the
water, it soaked my ass good. Then my
butt made all sorts of farting noises, and I
heard Rich, and the others, laugh and
laugh.
After that, they started calling me
names I would rather not repeat.
The rest of my college days were
spent drinking, fucking, playing punk
rock and running. A lot of running. I got
up to running ten miles a day. First I did
it just to clear up my system, but soon I
grew attached to it. It made me high. I
mean, like totally wasted. After I'd run,
sometimes I'd taste the alcohol I had a day
earlier. But even if I didn't, I'd feel totally
good. Andhappy. I think they call it "Run-
ner's High". Whatever.
During that time, I also started do-
ing weights at the school gym. I did bench
Eresses, curls, and all that stuff. My girl-
iend at that time was Natalie, and she
started to workout with me. Soon, her
muscles were bigger than mine, and she
could literally beat the hell out of me. So I
stopped with the weights. And stayed
with the running. Soon Natalie was able
to lap me when I ran. Women. But I stuck
with it. Just for the high.
When I quit/ got thrown out of col-
lege, I moved to New York. For good. I
took the train up to Central Park to jog a
few times, but that was lame. All these
yuppies were up there, with their match-
ing clothes, and attitudes. I'd show up in
sweat pants and a Ramones t-shirt, and
they'd stare at me like I didn't belong.
And I didn't. Plus, I hated riding the train
home all sweaty. I like to be clean.
So I started to jog around Washing-
ton Square Park. At first, during the day.
But there were too many people. Tourists,
college students, punk rockers, drug deal-
ers. They just kept getting in my way. So
I began to jog later. Like early evening.
Still too crowded. Then I went later, and
later.
Soon I was jogging around Wash-
ington Square Park every night around
two a.m. And that seemed to work. The
only people out there were drug dealers
and me. I'd run around the park, like ten
or fifteen times, and the drug dealers at
every corner would count my laps.
"That's five man, " they'd yell, as I'd
pass them and wave.
"That's ten, guy," they'd say, as I'd
sweat and smile.
"Keep going," they'd cheer me on as
I would get to around fifteen.
They were my biggest fans. Soon I
got to know them by name. And they got
to know me by name, too. Crazy White
Boy.
Eventually, my knees and back gave
out from high impact exercise. I started to
jog around the park less and less, and the
drug dealers began to miss me. Once,
while walking past the park late at night,
in my leather jacket, with a really cute girl
on my arm, one of the drug dealers asked
me where I'd been.
"I fucked up my bones and shit," I
said to the guy.
"Come on," he said to me, "I'll run
with you around the park once for old
times sake."
As we both jogged around the park,
the other dealers cheered us on, as did my
date, who was slightly confused. But then
again, the girl was always slightly con-
fused.
As we were running on the final
stretch, to the arch, where Id left my date,
we broke out, and ran full force.
Suddenly I felt an arm grab my shoul-
der and yank me back. I looked over, and
the other arm had grabbed the drug deal-
er.
And attached to those arms was a
cop. A big cop.
I spent the next half hour explaining
that I enjoyed running around the city in
my leather and jeans. And that I didn't
deal drugs.
That was my last run around that
park.
"I dunno, George," explained Nick,
as we looked at all the exercycles upstairs
at Paragon, "are you really gonna ride the
thing? They're damn expensive."
I explained to Nick that I would ride
it, everyday, and jt would be better for me
than running. AlsSo that I'd be at home,
working out, instead of running around
the park in the middle of the night. It
would make my mom happier.
"You have a point there," he said,
"but these things are just so much mon-
ey."
"The healthier I am, the less doctor
bills you'll have to pay," I said, trying to
sell him on the idea of buying me this nice
Italian exercycle. It was white, with green
stripes, had an odometer, speedometer,
and a big heavy wheel in front to give me
lots of resistance.
"But couldn't you just bike around
the city like me?" he asked.
I explained to him that with my luck,
I'd be run over by a truck within days. He
knew I was right.
"So you are gonna really use the
thing?" he asked.
I told him I would.
Over the next eight months, use the
thing I did. For about forty minutes to an
hour a day. I'd turn off all the lights in my
room, pull the shutters closed on the win-
dows, put on a Slayer, Metallica, Black
Flag, Ramones, Angry Samoans, F.Y.P.,
Dick Army or some other hard band's
album on my Sears stereo, plug in the
headphones, dress in my sweats and sweat
jacket, and then workout like crazy. As I
did so, I'd scream along with the music.
As loud as I could. For some reason, it
helped me work out harder. And better. I
got to release all that aggression I had
stored up inside of me. As I'd pedal away,
screaming, I'd think how I hated my life,
and the world, in general.
Nine months later, Nick and I found
ourselves back at Paragon. My nice Ital-
ian bike had collapsed, and was unrepair-
able. The belt had snapped more than
once, and finally the pedals fell off, chain
broke, and fork bent. But I'd turned over
the odometer at least twice.
"George," said Nick, as the sales guy
showed us all sorts of exercycles, "can we
get you a cheaper one since you are gonna
break it, anyway?"
I told him that'd be fine. Fuck the
Italians.
A year later, which was longer than
we all expected, the thing fell apart while
listening to Slayer's "Show No Mercy"
album. Iwas screaming along to the song,
"Antichrist", and it just collapsed. It was
then I joined my first gym.
"Joy Of Movement" was the name of
the place. It was located on Lafayette,
near Fourth Street, in New York City, and
was a health club for ballerinas. Really. I
joined there because my girlfriend at the
time, Allison, took classes there and also
worked out. They had a large weight room,
with lots of exercycles, stair masters, and
all that stuff. Plus, the girls there were hot.
I mean, really hot. In their little leotards,
flat ballet shoes, and pulled back hair. I
swear, I walked around the place with an
erection all the time.
When I first started to stay in shape
there, I stuck to the exercycles. Then I
figured out how to use the stair masters,
and the Nordic-Track thing. I'd do there
what I used to do at my house. Wear
headphones and scream along to really
aggressive songs. But at Joy Of Move-
ment, it was light. So I'd always close my
eyes.
Of course, everyone there thought I
was nuts. Insane. Homicidal. After I'd get
done working out, I'd open my eyes, and
find everyone around me gone. When I'd
exit the workout room, I'd see people start
to trickle back in. Pussies.
One day, while screaming along to a
Metallica song, one of the guys who
worked there tapped me on the shoulder.
He snapped me out of the trance I was in
so I yelled at him.
"What the fuck do you want?" I said.
I couldn't help it. My heart was beating a
million beats per second, and my adrena-
line was pouring out of my ears.
"Dude," he said, "Ride The Light-
ning rules. Flash before my eyes, now it's
time to die!"
After working out, I talked to the
guy. His name was Dennis, and soon we
became great friends. Everyday, after I'd
work out, we'd hang out on the fire-es-
cape, overlooking Fourth Street, and drink
beer. It was great.
"You ever think of taking a class
here?" asked Dennis, one day, as we were
dropping spit bombs on people crossing
the street from Tower Records.
"Nah," I said to Dennis, "that's for
wimps". ,
"George," he said with all serious-
ness, "if you want pussy, that's where
you'll get it. In those classes. They're full
of pussy. Pussy to your left. Pussy to your
right. Pussy in front of you. Pussy in back
oryou. Pussy-rama!"
It sounded good to me, so I asked
Dennis what class to take. He told me any
of them, because they were all filled with
pussy. And gay guys. So I had no compe-
tition.
I chose Modern Dance. Don't ask me
why. I'm not really sure. I think because it
sounded easy, and the class description
said lots of stretching. I figured I get to see
a lot, watching chicks do splits and stuff.
The first day of class I show up in my
sweat pants, a False Prophets t-shirt and
my sneakers. Everyone else is wearing
tights. Even the guys.
"Are you sure you are in the right
class?" asked the teacher. She was hot.
Early thirties, breasts that defied gravity,
and legs all the way to her neck.
I told her I was.
"We teach ballet here," she ex-
plained. "Do you want to learn?"
I looked around the room. The girls
were so adorable.
"Hell yeah!" I yelled.
The whole room laughed.
That night, after my first Modern
Dance/ballet class, I went home so sore
that I swore I'd never, ever, ever, take
another class. My neck was sore. My back
was sore. My arms were sore. My legs
were sore. My groin was sore. Really sore.
I think it was trying to do those damn
splits.
I used to think ballet was easy. But
after that, I knew better. That is the hard-
est stuff in the world: Those girlie guys
who prance around in leotards make me
look like a pussy. Which, I guess, is not
really that hard to do.
I went back to Modern Dance class
the next week, and the next, and the next.
Soon I was really getting into it. I learned
how to plea, and first, second, third, fourth,
and fifth position. Hell, I was becoming a
regular ballerina guy. I even thought of
buying tights and those flat shoes. So it
was a good thing that the place went
bankrupt and closed down before I could
get a tutu.
Of course that left me with no place
to workout, and out of some money, since
the place ripped everyone off who was a
current member. Oh well.
The next gym I joined was called
Mega-Fitness. On Broadway. Nice place.
Big. But kinda dirty. And the guys that
worked out there were, well, guys. Big
muscle guys. Like you seen on ESPN.
And they didn't move away when I
screamed "Bastard sons begat your cunt-
ing daughters, Promiscuous mothers with
incestuous fathers, Engreat souls con-
demned for eternity, Sustained by im-
moral observance a domineering deity,"
along with Slayer. They just smiled. And
when I'd get off the bike, or stair master,
they'd give me looks like they were gonna
kick my ass.
And the showers at that place. I real-
ly didn't like those too much. They were
like the kind I had in junior high school.
One big open room. With nozzles. On the
walls, and between men's legs. And some-
times I'd see those nozzles standing up,
straight. Not fun. Soon, I waited to bathe
till I got home.
Now I'm at a new place,
and it's fine. It's a very small gym, with
only a few stair masters, exercycles, and
treadmills. I work out there late at night,
and usually no one is around to hear me
scream curses, praise Satan, yell "Gabba
Gabba Hey" or break the equipment, so
things are okay.
Almost okay. Although I've been
"regular" for years now, with my regi-
ment of exercise, Metamucil, and salads, I
recently discovered I have hemorrhoids. I
think I now scream louder on the toilet,
then I ever did on an exercycle. I'mback at
it. Scaring the hell out of my neighbors.
Oh well. Nick, my step-dad, told me I
should try Preparation H. I did. It tastes
awful. Whatever.
Take My Life, Please.
1. Our web site is up and great and at
www.furious-george.com My e-mail is
still furygeo@aol.com
2. We (Furious George), played with a
great band from Long Island called 2 Man
Advantage a couple of weeks ago. They
are complete and utter hockey punk, and
their "Coach" rules. Anyway, while there,
I hung out with Rich from the fanzine,
"Under The Volcano". While remember-
ing the great Timmy Yo, an ashtray moved
by itself. People got scared, but I was
happy to even THINK that it could be the
spirit of Tim. When I asked Tim to move
the ashtray again, he did. It moved. Now,
after reading this column, I have a feeling
he is gonna throw it at my head. I think he
hated Slayer. Oh well. Punk rock, Tim!
3. New records I got that are good include
ones from Dick Army, a comp called
Tombstone Park, The Bullys, The Bad
Popes, The Heartdrops, The Action Swing-
ers, L.E.S. Stitches, and much more.
4. The Furious/Curious George battle is
still going on. Man, I fucking hate large
corporations. Except Sony. I do love The
Play Station. Punk Rock!
Ihaven't written a scene report about
"exotic" locations for a while (the last was
Korea /China) as I'm currently working
in Northern Uganda and there's much of
a scene to report about in these traditional
African busnland areas. But I thought I'd
share with you a bit of information about
new and not-so-new record releases from
"out-of-the-way" scenes, as I have the
feeling these are not covered well enough
by MRR, despite the fact I believe there's
still an interest among the most adventur-
ous part of our readership to try to find
out aoout these rare slabs of vinyl or CDs .. .
I'll first start with View Beyond
Records out of the Czech Republic, which
as far as I know were never reviewed by
MRR, despite a lot of astonishing stuff:
they recently released ESCATOFAGIA
7", total political grindcore from Bolivia, a
real scoop! Older good stuff included a
Malaysian punk/HC comp 7" (with THE
BOLLOCKS and others: by the way, the
BOLLOCKS will release soon their 2nd 7"
on DIY records of Japan! I heard the ad-
vance tape, and it's better than ever! Not
to be missed!), the Turkish HC split 7"
with RADICAL NOISE and NECROSIS,
and a 7" by Ecuador's grindnoise legend-
ary band RUIDO DE ODIO (View Be-
yond, c/o Pavel Tusl, PO Box 26, 34901
Stribro, Czech Republic).
Then comes Darbouka records out
of France, with punk releases from Latvia
(the split 7" 33 LYETNYI PODONOK/
VONOSONOLOPPUS), Lithuania (MAR-
ICHUANA 7"), Turkey (the RASHIT/ ASK
IT WHY split 7"), Brazil and lately the
"Panama HC/punk" comp 7" (4 bands)
and the split 7" between KONTRA LA
PARE (Uruguay) andPETROGRAD (Lux-
embourg). Their next production will be a
PICHISMO 7" (Ukrainian anarcho-punk
with Esperanto lyrics)! (Darbouka, c/o
Fred Brahim, 17 rue de la foret, 67340
Menchhoffen, France). Fred also distrib-
utes Tian An Men 89 releases and has a
huge exotic mailorder catalog.
Strange Culture records (PO Box
13391, 50808 Kuala Lumpur, Malaysia) is
releasing CD's by local punk/HC/oi
bands. I know of AK PROJECT CD (HC)
and THE OFFICIAL CD (oi skins from
Johor Bahru)- More stuff is or will be out
soon.
40124 in Indonesia released last year
the first comp CD of local HC/punk bands,
and a second comp, HC/ grind is on its
way: c/oRichardMutter,SukasenangIII/
4, Bandung 40124, Indonesia; e-mail:
rev40124@indosat.net.id. Straits records
in Singapore is into the local HC scene
with 2 releases to date: "Rage Genera-
tion" comp CD and THE JABS mini-CD
(c/o Abdul Khalid, Blk 225 #07-58, Pasir
Ris St 21, Singapore 510225).
Profane Existence Far East, after the
great 3"CD of Korean punk, "Here We
Stand", ispreparing, in collaboration with
Tian An Men 89 records the first all-Asian
punk comp CD, which will include bands
from Japan, Korea, Cnina, Hong Kong,
Macau, Malaysia, Indonesia, and maybe
the Philippines, Singapore and Taiwan:
interested bands from these 3 countries,
contact: Izumi Kubo, 35 Sannaicho, Sen-
nyuji, Higashiyamaku, Kyoto 605, Japan;
e-mail: hatethem@stones.com. Of course
any punk band from Thailand, Mongolia,
Vietnam, Brunei, Myanmar, Cambodia,
etc is also welcome to contact them or
myself (at: Luk Haas, c/o ICRC - Uganda,
19 avenue de la Paix, 1202 Geneva, Swit-
zerland).
We continue with a trip to a forgot-
ten frozen archipelago, situated between
Iceland and Scotland: the Faroe Islands.
Technically belonging to Denmark but
with a strong self-governing system and
their own language, related to Icelandic
and the archaic viking dialects. If you ever
wondered what kind of scene they had,
you can now discover it from A to Z
thanks to the only local label, Tutl records
(Tutl, Reynagota 12, 100 Torshavn, Faroe
Islands; e-mail: rutl@olivant.fo). The label
specializes in local bands/artists only,
from ethnic to jazz, but has also a fair
number of rock/underground stuff,
among which I recommend you: 2 issues
of "Rock i Foroyum" compilation CDs,
the 2nd one being a double! Regrouping
basically all rock bands on the islands,
means a variety of styles, from pop to
thrash, but a really interesting overview.
Another interesting local band is MOLD,
with 2 CDs out, but check their huge
catalog. Kristian, the guy running it is
really cool.
In Hong Kong, BLACKBIRD'S new
CD "Before The Storm" is out, I've yet to
listen to it but no doubt it'll be another
milestone in Hong Kong's music history
(Guo Da-nian, PO Box 25244, Harbour
Building, Hong Kong; e-mail:
lenguo@artivist.org, or
blkbrd@tribal.com.hk). I heard of 2 punk
7" released in Ecuador by a local label:
KAQS (the local band, not the Peruvian,
the Paraguayan, the Brazilian or the Chil-
ean ones, looks like a popular name, huh?)
andNOTOKEN.Excellentstuff,butIdon't
have the address with me, so good luck.
I'll finish by news about my own
Tian An Men 89 records, my releases are
out once a year only as I do one-year long
missions abroad: between Afghanistan
and Uganda, I released last year BLACK-
BIRD (Hong Kong) 1st vinyl, a 7", RET-
SEPTI 7" (historical recordings from the
first Georgian undergroundband), "Injak
Balik!" comp 7" (Indonesian punk/HC, 9
bands), "Sindrome Colonial" a split 7"
with 2 Macau punk bands (LA HAINE
and EASTERN RED), and "Last Call For
The Lost Scenes vol.1" comp 7" (with for-
gotten bands from Albania, Jordan, Mada-
S;ascar and Reunion Island). The 1998 re-
eases should be out by November/De-
cember and will hopefully include a
Beijing/China punk comp 7" (with 69,
BRAIN FAILURE, NEW PANTS and
UNDERBABY), a posthumous 7" by BUT-
ABIKA BOYS (the first and only punk
band in Uganda), a vol.2 of the "Lost
Scenes" series (withhopefully KAOS from
Paraguay, VANDALS from Malta, IN-
FLATE from Moldova, PINK DAEMON
from Brunei and a band from Kazakh
stan: if anybody out there was in the con-
cerned bands or has a clue about their
whereabouts today, please contact me!)
I'll be in Zimbabwe mid-July, so I
might end up with a Zimbabwean punk
7", who knows... until then, feel free to
write at either addresses : Luk Haas, 28
rue de Soultz, 67100 Strasbourg, France;
or Luk Haas, c/o ICRC - Uganda, 19 ave-
nue de la Paix, 1202 Geneva, Switzerland;
you can also contact me through e-mail
until around September 25th at
icrcug@imul.com, but don't forget to in-
dicate my name in the subject line, or else
I won't get the message! Thanks.
AMERICAN CULTURE...
HOW SHALLOW CAN WE GET?
World War II, the allies made the
world safe for "democracy"... and greed,
capitalism, and the most ecologically self-
destructive idea ever. ..the "born to con-
sume" way of life. The assembly line life-
style, bloated with it's own trash and ready
to burst. First, war sparks and ignites the
economy like hell, bringing in lots of mon-
ey for everyone, except the soldiers who
are being used as pawns and dying over
seas, that is. No more depression, more
jobs for everyone (the new jobs came from
the need to make the guns, tanks, and
bombs not normally needed during peace
time), everyone has a job, how fabulous!
Now the wars over. Time to close down
all the excess factories we built to make
guns, bombs, and tanks. People lose jobs,
economy goes back to normal.
Now the American government, be-
ing the greedy organization it is, doesn't
like the idea of the economy going back to
the low profit, normal economy; money is
involved, and it wants to stay in a typical
war-economy, which is very profitable.
So, what eventually happens? Gradually,
the American public was literally con-
verted (by the companies) to a consuming
- based society where it is more fun for
people to go out and buy hordes of expen-
sive, useless shit than it is for them to go
for a walk (or run naked) in the woods.
We can see the obvious effects of this
conversion, like the infatuation people
have been taught to have with shopping
and buying (then later discarding and
throwing in the trash).
To understand the great change that
American culture went through after
World War II, I must describe what it was
like before and after the war. Before the
war, things were build to last, a lot of
people didn't mind doing chores, farm
work, household labor, etc. by hand and
things were a lot more d.i.y., people went
to the store to buy the things that they
needed, not to stuff themselves and get
off on shopping and buying like they do
now. Advertising also wasn't anywhere
near as deceptive as it is now. Ads were
made to simply give information, not to
brainwash people to buy a product. Busi-
ness was a lot different, and it all didn't
revolve so much around money. But after
the war, the companies found out they
liked the war-economy lifestyle better,
since it brought them more money, more
money than they would ever need.
So, for a minute, pretend you're a
money-hungry scum fuck like a corpo-
rate ex-o, now what is one way that you
could get people to shop more and buy
more? Well, if products are built to last,
than people won't need to shop as much
because the things won't break as much
or as easily, so in order to increase profit,
you build things cheaply, so people will
have to shop more to buy new products,
and not only that, but you turn the busi-
ness industry into a bloodhound compe-
tition between companies, each in a race
to sell more useless products to the pub-
lic, and you get the mindless public to buy
your products by convincing them that
they need it. You make chinsey ads, and
the if the people are dumb enough to
believe them, they'll fall for it, and you
now have yourself more customers. Voi-
la.
You basically use the public as pawns to
make you as much money as possible.
The point of your business is no longer to
supply people with needed things, but to
over supply them with shit they don't
need, thus bringing yourself more mon-
ey.
Shopping soon became the newest
fad, and spending your money on lots of
useless, expensive things meant success.
Yum, materialism. Things like cutting veg-
etables, opening aluminum cans, and
washing dishes could now be done by
expensive machines which contributed to
a waste of money and a waste of resourc-
es.
Slowly the false "American dream"
of having expensive things, hot cars, and
living in a suburban house with a nice job
is built. Companies began to wave the
new way of life in front of people's faces .
Many human tasks were now replaced
with electrical appliances. People were
convinced that buying these electrical ap-
pliances would make life easier and more
worthwhile, that it would give them more
time to spend with family, etc.
They were wrong. "Convenience"
was now the newest drug. People got
addicted to it and spent, spent, spent.
People no longer wanted the satisfaction
of doing things themselves or being self-
sufficient, they wanted CONVENIENCE
and LUXURY.
IT then took off from there. And as
things started to get more convenient, the
earth started to die. Resources were being
raped and trash was finally starting to do
nothing but pile up year after year. People
ignored it., sadly. Then the factory and
assembly line were integrated into soci-
ety, on a large basis. People stopped car-
ing about each other as much, society was
turned into a self-centered, self-destruc-
tive stack of shit about to topple over on
itself.
You think this a myth, huh? Okay,
look around your room, how much shit
do you have that you really do not need?
Think of all the plastics and useless toys
that you bought for a a couple dollars to
place on your shelf and collect dust. Things
you don't use that often, or never use at
all. Electric appliances that you could make
do with out or that complete a task that
you could do by yourself, manually? These
things are practically useless dust collec-
tors. Hold that thought. Now think of all
the materials it took to make all these
useless knickknacks that you were
dragged into buying because of their pret-
ty packaging or colorful box. Now add to
that the factories, machines, workers, and
transportation it took to get each and ev-
ery one of those useless items to you. And
now for the most astonishing thought of
the day, think of WHERE all these re-
sources and materials that were used to
make the products came from. Guess?
They sure didn't fall from the fucking sky.
They came from the earth! And where
will they end up in five years after you're
done masturbating with them? they'll
end up in a landfill. Gathered en masse
with billions of others jus t like them. And .. .
where do we get the land for landfills?
CHOP CHOP!! We cut down forests and
destroy habitats to make room for the shit
heaps of our trash.
This is where earth's resources end
up after humans get to them. Unless
they're recycled, these things' "life cycle"
is a straight line, where in nature, every-
thing's life cycle is in a circle, and every-
thing
goes back to the earth very quickly. This
linear pattern that humans have created
for the earth's resources is destructive as
hell and is basically the same as commit-
ting ecological suicide, something that
countries like the u.s.a. and china seem to
be very good at.
The total American population only
makes up 5% of the total world popula-
tion, which doesn't seem like much, right?
But the American population uses 33% of
ALL THE WORLDS RESOURCES. So, sta-
tistics show that the ecological drain (drain
meaning the trash that the average Amer-
ican puts out and the resources he/she
takes up including clothing, all the plastic
Eackaging that comes with everything
e/she buys, housing, cars, paper prod-
ucts, computers, food, gas /oil, land space,
etc.) that one average American takes up
is equal to the drain that 56 people in a
developing country takes up.
" Since world war II we have built a
society hooked, both economically and
psychologically, on consuming. Econom-
ically we have put ourselves in a position,
where, if people decide to keep their cars
an extra year beforebuying a new one, the
automobile industry is sent into chaos
and the entire country into recession. Psy-
chologically, consuming has become an
end in itself through the achievements of
advertising. Many of us are continually in
a vague state of wanting, which is mo-
mentarily calmed by shopping, but which
quickly returns. We accumulate more and
more stuff, mostly on credit, taking capi-
tal away from the productive capacity of
the country. In the end, we are surround-
ed my endless consumer goods that prom-
ise youth and beauty, but which mostly
leave us in debt.
- the little green book
Most of the luxuries and so called com-
forts of life are not only not indispensable,
but positive hindrances of the elevation of
mankind. With respect to luxuries and
comforts, the wisest have always lived a
more simple and meager life than the
poor.
- Thoreau
Here in America, and also in many
Asian countries as well, we have built the
ultimate ecologically-destructive lifestyle,
and it is like a virus, in the fact that it is
such a damn hard habit to break. Many of
us have been raised this way, to live this
lifestyle, to buy and consume, it's not our
faults that we were raised this way, but it
is our fault if we don't do something
about it!
Obviously , the consumer attitude is
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an extreme problem, both socially and
ecologically. Not only is it a sign of how
shallow and non-stimulating American
culture is, but it is extremely wasteful and
extremely addictive. To avoid being used
as a pawn for the profit-hungry compa-
nies, corporations, and plain out greed,
just do it yourself. Break the consumer
habit. Think of all the shit you buy every
week. Did you really need it?Could you
have borrowed it from someone or man-
aged with some you already had? Can
you get it used at a thrift shop or garage
sale? This will save a lot, and prevent a lot
from going to slowly decompose in a land
fill. Make it yourself and fix it yourself.
Half the shit you own you probably could
have made yourself. 3/4ths of all the stuff
you own that breaks you probably could
fix instead of throwing it out and going to
buy a new one.
And on top of it all, just think before
you mindlessly buy things that will be of
no importance to you in a year or even a
couple months. And instead of throwing
out old plastic toys and useless shit you
don't want anymore, resell it or recycle it.
You can laugh at this all you want, but
eventually, when all the trash piles up
and the rivers are dry, you're going to be
swimming in your own shit.
'BtSHOPRlClSSTUNN
A M6U STUDY WJ * 0F
1 ^COMV^eNT^^ _^
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faff
(Note to readers: this scene report was
written in January 1998, sorry it took so long to
get printed...)
I'll start in my home town, Newcastle,
where the Bigg Market (a collection of pubs) was
voted 8th-best in a World nightlife guide. Half
bottles of lager - £3, pints of piss- £2.50, gangster
landlords, protection rackets, toilets like Beirut
and queues a mile long, with music that would
send a Chinese athlete to sleep. Sounds great eh?
So what do people with any idea of CUL-
TURE do then? Well, there are plenty of pubs
that cater to a mixture of people, but the only one
where you're likely to hear punk rock is The
Percy, a bikers' pub with a great Saturday night
DJ (Wayne), who plavs everything from NOFX
to THE MACC LADS and HARD SKIN (oh
what fun to see the faces of straying 'businessmen'
types!). It's opposite the Haymarket bus station,
but dress restrictions (or the lack of them) mean
that punks are spread out over ten pubs, with
some keeping their cash until Sundays where
Luckies and the 3 Bulls Heads do cheap
drinks.
Shops-wise it's a waste of time. Volume
(who put out TOY DOLLS and UPROAR stuff
in the 80's) went down the pan, and although Haz
from there opened his own shop (Surface Noise,
in Ridley Place, near City Hall) the choice is
limited (mainly the more 'famous' US stuff like
DESCENDENTS etc). Other shops are full of
indie and chart shit, and second hand shops live
in a record collector fantasy-land. Old Hitz
(Newgate St), was the best of the lot, but then 2
blokes who worked there left, and the owner even
started refusing to cough up cash for "sale or
return" deals (some dating back nearly 2 years)...
Gigs, however are much more promising.
Anti Fascist Action held a great Xmas Party
where RED ALERT, RED LONDON. WRITE
OFFS, JOCKNEY REJECTS & ELLAS DUST
played. It was heaving, a good atmosphere and
£170 was raised for AFA.
Bigger bands are now being catered for by
RAMPAGE guitarist Robbie (27 Linden, Bea-
con Lough Est East, Gateshead) so any bands
with their eye on the support slot to the likes of
ANVVL, send him a tape. The venue is Rock-
shots on Waterloo St.
RAMPAGE incidentally, have a recent
demo out. Powerful '82 style punk with a hea\y
edge, produced by Rob Blamire (PENETRA-
TION). Send Robbie a couple of quid and it's
yours. I have just heard they are touring with
ANWL.
Anyway, enough about Newcastle- most of
you will probably never even visit the place-you
certainly won't find any jobs up here- so what's
happening around the country?
Well the old school are still going strong. ANTI
NOWHERE LEAGUE have an impressive new
album out on German labels (the CD's on Im-
pact, the vinyl on Knockout) entitled "Scum". It
has a lovely cover taking the piss out of the 2.2 kids
nuclear family, and the music is mostly 1st LP
type stuff, with a great CHER cover version!
PETER AND THE TEST TUBE BA-
BIES have a new CD out, "Alien Pubduction"
which, although not perfect in the production
department, is certainly no let down, with titles
like "Meet me at the all night offy". Musically,
never reaching the heights of "Mr Mortgage",
but on the whole, more consistent than "Super-
models"...
And, as if you needed me to tell you,
COCK SPARRER wrap up their career with
"Two Monkeys" CD/LP on Bitzcore (Germany)
which is on par with "Guilty as Charged", but
perhaps a bit too 'pub-rock' in places ("Bats Out"
is almost embarrassing!). A new 'best of (covering,
in one form or other, everything from "England"
to new LP tracks) is available on Dr. Strange
(USA), entitled "Bloody Minded".
For obsessive nostalgics, your yearly fix,
Holidays in the Sun Year 3, returns to last
years venue, The Dome at Morecambe. A
wise choice (run-down sea-side resorts being a
good place for booze and food bargains, and no
pathetic "no readmittance" rules like there were
at an all dayer in London's Forum, surely the
worst venue in the world?). So book your hols for
24th-26th July and ring 1 2 1-244 3727 for more
details.
On a smaller scale too, the UK punk ma-
chine steamrollers on. I won't mention the
THOUSANDS of middle class teenyboppers who
unashamedly try to copy GREEN DAY. Safe,
conformist wankers with throwaway lyrics and
not a hint of individuality are, to me, an insult to
the spirit of punk rock. So we'll stick to the real
world for now...
New Oi band ON FILE (Hedgy. 47 Fi-
navon PI, Dundee, DD4 9DY, Scotland) are due
out 3 tracks on the new "Punks Skins and Her-
berts" on Helen of Oi. Look out especially for the
classic "When we were kids"... Label owner Bob
has, in the meantime, been kept busy with 7"s
from GOBSMAKT (streerpunk band from New
Zealand) and ZERO TOLERANCE from Lon-
don who play brilliant Oi influenced punk along
the lines of CONTEMPT and OXYMORON.
They include Clara (ex PMT) in their ranks, and
their 7" is called "Sick of You". Their singer
recently died thanks to the evils of excess drink-
ing, but they still press on, and a benefit gig raised
over £100 for Martin's family. Contact Clara/
Simon, 22A Chatsworth Rd, Lower Clapton,
London E5 OLP. Send £2.50 incl post for the 7".
You can contact Helen of Oi at 35 Becton Lane,
Barton on Sea, New Milton, BH25 7AB.
Suspect Device, the long running fan-
zine, is now also one of the most cheap, reliable
and respected record labels, and has recendy
released a split EP by EXTERNAL MENACE
and RECTIFY, priced £2 from SD Records, PO
Box 295, Southampton, SOU 1LW. Add £1 &
large SAE for their latest fanzine (packed with
reading).
THE TONE have a great 7" out on Rug-
ger Bugger (PO Box 357, London, SE19 IAD).
They are a new band who mix the sound of THE
CLASH, SPECIALS and SUICIDE MA-
CHINES, and include in their ranks 2 members
of SCHWARTZENEGGAR. Rugger Bugger
also have a cheap list of records/CDs.
Another dirt cheap distro is BALD CACTUS,
PO Box HP171, Leeds, W. Yorks, LS6 1XX,
mainly dealing in anarcho records, tapes, zines
and books. DOG ON A ROPE, who play great
early 80's punk can be contacted at the same
address, and are due an LP out.
RED FLAG 77 (whose own songs are just
as good as the classics they cover) also have an LP
in the works, and have just released an.EP with
LOVEJUNK with some ADICTS covers on it.
MERCYLESS COP (Alan, 34 Barnes
Cres, Sutton in Ashfield, Notts) have demos and
t-shirts out, and are due a CD release. They
feature mad frontman Alan from the FORK
HUNTS, plus an APOCALYPSE BABYS mem-
ber, and very good fans of the Old Bill!
Punk for Pussys are 3 hard working
lasses, promoting gigs to raise money for the local
CAT PROTECTION LEAGUE. They invite
bands who will play for expenses to contact them
via Mand, 13 VVednesbury Rd, Caldmore, Wal-
sall, W. Midlands, WS1 3RU. They have 2 com-
pilations (C90's) out for £2 each and Vol 2 comes
with a booklet and features classics from AIR-
BOMB, ROAD RAGE and ADULESCENTS
UK, amongst others.
The above 3 bands are particular faves of
mine. ADULESCENTS UK play original tune-
ful punk that brings to mind the best "one-off'
late 70's bands. Check out their split EP with
German band PISSED SPITZELS on Nasty
Vinyl (Germany). "Margaret Thatcher's on the
dole" with it's first class melody and cheeky lyrics
("I saw Dennis bringing in the coal"!) is one of the
best songs ever.
AIRBOMB (Dave Easterling, 30A Ro-
neo Corner, Hornchurch, Essex) are a fantastic
singalong (but hard edged band with first class
musicianship, who will by now have a CD out on
Retch Records. Think the best of early 80's punk-
only better!
ROAD RAGE sound like CHAOS UK
sraifc reports
./Mvvi'r'sj'Ssf-.;
when they eventually began to write songs (ie
circa "Enough to Make You Sick'V'Two Fingers
in The Air Punk Rock"), with a bit of early
ENGLISH DOGS and Oi choruses thrown in.
Their CD on Bomb Factory, barring a few aver-
age tracks, is top notch obnoxious punk. Trouble
is they're too obnoxious to answer letters so I'm
fucked if I'll waste your time printing their ad-
dress!
Tony of Bomb Factory/Step One (PO
Box 21, Tenterden, Kent, TN30 7ZZ) continues
to be busy. Recent releases from COMBAT
SHOCK and PUS (late 80's style anarcho- not
my cup of tea), FAT SKINS (touring
mates with ANTI HEROS, with a similar I
sound but leaning a bit too much towards 1
a NYHC sound for my liking) sit along- I
side Vol. 3 of "Oi it's a World Invasion", I
and due out any minute there's a Hunt 2*S
Sabs benefit. Sadly, all these are on CD,
which I'd normally criticize, but when
you consider how many times Tony's
vinyl plant has fucked him over (OP-
PRESSED LPs that jump,TRUTH DE-
CAY white vinyls as bent as a New La- K A
bour politician, and strange scratchy nois- % ::j
es on the first pressing of CONTEMPT'S
LP), you can't really blame him!
Another excellent, cheap, reliable
label is Smoking Troll (Pete Roberts,
48 Llwyn Beuno, Bontnewydd, Caernar-
von, LL55 2UH) who've just released
RAGGITY ANNE's new CD. and new
ones by JUMPIN LAND MINES and
APOCALYPSE BABYS. And after a bit
goading by myself, Pete will soon be en-
tering the vinyl market! Send SAE/IRC
for his excellent newsletter.
APOCALYPSE BABYS them-
selves are flogging a load of gear (Con-
tact- C. Goodwin, 23 Monsal Dr., Sth Norman-
ton, Derbyshire, DE55 2BG) incl a reissue of
debut EP "Dance Till You Drop" (£2.50), USA
import "Local Heroes" EP(£3.50), and German
import "Apocalypse Now" (not new songs, just
some of the best from their 1st 2 CDs)-£2.50. If
you like yer SLF type punk with thoughtful lyrics
then this is the band to check out.
Fanzine wise. Cod Eye (Rob, 3 1 Marrick
Rd, Park End, Middlesbro. Cleveland, TS3 7SB)
is a hilarious read & features THE DAMNED,
UK SUBS, and BUS STATION LOONIES.
Here's a geezer who got barred from the local
nightclub for throwing a nazi down the stairs
(then beating up the bouncer!) and who set alight
to one at a UK SUBS gig- so he's not scared to
speak his mind. .It's worth your 50p & SAE alone
to see Dave Vanian being asked "What happened
to the bird shit in your hair?"!!
Control is still going, at least for the mo-
ment (Stu is considering just doing an internet
version- Email him at stu@kontrol.demon.co.UK)
so if you've got good eyesight, send £1 & SAE to
Box 999, 26A Hooks Hall Dr., Dagenham, Essex,
RM10 7BL Chocca full of top notch interviews
with punk/Oi bands.
But by far the best zine at the moment is
Suffragette written in a style that is pure 77.
Brutally honest, totally unique and hilarious. Send
77p & SAE for the latest issue to Peter, Wolfs Lair.
1 1 Cromwell Rd.Northwood Park, Wolverhamp-
ton, WV 10 8AA.
Filth is not a zine, but an over-the-top
comic. Sick humour and swearing galore for 90p
from Filth Products, 25 Pirbright Rd, London,
SW 1 8 5NB. Artist Rob found fame recently when
he was arrested for walking through Soho at
midnight with a "Jesus is a cunt" (CRADLE OF
FILTH) t-shirt on! Apparently 'someone' took
offense (I guess ClifTRichard fans must party late
in such an area?!) and he was charged and fined
under an ancient blasphemy law. The bizarre
sequence of events was covered in metal mag
Kerrang, and the band's label compensated
him, though you could argue he deserved THE
ROPE for promoting such a sad band! Eager to
impress his local constabularv. Rob is now in a
band called THROWBRICKS AT COPPERS,
who play DISCHARGE type stuff with anarcho
lyrics.
Class War is back! It originally folded
after more and more of it became written by
intellectual theorists and history teacher types
which bored readers enough to stop buying it.
New Class War is written more in the style of
early issues, with violence and humour a priority,
and Ian Bone and chums now do a small mag
called Animal. Each issue has a theme, and is
well written. 5 first class stamps to PO Box 467,
London, E8 3QZ. £1 gets you Mew Class War
from same address.
There are hundreds more bands and pub-
lications which I haven't time to list here-there
hasn't been as much punk rock activity since the
early 80's when a mad dictator had just came to
power. And that leads us to my not-so-happy
ending..
In May last year, New Labour swept to
power. The Tories were humiliated. They are
now in such a crisis that the TV programme
Friday Night Armistice decided to test how des-
perate they were for members. They sent to their
local Torv HQ_ one bloke dressed as DARTH
VADER, one bloke dressed as an URBAN TER-
RORIST (complete with hand grenade!), and
one half naked bloke wearing only his under-
pants, to ask if they could join the Tory Party.
There was also a written application purporting
to be from Myra Hindley, Durham Prison (the
moors murderer!).. .and all except the half naked
man were ACCEPTED!! (HE was told to come
back tomorrow'!!). Hilarious. And other parties
of the ruling class (BNP etc) seem to be on their
last legs too. But have their rich backers gone
away? No! They have simply diverted their mon-
ey to New Labour, and Tony Blair is gonna make
sure he keeps their 'bribes' coming.
He's already made a start. Ministerial jobs
in the Social Security department went to Harriet
Harman and Frank Field, one a clueless toff, the
other an out and out fascist, then Blair sent them
on a fact finding mission to the fascist state of
Wisconsin, USA. Harriet described the Tories'
plans to cut single mothers' benefits by £10 week
as "cruel" before gaining power and pushing the
same plans through! Any DECENT Labour MPs
who dared vote against this were threatened with
the sack, yet a massive rebellion still ensued- sadly
not enough to stop it. And the very same week,
Tony "We must save taxpayer's money" Blair
was holding a champagne party at Number 10,
costing £3000, and paid for by.. .guess who? And
in the same budget that the £10 cut was men-
tioned, GORDON BROWN(SHIRT), the Chan-
cellor, announced a big Corporation Tax cut to
benefit huge companies!
The minimum wage, meanwhile, has been
conveniently "forgotten" about, and the next big
idea is the New Deal. This is where the long term
unemployed (initially only those aged 18-24) are
offered 4 options or, if they refuse, their dole will
be stopped. Full details of two of these are not yet
clear, but of the other two, one is voluntary work,
and one is community work, each paying £62 a
week (Blair and his wife have no fear though-their
combined weekly wage is £6000!!).
Next, the disabled are to face New La-
bour's wrath. How low can they get? Well they've
already accepted a million quid from Formula
One's boss in order to 'exempt' motor sports from
a ban on cigarette advertising (the bribe had to be
handed back after the media found out!), the son
of Home Secretary Jack Straw (policy-set M15
loose on drug dealers) was exposed as an erm ... drug
dealer (the reporter was arrested, Straw Junior
was let off with a caution!!), and when a vote to
ban fox hunting was won convincingly, Blair
refused to allow it parliamentary time, thus stop-
ping it from becoming law. (He had more impor-
tant things to get through, like bills to rob the
poor).
Meanwhile local services (from nurseries to
day centres to, public toilets to public transport
subsidies) face more savage cuts than ever (at a
time when Council Tax bills are estimated to rise
a whopping 1 per cent-3 times what workers will
get
in wage rises!).
Some say the Tories didn't lose the elec-
tion. I say the BNP won it. And yet Blair has the
nerve to call himself a "Christian"!
Before I go, just a plug for my distro Sav-
age Amusement which sells all kinds of punk
(but mainly Oi and 77/82 influenced stuff), from
name bands to new bands at cheap prices.. SAE
or IRC for the huge list. I also do "HagP' zine(issue
29 featuring HARD SKIN, EXTERNAL MEN-
ACE and BLADDER BLADDER BLADDER
plus loads of provocative articles and daft bits, can
be had for 2 US dollars postpaid). Both from
Trev, 57 Briardene, Bumopfield. Newcastle Upon
Tyne, NE16 6LJ, ENGLAND.
.sraie reports
Bands: VANILLA have an EP out on La
Libre Expression and an LP on Pyrrhus from
Belgium. They play Ebullition-style emo. New
LP out soon on Conquer the World Records, but
I'm not sure if they're still around.
UNDONE split up for good. ANOMIE
split up, though they have a posthumous split EP
with ACTIVE MINDS out soon on Sacro Egois-
mo. HEYOKA (punk-rock), SCRAPS (hard-
core), COCHEBOMBA(crust/HC), STORM-
CORE (heavy metal), AHLMSA (HC), AHOR-
CADOS (punk-rock). LEE MAJORS (aka
CAUSE'N'EFFECT), SAPO (experimental HC),
EXISTENCE (HC) and FILTHY CHARITY
(one of the oldest French bands (crust/metal)) all-
split up.
Ex-PEU ETRE have started ALCATRAZ
same style I guess (political emo). THE GIMP
(melodic punk/HC) have two demos out, but
recently lost their singer (Francois, ex-ORlGlNAL
DISEASE). KOCHlSE's first LP is getting reis-
sued on CD with HAINE BRIGADE'S LP (old
French political HC from the mid-eighties). AT-
TENTAT SONORE will be featured on my two
new CD compilations (punk-HC with a drum
machine and dual vocals). OPSTAND are a kick
ass thrashcore band from Bordeaux, they have an
EP out. as well as a split with SPAZZ (aargh!) and
one with SEEIN' RED. RAWNESS' split min-
iCD is sold out but has been re-released on tape
by a Spanish label (with their 2 wonderful demos
as a bonus!) They have a split EP and an EP out
soon and play melodic HC. Ex-ENOLA GAY
now play in DISBEER (CD out this summer).
LEGITIME DEFONCE (punk/HC) have 2
albums out on Panx. PRIMITrV' BUNKO
(crust!) should have a new records out soon.
MELMOR play punk with folk influenc-
es. They are having a break but should be back by
the summer. MASS MURDERERS are punk
(ha!— two CD's, one live 10" out). DISRUP-
TIVE ELEMENT play old style HC and have
one Ep out, they're working on a full-length CD.
Newer bands include RIGHT FOR
LIFE (HC, one LP out and one split EP with
SPOONFUL (technical NYHC)), ASIDE (crust/
punk, lots of split EPs out soon),JEAN SEBERG
(thrashcore, Slap a Ham style — records out soon),
UNEVEN (HC), MURDER ONE (grind, ex-
INNOCENT BLOOD), EMMA'HO (grind).
LOBO'S TRIBE (HC), MIND INTRUSION
(HC), and HEADWAY (metal/HC).
That's it for bands. Of course there's more,
but these are the ones who have put out records.
Read zines if you want info on more unknown
ones, OK?
Zines: there are no zines in English around
here apart from Sanjam, but I'll drop three
names: Earthquake, France's biggest and more
regular punk/ HC/ Oi zine (in French — over 50
issues out!) and My Word Is..., a free zine in
both English and French. Le Voyageur is a
newsletter full of international scene reports, in
both English and French (issue 3 out now). Sanjam
#5 recently came out with interviews, opinions
expressed by various scenesters and more.
Labels: NewWave are still around. They
have now decided to concentrate oh 7" by female
punk-rock-HC-thrash bands; send them your
demo! They've put out the "Gore Gore Girls" 7"
comp series. Panx recently put out many records
including an AHORC ADOS EP. a BAD TASTE
EP, a NOTHING MORE EP and various inter-
nationalpunk/HC/grindEP's..Darboukaputs
out records with bands from far-off countries like
Lithuania, Brazil, Latvia, Turkey, etc. Sanjam
put out a CD compilation with four melodic HC/
punk bands, ASIDE's EP will be out soon (fast
political HC). Maloka should put out the CD
featuringKOCHISE'sandHAINEBRIGADE's
first LPs. and the RAWNESS' EP. Stonehenge
put out UNDONE's and FINGERPRINT'S
records as well as stuff by IVICH, E-150, etc.
They're planning a European HC compilation.
A couple new labels are getting started and many
people are, at last, starting to react against the
recent demise of the punk-HC scene. The months
to come should see the birth of many great projects.
Check out Limo Life, Holy Fury, Revolu-
tion, Le Brun/Le Roux, Praxis, Chaos
City Core, Bad Cards, etc.
And now onto some personal plugs., (did
ya really think I was doing this for free ?!?) I write
the International Straight-Edge Bulletin
(in English). Already 24 issues are out, available
for 3 dollars each. It's about 40 pages (small
format) full of international reports, news, re-
views, articles, ramblings and interviews, I need
more penpals from far off countries, so if you're
punk/SxE and live in Asia, Africa or South Amer-
ica please get in touch! Also available from me is
the RAWNESS/ PERSONAL CHOICE mini
CD. (fast- no bullshit HC with intelligent socially
aware lyrics. Only G copies left!). Out now is a new
HC comp featuring 7 international bands (XAC-
TO. PERSONAL CHOICE, SC, STONE-
WALL. MEANSTREAM. AUTOCONTROL,
BY ALL MEANS), 70 minutes and a 40 page-
booklet, $13 ppd. I have also put out 3 interna-
tional punk/ HC tape compilations ($5 ppd). Also
out is a PARIAPUNK/FINAL BLAST discogra-
phy CD (old French punk) and New Days Rising:
a punk-HC compilation featuring 8 international
bands. Out next: a French Hardcore compilation
with 25 bands! If you would, like to check out any
of the above bands or labels, buy this comp
because they will all be featured on it, and it'll
come with a fat booklet on recycled paper. I also
run a punk/ HC/ SxE/ crust distribution with
records from around the globe, send a stamp!
Next time I could also try to tell you about social,
political or animal rights stuff, just tell me if you
think it would be interesting...
For more info on French stuff and for
contact addresses feel free to write us. We also
wish to help travelers. We can put you up, show
you around, etc.. But only punk/ HC people
please. Take care, Yann.
I'll just drop a few distro names (the biggest
and most reliable). Libre Expression, Kim-
berly, Acts of Defiance, NewWave, Panx,
Bad Cards, Boisleve, Punk as Fuck, San-
jam, Maloka, etc...
Some Addresses: Earquake, Fred Leca. Le
menil, 88160 le thillot.
Panx, BP 5058. 31033 Toulouse cedex.
Paris report: Le Kiosk, 2 1 (er rue \ oltaire.
75011 Paris (anarchopunk infoshop); Librairie
paralleles. 47 rue Saint Honore, 75001 Paris
(alternative record, book and zine shop); and
Librairie Publico. 1 15 rue Amelot, 75011 Paris
(anarchist library).
Lyon report: La gryfl'e. 5 rue S. Gryphe,
69007 Lyon (anarchist library)
Y. Boisleve/ BP 7523/ 35075 Rennes ce-
dex 3/ France.
www.newredarchives.com
Long bored with
corporate mush?
Instead of complaining we opted to Fight
Back with this act of commercial disobe-
dience. On this CD you will find a collec-
tion of recordings we are proud to have
been involved with in some capacity over
the last ten years. Too abrasive for the
mainstream, these artists occupy the
essential US underground. An under-
ground "At War With Society".
Yes it's true, a 75 minute CD for
99 cents list price. Yes, it's a real
CD, yes it's in a jewel case. No,
you don't have to buy anything
else, or join a club.
How do I get it?
Check our web site for
participating stores.
Or, you can order it from us,
but obviously for 99 cents we
can't pay the shipping, so
have a minimum order of $6
for free shipping USA only or
add $1.50. Send 2 stamps
(or IRC) for a catalog of vinyl,
CD's shirts and buttons.
Featuring j
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p.K. SuST*
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:, Samiam
i ■"■ - - ■ •-
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CENEKAL STRIKE!
Workers in Puerto Rico are in urgent need of
your solidarity. Since June 18, 6,400 Puerto
Rico Telephone Company (PRTC) workers
have been on an indefinite strike in protest
against the government's plan to sell this state-
owned company to US-based GTE corporation.
HOMELESS RIGHTS ABUSE
IH CANADA
A clear message was delivered last
month in Old City Hall's Courtroom
E, Prison terms not social change are
the solution to homeless people seek-
ing spare change on Toronto Transit
Commission (TTC) property.
The TTC had 24 different charges of
"Solicit on TTC Property" on June 26,
as well as numerous loitering charges.
TTC Crown Kevin Wiedekowski
sought fines as high as $1,000 and
probation orders against what he
termed "chronic offenders." All of
whom were tried in absentia.
In the first case of the day, a man
described-as "destitute" and "well
known to police" was sitting on the
floor at the subway station, requesting
change. The police said the homeless
ndividual had no authorization to be
there, and a summons was then
issued.
The homeless man was not in court to
defend himself. Justice of the Peace
Susan Haddad concluded the case was
"straightforward," and a conviction
entered.
Crown Wiedekowski, speaking to
sentencing, said the defendant "does
not pay his fines," and requested a
probation order. Haddad asked if the
Crown had any evidence of prior con-
victions; unable to produce documen-
tation, the Crown insisted the individ-
ual was a repeat offender. They also
claimed that a probation order was the
only way in which to deal with
"chronic offenders" because the con-
sequence of violating the order is
prison. Wiedekowski noted that the
TTC has secured 21 other probation
orders against homeless panhandlers.
It is not exactly clear how people
forced to panhandle in the first place
will be able to pay any fine, much
less the $1,000 sought by the Crown.
A member of Toronto Action for
Social Change was in court to observe
the proceedings of the kangaroo court
"It's outrageous that public resources
are being used to throw the homeless
in jail for seeking help," said TASC
member Matthew Behrens. "The
problem here is not panhandling, it's
poverty, and the refusal to do anything
about it. If you have money to adver-
tise on the TTC, a form of soliciting,
you don't need to sit at entrances ask-
ing people for your money. So the
message is clear: if you want to solic-
it, you have to pay us up front.
TASC has initiated a public cam-
paign to pressure TTC commissioners
to end these kangaroo courts against
the homeless, and is planning to pub-
licly challenge the ariti-soliciting by-
law through non-violent civil disobe-
dience if the TTC does not call a halt
the prosecutions. For more informa-
tion, call TASC at 416-651-5800 or
emailatburch@web.net.
This strike is not about
wages or working condi-
tions, but directly against
the government's privati-
zation policy. Public sup-
port has been widespread
to the point that it is
known as the People's
Strike.
The striking unions are
the Independent Union of
Telephone Employees
(UIET), which represents
the workers that do the
technical and repair work,
and the Independent
Brotherhood of Telephone
Employees (HIETEL),
which organizes office
workers. Both unions, as
well as the labor move-
ment, have called on the
MAXIMUM
R0CKNR0LL
NEWS
SEPTEMBER
1998
governor to celebrate a popu-
lar referendum on the PRTC
privatization, but this call has
been ignored.
On July 7 and 8, the Board
Committe of Labor
Organizations, a coalition of
more than 60 unions, student,
religious and civic groups will
organize a 48 hour general
PICS VS. PUNKS IN BERKELEY
MrLY MORNING TELBGRArtlAVENUE. AND
THE USUALLY COASTED STREETS ART
EMPTY FXCBPT TOR THE OCCASIONAL BUS OR
GARBAGE TRUCK. SOME OF THE HOMELESS
BAVE BEGUN TO STIR FROM THEIR NICHTIME ■:
RESTING PLACES, MANY OF THEM WALKING
QUICK!*' BY MF AS I SIT AMONGST A HALF A
DOZEN EMFFY CHAIRS .OUTSIDE THE CAFF
MED. THE MOOD HERE IS ONE OF APPREHEN-
SION, PARANOIA. AND FRUSTRATION. AT TEN
A.M. THIS MORNING BERKELEY POLICE WILL
BEGIN WHAT HAS BECOME KNOWN AS OPERA-
TION AVE -WATCH, WHICH BASICALLY TURNS
TELEGRAPH AVENUE INTO A CITY APPROVED
POLICE STATE. THE TARGET OF THIS ACTION
BEING THE MOSTLY PUNK STREET KIDS WHO
INHABIT TELEGRAPH AVENUE, AND OF
COURSE ANYONE ELSE CAUGHT IN THEIR
CREED WOVEN WEB.
AT A COST OF ROUGHLY $75,000 A MONTH TO
CONTINUE OPERATION AVE-WATCH, THE CITY
OF BERKELEY CAN BE PROUD TO HAVE TAKEN
PART IN NOT ONLY THE ABUSE AND DISCRIMI-
NATION AGAINST THE HOMELESS PUNKS ON
TELEGRAPH, BUT ALSO THE BRUTALIZATION
OF THEIR PETS. IF ITS NOT BAD ENOUGH
ALREADY TO WAKE UP AFTER A NIGHT SPENT
ON THE STREETS WITH A COPS KNEE IN YOUR
BACK, YOU ALSO HAVE TO WITNESS AN
ATTACK ON YOUR DOG BY SOME ILL
TRAINED ANIMAL CONTROL OFFICER.
BY THE TIMET BEGIN MY THIRD CUP 01
COFFEE I REALIZE THAT THE TACTICS BEING'
USED BY THE POLICE FOR OPERATION A'.
WATCH ARE SIMILAR TO THE ONES
EMPLOYED DURING LARGE PROTESTS AND
RIOTS. THERE IS THE PADDY WAGON WAIT-
ING TO TAKE PEOPLE QFFT0 JAIL AND THE \
CONFRONTATIONAL POLICE OFFICERS WHO
WEAR THE BLANK EX PR FISSIONS OF THOSE
WAITING TO ENTER INTO BATTLE,
I WALK ACROSS THE STREET TO THE MAG-
AZINE SECTION IN CODY'S BOOKS WHICH IS
LOCATED RIGHT NEXT TO THE SEIGE, AND
THROUGH THE BIG GLASS WINDOWS I WIT-
NESS A 200 PLUS POUND COP YELLING AT A
PUNK KID WHO CANT WEIGH MORE THAN
130 POUNDS.. .WITH CLOTHES. THERE IS NO
RESISTANCE. JUST INCREDULOUS LOOKS
FROM THE KID AND PASSERS BY. THE SAD-
DEST PART IS EVERYONE KNOWS THAT
THIS SHOW OF ARMS BY THE CITY OF
BERKELEY IS JUST THE LATEST ATTEMPT TO
ATTRACT INVESTORS IN THEIR MONEY
HUNGRY QUEST TO BUILD A DOWNTOWN
CITY CENTER, AND EVENTUALLY TO TURN
BERKELEY INTO ANOTHER STRIP MALL
CAMPUS TOWN LIKE STANFORD.
I
strike in support of the striking
PRTC workers and against the
government's privatization poli-
cy. It is expected that more than
100,000 workers will shut
down this Caribbean island,
including banking, commerce,
tourism and manufacturing.
The privatization of PRTC has
been sharply rejected by a may-
ority of sectors in Puerto Rico,
including the labor movement,
the churches, civic and women's
organizations, as well as the
island's two opposition parties.
According to recent polls a clear
majority of Puerto Ricans oppose
the sale. Only the governing New
Progressive Party, the Chamber
of Commerce and the IndusJlJal.'s,
Association have backed PRTC
privatization in the name of
lf K»r and increased
"competitiveness",
THE BODIES OF TWO MEN ARE FOUND THREE DAYS APART. AND POLICE SAY
THE SLAYINGS MAY BE RACIALLY MOTIVATED.
BY JOE SCHOENMAHN
LAS VE6AS REVIEW-JOURNAL [REPRINTED]
Ongoing skirmishes between two skinhead groups — one racist, one anti-racist — may be
linked to the slaying of two young men found 150 yards from each other in the northwest
Las Vegas Valley. Daniel Shersty, 20, was found Saturday morning three miles west of
U.S. Highway 95 near Rome Boulevard. His friend, Lin "Spit" Newborn, 25,
was found Monday 150 yards from Shersty. The two belonged to Las Vegas Unity Skins,
an anti-racist skinhead group. Shersty was white. Newborn was black.
The two also were members of Anti-Racist Action, said a member of that skinhead group
who asked that his name not be used. "The safety of my family is more important right
now," he said. Las Vegas police confirmed Shersty and Newborn were together at midnight
Friday, telling friends they were on their way to meet two women. The ARA member said
Newborn, who worked at Tribal Body Piercing, 4800 S. Maryland Parkway, had given one
of the women a piercing, possibly in the navel, earlier Saturday or Friday. The woman, he
added, then left a message on Newborn's answering machine Friday, telling him to meet her
and another woman.
We have no idea if these girls lured them into a trap or what," said the spokesman. After
police were told the pair were together the night before Shersty's body was found, they
expanded their search of the area and found Newborn's body. Homicide Lt. Wayne
Petersen said late Monday investigators have no idea who the women are. "That's still a
mystery," he said. He also said that, based upon what friends of the deceased have told
"shave been racially motivated.
dated with an anti-racist group," he said,
been telling us there has been tension between fhem
r sen said homicide investigators on the case were pursuing "a
Ro§slti(>; : :::Wh6s«;pJiitni^(ratt0ti
selling oil public hospitals and
sta^lpiil^l;^^^^^
school voucher progra
The government's reaction to
the strike has been extremely
violent. Riot police have beaten
andkear-ga^sed strikers as well
as iiiem b'ersisf the : |pres|l ; |(|if|g
more information on the strike
(including pictures) try these
sites:http.;//wvv«' ^«^*« ™m,
and: aira^isf groups
■uple o1 things.'*
tiw> get a beeakSfai this case," he said. Petersen said Newborn may have been shot as
je ran away" 1 jm uds said Shersty was shot in the face. The last time skinheads drew the
interest of 1 ■- 1 ppi was in 1992, when Las Vegas white supremacist Johnny Bangerter, a
I a "Johnp \ Mm i moved to Southern Utah to create a whites-only homeland in Zion
National Park Today he sits in Utah State Prison awaiting an evaluation and sentencing on
a third-degree felony charge of failure to respond to an officer. Sgt. Mike Bunker of the
police departments ttjt^irigence Services Section remembered Bangerter but said Monday
Las Vegas m 1998 has nothing to compare to him.
"Most oi the skinheads in the Las Vegas area have become low-key," he
ill Vegas right now is very, very quiet."
\ why the police department right now does not spend a lot of
time investigating tt|^||roups," he added.
"So. are we aware t>Uhem? Yes," he said. "But dedicating large
unts erf littie.' No." ■
kc are Wkmsr into charges that members of the two opposing groups have been at
, in recent • he ARA member said Newborn "had many, many confrontations
4j$ i & .inVi^.-heia^with them several times," he add
» peaceful i
apitolHM/Scnate/9 l69/hltrr//ww ^
w.utter.org/so? idandad.lttml .^ V£ b * ^ hcJ(i!) with them severa i times," he added. "We don't go around looking for
http://palahuetga.rloiest.net < r ^ devnbC(J ,j K ARA as nonviolent, committed to peaceful resistance
AUHough-the General Sir; l -=
setf6i\July7and8 v PK|CJ
ers have been on strike since
June 18 and will continue this
struggle until the 'sale Estopped
or there is a referendum
over (his issu
■
s," he said, "because that is a symbol of their working-class roots."
kids. We pay our bills, and we don't do drugs. We drink, but we
look out for each other."
£ MWk NEWS t"ACE TWO
I |WIMUMRNR«INDSPRINGCOIA - ATNN JAY UNID0S
;§>0 Qjonirtime!
OH AND BY THE WAY, YOU'RE
INFECTED...
Washington - The U.S. govern-
ment has begun the first phase in
notifying hundreds of thousands
of people who may have been
accidentally infected with the
hepatitis C virus during transfu-
sions.
Letters will be mailed to those
who received transfusions from
blood donors who have since
tested positive for the virus,
which affects 4 million
Americans.
People who received blood
before June 1992 when the most
reliable screening test was insti-
tuted, are at risk.
(This is reprinted from one of those
fucking news wire services, but was
sent to our news department by a
concerned punk who is credited at
the begining of this zine.)
YOU'Ri: DEAD! AGAIN
IF THE PREVIOUS ARTICLE
SOUNDS A BIT I XREIIEVF-
ABLE, AND MAYBE EVEN 1
UTILE SUSPICIOUS, MEN I
RECCOMEND YOU READ THE
ARTICLE ON VTRUS
RESEARCH THAT APPEARED
IN MHH #170 FROM IW)7.
THIS IS EASILY ONE OF 1 III!
SCARIEST ARTICLES TO
EYER APPEAR IN ANY MAG-
AZINE, MAINLY DUE TO THE
FACT THAT WHAT'S BEING
DISCUSSED AFFECTS ALL OF
IS IN OXE WAY OR ANOTH-
ER. BUY THAI /INK AND
PASS IT AROUND BECAUSE
THIS TYPE OF INFORMA-
TION MUST BECOME COM-
MON KNOWLEDGE!
- k criticism of 'green' consumerism -
The Body Shop have successfully manufactured
an image of being a caring company that is
helping to protect the environment and indige-
nous peoples, and preventing the suffering of
animals - whilst selling 'natural' products.
But behind the green and cuddly image lies the
reality - the Body Shop's operations, like
those of all multinationals, have a detrimental
effect on the environment and the world's
poor. They do not help the plight of animals
or indigenous peoples (and may be having a
harmful effect) , and their products are far
from what they're cracked up to be. They have
put themselves on a pedestal in order to
exploit people's idealism. Companies like the
Body Shop continually hype their products
through advertising and marketing, often creat
ing a demand for something where a real need
for it does not exist. The message pushed is
that the route to happiness is through buying
more and more of their products. The increas-
ing domination of multinationals and their
standardised products is leading to global cul-
tural conformity. The world's problems will
only be tackled by curbing such consumerism -
one of the fundamental causes of world pover-
ty, environmental destruction and social alien-
ation.
FUELLING CONSUMPTION AT THE EARTH'S EXPENSE
The Body Shop have over 1,500 stores in 47
countries, and aggressive expansionplans. Their
main purpose (like all multinationals) is mak-
ing lots of money for their rich shareholders.
In other words, they are driven by power and
greed. But the Body Shop try to conceal this
reality by continually pushing the message that
by shopping at their stores, rather than else-
where, people will help solve some of the
world's problems. The truth is that nobody can
make the world a better place by shopping. 20%
of the world's population consume 80% of its
resources. A high standard of living for some
people means gross social inequalities and
poverty around the world. Also, the mass pro-
duction, packaging and transportation of huge
quantities of goods is using up the world's
resources faster than they can be renewed and
filling the land, sea and air with dangerous
pollution and waste. Those who advocate an
ever- increasing level of consumption, and
equate such consumption with personal well-
being, economic progress and social fulfill-
ment, are creating a recipe for ecological
disaster. Rejecting consumerism does not mean
also rejecting our basic needs, our stylish-
ness, our real choices or our quality of life.
It is about creating a just, stable and sus-
tainable world, where resources are under the
control of local communities and are distrib-
uted equally and sparingly - it's about
improving everyone's quality of life. Consuming
ever more things is an unsatisfying and harm-
ful way to try to be happy and fulfilled.
Human happiness is not related to what people
buy, but to who we are and how we relate to
each other.
LET'S CONSUME LESS AND LIVE MORE! MISLEADING
Page ©tyree
BEYOND AND BACK
Not long ago, sitting on a bench in
front of the Long Haul in Berkeley, I
could hear a car horn honking conti-
nously in the distance. As the car got
closer, making it's way south down
Shattuck Avenue, the horn became an
accompaniment to the driver's repeat-
ed shouts of, "Free radio Berkeley!"
I put down my copy of Slingshot and
asked a nearby cyclist if he knew
anything about any current develop-
ments. In between cursing the previ-
ous driver for actually driving a car,
instead of cycling, he explained that
the latest court ruling had gone
against Free Radio Berkeley, proba-
bly ending it as we know it.
Disturbed by what I had just heard, I
caught the #43 bus home and began
to send word over the internet via my
ancient, sloth like computer. Several
days later the circle was complete as
we (MRR News Department)
received this message by way of e-
mail.
A recent decision by U.S. District
Judge Claudia Wilken has allowed
the FCC too shut down Free Radio
Berkeley's micropower radio station.
The decision is based on the fact that
Free Radio Berkeley has never
applied for a FCC license. This state-
ment will no doubt be a subject of
much debate. The FCC does not pro-
vide a license appropriate for what
Stephen Dunifer and Free Radio
Berkeley were fighting for: a small,
BEYOND AND BACK
CONTINUED
grass roots radio station. The
application process is unrealistic
for a mere mortal. This Statement
(Which was also quoted in
"Seizing the Airwaves") puts this
into perspective.
"There's the application for con-
struction permit form from the
Federal Communications
Commision, and the application
for STL and SCA from the same
body; there's the Federal Aviation
Authority (sic) form to construct a
tower. The Internal Revenue
Service has an army of them for
tax-exempt status.. ..If you took all
the forms, and stacked them all
together, and took Dennis Gross,
and stacked him next to them,
they'd both stand about 4'9".
(Milam, 1986)."
For more info go to the Free
Radio Berkeley website @
www.freeradio.org.
Theresa Cruz's conviction has
been overturned! The fuckers
who've had her locked down
were given 90 days to release or
retry her. They want to go to
trial again, but this time we
won't let them win.
THERESA CRUZ DEFENSE
FUND, WELLS FARGO BANK
BONITA OFFICE, 4180 BONITA
ROAD, BONITA.CA 91902,
ATTN: DEFENSE FUND FOR
THERESA CRUZ
See MRR news, issue #182 for the
Theresa Cruz story.
WHAT'S WRONG WITH THE BODY SHOP CONTINUED
NEWS
fcA£E
FflUk
Send news
related
items to
maximum-
rnr@raind-
spring.com
ATTN : Jay
Unidos !
THE PUBLIC
Natural products? - The Body Shop give the
impression that their products are made from
mostly natural ingredients. In fact like all
big cosmetic companies they make wide use of
non-renewable petrochemicals,
synthetic colours, fragrances and preserva-
tives, and in many of their products they use
only tiny amounts of botanical-based ingredi-
ents . Some experts have warned about the
potential adverse effects on the skin of some
of the synthetic ingredients. The Body Shop
also regularly irradiate certain products to
try to kill microbes - radiation is generated
from dangerous non-renewable uranium which can-
not be disposed
of safely. Helping animals? - Although the
Body Shop maintain that they are against
animal testing, they do not always make clear
that many of the ingredients in their products
have been tested on animals by other compa-
nies, causing much pain and suffering to those
animals. They accept ingredients tested on ani
mals before 1991, or those tested since then
(if they were animal-tested for some purpose
other than for cosmetics) . There continue to
be concerns about the enforcement of their
policy. Also, some Body Shop items contain
animal products such as gelatine (crushed
bone) .
Caring for our bodies? - The cosmetics indus-
try, which includes the Body Shop, tries to
make women - and increasingly now also men -
feel inadequate and insecure about their bod-
ies, and pushes the message that
people need 'beautifying' . Women especially are
often put under pressure to conform to the
impossible physical ideals set by money-orient-
ed industries and the media. Let's appreciate
everyone's natural beauty and dignity.
LOW PAY AND AGAINST UNIONS
The Body Shop pay their store workers low
wages at or near the expected minimum wage and
well below the official European 'decency
threshold' for pay. The company is opposed to
trade unions, ensuring that they keep labour
costs down and that employees are not able to
organize to improve their working conditions .
None of their workers are unionized so employ-
ees are forced to channel their grievances and
demands through procedures completely con-
trolled by the company. This isolates workers
and denies them collective bargaining power.
EXPLOITING INDIGENOUS PEOPLES
The Body Shop claim to be helping some third
world workers and indigenous peoples through
so-called 'Trade Not Aid' or 'Community Trade'
projects. In fact, these are largely a market-
ing ploy as less than 1% of sales go to
'Community Trade' producers, and it has been
shown that some of these products have been
sourced from mainstream commercial markets. One
such project, which has been the centrepiece
of the company's marketing strategy for years,
is with the Kayapo Indians in Brazil. The Body
Shop have claimed that by harvesting brazil nut
oil (used in hair conditioner), the Indians are able to make sus-
tainable use of the forest thereby preventing its destruction by
mining and logging companies. But only a small number of the
CALENDAR
- AUGUST 13 15
SCUMFEST '98'
3 DAYS, 32 BANDS! THIS
TAKES PLACE IN GARNER.
NORTH CAROLINA WHICH IS
JJUST NORTH OF RALEIGH. FOR
MORE INFO CALL: 919-833 6520
OR 919 772-2409.
- AUGUST 17 23
I ACTIVE RESISTANCE '98'
TORONTO. CANADA ANAR-
CHISTS AND ANARCHISTS FROM
NORTH AMERICA GET TOGETHER
TO DISCUSS STRATEGY. ACTIVE
RESISTANCE, PO ROX 123. 27S
KING ST.. EAST TORONTO
ONTARIO. MSA 1K2 CANADA OR
1 418 635 2763.
SEPTEMBER 25 27
SMALL PRESS EXPO
TAKING PLACE IN BETHESDA,
MARYLAND. FOR MORE INFOR-
MATION CONTACT: CHRIS OARR,
PO ROX 5874. TAKOMA PARK.
MD 20913.
-SEPTEMBER 25 27
CRITICAL RESISTANCE
REYOND THE PRISON INDUSTRI-
AL COMPLEX. PO SOX 339,
BERKELEY. CA OR 510 845-
BEYOND AND BACK
Abortion rights are once
again under attack in the
United States, effectively
leading to the banning of all
such procedures in states like
Wisconsin. The prospects for
a return to the days of ille-
gal abortions is both scary
and highly probable if this
pattern were to continue. I
came across a flyer at my
local anarchist reading center
which may or may not be a
response to these anti-choice
rulings .
Herbal Abortions
Share Information And Empower
Attention sisters: I'm looking to com-
pile a collection of womyn's experi-
ences with herbal abortions. I'm not
trying to create a list of herbs that
work, rather I'd like to put together
a bunch of personal diary-type
accounts. My purpose for creating
this is so that womyn can have some
sort of reference of others experi-
ences to educate themselves or to com-
pare to their own experience if and
when they decide to use herbal aborti-
f icants.
Send all contribu-
tions: Lisa, 112 B.
27th St . , Hlnneapol i ■ ,
MN 554 8.
Mujeres Libres (Free Women)
were a group of women
anachists who organized and
fought both for women's
liberation and an anarchist
revolution during the Spanish
Civil War.
Liverpool passes the baton to
Australia -Dockers are fighting
back internationally The
Liverpool dockers were forced
to end their dispute after 28
months in January of this
year. Throughout their struggle
the dockers had identified the
attack on them as part of an
international attack on dock-
workers and on workers in gen-
eral. On April 7th the main
docks company in Australia
(Patricks) sacked its entire
workforce of 1,400.
http: //flag. blackened.net/revol
t/wsm.html.
General Motors continues to
claim that they are losing
money due to their diminished
share in the automotive work-
place. These claims are being
made despite the fact that GM
WHAT'$ WkflNC WITH THE *U>Y
Kayapo are involved, creating resentment and internal divisions
within the community. As the Body Shop are the sole buyer of
the oil, they can set any price they like. The project does noth-
ing to safeguard the Indians' future interests. Furthermore, the
company have used them extensively for PR purposes for which
they have not been compensated. Such projects take attention
away from the need to oppose the threats to the survival of
indigenous peoples. Rather than encouraging them to he tied
into the market economy controlled by foreign companies, peo-
ple should be supporting their freedom to control their own land
and resources and therefore their future. One recent Body Shop
advertisement extolled their commitment to indigenous peoples
and the American Express card (the ultimate symbol of con-
sumerism). At the time American Express, was a major backer of
a massive hydroelectric scheme due to flood vast areas of Cree
Indian land in Quebec against Cree opposition.
CENSORSHIP
As the Body Shop rely so heavily on their 'green', caring'
image, they have threatened or brought legal action against
some of those who have criticised them, trying to stifle legiti-
mate public discussion. It's vital to stand up to intimidation and
to defend free speech.
WHAT YOU CAN DO
Together we can fight back against the institutions and the peo-
ple in power who dominate our lives and our planet. Workers
can and do organize together to fight for their rights and dignity.
People are increasingly aware of the need to think seriously
about the products we use, and to consume less. People in poor
countries are organizing themselves to stand up to multination-
als and banks which dominate the world's economy.
Environmental and animal rights protests and campaigns are
growing everywhere. Why not join in the struggle for a better
world? London Greenpeace calls on people to create an anar-
chist society - a society without oppression, exploitation and
hierarchy, based on strong and free communities, the sharing of
precious resources and respect for all life. Talk to friends and
family, neighbors and workmates about these issues. Please
copy and circulate this information as widely as you can.
Contact the anti-consumerism campaign 'Enough', and join in
their annual 'No Shop Day' in November: Enough, One World
Centre, 6 Mount Street,
TRIAL OF SANTA AND ELVES
MOVED TO DECEMBER 8
Santa Clau.s and two elves, arrested for
Manchester M2 5NS, Tel 0161 226 6668. To support indigenous fianding out antihunger flyers at Loblaws
peoples contact Survival International, 11-15 Emerald Street
London WC1N 3QL, Tel 0171 242 1441.
For more information, contact: London Greenpeace
5 Caledonian Road
London Nl 9DX, UK.
Tel/Fax 0171 713 1269
Tel 0171 837 7557
E-mail: lgp@envirolink.org
made a net profit of 27 bil-
lion dollars last year. GM
executives also claim that
their U.S. plant workers
aren't productive enough, but
all indications are that work-
ers productivity has
increased. Increased in spite
of the fact that GM has
refused to invest in up to
date technology for workers
here in the U.S., and have
instead chosen to ship it
overseas to Asia. In a con-
nected story, Manpower
Incorporated, a temporary
employment agency, is the
largest employer in the United
States.
There has been a "Call for
Solidarity Activists in
Chiapas . " A strategy has been
mapped out, and all that is
left is for volunteers to step
forward. If that sounds like
something for you, then you
can get the low down @
http : / /burn . ucsd . edu/ -homef ree .
For those of you who just
can't wait to give the right
person a piece of your mind,
try faxing the President of
Mexico !
Presidents De La Republics
Ernesto Zedillo Ponce De
Leon
Fax: (52 5) 515 17 94 or
(52 5) 277 23 76.
during last year's holiday food drive, had
their trial, scheduled for today, put off
until Tuesday, December 8, 1:30 pm,
Keele Court, 2265 Keele Street, because
the Crown was not prepared to proceed.
We certainly hope the Grown ts pre-
pared on December 8, because that's get-
ting mighty close to our busiest time of
year," a disappointed Clau.s said after
ourt. Santa and the elves were hoping
hat Loblaws-which gets good publicity
or being part of annual food drives-
would not pursue the charges against the
tnti-hunger protesters.
"But h appears that what we were say-
ng-that Loblaws actually contributes to
the problem of hunger through greedy
)ractices like paying its executives mil-
ions in salary and bonuses and profiting
ff every purchase made to donate to the
bod drive-has hit a sore spot with
Loblaws, because they have not tespond-
d to our letters and pleas for diaologue,"
aid a spokesperson for TASC.
Barfo, Sunnyvale
The cheesiest record I have is this band from Chicago called
Invid. I'd never heard of it and they sent me this free record in
the mail, and I hate it.
Nick, South San Francisco
The corniest records I have are Twisted Sister. I got uh, like
two of their albums.
Athena, 25, Cotati
The cheesiest record I own is a toss-up between a Jesus Jones
1 2" 45 or, urn, the Sweet Baby album on Warner Bros.
Mike Joyce, Oakland
The cheesiest record I own is Doug Clark and the Hot Nuts
"Panty Raid Tonight". It's 1 2" from 1 965 and it's sort of a
rock'n'roll novelty record with lots of jokes told in between
songs.
Maria Martinez, San Jose
The cheesiest record I own is the Menudo 7".
BJ, Oakland
The cheesiest record I own is Tom Jones' Double Live at
Cesar's Palace.
Stephanie, Redwood City
Youth Gone Mad "Crime Rate 88". I listen to a lot of
hardcore, but that's like the mellowist thing I have like that.
Erin Green, Berkeley via Everywhere
The cheesiest album I own is Cyndi Lauper, but I don't really
think it's cheesy, all my friends do.
Andrew Levy, San Francisco
The cheesiest record - 1 have the first Wilson Philips on vinyl.
Ken, San Francisco
Conan soundtrack. Totally empowers me in the morning. First
track: Anvil of...?
I
!
Rebound Records Mailorder/Distribution
170)9 Evergreen Elm Way
Houston, TX 77059 USA
CXJC56C@PR0DIGY.COM
http://www.geocities.com/SunsetStrip/Studio/1871
PACKAGE DEAL: The followuig 4 7"s are $10 ppd together.
RR001 - AYA/Rodmans split 7"
RR002 • Gods Reflex/Rodmans split 7"
RR003 - DigDug - Whoa, It's A Dig Dug 7"
RR005 - Stillwell - My Eyes Are Blue Again 7"
4th Grade Nothing - JackFrost 7" $3
Ann Beretta - Bitter Tongues CD $8 (Ex-Inquisition)
Avail • Over The James LP/CD $8/$10
Baxter - Lost Voices... 7" $3
Blueprint - s/t LP/CD $6/$6
Boy Sets Fire - The Day The Sun. . LP/CD $7/$ 10
Braid - Arrows t-shirt $8 (XL, navy blue)
Braid • First Day Back 7" $3
Braid - Frames & Canvas LP/CD S6/S8
Braid - Frankie Welfare Boy 2xLP $1 1
Braid - I'm Afraid of Everything 7" $3
Braid - Rainsnowmatch 7" $3
Braid/Corm spirt 7" $3
Broadways - Broken Star LP/CD $7/$8
Cap'n Jazz - Analphabetapolothology 2xCD $10 (discography)
Cedar of Lebanon s/t 7" $3
Clairmel • Fair Weathered Fan LP/CD $6/$7
Cursive/Silver Scooter split 1 0" $8
Dig Dug/Milhouse split 7" $3
Diliinger Four - More Songs About Bubblegum 7" $3
Discount - Half Fiction LP/CD $8/$0
Discount - Heart Lock t-shirt $9 (XL, black shirt. Red/Blue ink)
Discount/My Pal Trigger spht 7" $3
Engine Down - Hold All Applause 7" $3 (Ex-STT)
The Exploder - This Sound Starts Right Here LP/CD $7/$ 10
The Exploder s/t 7" $3
Fugazi - End Hits LP/CD $8/$9
Get Up Kids - 4 Min. Mile LP/CD $8/$10
Get Up Kids/Coalesce spht 7" $3
Gods Reflex - A Brief Lesson In Affection CD $8
Grade - Separate The Magnets 10'VCD $7/$9
Grade/Believe split CD $5
Hankshaw - Maple 7" $3 (Back in plentiful supply)
Hellbender - Con Limon LP/CD $7/$9
Hellbender - Footprints of an American Chicken LP $6
Hot Water Music - Alachua 7" $3
Hot Water Music - Forever St. Counting LP/CD $6/$7
Hot Water Music - Out of Beer t-shirt $8 (XL, Minor Threat parody)
Hot Water Music/Clairmel spht 8.5" $6
Hot Water Music/Tomorrow split 11 " $6
I Hate Myself- 12" EP $3 (4 songs, one sided, clear vinyl)
I Hate Myself s/t LP $5 (10 songs, two sided, black vinyl)
I Hate Myself/StrikeForceDiablo split 7" $3
I Spy - Perversity Is Spreading LP/CD $8/$ 10
J Church - Travels In Hyper Reality 10" $8 (IMPORT; New songs)
Joan of Arc - How Memory Works LP/CD $7/$9
Letterbombs s/t 7" $3
Letterbombs - What The Hell Just Happened here"> 7" $3
Managra - ModernDay Rememberance LP/CD $6t$6
M-Blanket - Seen It Coming 7" $3
Mile Marker - Non Plus Ultra LP $6 (Ex - STT/Helibender/Gnver)
Mineral - ASerenading 7" $3
My Pal Trigger - Lessons In Ancient History CD $o
No Reply s/t 7" $3
Odd Numbers - Jazz Cigarettes LP $7 (IMPORT)
Quadaliacha - Es Muerto 10" $6
Ramer Mana - Past Worn Searching LP/CD $o/$8
Sarge - The Glass Intact LP $7
Sleepytime Trio - Minus Memory CD $9 (Discography)
Sleepytime Trio/ 400 years split 7" $3
Songs of Zarathustra s/t 7" $3
Sore Loser - It Only Hurts on The Inside 7" $3
Sore Loser/Cedar of Lebanon split 7" $3
Sore Loser/Narcissistic Freds spht 7" $3
Stillwell/Only Airplanes Count split 7" $3
Strike Force Diablo s/t CDEP $3
Swing Kids - Discography CD $7
The Tie That Binds - Slowly Sinking Under CD $8
The Tie That Bmds - Clown t-shirt $7 [XL navy shirt, 3 color ink l
The Tie That Binds/Blueprint split 7" $3 (TTB a.k a. Badger)
Tuesday - Free Wheelin' LP/CD $7/$8
Walker Back of Dave spht 7" $3
V/A - Act Your Age 7" $3 (Sore Loser, Dig Dug, Jill, Jessica Six)
V/A - First Crush CD $6 (I Hate Myself, Jazz June, Sore Loser. The Tie
That Binds, Mineral, At The Drive-In & lots more)
V/A - Girl Crazy LP $o (LP proving that girl rock just as hard as the
guys 1 7 girl fronted bands, includes: Maow. Chubbies. Red #9 & more )
V/A - More Than Music 10" $o (Trepan Nation, Letterbombs.
Baxter, & many more Chicago bands )
V/A - There Is A Light CD $6 ( Braid, Dig Dug. Cedar of Lebanon.
Dynamite Buy, e tc )
This is just a partial listing Write for current catalog PRICES DO
NOT INCH DF. POSTAGF.It 7 2oz LP 8oz CD I0"=ooz
looz Mlb ADD 6 oz. for mailer Round up to next pound
I'SA: (Special 4th )$ I 2 *» first pound 50 cents each additional
pound ( Priority ) $3 for 21bs or less $1 each additional pound
C ANADA/MEXICO/OVERSEAS: Get in touch for postage
options CHECKS/MO payable to MIKE GIBSON, nol REBOt ND!M
T hey Still Make Records
TSMR #1: Boris the Sprinkler/
Moral Crux split 7"
TSMR #2: Jinx "Talking Shit" T
TSMR #3: Seventeen Years
"...Please Stop That" T
All 7" are $3 ppd, as they should be!
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LIBERTINE is the new band led by Belvy K.
- ex-D Generation, 7 Seconds, and UK Subs.
They play a charismatic Clash - style punk
rock'n'roll that's true to its roots while stay-
ing plenty current with lotsa modern day
relevance and enough turbo-angst to power
a Radiohead record. In a very short time the
band has built up quite a following in their
native New York and the Northeast. Together
less than eight months, Libertine's already
shared stages with you name it: Coldfinger,
Lunachicks, US Bombs, D Generation, Pil-
fers, Blanks 77, etc. (hell, their first ever show
was at Buffalo Warped Tour '97 - going on
between Sugar Ray and H20!); they're going
out on tour with US Bombs and Falling Sick-
ness this spring; and just scored a handful of
Warped Tour
BK: Yeah. 'Killing time' cd, 'Sabre Dance' ep.
MRR: With Andy McCoy (Hanoi Rocks), that
must have been cool.
BK: Oh yeah. I was really into early Hanoi -
they were like the Damned and NY Dolls
mixed together. Alvin (Subs bassist) and Andy
were touring with Iggy Pop at the time.
MRR: Did ya get to hang with Iggy?
BK: He was around, but didn't do anything in
the studio. ..ya'd always see him in clubs and
on the street and stuff 'cause he lives there
(NYC). Way nice guy. Totally cool.
MRR: And you did D Generation?
BK: Yeah. I started out D Gen with Jessie and
Howie but got, um, kinda sidetracked I guess
ya could say.
MRR: Who rocks it harder? Spice Girls or
TLC?
MRR: And Gross Pointe Blank has "Blister In
The Sun" in it. You guys cover that, right?
BK: Yeah. Its gonna be on NY's Finest #2 along
with one of our own songs, "Slow Down".
MRR: Do you have any influences besides 80s
teen flicks?
BK: Sure. Violent 70s flicks, 60s biker flicks,
40s gangster flicks, Scorcese flicks.
MRR: I meant 'la musica'.
BK: Just good songs first and foremost. The
Clash, The Ruts, Social Distortion, 70s glam
like the New York Dolls, Psychedelic Furs,
Stiff Little Fingers. Anything honest and cool.
Hank Williams Sr., Eddie Cochran. ..Myfavor-
ite bands were always the ones that combined
killer music with a cool visual.
MRR: Songs, substance, and style - kinda like
The Spice Girls, right?
sum
A I
thi
wit
havi
thing released. ..yikesl ITfat's about to change
though. They have a single coming out on
American Punk, a cd ep coming out on Kado,
and are on upcoming comps from Wafer-
mark, American Punk, NY's Finest #2, and
Nervous Breakdown fanzine; all due out late
spring or early summer. (A full length is in the
works too, label T.B.A.). The band is certainly
getting some serious attention and at the rate
they're moving you're bound to hear about
them soon. Libertine is: Belvy K. - vox, Jamie
Coville - guitar, Pete Spielman - bass, Bobcat
- guitar, Steffan Macior - drums. Belvy K.
interviewed 3/15/98 by Paul W.
MRR: Okay, let's get all this "ex 7 Seconds,
UK Subs, D Generation" business outta the
way. You use to be in 7 Seconds?
Belvy K: Yep. When I was about twelve...
MRR: What records?
BK: Just 'New Wind' pretty much. I did the
'Walk Together' tour, some other stuff...
MRR: And UK Subs?
BK: Vixen !
MRR: Good answer! What are you currently
listening to? Any rad current punk rock rock
your world?
BK: US Bombs, Electric Frankenstein. I like
The Strike Ip - total Undertones! Dropkick
Murphys are cool. L.E.S. Stitches are cool.
Sick Boys and Sinisters from Canada... I listen
to a lot of 'unpunk' stuff - London Suede,
Radiohead, New Order...
MRR: If you were a John Hughes movie,
which one would you be?
BK: Pretty In Pink. No, no, whats the one with
the cute punk rock girl-drummer?
MRR: Some Kind Of Wonderful?
BK: Yeah-dude! It's all about cute punk rock
girl drummers!
MRR: With blonde hair?
BK: With blonde hair!
MRR: But Pretty In Pink had the rad Psyche-
delic Furs song.
BK: True. Tough call.
BK: Exactly. Seriously; The Clash are thegreat-
est band of all time 'cause they wrote great
songs, had something to say, and looked cool
as fuck.
MRR: So just how many times have you seen
Rude Boy (Clash film)?
BK: Guess.
MRR: Too Many?
BK: Pretty much.
MRR: How about Another State Of Mind
(Social Distortion / punk flick)?
BK: More than you
MRR: Yeah, I'm sure. I was gonna say you're
lookin' pretty 'sympathetic' there yourself,
with all the eyeliner and all...
BK: Hell yeah.
MRR: So there ya go; "Rude Boy Clash meets ;
Another State Of Mind Social D" - put it in
your bio.
BK: Dude. That's awesome. Thanks! I'd pay to
see that!
MRR: Ok, pay up pal!
„ . T
m
mm
MS*
This is an interview with a band that has been long overdue. DEVOID OF FAITH
are one of those bands who consistently put out one quality release after
another, from their first EP up to their latest. Musically they stay true to the roots
of hardcore with influences from the likes of bands like NEGATIVE APPROACH
and VOID. But rather than being a rip off of those bands, they take the spirit and
aggression possessed by the bands of the past and update into todays
context. While I enjoy their music, it's the lyrics that really put this band in the
top of my list, and prolongs the period of time before! file the record away with
the rest in my collection. They cover a wide range of topics of things we've all
felt.andlt'spresentedinawaywecanallrelateto.Theyevencovertoplcsthat
are often over looked in the hardcore community, butimportantjustthesame.
Expanding the horizons of the listener. And on top of all that, they're truly a
bunch of great people. Conducted over the phone on February 1 1, 1998.
Present for the taped conversation were Jim, Nate, and Paul. Questioned by
Matt Average. Photographs by Tyler Fox.
MRR : Start off with a history of the band, strain in the band?
Jim : A quick and cheap dirty history of
the band is Memorial Day 1993...
Nate : How the fuck do you remember
this shit?! (laughter)
Jim : Was it '93 or 94? '93. Memorial Day
'93 we had our first practice, and that
was me, Nate, and a guy named Kevin,
who was playing drums. Later on we
added a guy named Mark to play guitar
briefly. Then Mark left and we got Jay
from MONSTER X to play with us. That was
'94. We went with that line up for a while.
then Kevin left and we got this guy, Greg,
who's a wicked heavy-metal drummer,
and he didn't last too long. Now we
have Paul, who's sitting in my hallway.
Paul : Hey buddy!
MRR : Which band came first, DEVOID OF
FAITH or MONSTER X?
Jim : The chicken and the egg question.
Nate: MONSTER X.
MRR : I understand there's a sort of good
cop bad cop dynamic between Jim and
Nate, (laughter)
Jim : I don't know what you mean!
(laughter)
MRR : This is what I've been told!
Nate : Jim's the good cop.
Jim : Nate's the bad cop.
Paul : Jim's the bike cop.
Nate : And Paul is that luke warm water
between the fire and ice that is Nate
and Jim. (laughter)
MRR : I see. Does that ever cause any
Nate : No, we don't use it in the band, we
just use it on...
Jim : Distributors! (laughter)
Nate : Yeah, distributors and record la-
bels! (laughter)
Jim : Occasionally on people who do
shows, (laughter)
MRR : In what ways?
Jim : When we feel like we've been
shafted, we...
Nate : Dude, hold on hold on! We
shouldn't be giving away our secrets.
We're never giving away our secrets of
successful living through hardcore,
(laughter)
MRR : So there's no gun waving going on
when you don't get paid enough?
Nate : No, we use baseball bats.
Jim : No we don't do anything like that.
We try to be nice to people, with distrib-
utors with Nate's label, or with stuff that
I've distributed through distributors.
Sometimes that works, and sometimes
you got to break out the heavy artillery,
which Is Nate Wilson! (laughter)
MRR : Okay Nate, what do you do to get
paid then?
Nate : Just stay on people's backs, and
let them know they're not going to get
the next thing.
MRR : So are they shaking.by the end of
the phone call? (laughter)
Nate : They're fucking shivering! (laugh-
ter) All that happens is Jim usually tries to
start off by...
Jim : Giving people the benefit of the
doubt.
Nate : Exactly. Then after three or four,
five, six, seven times of that then we' II call
them up and yell at them.
MRR : You want to explain your policy of
only releasing records with friends and
people you know?
Jim : We don't ever want to be caught
up in the whole mass culture of under-
ground music. So we would rather do
release with our friends, or people that
we take the time to get to know, or...
Nate : People that we trust.
Jim : Even though that's backfired on us
too. Nothing's perfect. But we'd rather
just do it with people we know that we' re
close to. That makes it more important
because it helps build friendships and
relationships and stuff like that between
folks. Rather than being on this anony-
mous level where you kind of have this
rock star assumption.
Nate : To me it's about trust. We've been
approached about signing contracts
and shit like that. If you can't trust some-
body then I don't want to a record with
them. If I gotta sign a contract then I
don't want to do a record with'them.
Jim : Well I don't trust you but we do
records! (laughter)
MRR : Why did it take so long for the
"Necklace Of Thorns" EP to come out?
Nate : This guy Simon, and Naomi, who
actually did this label, put out the first
MONSTER X seven inch, It was great that
they put it out because we had tried to
get labels to put it out for a long time,
and nobody would put it out at all. So
they fronted money for us to record, and
they did the same with DEVOID OF FAITH,
and we really didn't have anything else
going for us, so we did it. Those two had
a falling out, and there was lot of bullshit,
a lot of bickering between people and
stuff, and it took three years. I don't think
the two people involved have recon-
ciled their differences about the whole
thing. It's a lot of bullshit.
MRR : What about the two different cov-
ers of that same record. One was the
FAITH /VOID cover...
Jim : That was a couple years ago. end
there were only like 25 of those covers,
But we were going on a ten day tour with
DROP DEAD, and that guy Simon had
sent us a hundred of those records with
no sleeves. But he sent us a few with the
FAITH / VOID covers, and we said we
would like to have something to sell while
we go on tour, and we just copied the
covers. So, there's probably a hundred
of those covers that say, " 15 of 100". or
whatever,
Nate : Actually we had nothing to do
with that cover. Simon just did it, and
didn't say anything to us. I don't mind, I
think it's cool and funny, but he just did it
and didn't say anything to us,
MRR : Aside from being in the band to-
gether, is there any other particular uni-
fying factor among the members?
Nate : Jim and I are old, (laughter)
Paul : We're all going bowling later this
evening.
Nate : A unifying factor... Wrestling!
Paul : Good call.
Jim : Except for me, not as much as those
guys. I'll go to a local blood bath if it's
available,
Nate : He went to see ECW with us and
he had a good time.
Jim : And New Breed Wrestling. I went to
a hardcore show and a wrestling match
broke out. (laughter)
MRR : What's this?
Jim : We went to this local wrestling
match, and it's called New Breed Wres-
tling. It's was basically in a hall in
Schenectady where like these kids one
time put on a SCREAM show. So that of
course had the hardcore nostalgia thing
going for it right there. It was so low
budget with a bad p.a., just like a bad
hall show, bad light show, announcers
with bad hair pieces... Guys in the audi-
ence with AGNOSTIC FRONT t-shirts
throwing chairs into the ring. It was a total
blood bath. It was like going to a CBGB's
matinee.
Nate : By the end of there was a total riot,
(laughter)
Paul : The ring broke! (laughter)
Nate : There were ambulances! ■
Jim : And that's why I felt like I went to a
hardcore show and a wrestling match
broke out. (laughter)
MRR : What's the chemistry that makes
DEVOID OF FAITH work?
Paul : I don't know. Everyone seems to
have the band for, maybe not for all the
same reasons, but all for their own rea-
son. It keeps Jimmy and Nate young
(laughter), it gets Jay out of the house,
gets me out of the house.
Nate : I think we're all pretty open mind-
ed and willing to try different stuff.
Jim : We happen to like fast powerful
music and.,.
MRR: And that's it? (laughter)
Jim : That's a pretty bad answer I know.
Paul : Like before, when you said about
putting out records with people you can
trust, and I think we all have the same
attitudes about hardcore, and things
like in general. That works out really well.
Jim : We all believe that SLAYER ruined
modern day hardcore, (laughter)
Nate : What are you talking about?
(Talk then goes into whether or not SLAY-
ER'S influence on modem hardcore was
positive or negative. The verdict was di-
vided somewhat. We'll join now back in
on this end of the discussion...)
Jim : The thing I could never figure out
about SLAYER, is all these vegan people
really into SLAYER. But they (SLAYER) were
these really serious leather wearers of
the mid to late '80's.
MRR : I guess my point is it seems like the
whole metal-hardcore thing has paved
the way for jock kids who are afraid to be
stoners and grow their hair long.
Nate : Well the problem is that metal is
dead, and until long hair is back in,
which is going to be soon (laughter)...
WARRANT is playing here coming up in a
month for $500. You're going to see
metal making a huge come back. All
these dirt heads are going to be coming
up out of the wood work and you're
going to be wondering where these
people came from, (laughter)
Jim : Making a quick reference back to
SLAYER though. I worked for SLAYER and
STRYPER in the same week when I was a
roadie, and the people that worked for
SLAYER were nicer than the people that
worked for STRYPER.
MRR : Let's hear about your roadie days.
Jim : It's not that much of a roadie days,
I used to work for a local civic center
when I was in college. I got to see Pat
Benatar abuse her child during a sound
check. I got to steal Kerry King's guitar
picks when I put his amp up. STRYPER
threw a Bible at me, I think, (laughter)
MRR : Let's get back to the Pat Benatar
abusing her child business.
Nate : Yeah, tell us the story.
Jim : The kid was crying, she was trying to
do a sound check on the stage, and the
kids crying, she's yanking the kid around
and it's flying all over the stage. It was
sad but kind of funny at the same time.
"Hell is for children" after all. (laughter)
MRR : Let's talk about some of the songs
now. There's the two songs on the split
with 9 SHOCKS TERROR, that have a uni-
fying theme of people escaping from
their problems though one form of drugs
or another. Such as "Repressant" seems
to be about burying feelings of sadness
and depression. Could you give us more
detail to the point being made in the line,
"We diminish what we think and feel for
fear of being weak"?
Jim : Actually that songs about outlets
people have,
but outlets 1 1"1 J
From your points of view, why do people,
especially people involved in subcul-
tures, tend to see being fucked up as
some sort of rebellion?
Jim : I guess people think it is because
they think that the mainstream thing is
like cleanliness and wholesome, good-
ness, so they want to look ugly and be
drunk, and do whatever. I think the real-
ity is that's what people want other
people in subcultures to do, is to look
that way, be outcasts, and to be easy to
point at, make fun of, and not take seri-
ously what you're protesting against. I
think people that get caught up in that
kind of stereotype, kind of living that
punk rock myth, or having to act a cer-
tain way, are actually not really chang-
that turn into
constant
forms of es-
cape. Wheth-
er that's
through t.v. or
whether
that's through
macho pos-
turing of
things like the
"No Fear"
thing...
Nate : What
the fuck?! You
ride a bicycle!
(laughter)
Jim : I have
plenty of fear while I'm on my bicycle!
(laughter)
Nate ; I'm just keeping you in check
buddy, (laughter)
Jim : So that's'really about anethestizing
yourself, whether that's through Sony
PlayStations, or what have you. Forms of
escape that go too far.
MRR : Okay, and what is, "the feeling that
begs for liberation"?
Jim : The potential that you have to do
and to change things that you don't like
around you, thatyou'retryingtoescape
from originally, that's the feeling for me
that begs for liberation. But it's easier to
kind of smother yourself in stuff and hide
that because it's probably harder work
than trying to escape from stuff.
MRR : Now, about the song, "Self Degra-
dation". In particular, the opening line,
"If you think self degradation is a form of
protest then you're sadly mistaken".
YOU)
ing anything. They're living up to status
quo.
MRR : Anybody else in the band have
anything to say about this?
Nate : I agree. I think Jim's right, you're
kind of oppressing yourself. If you want to
dress a certain way go for it...
Jim : But don't think that the way you
dress and the way thaf whatever is go-
ing to change things. That's just image.
That's not deny everyone possesses a
certain image, everyone has their uni-
forms no matter what.
Paul : The thing about uniforms is true.
Just because you wear a leather jacket
and bondage pants, or big skate pants
instead of a suit and tie...People get
disillusioned. They think being different
involves doing the same things in a differ-
ent way as opposed to to things totally
different.
MRR : Do you think it's harder for people
to be more individualistic, especially
now, where everything's being corn-
modified?
Paul : I think it's definitely true. It's just
really bizarre. When I was in high school
I was into punk rock and nobody really
cared. I like to think I stayed free of being
a jerk or anything, but you see kids now
and you can buy punk clothes at the
mall. It kind of retards the investigation
that people do. When you get into hard-
core you do it one step at a time, and
you learn stuff, and it's kind of neat. But
now it's like if you can just go to the mall
and buy certain types of clothes and a
few CD's and that's all there is. I think it
keeps people from really finding out
about things, and that they just stay at
this one level permanently because it's
being sold to them.
MRR : Jim, tell us about your radio show.
Jim : I've been doing a radio show for
three years now on a station called
WRPI. Which is kind of like a college
station, but it's half ran by community
volunteers. It's been a cool outlet for me
to kind of always look for new bands. The
focus of WRPI, since it's all volunteer run,
is to try and do new things, and expose
different types of music rather than play-
ing status quo. That's been kind of cool
for me because it gives me a chance to
look for stuff.
Nate : The great thing I think about Jim's
show, there's really no... Albany is such a
shitty city for hardcore or punk, or D.I.Y.
stuff, that there's really no way for kids to
find out about anything or get involved.
So Wednesday nights they can turn on
his show, or mistakenly find it, and hear
new stuff that they' re not going to see at
the mall. Or they can call him up and talk
to him. It's cool.
Jim : It's been cool too because the
station is broadcast in a 75 mile radius,
and it goes into Vermont, and like ob-
scure parts of Vermont, and western
Massachusetts, and I've eventually got-
ten calls from those people asking
where they can find this stuff, or label
addresses, or whatnot. That's been a
really positive thing, and I really enjoy
that.
MRR : Okay, Nate how about Crytpo
Comix and your record label?
Nate : I've got a store In Albany, a comic
book shop, I've been doing it for about
two years now. It's cool because I get to
do my own
thing. I can
also sell
records and
shit out of the
store, give kids
a place to go
to find stuff
that they
can't find in
shitty mall
stores, or
whatever.
The label
(Gloom
Records), I've
only done two
releases so far,
and they're
both DEVOID
OF FAITH . They've both been splits with 9
SHOCKS, and one with a band from
Canada called SEIZED. I've got a MON-
STER X seven inch due out any day,
(laughter)
MRR : What's the biggest benefit you see
to being self - employed?
Nate : To be honest, it might sound as
though there are a lot of benefits. . . There
are a lot of benefits. The benefits defi-
nitely probably outweigh the other stuff.
I guess the biggest benefits are not hav-
ing to live up to anybody else's expecta-
tions, and being able to just say what
you want and do what you want. If you
make a mistake you learn from that and
do it right the next time. There are other
things that aren 't so beneficial, such as. . .
Jim : No salary, (laughter)
Nate : No salary, exactly. Not being able,
maybe in a month not being able to
take home any money. Orthe fact of not
being able to tour or play shows or what-
ever because of the fact that I've got a
business to run. And as much as I'd love
to go out and tour the fuckin' country I
can't. I have a partner, and he works a
real job too, to bring home money, so I
can't expect him to take on all the work.
Thought we want to do something down
the road. We want to do a week out In
the Midwest or something.
I love it. All I can really say Is it's been
great.
MRR : Going into some really generic
questions here... What do you think is the
biggest problem facing humanity as a
whole?
Paul : It's so Impossible to single it down to
one, because everything is so interrelat-
ed. The way people live, and how they
spend their money, and what they do,
whether they like It or not, effects people
now days, on a global scale. You guy
and buy a pair of shoes, and who knows
who made it half way around the globe,
and what their life is like, and whether or
not they eke out an existence sewing
together a pair of Nikes or whatever.
I have this theory, that's not very good,
but Is that people are generally stupid. I
think that's the biggest problem facing
humanity. So many people do so many
dumb things all the time, and I wish I
could explain it, and I wish I could thinkof
a way to solve It...
Nate : I think, not to sound conservative
or old, or anything, but I think the key to
what Paul said, people being stupid and
not being stupid, is for families to edu-
cate their children. To instill the right
morals and values on them, so when
they get out In this society they can tell
the difference between right and
wrong. That all comes form family.
Jim : That's across whatever class wise
too. People in hard off classes, and peo-
ple that end up having kids like the
Preppie Killer. I don't think that people
are stupid. I think people do stupid
things, when they have the potential to
do good. And that's what's sad, is that
people are totally not getting that po-
tential that they have to change things.
They just end up doing really bad things.
They just keep perpetuating badness...
MRR : So whenever you guys are in a bad
mood you don't call up Jim do you ?
(laughter)
Nate : He's always giving people the
benefit of the doubt
Paul : I'd like to but it's really hard. On a
day to day basis, just people every-
where doing so many dumb things. It's
ridiculous...
Nate : When has it not been like that in
humanity? But the thing is, is the older
you get the more you accept that, It's
sad to say but you aln lost become...
Jim : You become one of them.
Nate : No, you almost become deaf to it.
I think you start to see... You've seen it,
and after a while it becomes normality.
I think that's part of growing up.
Paul : I guess I've still got a lot of growing
up to do then. I'm still not dealing with it
very well.
Jim : We know all the kids in CHARLES
BRONSON will be playing in really bad
college rock bands in a few years,
(loughter)
MRR : They already are! (laughter)
Jim : Wearing tight pants, and they might
even have the Romulator haircuts pretty
soon! (laughter)
MRR : When Nate said that when you get
older you start to accept all the shit, you
just let it happen, do you think that
makes it okay?
Paul : You're not letting it happen. Peo-
ple just do what they're going to do.
regardless or whether you think it's right
or wrong.
Jim : But sometimes, as you get older you
do let stuff happen, because you think,
'what can I do', and you let it roll. I don't
think that's right. I think it's harder to
screen stuff out, and know what you can
do and what you can't do, and accept
the things that you can't do.
MRR : Kind of going back to the thing
about Nike shoes. It's out there, it's in the
mainstream news about the sweat
shops, yet there's really no mass move-
ment to change that. It's kind of bizarre
to me that people know these atrocities
or these ills in the world, but yet they just
don't seem to give a shit about anything
period. As opposed to something in the
'60's, where there were movements
springing up left and right. You had Civil
Rights, the student movement...
Nate : You just need to do what's right for
yourself. If you don't want to take part in
something then don't wear Nikes. If you
like the way Nikes look, and it doesn't
effect how you feel about life or whatev-
er, then you wear Nikes or whatever. I
think the main thing is to do what makes
you happy.
Jim : Even if that includes hurting other
people in the process?
people our age are writing it seems. Or if
you want to use a better example, there
are people who were involved in the
Abraham Lincoln Brigade in 1936, the
ones that are still alive are still active.
And these people are old enough to be
our grandparents.
Nate: You're right...
Jim : Definitely. SEEIN' RED, seeing them
a few years ago totally inspired me.
Nate : Me too. But you know what, if you
got to know those guys, I bet they're
pretty much like us.
Jim : A little more Socialist! (laughter)
MRR : You can be political, but you don't
have to scream in peoples' faces about
it.
Jim : Those guys too. They experienced a
tot of stuff, and they decided, 'This is how
I'm going to live my life. I'm not going to
bow down to stuff'. I think it's harder
because you're bombarded with stuff
all the time. As you do get older there are
societal expectations that you're going
to give this lifestyle up, and kind of, 'Okay
that's over with".
Nate : A great example Is a couple years
ago is when I was a plumber. I used to be
a plumber and I worked on construction
sites, and basically I can remember .
working during the Gulf Wbr. I can re-
member working on these construction
sites listening to the radio all day long,
and having different thoughts on the
whole war than everybody around me.
I was working with a bunch of older
redneck guys who basically wanted to
nuke Iraq and have fucking Disney Land
over in Iraq. And the thing was, the more
I argued with these people the more
burnt out I became. I became exhaust-
ed, I started to hate my job even more,
I found that people thought less of me.
Because of the fact that I would stick up
for homosexuals or whatever. . . It's pretty
hard being on a construction with fifteen
to twenty guys who think you're gay.
After a while you get sick of arguing with
fifteen guys that are Idiots.
Paul : That's what I'm saying...
Nate : That's why I'm saying what hap-
pens is, I don't think you become part of
the herd. I think you just let it go in one
ear, in your head you realize these guys
are fucking idiots, you have your opin-
ion, and they have theirs.
Jim : That's living by example too. If you
can not succumb to that pressure, and
still be yourself and keep your beliefs,
you're not going to change all fifteen of
those people, but there might be some-
one In that crowd that will eventually
relate to that.
MRR : Oh, here's one. Jim and Nate,
since you've been around for a long
time, what do you think is one of the best
things about the hardcore scene today?
Nate : I can tell you the best thing about
the hardcore scene in the '80's. (laugh-
ter)
Jim: What's that Nate?
Nate : Ron Reagan! (laughter)
Jim : That's so funny, because I remem-
ber people walking around in the '80's,
this guy who I used to be In a band with,
AFFIRMATIVE ACTION, walked around
with a pin that said, "Reagan Hates Me",
(laughter)
The best thing about it for me has been
meeting people from all over the world,
all over the country, being able to get
together with people. People I other
wise would not have been able to hook
up with I've become really good friends
with them. The relationship aspect of it,
it's a subculture, and there's a really nice
sense of community in the D.I.Y. hard-
core scene that I've found, '80's to the
'90'S.
Nate : I feel the same way. But I also feel
the thing I like the most Is seeing bands
that have been around for ten yearsand
still haven't sold out their D.I.Y. thing.
Jim : Like who?
Nate : CAPITALIST CASUALTIES, SEEIN'
RED. Bands like that. There's bands that
have been around for a fucking long
time...
Jim : I appreciate SEEIN' RED, because
as they get older they get faster, (laugh-
ter) Usually it's a reverse of the situation.
Nate* That's what I think is the best thing
about hardcore these days. People
seem to take it a little bit more. . . As much
as there are people that don't take it as
serious there are people who that are
totally in it for life, that are diehards,
they've been In it for twelve, fifteen
years, and they're going to stay In it.
Jim : There are the people that are still
doing hall shows, that are doing all this
stuff that are just really important. It's not
ground breaking or money making, or
whatever, but they feel it's worth it.
Nate : And it's about making friends and
meeting new people. That's the best
thing about it.
Jim I It's beginning to sound like INSTED
lyrics, (laughter)
Paul : It just lets you know that you're not
the only person in the world who thinks
what you think, or like what you like,
you're not alone. I'm just in a bad mood,
and I'm coming off sounding like an idiot
with my whole 'people are stupid 'thing.
That wasn't a good idea.
Nate : You know what buddy? You make
me fucking look positive.
Jim: Am I going to have to quote VERBAL
ASSAULT lyrics to you?
Paul : I'm glad I'm into this, because If I
didn't have this I don't even know how
pissed off or bored or whatever I would
be doing...
Jim : Or how bad you feel about yourself
because you don't measure up to the
standards of success of the people who
surround you.
Paul : That's what I mean. Hardcore
helps me deal with that. It helps me deal
with the fact that I can be my own
person, I don't need to do this or think
that, or whatever.
Nate : Hold on buddy, let me shed a tear
here, (laughter)
MRR : If there was one bands' ass you
could beat to a pulp, who's would it be?
(laughter)
Paul : It sounds silly to name names.
Probably somebody local around here
that no one knows about.
Nate : What band? Name it.
Paul : No! I don't need that kind of trou-
ble. These are the kind of people that will
come after you with bats, (laughter) I
don't know if I would even want to beat
them up. I just wished they weren't'
trapped in this scene in Albany.
Nate : Jim, how about you? You've got
to have a list of people you want to beat
up.
Jim : I have no idea. I don't want to beat
up anyone.
Nate : ONE UFE CREW.
Jim : Well yeah. That's a given. Too easy.
MRR : So when they come to you looking
for the fight, what are you going to say to
them?
Jim : "Buddy take of your Tommy Hilfiger
shirt first", (laughter)
Nate : "Out on the street mother fucker" .
Jim : That's why we hang with 9 SHOCKS
TERROR.
Paul : I would love to yell at them. I was at
the Cleveland Hardcore Festival, and
INTEGRITY was playing, and then they
had the ONE LIFE CREW, and it was in the
middle of all that hubbub about them.
They played the song that everybody
didn't like, and some people were yell-
ing at them, and they jump off the stage,
and I saw them and Dwid from INTEGRITY
punch some woman in the face. They
were just beating people up. it was so
depressing. I would like to see them get
beaten to a pulp. Just watching that
made me upset about the whole thing.
Jim : Watch your mouth, we're on a
comp with INTEGRITY buddy! (laughter)
Nate : EARTH CRISIS too. I'd like to beat
them toa pulp. Fuck Karl! FuckSyracuse!
Jim: Sod to say, they've become the
band everyone loves to hate.
Nate : Hold on, there's one fucking band
I would just love to kick the shit out of,
and that's definitely SPAZZ. Those mother
fuckers... (laughter)
Paul : We already kicked the shit out of
SPAZZ!
Jim : Max was too skinny. He couldn't put
up a fight anyway.
Nate : His little ankles would snap like
pipe stems, (laughter)
PO Box 2263, ESP STN, Albany, NY 12220 - 0263
Paul: 15 Valley wood Dr., Scopia, NY 12302
Nate: PO Box 14253 / Albany, NY 12212)
Jim : A stamp is as good as saying, "I love you".
people our age are writing it seems. Or if
you want to use a better example, there
are people who were involved in the
Abraham Lincoln Brigade in 1936, the
ones that are still alive are still active.
And these people are old enough to be
our grandparents.
Nate: You're right...
Jim : Definitely. SEEIN' RED, seeing them
a few years ago totally inspired me.
Nate : Me too. But you know what, if you
got to know those guys, I bet they're
pretty much like us.
Jim : A little more Socialist! (laughter)
MRR : You can be political, but you don't
have to scream in peoples' faces about
it.
Jim : Those guys too. They experienced a
tot of stuff, and they decided, 'This is how
I'm going to live my life. I'm not going to
bow down to stuff'. I think it's harder
because you're bombarded with stuff
all the time. As you do get older there are
societal expectations that you're going
to give this lifestyle up, and kind of, 'Okay
that's over with".
Nate : A great example Is a couple years
ago is when I was a plumber. I used to be
a plumber and I worked on construction
sites, and basically I can remember .
working during the Gulf Wbr. I can re-
member working on these construction
sites listening to the radio all day long,
and having different thoughts on the
whole war than everybody around me.
I was working with a bunch of older
redneck guys who basically wanted to
nuke Iraq and have fucking Disney Land
over in Iraq. And the thing was, the more
I argued with these people the more
burnt out I became. I became exhaust-
ed, I started to hate my job even more,
I found that people thought less of me.
Because of the fact that I would stick up
for homosexuals or whatever. . . It's pretty
hard being on a construction with fifteen
to twenty guys who think you're gay.
After a while you get sick of arguing with
fifteen guys that are Idiots.
Paul : That's what I'm saying...
Nate : That's why I'm saying what hap-
pens is, I don't think you become part of
the herd. I think you just let it go in one
ear, in your head you realize these guys
are fucking idiots, you have your opin-
ion, and they have theirs.
Jim : That's living by example too. If you
can not succumb to that pressure, and
still be yourself and keep your beliefs,
you're not going to change all fifteen of
those people, but there might be some-
one In that crowd that will eventually
relate to that.
MRR : Oh, here's one. Jim and Nate,
since you've been around for a long
time, what do you think is one of the best
things about the hardcore scene today?
Nate : I can tell you the best thing about
the hardcore scene in the '80's. (laugh-
ter)
Jim: What's that Nate?
Nate : Ron Reagan! (laughter)
Jim : That's so funny, because I remem-
ber people walking around in the '80's,
this guy who I used to be In a band with,
AFFIRMATIVE ACTION, walked around
with a pin that said, "Reagan Hates Me",
(laughter)
The best thing about it for me has been
meeting people from all over the world,
all over the country, being able to get
together with people. People I other
wise would not have been able to hook
up with I've become really good friends
with them. The relationship aspect of it,
it's a subculture, and there's a really nice
sense of community in the D.I.Y. hard-
core scene that I've found, '80's to the
'90'S.
Nate : I feel the same way. But I also feel
the thing I like the most Is seeing bands
that have been around for ten yearsand
still haven't sold out their D.I.Y. thing.
Jim : Like who?
Nate : CAPITALIST CASUALTIES, SEEIN'
RED. Bands like that. There's bands that
have been around for a fucking long
time...
Jim : I appreciate SEEIN' RED, because
as they get older they get faster, (laugh-
ter) Usually it's a reverse of the situation.
Nate* That's what I think is the best thing
about hardcore these days. People
seem to take it a little bit more. . . As much
as there are people that don't take it as
serious there are people who that are
totally in it for life, that are diehards,
they've been In it for twelve, fifteen
years, and they're going to stay In it.
Jim : There are the people that are still
doing hall shows, that are doing all this
stuff that are just really important. It's not
ground breaking or money making, or
whatever, but they feel it's worth it.
Nate : And it's about making friends and
meeting new people. That's the best
thing about it.
Jim I It's beginning to sound like INSTED
lyrics, (laughter)
Paul : It just lets you know that you're not
the only person in the world who thinks
what you think, or like what you like,
you're not alone. I'm just in a bad mood,
and I'm coming off sounding like an idiot
with my whole 'people are stupid 'thing.
That wasn't a good idea.
Nate : You know what buddy? You make
me fucking look positive.
Jim: Am I going to have to quote VERBAL
ASSAULT lyrics to you?
Paul : I'm glad I'm into this, because If I
didn't have this I don't even know how
pissed off or bored or whatever I would
be doing...
Jim : Or how bad you feel about yourself
because you don't measure up to the
standards of success of the people who
surround you.
Paul : That's what I mean. Hardcore
helps me deal with that. It helps me deal
with the fact that I can be my own
person, I don't need to do this or think
that, or whatever.
Nate : Hold on buddy, let me shed a tear
here, (laughter)
MRR : If there was one bands' ass you
could beat to a pulp, who's would it be?
(laughter)
Paul : It sounds silly to name names.
Probably somebody local around here
that no one knows about.
Nate : What band? Name it.
Paul : No! I don't need that kind of trou-
ble. These are the kind of people that will
come after you with bats, (laughter) I
don't know if I would even want to beat
them up. I just wished they weren't'
trapped in this scene in Albany.
Nate : Jim, how about you? You've got
to have a list of people you want to beat
up.
Jim : I have no idea. I don't want to beat
up anyone.
Nate : ONE UFE CREW.
Jim : Well yeah. That's a given. Too easy.
MRR : So when they come to you looking
for the fight, what are you going to say to
them?
Jim : "Buddy take of your Tommy Hilfiger
shirt first", (laughter)
Nate : "Out on the street mother fucker" .
Jim : That's why we hang with 9 SHOCKS
TERROR.
Paul : I would love to yell at them. I was at
the Cleveland Hardcore Festival, and
INTEGRITY was playing, and then they
had the ONE LIFE CREW, and it was in the
middle of all that hubbub about them.
They played the song that everybody
didn't like, and some people were yell-
ing at them, and they jump off the stage,
and I saw them and Dwid from INTEGRITY
punch some woman in the face. They
were just beating people up. it was so
depressing. I would like to see them get
beaten to a pulp. Just watching that
made me upset about the whole thing.
Jim : Watch your mouth, we're on a
comp with INTEGRITY buddy! (laughter)
Nate : EARTH CRISIS too. I'd like to beat
them toa pulp. Fuck Karl! FuckSyracuse!
Jim: Sod to say, they've become the
band everyone loves to hate.
Nate : Hold on, there's one fucking band
I would just love to kick the shit out of,
and that's definitely SPAZZ. Those mother
fuckers... (laughter)
Paul : We already kicked the shit out of
SPAZZ!
Jim : Max was too skinny. He couldn't put
up a fight anyway.
Nate : His little ankles would snap like
pipe stems, (laughter)
PO Box 2263, ESP STN, Albany, NY 12220 - 0263
Paul: 15 Valley wood Dr., Scopia, NY 12302
Nate: PO Box 14253 / Albany, NY 12212)
Jim : A stamp is as good as saying, "I love you".
UXA are a historical punk rock band up there with the early
influential LA punk groups like The Germs, X, The Dickies, Social
Distortion (sic) and others. De De Troit, the founding member of the
band, is both the vocalist and guitarist. She was born in Detroit and she
used to hang out with Iggy and The Stooges, the MCS, and Suzi Quatro,
so she definitely knows punk rock from the start. She moved to California
in the late '70s. Interview by Enrico. Photos by Steve Guevara.
MRR: Was it like "as soon I'm a teenager I have to get out
of here"?
De De: I always wanted to come to California when I was
young, but I wanted to go everywhere. My dad didn't even
own a car until I was 1 2, but I guess that's even better than
some people have it. I always felt like they hindered me
from getting as many places as I wanted to. When I was
really young, I always was the adventurous type. I did
come to California in my early teens , but I didn't move out
here until I started UXA. I met people in Palo Alto, and
they seemed like the people who were going down my
road or something, during the early punk days, '77. 1 loved
taking the train to SF. I was trying to put a band together,
me and this guys I was with, Ricky Williams. He used to be
in The Sleepers, and his best friend was Michael (Kowals-
ki), so we moved up here and he helped me find musicians.
MRR: Was it still really hippy here back then?
D.D.: No, it was already punk here. I read about the Sex
Pistols in Creem in '76.
MRR: So you saw the Sex Pistols and decided that was
what you wanted to do?
D.D.:No, I was already into Iggy and the Dolls. The people
that I hung out with were into the N ew York Dolls, and the
first timeTheard the word "punk" as a kind of music it was
about the Dolls, a long time ago in '73. They were consid-
ered punk, totally punk, kinda street type of thing. I
already wanted to sing. Before that I was into Alice
Cooper and Jimi Hendrix. I wanted to be a soul, blues
singer, that vibe, then I realized I wasn't good enough to
sing that kind of stuff. I felt like a misfit, so when I heard
about the Dolls, I felt "that's me!" That's more of what I'm
coming from. I've always been political,
since I was a kid I was a person concerned
with social justice.
MRR: Do you think America has changed
since you were a little kid?
D.D.: No. It's the same thing. America is
subtle fascism, it's extreme fascism, it's
Disneyland.
MRR: I was playing some of your records
the other day. There's two songs on the
Tooth and Nail comp, and those songs
were more personal.
D.D.: That was early punk. It was obvious
people were into anarchy, maybe they
weren't sure about it. I think Crass were
the first group that were totally dedicated
to it. "Me and Michael," that song is about
Nazi doctors, we tried to be more subtle.
We were mostly studying a lot about CIA
mind control. "Social Circle," that song
was about LA. I was around the wrong
people when I got first got there. I was
mourning over my boyfriend's death. I was
very vulnerable. I was in shock for months.
I couldn't even be involved with that circle.
UXA is United Experiments of America.
We were talking about CIA mind control,
but now I'm changing the name of the
band. It can mean different things at differ-
enttimes, like MDC did. I really like United
Experiments Of Anarchy, because I am a self-proclaimed
anarchist and f am one, because I know what anarchy is
now, I just am. I use the word "anarchy" on one of our first
songs, "Innocent Bystander." "20 years old and I want to
hide. .I'm alive in my reaction all for anar-
chy." I was living my life how I wanted to.
There's a lot of people who think they're
liberal, but are really fascists.
MRR: Do you ever play any of the old songs?
D.D.: We did three of our older songs on the
new album, like "Social Circle," that weren't
on the first album. A lot of people liked those
songs. We did " 1 995" and "Visitors." It took
two years to get the album out. I just didn't
have that many songs right up to that point.
I wanted to do those songs, because they
were fun. I think that I am a better singer
now. I wasn't that good of a singer back then,
still I wouldn't change "Illusions Of Gran-
deur" for anything. There are interesting
qualities about that mix.
MRR: Do you mix your songs now?
D.D.: Now I do. I've always been there, except
for the first album. First the engineer did the
"white" mix of "Illusion," and then Robbie
(Fields- Posh Boy Records) was going to re-
mix the album, and I said I had to be there!
And then Black Flag had a studio (Media Art).
The day we were supposed to go there, Black
Flag had a fight or were sued, and it shut
down. So he did it by himself. Do you have the
"white" one? It was a different mix with
"UXA" stamped on the label and has less
tracks.
Detroit City is my home town
That's where all the great punkers were born
Close to a factory near the railroad tracks
I'm a Cotton Pickin ' Punker from a way, way back
MRR: I saw that album, but it was $100 or something.
D.D.: Oh my god! It went from $35 to $70. I could make
you a tape, but I have to fix my record player first. I could
Rut it out on CD, huh? Anyway, I was ready to go to
lewYork, the band already moved to New York, and
that's why we didn't get the picture of the whole band.
MRR:That's right, you're the only one on the cover!
D.D.: I didn't want it that way! I think there's better
pictures, too, from that shoot. Whatever, I was trying to
show the illusion of Hollywood. That's what I felt when I
first moved down there. It was like a mirage. There was a
magical quality about it, but at the same time it was too
Ehony for me, and when you get rooted there, it's love/
ate thing I have with LA. You're trying to move then you
just can't get the hell out. It's quick-
sand!
MRR: What do you think of the
mainstream rock benefits like Free
Tibet?
D.D.: I don't think there's anything
wrong, as long as people are doing
something. I mean, trends can at-
tract people, they can attract the
right people and the wrong people.
If the concert was a benefit, well,
they're helping Tibet, who cares if it
appears to be trendy? If they're do-
ing something, that's important,
it's important to be part of some-
thing and doing something positive.
They are so many issues. I'm really
involved with just one movement
and the Zapatista are the first to say
it. We're fighting a world war here,
they're sick and tired, they've seen
the pattern of conquer and divide,
land resources, so they're saying
we're fighting for the rights of all
people. That's why they took over
police stations and killed the vice
president of Mexico. They're an ex-
ample. We've got the Internet,
we've got the radio, you can't hide
this stuff. We've got Amnesty In-
ternational. If all those people, the
people of Tibet, the Chiapas and all
these people, it's all the same rea-
sons, trying to fight people who are
trying to control them. All they want is to be free without
being exploited, and that's what I think is going to happen
more and more, because the world is getting smaller.
Martin Luther King Jr. said it, World War Three is going
to be between the rich and the poor.
MRR: Let's talk about the band as of now.
D.D.: As of right now we've got Suzi (ex Snap-Her) on
drums, (we're an all girl band now), and Erika on bass. Suzi
is a community drummer, she likes to play with us, but I
like it being all girls. We're working on it. I just want to
tour the US and Europe. In the last five years since I
started to do UXA again, we've toured twice on the west
coast.
MRR: Do you like touring?
D.D.: I love it. I hate leaving my cats. I miss the cats. I've.
fot two. One is a reincarnation of the a calico cat I had for
4 years, and he purrs the same way. Other people believe
that too. But anyway, the new album, Tree Punks at Real
School, it took me three months, in Pomona. I had to do
all the guitars in this old building. The engineer was kind
of of incompetent, so I had to use a different studio.
Despite all the problems, we still got a good record. I
needed to capture the band at that point. These punkers
lived there and stuff, I had fun. The Tree Punks, they were
from Lake Arrowhead. I met this guy, he said, "we're tree
punks". Fresh water and clean air, that's me, a tree punk.
The perfect description of the way I am as a person.
MRR: The album is CD only, right?
D.D.: I just don't have the money for another master-
ing. I wanted to put it out on CD. People can make tapes
out of it. Maybe I'll put it out in vinyl later. I'm still
working on the distribution. If somebody wants to
order it by mail for $10 cash or money order to: D.D.;
PO Box 29 1 306; Los Angeles, CA 90027. Anybody who
wants to book us, our number is in Book Your Own
Fucking Life.
MRR: It's not coming out this year.
D.D.: It helped me to find a place to stay, I was looking
to places to play, too. I ended up booking the Stratford
Mercenaries. I interviewed them for Flipside. It turned
out really good. I'm really mad at myself, I haven't
finished transcribing it.
But, it's gonna come out
when they come back in
June. We'll play some
shows with them too, at
Club Bullocks. It's all
ages, and it's in an indus-
trial part of LA. It's really
happening.
MRR: Is there any new
band you're into?
D.D.: I like Plutocracy,
don't really listen to
bands. I see them, but I
don't have that much
time. I like a lot of diverse
stuff, all kinds of stuff. My
mind is on other things a
lot. Speed Buggy.
They're more of a caba-
ret-rockabilly without a
stand up bass. I like coun-
try music a lot,
We have a punk-
ab illy song with a
banjo on the new
CD. It's about
my punk history
and others that
you hear the
names on the
song. I guess I'm
into grass roots
stuff.
MRR: Do you
think that
Woody Guthrie
was punk rock in his times?
D.D: Oh yeah. Punk is folk music and that's why most of
our songs, old or new, I can always play them acoustical-
ly, and they can still come across, even if they're fast.
You know, it's funny that you mention Woody Guthrie.
I really love that movie Bound For Glory. The movie is
about him. I read that book. Seeing the movie refreshed
my memory. He did a lot of work for the migrant
workers down in LA.
MRR: Any closing comments?
D.D.:lt is just great to be around a lot of anarchists. It's
fun to come up here for the anarchist book fair.
K
s far as
time
believing
it because it had been
such a long time. I had to be
shown that OK, look, people want to buy
your record." The idea that this record was
actually sought after still seemed strange, so Rocco
picked up the phone and called Zed Records in
Long Beach. Zed was the only store that bothered
to carry his record back in the day, and — defying
all odds against punk record store longevity esti-
mates — their doors were still open for business in
1998.
minute, I suggest snorting
Mike to get any and all i
twenty-four hours later, 1
with Mr. Roll. The infoi
about to end.
THE ABSE
The Absent
co's origina
As best he
was a refere
ic absenteei
Long Beach ]
Rocco drove i
city sent out mer
Rocco formed a band whicl
ing to help the problem. ]
name was shortened to the
tee Concept cum Absentet
never found themselves t<
Rocco took his cues from tl
the Damned but his band
into the more well-knov
weren't like Fear or Black I
own thing. We didn't fit i
well." Some members dres
while others couldn't brinj
long hair (see picture — thi
collectibles go, there is one record that epitomizes
the obsession with "Killed By Death" type obscu-
rities: the ABSENTEES. For years, desperate col-
lector scum combed through fanzines, poured
over flyers, talked to old scenesters and sniffed out
any and all far-fetched leads only to find them-
selves searching in vain. The only known infor-
mation was that the 7in. was from 1981 and that
it had a fuzzed out A-side that just about floored
everybody who heard it. "Tryin' To Mess With
Me" appeared on Killed By Death #7 in 1993 and
what followed was utter frenzy. The record was at
the top of every want list across the globe. "I
NEED that fucking record" was an oft-repeated
phrase. The only name — the only possible lead —
credited on the record was to one "R. Roll", what
seemed to be an obvious pseudonym. This did not
stop at least one collector from writing to every
single R. Roll he could find. Such is the brand of
madness the Absentees inspired.
THE ROSETTA STONE
The key, the link, the Rosetta
Stone, the guy who cracked the
code came in the form of a Max-
imum reader affectionately
known as Brendan Lawsuit,
and I hereby proclaim him my
hero. No shit. I love this man.
Anyway, Brendan discovered that
friend (Amy) had an uncle who was in
the Absentees. Mr. Lawsuit wrote to me explain-
ing that he showed Amy and her uncle "your
article [Peer Pressure] and a couple of the classi-
fied ads over the years in MRR to prove to them
that they actually had something that people all
over the world were looking for." This uncle
turned out to be the lead singer and guitarist for
the Absentees, and he still preferred to be called —
you guessed it — Rocco Roll (no, it's not his REAL
name) . "I was shown the magazine. I had a hard
CONNEC-
JHE ZED
tTION
In the desperate search for
Absentees information (of
which I was a part), we
(that's me and a friend)
turned to the only two peo-
ple we knew with the record:
Tim Yo andjello Biafra. Asked where they
originally got their copies in '81,Jello remem-
bered: Zed Records in Long Beach. Knowing
this and knowing Zed was still around, I
wrote to them a few years ago (at least a
decade after Jello walked in and bought the
record) offering a cash reward for any infor-
mation about the Absentees (a la Crime Stop-
pers) or, better yet, a copy of the single. Yup,
I was desperate, and as X once sang, "we're
desperate... get used to it." No dice. Zed had
no information other than that they thought
the Absentees were from the area. A few
years later and until a few days ago, I re-
mained where Zed had left me, stagnant,
Absenteeless.
Over the years, the conjecture that the Ab-
sentees were a Long Beach outfit had trickled
through collector's circles, and Zed frequently
fielded inquiries about the single. I'm sure "take a
number, pal" became the standard response. So,
for a change, when the guy on the other end of the
phone line said he didn't want a copy of the
Absentees, but that he HAD a copy of the Absen-
tees to sell, the chimes began ringing in Mike Zed's
head. Rocco was told to come on down. In the
mean time, Mike Zed posted to the Usenet saying
he had a copy of the record and what was it worth?
I had planned on ignoring the post since I figured
it was just some joker (there was no indication
that Zed Records was making the post), but
friends said I should follow up especially in light
of the Absentees theft from Tim Yo's collection. I
replied and got this response: "Hey, I just got a
copy from the singer of the band :) " For me, the
smiley emoticon at the end of the sentence was
akin to calling the Titanic a "boating accident". If
you care to simulate my mental state at that very
wwuettw -
THHN6VS* wttw
Fvfw Hcrntt sumn
<*rVU? wru e«KI¥
Wu «« nnt> vouj.
StSftJ WtKT
guitar while other playei
kicked out and recruited,
proclaimed band leader ai
revolving door policy. The
face when Rocco's girlfrie
the band) absconded with
not long before the Absenti
this woman, Mary W., wh<
tion for greatness. Pissed
Rocco composed a couple
over as temporary singer :
recorded six songs. Out of
the two songs inspired by J
choose to comprise both sid
ary single. "Tryin' To ]
"F.U.M." (a subtle acronyi
were pressed as a jukebox i
most, the A-side is the cle:
pair with its freaked-out n
worm-esque engineering, a
I find that the song fits ni
remake of the Taxi Driver
scan of Folger's. I told
rformation. Less than
was in direct contact
nation drought was
CITEE CONCEPT
ee Concept was Roc-
ldriame for the band
can recall, the name
other unreleased songs will hopefully appear in reis-
sue form sometime this year.
Qflnee*
Atoiik -me.^
r e to some problemat-
sn that had beset the
wblic bus lines where
'or a living. While the
nos about the problem,
undoubtedly did noth-
'.\ is unclear when the
Absentees. The Absen-
;s played regularly but
)be part of a "scene".
x likes of Iggy Pop and
never quite integrated
m punk circuit. "We
lag. We were doing our
n with those guys too
ised the part of a punk
[themselves to lose the
3 muscle shirt probably
didn't help
either). The
mixed nature
of the band
made
them mis-
fits. This
fact
would be
reflected
in the
dearth of ref-
erences to the
Absentees in
fanzines and
early US
punk rock's
collective
memory.
The
member line-
up was con-
stantly in
flux. Rocco
remained on
s were forever being
Rocco was the self-
id implementer of the
ioor swung back in his
t«l (also the singer for
another band member
;es were to record. It is
Jwould be the inspira-
o'ff to the Nth degree,
little ditties and took
for the Absentees and
pure spite, it would be
lary that Rocco would
es of the band's legend-
Vless With Me" and
n for Fuck You Mary)
riendly45inl981.To
ir prize winner of the
sverb vocals, its Tape-
nd its prurient appeal,
cely into my imagined
soundtrack. The four
X*
;kz»-to -»u4-A -W*h> *»*.■
•we, .
yGET INTO THE GROOVE
^Though the Absentees stayed together
long enough for the single to get
pressed, the band fell apart shortly
/thereafter. Two hundred copies were
manufactured, and Rocco came up with
$163, enough to pay for half the pressing.
The other half (94 copies to be exact) were
never picked up from the pressing plant. The copies u-n^A^ jj^, J^J, Hj^ *. JLA **A <^\
that Rocco did get were mostly given away and, of '~Ql^ vJjZ>e
course, Rocco made sure the subject of his contempt, W*« a i\*-' M „,^ L. ,'J- t^tus <mtrtt,
Mary got a copy. Mike Zed reports that: "Even &e Cmt c^ *ȣ$%, T*HZ^k ~
ones that were sold at Zed Records (including the
ones that went to Jello and Tim Yo) he gave to the
store for free just so we would carry it. He said he
brought them and felt weird about it the first time,
but the second time he came in we listened to it and
liked it, and he has liked us ever since." The "promo-
tional copy" printed on the 45's label to avoid a perceived infraction of
copyright laws would be unwittingly accurate since Rocco did "promo" t
out most copies. Rocco was freely giving out copies to his niece's friends
up until a few weeks ago. That last sentence surely has punk collectors
around the world shaking their heads in disbelief. Up until the writing
of this article, only five copies had surfaced "in the wild": one in a San
Francisco shop, one mail-ordered from Berkeley, one in an English shop,
one on a German set sale list for 10 DM, and one was rounded up by the
Stitches guitarist amidst a box of junk records at a local swap.
STARS GET IN YOUR EYES
As would be expected, the sudden deluge of attention
.caught Rocco off-guard after nearly two decades of
thinking his efforts had been wholly ignored.
'! "I'm puzzled. Shocked. And I'm overwhelmed.
■ But this makes me very happy. I wanted people
to hear my music for years and finally I found
out, yeah, somebody HAS listened to it." Com-
bine the intense interest of a couple dozen serious
fans across the globe with the speed of the internet, and
what you get is Rocco's newfound fifteen minutes
being all the more sudden — and volatile. Unbe
knownst to Rocco, the Absentees' began an unprec-
edented rise to infamy almost five years ago with
the bootleg release of "Tryin' To Mess With Me"
in the Killed By Death series. When asked about
this, Rocco replied like so many early punk rock-
ers have: "It was an illegal bootleg, but I couldn't
be happier that it was put out." Now, thanks to
collector scum around the globe paying a few
hundred a throw for the last remaining original
copies, Rocco has surely set a Guiness World
Record for highest royalties paid for a punk single.
Sugar plums are dancing in this ex-Absentees'
head. Over the years, a number of former band-
mates and former students have achieved varying
degrees of success (running the gamut from the
Runaways of yesteryear to No Doubt in the past
year). It's remains to be seen if an Absentees
reunion is in order or if it's best for Rocco to enjoy
the belated recognition with the past at a comfort-
able distance.
EPILOGUE
On that note, this fearless punk rock crusader is
giving the Absentees record a final spin before
bedtime and giving himself a pat on the back for
completing this article just before the monthly
deadline. So who wants to help me crack the case
of the mysterious Jackie Shark & The Beach
Butchers 7in. for next month's issue?
As always, I can be found at: Peer Pressure/
P.O. Box 49984/Austin, TX 78765
the
snar
The Snark-
outBoys
are a con-
front a-
tional 3-piece band
from Cleveland, Ohio, young
men with some strange theo-
ries. In just about one year of
existence, they've already
managed to create some im-
possible situations for them-
selves, as well as to weather
an incredible mini-storm of
controversy, chaos and trage-
dy. They may deny it, but
they're pretty damn punk. You
don't want them in your
house, and not many opera-
tors want to let them in their
club more than once. When I
finally cornered them and
made them be interviewed, I
discovered a lot of bizarre be-
hind-the-scenes info about
this most-fascinating combo,
a love explosion produced by
the combustion of, 3 truly in-
tolerable people. Interviewed
by Ricky Kasso.
MRR: For the record, tell me and the world for once who you guys are.
Walter Gait: I'm Walter Qalt! He's Winston and he's Heinz.
MRR: Are those your real names?
WQ: Yes
Heinz: Mo.
MRR: What is a snarkout boy' and why is that the name of the band?
WQ: Winston?
Winston Bongo:Snarkout boys are bored, dissatisfied teens fed up with the vaguaries
and stupidity of their environment. To relieve the pressure, they leave their domiciles
and embark on madcap midnight romps of wholesome fun, true crime and international
espionage and intrigue. Our band is called the Snarkout Boys, because that is who we
are.
H: It's also a book by Manus Pinkwater.
WQ: Two books, actually.
MRR: So your inspiration is from a book and you've taken the names of the
characters?
WQ: Well, in a sense.
WB: We are the Snarkout Boys.
H: Dude, I can't even read, dude.
WB: English.
WQ: He's Chinese.
MRR: He's Chinese?
WQ: He's Heinz the Chinese Butler, dude.
MRR: So why'd you name yourselves for these characters? Is it representative...
WB: My name is Winston. I don't know what you're talking about. (At this point, all three
members begin singing the Husker Du song of the same name.)
H: Didn't do much research, did you, buddy?
MRR: No, sorry. All right, tell me what your role is in the band.
H: I program fat bass tracks on Ovation and fuck 'em up live on my 3-string piece of shit.
WB: He also supplies the proper attitude and fashion sense for our punk rock mission.
WQ: I strum my simple instrument and croon minor-key love ballads with a song in my
heart unheard by the emotionless.
WB: He also supplies the lusty, touch-me yearnings of the adolescent and the correct
fashion sense...
MRR: And you?
All three: Do You?
WB: I came to bring the
pain hardcore from the
brain, to hammer a mes-
sage of casting off our
shackles and breathing
freely. What more could
gentleman want? What
would they have? Is life so
dear or peace so sweet as
to be purchased at the
price of chains and sla-
very? Forbid it, almighty
god! I know not what
course the others may
take, but as for me — give
me liberty, or give me
death! (Heinz applauds
and begins singing 'Ameri-
ca the beautiful').
WQ: For God's sake, Hen-
ry, sit down and pass the
potatoes.
WB: Lacking a podium,
though, I decided to play
the drums.
MRR: Live, you guys are
so.. .chaotic. Why?
H: We suck! Worst band in
Cleveland! Worst band
ever! No talent!
WB: I'm not a drummer,
I'm a guitarist; he's not a bassist, he's a drummer, and he's not a singer, he's an artist.
WQ: Dude, it's about love and energy and passion, not rehearsing and perfection, dude.
H: We're keepin' it real!
WB: We're sloppy people.
WQ: It's the L-S-D, dude!
All three sing: Party! Pizza Party!
NRR: Okay, so tell me about your songs. They all seem to have messages.
WQ: The songs...
WB: Devil bunnies! I snort the nose, Lucifer! Banana, banana!
WQ: A satanic riddle!
H: Ernie? Ernie Dinklefwat?
WQ: Mo, but seriously...
H: Oh, they may seem to have messages.
WQ: The songs are about people and places and frustration and fucking up and about
missed opportunities, and how love...
H(Sings): Love hurts! Love cries! (Falls on floor)
WB: How we're not free to understand real reality because of what we must endure to
survive in this culture. We miss essential meanings and truths, cloaked by symbols we
attach to them because our responses are governed by the ways we've been taught to
behave.
MRR: Now, you're a punk band, but your songs don't really sound very punk to me;
they're more metal or even pop or something.
H: I'm not punk.
WB: He's dirty.
H: This ain't something new that's just gonna come outta nowhere! No! This is something
old] and dirtyl.
ALL: And dirty\
WQ: I guess we're kinda punk. Quys?
WB: Punk isn't music. Punk is a spirit and a way of life, motherfucker.
H: And metal rules! Kyuss! Oh, mighty Kyuss, where have you gone?
WQ: I don't know. Good songs have pop parts. To sing along you need a melody.
WB: But you gotta rock, man! Metal!
NRR: So what do you guys like? What are your influences?
WQ: I like Meil Young, J Church, Modest Mouse, Starfish, Mountain Qoats, Big New Plaid,
Halo Benders, a little Wu-tang, ya know?
WB: riomeansno, All, Bigdrillcar, Wu-tang,
Big New Plaid, Leaving Trains...
WQ: Leaving Trains, dude!
WB: You know, loud independent Ameri-
can guitar rock. The Didjits, the mighty
Rocket -
WQ: Rocket, dude!
H: Oh Yeah!
MRU: And you?
All three: Do You?
H: Dude, the Wu! The Pastels, the Fall.
WQ: 1/2 Japanese.
H: 1/2 Japanese, US Maple, Can, Halo
Benders
WB: Captain Beefheart
H: Ah, who the fuck cares?
NRR: So you guys don't actually listen
to punk music?
WB: Punk is a spirit and a way of life,
motherfucker.
WQ: We know punk and we do listen to a
lot of it, but without other influences, all
you get is a boring rehash of a style and not
any creation.
H: And that's not punk! Fuck dinosaurs!
Fuck classic rock shit!
WQ: And dare I say it, we are punk. We
don't need to listen to
WB: It's all we can do, we're still breathing.
NRR: So who puts out your records?
What's this Grist Milling?
WQ: That's us, we do it, us and Stan.
(Stan Newman overheard the question
and came to join in)
SN: It's like SST! A band with a plan!
Except we didn't have any money to start
with.
WQ: It's Heinz's idea, and we all came
together recognizing a DIY necessity...
SN: Yeah, to recognize original and good
bands who'd rather make music than
spend money on...
H: Professionalism! We got gear! We got
clothes! Look at our light show!
NRR: How does that work out, I mean
financially?
H: It doesn't.
WB: We put our money into it
and that's it. We get to look at
and play records we made. Oth-
erwise, we could flush that mon-
ey down the toilet. Fuck green!
SN: Eventually, maybe, we
could get to a point where we...
WB: Break even.
H: Ha!
NRR: That's got to be kind of
expensive. How do you afford
it?
H: Stan's the money man. Don't
ask me where it comes from.
WQ: We don't need to eat or
sleep or live or...
WB: Hey, you wanna hear about
punk? Our record only came out
'cause I stole the money from
the gas station Walter and I work
at. How punk is that?
WQ: Smash the state, dude!
Power to the people!
WB: Property is theft. TSOL.
NRR: So who are these other
bands? Oh, that's Big New
Plaid.
SN: Yeah, big new plaid was
awesome rock 'n' roll. That was
Heinz's first band. He did it for
years, and no one cared, and eventually they fell apart.
MRR: What about.. .who are the Rondelles? And...
WB: The Rondelles sent a tape to Jiffi Pop— the Unknown's label —
to see if they could get 'signed,' and they gave it to me to give to
these guys, and Stan loved it and called Albuquerque, and we did
it, and everyone wants it. They're gonna be huge, the world misses
Phil Spector. Good summer, happy music.
WQ: And, Bisybackson is from Portland...
H: Oregon.
WQ: Stan's got crazy distro ideas and basically got in touch with
them and offered to pay to put out a record, and of course, they
agreed.
H: Yeah, they're awesome, they're cool, they're poor...
SN: Yeah, those records actually sell, too, unlike any of our own.
MRR: What about the Mormons? I've heard of them.
H: Fuck those guys. I don't even wanna talk about them.
SN: Oh, their record sells pretty good, but... I don't know.
MRR: I don't get it. What's the problem?
H: What a bunch of assholes! They vandalized my ride... and my
mother's house. And they fucking broke my drum set at a show.
WQ: They bumrushed us, dude, right off stage, and their fucking
goons beat up Stan and Winston.
SN: Yeah, they threw a trash can at me.
MRR: So why^d you do their record?
WB: To get back at them. It was broadcast live on the radio, if you
can believe that, and we ripped it off. I don't even wanna talk about
what they've done since then.
H: It's like a war now. They're fucking horrible people.
MRR: I still don't understand why you'd do that if...
WB: Well, they're popular — and for destructive hardcore...
H: Hate punk.
WB: They're a great band and really hilarious.
WQ: Unless you have to deal with them.
MRR: Did they really beat up Earth Crisis?
SN: Yeah.
WQ: Maybe?
H: I don't know. They act like a bunch of dicks, but actually they're
fucking pussies. That's why they need their goon squad.
WB: Who knows? Like I said, they're terrible people. I wouldn't put
anything past them.
WQ: Their guitarist fucking killed a guy!
H: No he didn't! He just stabbed him.
MRR: What?
SN: Okay, the guitarist of the Mormons, KJ, knifed a pizza delivery
guy for like no reason and tried to steal his car.
WQ: Yeah, but he's so fucking dumb he brought the car back and
got busted.
H: That's why they're not around right now.
WQ: It's hard to do much when your guitar player's in jail.
WB: Can we stop talking about them now? I'd like to keep the
potential damage..
SN: To us\
WB: To a minimum, you know?
WQ: The bottom line is we're not seeing any money.
H: Ever.
MRR: So what's next for you guys?
WQ: Jamming and recording and touring.
H: Summer tour — for REAL this time.
WB: Yeah, we had to cancel our summer tour plans due to our own
legal problems, as well as financial, of course, and our van kept
breaking, but no one's stopping us this summer.
SN: Another Snarkout Boys record or two before then, maybe
another Rondelles.
WQ: And, Bill Murrry — that's with three R's.
WB: And, no A.
H: Look for us, it's worth it. This is your fucking life we're talking
here.
WQ: Yeah.
WB: Right on.
MRR: Any last words?
WB: I regret that I only have one life to give for my country.
H: Write us. PO Box 771402, Lakewood Ohio, 44107.
SN: A stamp gets you a catalog.
WQ: The records may not be slick, but...
H: They're real, baby.
WB: You can't fuck with honesty.
The most exciting thing 1 discov-
ered on my visits to Finland is this band,
UMLAUT. Their shows have more excite-
ment and the unexpected than anything I
have seen before in Sweden or elsewhere,
and they are fun guys too, very unusual.
But outside of Finland, nobody knows
about them, so I did this interview. Their
_p3
ere
"/«•!
by C. Nils son.
Who is in the band right now.
Srnedvig: It is Ulf and I singing, and Ulf also plays
the guitar, and Burri plays the drums.
Janne: And, I play the bass.
MRR: Didn't yon. also have a girl in j|
our band.
Yes.Nadia.shepla'
e is gone right
e played guitar,' also. But,
■
return.
MRR: Tell us about your name,
■*«»*> "Umlaut."
S: It's for all those EngftsW'who-don'rti!**
accents on their writing. Here in Finland
we have a much richer and more devel-
oped language than in places like America,
and this shows in our accented letters and
words. So "Umlaut" is about pride in our lan-
guage and our unAmerican culture. Finland has
a language that came from a different language
~ ; *£mihMhan the rest of Europe, you know. It
s""~ represents our own culture and our tight against
all American culture.
J: Even ifthe word "umlaut" isn't a Finnish word.
S: We want them to at least understand our
refusal. T.
MRR: So, tellus why your songs are all soy*
short, so fast.
S: It is part of our general ethic, the Umlaut ethic.
We play fast and short, we live fast and short.
That's the way we do everything. That's why we
drive motorcycles, to move fast, to go from one
place to another, to never slow down, always with
the wind in our hair. We have a rule that none of
our songs can be more than thirty seconds long.
That forces us to do a lot in a little time, to never
waste time, to always come to-tfee. point fast. Jf we,
can do a whole song, a whole musical thdtfgfttj in.
thirty or twenty or ten seconds, that's nioije excite-
ment, more action and no time to be sbdred.
J: And if our songs are faster, are done faster, then
that's more time left over for other things. Other
bands want to play for an hour, we say play for ten
minutes. Hay a whole sixteen song set
in ten minutes. If all bands did that, we
could have six bands play in ;i two hour
show. No bullshit, il you like a bund or
you don't, you know immediately, and
if you don't, they don't waste your time.
Get to the point. And when the show is
over faster, then there's more time left
Jbr other things, loi other parts of life.
'or riding moiort,\cles.
'Ia\ ei livt
wat
t'.isn-r^^et more We BecauSe7we
know th at we will not live too long!!-
MRR: So tell us how did you
get the vocal sounds on
the demo tape.
"> 1 hat s at maily a ■> cry
good question! We wanted
to experiment with the.vo-
cals. Ulf used to work as a
motor and automobile
"fneeffanic
r ' theyha'd''frfe-fS5*r¥i*rM»
MRR: Has Umlaut ever played over the
border in what used to be the scary
U.S.S.R.
J: Yes. we have played there. Just .i couple limes.
small villages, you know.
MRR: What was it like.
J: The shows were good, though the people didn't
understand us a lot, and we didn't understand
■them very muck, someti
at one show m
inMp^ks and a h
lay over there t >rt but! funk some
ptaus- ^'i n't even; t the st ks and all the)
have to offer you for the night is a goat.
MRR: Yes. . . So, weren't you in another
band, Janne.
J: I v 'ier you not mention the name oi
it in the interview. We formed that band with the
idea that every song would be made from riffs
from Mptorhegd^oflgSj^tA&k^aOSS^aS^
1 we eonrawrrte^noroT songs7B'uTs6dh we ran out
He discovered one day (be-
cause we are always, always
experimenting) that breathing
in Freeon makes your voice really
low. We already knew that breathing Helium
makes your voice high, so on the recording, we
took a lot of Freeon from Ulf s shop and some
Helium balloons, and I breathed the .Helium iir.
from the JffldrJbs and Ulfbreathed the Ereeoiw
for the yKv vocalsKThat's how we did those very
highjmd very low vocals. A lot of people have
asjffiS us! !
MRR: Do you still do that.
' S: No, because they changed the containers the
Freeon comes in. Now they are too big to take
with us to shows. They are illegal to take in cars or
on motorcycles anyway.
J: In case we get in a crash and everything freezes!
S: Freezes in Finland, I don't know. But also when
Ulf would inhale the Freeon his head would hurt
very much, and we played one show when he was
knocked out after only two songs, which was
really fast. And for me it's better to move around
and swing the mikestand around, not having to
^always inhale from the balloon between words.
MRR? 'So* tellus what-was the song "Inti-
fada" on that demo is about.
J:. That is about the struggle in Palestine against
the forces, of Western imperialism. Anywhere
that people are oppressed-and have their lands
cool Motorhead songs. Motorhead is still around,
you know, and we kept waiting, hoping and
hoping that they would start to write cool songs
again. But they didn't, and so finally we had to
break up. It was very sad, but we just couldn't
write any more cool songs. I'm a little ashamed of
that band now, I'm much more proud of this one,
sople^se just mention me in this one.
MRRjVhere do you all live. Is there some
address where people can write'' t^JttSBK*
S: We actually all live in squats or sometime
youth centers here. We never stop moving,
said, never slow down. We mosdy stay in Helsinki
or in Tuurku, where all our friends are. But I'lltry
to give you an address of a friend where you oi
other people can write to us, I'll try to get one b\
next time.
MRR: Tell about the record you have
coming out.
J: Soon we will bring out a 6" record ourselves
with our friends help from here. It will be at leasi
ten full songs, most of them new ones, and with
different vocals, I guess, since we don't use the
Freeon and Helium right now. But it will be cool
MRR: Anything else you want to add.
J: No, just thankyou for the interview, and watel
for us.
S: Live to ride, ride to live! Play fast, live fast!
As for contact, please use my address, and I wil
forward letters, because they live everywhere:
C. Nilsson,
Gravadersu
il 4n, se-222
23 Lund,
Sweden.
>\
* takeruaway, of course,
that'sjja. __ '
% -MRR: Can you tell us
more about the song
• itself. -« « s£ 7
. S: It was Sr»"ag<5ident,j-_e- ,
•ally. Wejustj^cleit"orrr' T
of a noise-Jpi^as jejfrC-.'.
over in between songs pn
,; the recording tape- and a
sample 1 we found on an
old punk recprcFj'we had
— a cassettejyltfeft, But it's,
a good scgig, : very shop
*mk
ffiflftfe'
Some people choose hardcore as a fashion
mt. Others, have no logical alternative. Such
Brooklyn based ha r dcore
and, who despite what their critics say
[represents everything a hardcore band should:
l^jde'dicatio., to DIY. thought provoking tyricMydl
U
ifelON? g*
hard- hitting music. To simply brush
i.jiiiiiu iiMuiii iii ■ r
ypical mosh-core band would be a mistake,!
here's a lot more thereof ^approach ed me about
[doing this interview so some of the stereotypes!
urrounding J jc ould be cleared up. Present
also com-l
prised
ndMHSlPresent for (SSwerelHrandS
»"V»- .", >j|*
JesseCapn;/,)!,^' ■.% ;,
MRR tUGRC m»m Ann m.0-.
imi
Tom
<:
that
Nobody cansatuul your baad history. So we 1 skip Hat. Justin Brannan:
ok. What io yei tbtsk ol tbt tteg Imp imHOmi has, or peogli think yoa
tall? JB: What do I think of it? I think its funny- but its detrimental to us because I know it has turned a lot of
people away and a lot of people just write us off, tough guys, mosh metal from Brooklyn. Whatever and they've
never read a single lyric, seen a show, read an interview. I Bit tM HaC Staff thJtaS you're thugs. Ul) doWI to AvtMN A aid
btatln V people tic. JB: But as much as it bother us, we don't really care because the close minded people who
would write us off because we're from Brooklyn, are the ones we don't care about, some people are so
wrapped up in themselves... whatever. OK, II Ml of MHtiNS. JB: ok thanks, bye. II UMBO, So let's talk a little HI about
the ncori companies you've worked wftb. I know you have had some problems It the past. JB: We've "worked" with a lot (of com-
panies). True. What about loo Daw Hype. I kiow that guy rimed you oft pretty had. JB: well there was a time where we were
just so excited that all these people suddenly wanted to press our records, we were caught up in that and
*fS
f
.-«»
made some bad deals. People just
called us and asked and we said
"Yea" to everyone. We didn't even
have any fucking songs well; I've
since made up with Jeff from Too
Damn Hype. He was annoyed
because I was talking shit about him
in some interview and calling him a
scumbag but it was true. He gave us
30 records and that was it. Well, its
hard because when people start
calling you and offering you deals
and stuff you're excited, it's natural
for a band just starting out, you're
psyched because all these people
are just calling up and are willing to
risk money in your band. So unless
you are wise to all of that. The bad
side of all of that shit, then there's no
reason for any to be suspicious of someone intentions.
W»)l r I'm pratty sure tbey'ra laratsbed ttwir own im^s by putting otit tbe
OLC noml. JB: Well, we're embarrassed now because
we're on the same label as OLC, but there's nothing we
can do about that. I OOBt Uann yott. JB: That guy from PA
ripped us off also... WHC8 label? JB: Positive Face What was
tbi dtal witb btm? JB: He really did bad by us. He pressed
that record like 3 or 4 times and we had no idea. He did
an initial press of 500 on clear and then one
day I was record shopping in the city and I
stumbled across a 2nd pressing and then a
third. I wrote to him and called him and I got
nothing. Then I offered him money for some
More copies because I figured he'd call then
and he did and we fucking had it out. He's a
scumbag. I heard he has since sold all his
hardcore records and is pursuing his career
as a tennis instructor. Hdal you tan a similar stia-
tloa Happen wiib Rick aad Back Ta Basics recorts? JB:
Well with the Back Ta Basics deal, yeah Rick
pressed it and continues to press it at least 5-
6 times, but we don't mind that just because
he really got that record around. We went to
Europe and
everyone knew
those songs-
even more than our LP!! We
still get asked about that
split with Shutdown. Call
conpiaJH wtth that. I tMak lod«cisioa
ssrvs as a good axample of OIY doesn't always equal good. JB: We're
actually now going to press a CD of all of our 7"s so it can
end all this shit. I want to make everything obsolete. Is
Wreck AjM putting tit ttat? JB: No, our friend from Belgium,
Alain. He actually did our first 7", he offered to do it. We
had other offers for people in the U.S. to
put it out but honestly, we'd rather some-
one overseas put it out because I don't
want it to be all over the U.S. really the
songs are really old and I don't know.
That's cool. Is working witb Meads Important to
Indecision? JB: Yes very much so. I mean we
want what's "best" for the band, but we
like to work with people who truly believe
in us and not people who know we have the
potential to sell lots of records. We had
offers from "bigger" labels for this next
record, people we are close with and who
truly believe in us, but Exit is where we are
at and we believe in them very much. WWl
oi tin topic ot records, way dont you tan about wtat
you taw coming oat? JB: We have a new full
length coming out in July, it's called Most
Precious Blood. We have a split 10" coming out on
Revelation with Shai Hulud. A split with this band
Knuckledust from the UK. We toured with them in the UK,
great guys, and lots of compilations. Nowadays EVERY-
ONE is doing a fucking compilation. That's cool. Rev Is obviously
tin biggest lata! you've worked witb. A Ittle apprebeaslve about It? jb.-
Sure. There was interest for them to work with us exclu-
sively but right now we're just doing the 10" We're really
1 1 I
excited about Exit, I mean ALL of our friends are on the label. DM yon fit to imt tbi py frOB Mbraket
Win rw H? JB: Actually, that guy Rob from Unbroken doesn't really run it anymore I don't think. Politics
OkJB: Walter Schrifels started it actually. It's weird now Rev is putting out all that Elliott s tuff and are very important to me,
Crisis is where all the "hardcore" is going. VOD is doing a 7" on Rev/Crisis. I tall IW Spartearhf but as far as the t>and...we're 5 individu-
is nry tartan, jb: no. onion is though. r» nver heart ttai. Mtatavtr. Tta eext IP, Moti Proton Hood. I kasw a , s So we don . t write songs about stU ff ma t we ail
tten is a Uflti scboot samti tbat ta tlw dty. Bui wtat stgaffcaaa dm It tan to laktislu. ¥eai, It's a privily can , t somewnat agree on. M It It anal matin- what a band
AMcan-Amertcaa scbool. Catholic, liny tan as awesome tasMtaJI team we uad to phy against In school ^ Mttside of tbatr mitsic way do iitsrvtsws matter? jb: interviews mat-
ytars ago. Wi jatst Ion ttat nam. It's so ominous. Aad It IBS a lot ta ta with Irtadsbtp actually. Yeah it ter because people want to know what a band has to say, people care
soajfc cany, kt tack yo>. Iknt ttra worts tawi saca amain. I flgarei ttal jb: Death is about that _ , care about thati but if , rea n y | 0ve a band musically, then noth-
the climax of all emotion and blood is the fuel. Actually it's our crew. jng can chan g e tnat __ Djd you ask me now | f ee | abou t styrofoam? I think its
mpb. That's a tot tattor aaaa ttaa iy craw. Batwawoalcjat lata ttat. ( Jessa Casaoa great , love jt ti ttaa la ttat can yoa coaM ism to say tta racist Sarewirlnr albums If yn IM
taajta). JB: No, we won't. I BOW lyrtCS an tapartaat to laaactStoa art yn t- ^j JB . That . s a g00d point| it . s a g00d argument... but yeah. I've listened to the
wrtta asost of ttmn. Dots ttn wtula baad atjrta wtta taam? JB: i write 95%
Skrewdriver records before...l'll be singing the choruses in my head a week later but that
of them. tS ttan IMS accortaaci tbotgb, amtgst tta teal? JB: The doesn . t mean any thing... it's just catchy. Besides Skrewdriver was full of shit, they were just
last record, the newer songs were all about religion. casbing in on the wh0 | e scene _ D|d you know tnat ? rto, bat BOW I do. Raafly tBal Wilt pvs my glrlfrittd aaottl-
Most of them, on this record I wrote about some dif- „, ^^ for tikiag ttlMB. JB: Haha. I'm just saying...if music is what matters then nothing else should.Jf
ferent stuff. It's like we have all these songs, all this its botn jf you need a band to agree with you both musically and politically then, it's a different story,
music and l try to sit and write each one about | m B ttat corns down to a parsoaal pnftfian tasicaly. Jessa start tta tuck up. Wtat about General Noriega
something different. Not ALL of our songs are ^ jKapjja | iiow you an very laterasM il ttat. JB: I liked how the army was blasting
about religion thafd be fucking reta rded an d neavy meta | a n day t0 get h|m t0 come out of his nouse . That was good,
useless. I taart yw aaca dtscritoi as "pro-splrltaal, They snou | d > ve blasted Amber Inn they could've cleared out the whole
aatl-rta|lM." Faolaas? JB: Yes, very much so. coumry ( | augns ). jjsjs. (tanks) jb: Have you followed this hot new
Whoever said that was pretty accurate. news topia the wno , e C | jnton sex SGa ndal(s). All 10 of them now. I
We feel that there is something more th|nk jt . s gettjng a blt ridiculous. It's so ridiculous. Every day
than our bodies, there is something
someone new comes
out. Poopla an Jatst cashing la at is pout, jb: i
more than this life but we don't see the wanna d0 it m the thing that ls so frustrating to think about
necessity for rules in order to find that is |jke . what the fuck a ,| these peop | e are so fu || of shit>
something. Rules are what we are
against. Isn't that what punk rock is
supposed to be about? Mai of Ike aa
AgaostlC DOitl Of litW. JB: In a way. I con-
sider myself an atheist, but I think
some things were meant to be, cer-
tain "roads" in life were meant to be
taken, certain things happen without
warning or reason and I always think
"There's gotta be a reason for that"
Yoa tan a poittt. Karma, if yoa will, jb
they're all coming out now. But, they have an excuse
because they can all say that they were all to afraid before
to come out but now since practically everyone had an
affair with him, and they're all coming out about it- so can
they, and I hate that, because they're hiding behind that
justification. At tta same time ttaonttjtw I an! ttat* tta president stoali
lie breaking taws. I ton tta Prastasat sboeJttal be going around having
attain. He staaMal tan eaougti fata to fad Hillary. Nanmlai attar
WOlMt JB: No, but people have to realize- he is a human
being. I'm not saying that means he should be excused or
understood- but I don't know. People are so outraged; it's
Spirituality without religion. Without an affair. People do it all the time... I aMtaRtaWl Wtatra yoa an C0B1-
rhetoric. Without rules and dogma and i H froRi. But paoqia ttava tbe rtgbt to tM itpsst it tt is trn I aaaaa, people waat
stories meant to scare us. Holy shit, this ^ p^ „ h tHs „(,„, m, p,,^ robot aad that's list nt taw it Is. 01
quesdiilia is burning my mouth, (laughs) coarsathoy cat In apsat, to obi waatstlairasMtai to In lavlaiaflalrs wltbottnr
Sorry to bear ttet. Wtat about tta tact yu guys get WOim B but i ttiak peopla art ssaiag it as 'Hb my goso.. I koow Larry Bid tt to Us wtta
labeled as aa edge or vegaa baad. JB: Weil, that leads im |M MlM m is m presjdent" - Its tta same ibtug. Wen all bumaa toiigs,
back to' an ad for our first 7" about four years aa) ft ^ j^, ,„ mm ]m K j^,^ wttb JFK but ttn OWQla is so iatalaatid Witt
ago... at the time i was vegan and the guy who did S8 jsationalsai ttaa days. It's a pretty sad state of attairs ia tta media. Well it you look at al those
the ads assumed we were all vegan, it was a harm- pnjMHtu btograptfts ivery Presideat is rawed to tan tucked arouad. It ooly sometimes comes out duriag
less mistake that has haunted us to this day... flat's prat- ^ j n ^fg K f i jg. | ts nothing new. But it's all over the news. I remember I was working in a bank
ty Stupid JB: what we love is when someone interviews us vau | t for m 6 weeks and we C0U | d get down tnere was A.M. radio reception. So I listened to
right, and they ask the mandatory question. "Are you guys ta | k radi0 a n day and it made me sick. People just repeating themselves over and over and
SXE? Vegan?" and we say... whatever we say and then in the over ab0(Jt tnis rs so boring] Tney . re fie | ding ca || S from this and that person, and tak-
back of the zine, there's a review of our record and it says "great jng p0 || Si jrs pat hetic. There's nothing else going on so this is it. This is news. All day
release from this SXE- Vegan band", rl pratly an la ElfBCt M ttat. JB: l |ong 0ne snow after anotner But ttare an real tUags going og... but nobody cam. Ttal's
don't remember. We always say "No" but no one ever listens. Mt aaittar. way tta Btla total can. JB: Sensationalism. If covering bona rigbts abuses drew
Wtacans? JB: Rachel and I are vegetarian and Tom and I are straightedge. It's n ^ ttat'S an wtat ttay would to conriag. JB: Right. But it never will,
like, who cares anyway!! I tbtak bands ttat tan Xs around Mr tames and stufl like Ibat are Ita- ^ Wnat . s exciting about that? Wnat can you snow us? ^ \ s a M y rs
on. JB: But the question always comes... Itay tbtak that maybe kids will like tbem because ttoy'n tba geaeral popuiatioi's tautt. JB: i remember we were on tour
edge or niaa. JB: I think bands with X's around their names are just looking for that automatic in Virginia somew h ere , | think, right around the
"crowd" Itat'S Hg ap tan la Syraoa. JB: Yeah and that's stupid. If I lived by that, I would've passed tlme that guy bom bed that concert at the
up on such great music. What does it matter if a band drinks or does drugs or whatever. yn*n Olympics, remember that?
tot a point. JB: It's a fucking band- if you like the music- then that's it. I mean, that's the way I see y^g. JB:
it... I kaow politics an soontblag that's Important to at toast yn poiticaily. So, what an your ttriags on styrofoan? JB:
We're
sitting there watching televi-
sion like- "oh...look." I mean, we're all
guilty of it. We're so callous, numb. Senseless. It's
Is N) may paopte question stall er care. M Mi wbat I meant. JB: I mean some bands gained a lot of their
notoriety and popularity from gossip- so gossip isn't always a negative thing. Im. JB: See I spoke
my mind, but I was threatened with violence, etc. I knew it would happen. Speaking Ol Mtorlety. Why
AMI yiW laft abCMt till Jutas Factor? JB: Judas Factor. OK. I've been a friend of Rob (Fish of 108 and
Resurrection) for a few years. We were writing letters back and forth for awhile and then he
like - oh look people dying on TV. Great. OK. let's BOW N. wanted t0 start U P a band ' a S ain - Next tnin 8 we were recording a 7". It's pretty much,
JB: Ok. Moving on... Earler you mentioned tit psbsMoB part of punk rock. Pat and ' from Indecision and the last Resurrection line up. WHct \t coring out on Wmk
Specifically wltb religion. JB: Yeah. Do you tUtk tbat part of punk rock and bargain "*■ JB: Ri ^ ht - That snould be out in ApriL lts a 7 " and CD - We d0 a Black Fla §
Is lost? Is Indecision trying to bring It back? jb: Yeah. For the most part, it's weird cover t0 °- So we ' re psvcned - m - W"*! •»» yon wait to talk about? JB: i
and frustrating. I mean, EVERYTHING has been done before, No one is saying don,t know - M C"" 1 " 1 * JB: Living Colour was a great band. Final
anything new.Jts how you present it now. Being straight edge am vegan Isnl revolutionary. Comments? I km a qnstiou still if we still have time. Ob god Jesse let It rip.
JB: You have to present it in a new way. Being straightedge and vegan is revolutionary JB: Live eve ryday like it's your last. What's the question? On
because now it's such a normal thing. Just as people who were straightedge and now - * ' "J }m ^ "' 8al " ** w,n I 103 *! Mw •wytbill you
they're not- they think that rebellion- that's not fucking rebellion- that's the norm just as well. M,s " ol *"* " a *• JB: Workin 6 wn ere? An act- like
It's a circle. People say Boy Sots Rn is revolutionary. Ms a load of sbit. JB: Boy Sets Fire are nice people we ' re fu " of shit? ■ * l " l""* 1 " ilSma Hi mi) -
and I like them, but I don't they're revolutionary... Talking against McDonalds aid tben eating Burger King before WW « y<« tklnk I ban otnr jobs? I am a lonr JB: what
the SMW.. like BSf does is ridCOJOUS . JB: I mean they never said they were but I mean I could copy some did tney mean by " an f ct " ? Uh WWI *"'" w **
disjointed political agenda from taking parts here and there from various books on Y 8 " B« crazy kBt CalSS tt'St tbo COO? tbkNJ to do. Tftey W»M
socialism or whatever- but it's just regurgitated rhetoric. "SHtKO kids tbe nvoWMU". *&* ®* * ,to ""■"I ivi **■ JB: Wow -
JB: Yeah- but at least they're consistent with that McDonalds shit.. JnTl Tnat ' s a pretty insultin 8 comment.
not consistent wben you'n going down tbe road and buying from Burger King, jb: if they Som eone really said this? Yeab on of those
say how evil McDonalds is on stage and in literature and the like- and ^ att ^ s ,B| * " "" ^ K ' ^ luow "" W*-
then they're backstage eating Burger King- at least they're consis- JB: We " il ' s not - ' mean ' on sta ^ e we
tent with that- haha. I'm kidding. OK. JB: You know what I mean? see i{ as a time for emotional
yep. JB: They could be like "hey- we're not eating McDonalds release ' ' tel " ■ M m m ,w a '
though" It's bard to ba consistent across tbe board. JB: That'd be cool ca1 *■* ' *"* hft 0IB8 m a **
if they said that. Sure. But I mean, what is consistent. To IMII,|B • ' alwai,s m * yoa ofl - JB: '
whose standards are you to be consistent? YWre own, I WOldd like t0 play when tnere a lot on my
assan. JB: Besides your own personal standards, who mind because there's more to get
cares about anyone else... Tm. JB: People ask me about ° U V mean when . we play nappy
straightedge, its like yeah I've been straightedge for 6
years- but I don't really care about anyone else. I don't
want to change the world. I care about my friends and
those I love, that's it. Everyone else. Wby don't you bring US up to
speed on your conflict wltb Hands Tied tbat ensued after tbe interview in li
Effect. JB: Well, that's all over now, but at the time I was
speaking my mind. Steve Reddy and I had some argument
over T-shirt prices or something trivial like that once and
then there was some email confrontation between John from
its fun- but its not the same. So
you've never seen us live Jesse?
Yeab, isnl be a fag. jb: wen, i mean
whoever said that is wrong. It's
no act. No I always left cause I tboagbt
you guys wen a ttugb guy band, then I
boggtt tbe CD Ike Ctristmas time and I got
way into you guys, jb: what the fuck do
they know? Cool. See you're the
Ten Yard Fight and myself. In Syracuse, rigbl? JB: Well, no what type of person ' was talkin 2 about
happened in Syracuse was Steve Reddy confronted Artie Philie earlier m tne interview - **•'< w ' s f l0
and myself. Regarding? JB: Steve said something about someone M mmt l ' in ■W. JB: Wnv did you
made an insult about his wife, Kate and that wasn't me or Artie...so wr ^ °!I ? W,, W1|M ^ "" m> *" ^
it was weird. At the time I did that interview I wasn't the best of friends flrt1 ' l"* ^ ^^^i ® ** JB: Well, I mean,
with Steve or John and that was on my mind, so I turned into a tangent that wnat we d0 on stage " that ' s wnat we da
got me into a lot of shit, but its all over now. Everyone is cool. TW'S At. JB: We ' re tne same people - mti M ^1* M a 7
There's a lot more detail to it, but it's boring to explain now. Ibat's ok. JB: I don't care, I 'KUw Back la Basics, tben I listened aid I loved it, I mostly
mean they were pissed because I said they're band sucks or whatever, I mean, sure I know the ^ ™ NCOrt C^ 58 ' "A a " ,0 lta aatl-religiOUS tUng as
saying "If you don't have anything nice to say...." But why the fuck not? I'm not trying to sound **- JB: That comment really caught me off guard,
like a rebel- but I'll say and do whatever I want. Everyone should Isn't that what punk rock Fuck wnoeve r said that. That's just a really insulting
is about? I didn't "talk shit" about EVR to gain some sort of notoriety. I'm not a "shit- comment to make. I don't see how someone could make
talker." I mean, I don't know. I'm not the type who thinks having enemies is cool. But that remark witho ^ knowin8 us as people - ' tnink we ' re sil>
wnat can you do? EVR is just a joke aod you brougbt tbe subject up In public. No on takes tbem cere J ust by nature - ** ■ l0 ,al *- Wi and simple. People need some
seriously. At toast to people wbom put a Ittle tbougbt In to It. JB: well I don't know, I'm M91 ,0 tal m - JB: ' cap,t prove t0 you that we ' re sincere ' but - M
not gonna comment anymore on it. I said what I said and that's it. All * ■* ta,, Mwr m M way about WSiC M tbey can never understand. JB: That's what
my feelings for EVR were released in that interview; they are il must be - ■ "*■ m "* l^" ^ »» 1^ *y and sn Just donnl gra^ people get
immortal and recorded. I wouldn't say no OH takes Item serious- rMl ■■*■' *■ ™ Bic ■ "" M *®1 m ** Y" 1 '! "** "» systeoi."JB: I mean when
ly, more tben Half tin seen in our area is just mfndess people ' listen t0 98% of my records, I get goosebumps. Music really affects me emotionally.
win never pick up a ztne tbey just like to mosb and Hs- Exactly - N8W nwi " *• Full !*S Tour all summer wltb Silent Majority and Milbouse. Anything else? jb: no, inter-
ten to music, maybe a little gossip, jb: view killer tnat ' s alL n ' tL ^1- w,,ps ^w tbis tblng to death, jb: Nick, you can't expect me to end an
Yeah... Fact interview two seconds after that Jesse asked that question, i tUnk you got your point across. JB: But
OK. Thanks. P.O. Box 09-581, Brooklyn NY 11209. BrannanJ@aol.com
?-».
THE PAS J
SIX iEARS HAVE BEEH
AH UPHILL BA11LE FOR FOUR
LETTER VORO. STRUSSLIHS TO BREAK OUT
FROM THEIR 'UNFAVORABLE SEOSRAPHf AHO BE
HEARD. SUCH OBSTACLES TOOK THEIR TOLL OH
BAHO. AHO THEt SAV TlfO BASSISTS AHO A ORDMMER
THROUGH THEIR RAHKS BEFORE SETTLIHS OH THEIR BEST AHO MOST
PERMAHEHT LIHE-UP IH THE FORM OF: HELL1 (VOCALS). JOH
(SUITARJ. HAIR/ (BASS i BACKIHS VOCALS) AHO VILL
(DRUMS). MITH THEIR LA TEST RELEASE "A HASH PIECE OF
VORK" OUT OH B.Y.O. RECORDS FOUR LETTER MORO HAS
COMBIHED THE CLASSIC PUHK ROCK SOUHOS OF THE RUTS
I AHO THEAH6ELIC UPSTARTS WH THEIR CURREHT POLITI-
CAL BELIEFS. LOOK FOR THEM OH TOUR THIS SUMMER MH
THE SMIHBIH' UTTERS AHO 22 JACKS. IHTERVIEVEOBi ACE
' AHO AHO i.
MRR: IT'S BEEN fEARS SINCE AN* PUNK BANDS HAVE MAOE
THEMSELVES KNOWN FROM WALES. HOI? 010 YOU MANAGE TO 00 IT?
WELL*: COMPLETE ACCIDENTAL LUCK REALLY. IT'S NOT LIKE YE'VE HAO
ANY OVERNIGHT THING GOING ON THOUGH. CUZ YE'VE BEEN GOING SINCE
'91. IT'S SYMPTOMATIC Of WALES THOUGH THAT IT'S SO HARD FOR PUNK
BANOS TO GET HEARO. I OON'T REALLY KN0YYHY.BU1 IT'S MORETHAN JUST
BEING OUT ON A LIMB GEOGRAPHICALLY. A LOT OF LABELS YON'T TOUCH
YOU YITH A BARGE POLE. FOR US. IT YAS EVEN MORE DIFFICULT. EVEN
GETTING GIGS t'AB REALLY HARO. PROBABLY BECAUSE YE DIDN'T FIT
EASILY INTO ANYONE'S STYLE GHETTO. WE YERE TOO MELODIC FOR THE
TRADITIONAL U.K. PUNK CRUSTY/THRASH/ METAL SCENE ANO
TOO HARO FOR THE U.S. STYLE POP PUNK SCENE. ONLY A
HANDFUL OF PEOPLE EVER GAVE US THE TIME OF DAY.
NAMELY. ANQY HIGGINS OF ERASE TODAY YHO SPLIT
FINANCED OUR 7" EP. PETE SPITE V'HO TOOK US ON A
U.K. TOUR It'lTH THEM. ANO YE ONLY REALLY GOT TO
PLAY IN CARDIFF. BRISTOL ANO SOUTHAMPTON ASIDE
'FR0M1HAT. BUT THANKS TO THE EP.SHAYNANOMARK AT
BYOYANTE0T0YORKYITHUS.AN0 IT'S ALLYORKEO OUT
GREAT. THERE ARE A LOT OF OTHER BANOS FROM WALES. SOME YOU
MIGHT'VE HEARD OF.SOMENOUIKECOYBOY KILLERS. RECTIFY. DOUS.IN
THE SHIT. PUBLIC DISTURBANCE ANO PARC TROLLI 10 NAME BUT A FEY.
MRR: WHAT'S KEPT YOU MOTIVATED ALL THESE YEARS TO KEEP THE BAND
GOING? DO YOUTKINKTKAT CARDIFF BANOS SUCH AS THE ICONS OFFILTH.
OPPRESSEO ANO DEMENTED ARE 60 LACKED YOUR MOTIVATION? DO YOU
THINK THAT'S THE REASON THEY BROKE UP?
WELLY: IT'S ALL ABOUT REASONS FOR OOING IT IN THE FIRST PLACE. WE
OION'T SET OUT It'lTH ANY PRE-CONCEIVEO GOALS OR IDEAS ABOUT YHAT
YE SHOULD BE OR YHERE YE YERE GOING. YE JUST PLAYED AND THAT YAS
THAT.MY PHILOSOPHY IS; DON'T PLAN ANO YOU YON'T BE DISAPPOINTED.
THERE'S A LOT OF BANDS NOY. YHO SEEM TO HAVE COMPLETELY MISSED
THE POINT. THEIR ONLY GOAL IS TO GET SIGNEO BIG TIME IMMEDIATELY
ANO BE FAMOUS. BUT IT JUST DON'T FUCKIN' HAPPEN. YOU
OON'T GET ATTENTION JUST BY DEMANDING IT. OR AT
LEAST YOU SHOULDN'T. AND THOSE EXACT SAME
BANOS HAVE NOTHING TO SAY ANO JUST YAN-
NA ROCK... THEY ALL YOULO'VE BEEN
METAL OR GRUNGE A COUPLE OFYEARS
AGO. YOU GOTTA BE SELF MOTIVATED TO 00 THIS SHIT ANYYAY. IF NOTH-
ING'S HAPPEN I NG. THEN MAKE SOMETHING OUT OF NOTHING. YHY ELSE ARE
YE HERE? I'VE GOTTA BE IN A BAND ANYIe'AY. CUZ I'D STILL BE YRITING
IYRICS REGARDLESS. AS FAR THOSE ANCIENT CARDIFF BANOS /OU MEN-
TIONED. I THINK DEMENTEOSTILLPLAYEVER<NOY ANO THEN.THEYMOVED
TO LONDON YEARS AGO. THE OPPRESSEO ONLY RECENTLY SPLIT. THAT
RODDY GUY HAS DEFINITELY MOTIVATED. THEY YERE GOING ABOUT 12 OR
13 YEARS. HE RAN A LABEL ANO STARTED OUT THE S.H.A.R.P. SKIN THING.
AS FOR ICONS. SADLY THEY YERE PRETTY MUCH LIKE THE BANDS OFTOOAY.
YHEN
YASN'T COOL ANYMORE
THEY YENT BACK TO A NON-PUNK LIF-
ESTYLE AND NEVER GAVE IT ANOTHER THOUGHT.
MRR: IS THE EUROPEAN PUNK SCENE MORE POLITICALLY DRIVEN THAN
THE U.S.?
WELLY: DIFFICULT ONE! I'VE NEVER BEEN INVOLVED
N CONTINENTAL PUNK ROCK. BUT I'VE HEARO IT IS
MORE POLITICALLY ACTIVE ANO MORE M01IVATE0 IN'
GENERAL THAN ANYYHERE ELSE. MORE LIKE A LIFE-
STYLE THAN A FASHION STATEMENT. AS IT SHOULD BE!
AS FOR HERE... HMM.fN SOME RESPECTS AND SOME PLAC-
ES YES. BUT ON THE YHOLE I THINK IT'S MORE 'AMERICAN
PUNK' DRIVEN THAN ANYTHING ELSE. PUNK ROCK HAS ONLY
EVER BEEN A MICROCOSM OF MAINSTREAM SOCIETY. THEREFORE IN THE
LATE '90S. YE SEE THE YHOLE MEDIA INDUSTRY INFILTRATING EVERY
SUBCULTURE IN SEARCH OF IDEAS. AS A RESULT YE SEE PRESENT GAY
PUNK ROCKERS, MORE INTERESTED IN THE TRIVIAL ANO FICKLE ASPECTS
OF FASHIONABLE BANOS. CLOTHES ANO ATTITUDES. JUST LIKE SUBURBAN
HOUSEYIVES. CONSUMERISM IS CROYD CONTROL! POLITICS ARE NOY
REGAROED AS PASS6 AS YELL AS THE O.I.Y. ATTITUOE. IT'S GREAT THAT
THERE YAS A MUCH NEEOEO REVIVAL. BUT TO 00 SO YOU HAVE TO ENTER
THE MAINSTREAM TO REACH MORE PEOPLE. THE PROBLEMS YITH TOUCH-
ING THE MAINSTREAM ARE MANIFOLQ; THE MEDIA 'DILUTES TO TASTE'
EVERYTHING IT TOUCHES. THIS IN TURN IS HANOEO OOYN TO THE RECIP-
IENTS OF'NEY'PUNK ROCK. ALSO. THE MORE PEOPLE YOU REACH. THE
MORE IDIOTS ANO MIODLE CLASS BRATS YOU YILL GET. YHO YILL ALVAY*
CARRY THE FLAG OF 'CONSUMERISM' AND 'A-
POLITICALISM' BECAUSE IT'S THE YAY THEY
ARE BRED. WE STILL HAVE THE 'OLD SCHOOL'
FACTIONS IN THIS COUNTRY YHOSE MUSIC IS TRADITIONALLY
POLITICAL. BUT THESE DAYS IT IS FAR MORE TO 00 YITH YHAT'S
THE ACCEPTABLE NORM. Y'KNOY IF YOU'RE A "BRITISH PUNK BAND'
YOU SING ABOUT THESE TOPICS. HAVE BLACK ANO YHI1.E SLEEVES ANO
YOU YOULO RATHER LISTEN TO CHART DANCE MUSIC THAN TONEFUL PUNK
ROCK. ALL THINGS SAIO THOUGH. THERE YILL BE PEOPLE YHO HAVE GOT
INTO IT OVER THE LAST FOUR YEARS YHO YILL STICK YITH IT ANO BECOME
THE FUTURE ORGANIZERS ANO PERFORMERS. WHAT PUNK NEEDS NOY IS
FOR IT TO GO UNDERGROUND. YE ARE STILL IN THETHROES OF CORPORATE
TAINTING LIKE THE 70'S. YE NEED ANOTHER DEAD KENNEOY'S OR CRASS.
SO PEOPLE YILL BE INSPIRED TO FORM BANOS THAT COPY SOMETHING
YITH AN OUNCE OF INTELLIGENCE. INTEGRITY ANO POLITICAL INSIGHT!
ALLTHE ABOVE IS OBSERVATION.
MRR: ARE YOU INVOLVED IN ANY POLITICAL ORGANIZATIONS?
WELLY: NO. I'VE NEVER BEEN INVOLVEO IN ANY ORGANIZED POLITICS. I
OON'T REALLY KNOYYHEREMY ALLEGIANCES LIE. I SYAYBETYEEN ANAR-
CHIST URGES OF CAPITALIST DESTRUCTION TO COMMUNIST / SOCIALIST
URGES OF CAPITALIST DESTRUCTION. WHICH EVER YAY. I JUST
YANT TO FORCE THOSE BASTARDS BE ON THE SAME LEVEL
AS US. THOSE BASTAROS BEING THE MIDOLE CLASS.
LANDLORDS. CORPORATE BUSINESS. THE MEOIA.
ANYONE YHO LIVES OFFTKE TOLL 0F1KE PEOPLE TKE'tf
ECONOMICALLY OPPRESS-THE YHOLE KABOODLE!
CLASS YAR IS A GOOD IOEA. IT'S JUST THE ONLY.
PEOPLE YAGING IT ARE THE MIDDLE ANO UPPER
CLASSES. THEY HAVE THE POYER TO ORGANIZE. YE
DON'T.
MRR: ARE YOU STILL OOING ARTCORE FANZINE? DOES THAT TIE IN YITH
YOUR POLITICS OR THE BANO?
WELLY: YES. I'M YORKING ON A NEY ONE NOY. THERE'S ALYAYS POLITICS.
BUT POLITICS IS INTRINSIC TO EVERYTHING; GOVERNMENT POLITICS.
SCENE POLITICS. PLAYGROUNO POLITICS. IT'S ALL ONE ANO THE SAME.
IT'S THE GUY YITHTHEBIGGEST APPETITE ORTHE BIGGEST STICK! I GUESS
IT DOES TIE IN YITH THE BANO. I RAN AN INTERVIEY YITH THE OTHER
MEMBERS OF FLW. YHICH PEOPLE SAIO YAS 'SELF PROMOTION' YHICH I
GREAT TO PISS PEOPLE OFF.
OUR OVN STUFF. SAVING IT'S
t'INDS PEOPLE UP. GENER-
N THE ZINE (I'M SURE YOU
GUESSED!!!) AND POKE
MANY NEV.' ANO INTER-
PLANS? DO YOU HOPE TO
SOME OF CANADA
YITH THE SYINGIN'
ANO THEN YHO KNOWS..
ANO
FOUND FUNNY. CUZ IT'S
ANO I LIKE TO REVIEW
BRILLIANT. WHICH ALSO
ALLY. I JUST RANT ANO RAVE
VOULO'VE NEVER
FUN AT THE PUNK SCENE IN AS
ESTING WAYS AS POSSIBLE.
HRR: 00 YOU HAVE ANY TOURING
GET ANY AMERICAN GIRLS ONTOUR?
WELLY: WE'LL BE TOURING THE U.S.
FROMJUNE TO AUGUST.TKE FIRST LEG
UTTERS. 22 JACKS ANO BRAND NElt' UNIT
THERE'S A FElt' PLANS. BUT k'E'RE
NOT SURE. BUT IF YOU'RE BORED
THIS SUMMER ANO WANNA GOOD
LAUGH. THEN MAKE SURE YOU
COME ANO SEE US, IT'LL DEFI-
NITELY BE...ER. INTERESTING!
AS FOR GIRLS. It'ELL I'M
COMMITTED. SO
YOU'RE
TALKING
TO THE YRONG GUY. I'M NOT EVEN
GONNA COMMENT FOR THE OTHER M
GUYS FOR FEAR OF REPRISALS.
HRR: HAVE YOU EVER BEEN TO
AMERICA ANO MAT 00 YOU EX-
PECT?
WELLY: YES, I HAVE. I YAS THE T-
SKIRT GUY ONTKE'94 CHAOS U.K.
TOUR. YOU NEVER REALLY KNOlt'
MAT TO EXPECT FROM ADVEN-
TURES. BUT I 00 KNOlt' THAT 1Y0
MONTHS AROUND AMERICA IS PHYSICALLY AND MENTALLY CHALLENGING.
THE AMOUNT OF FAT IN THE FOOO IS RIDICULOUS, THE ALCOHOL LEVEL IN
THE BEER IS NON-EXISTENT ANO AMERICA IS THE ONLY PLACE YHERE THE
CHIEF MEDICAL EXAMINER'S YARNING ON CIGARETTE PACKETS SAYS:
"CANCER GUARANTEED WITHIN SIXMONTKS OR YOUR MONEY BACKTBEING
A VEGGIE ON THE ROAD IN THE U.S. IS HARD YORK. SO OUR DRIVER GUY
GRAHAM. IS GONNA HAVE IT BAD. CUZ HE'S VEGAN. HAIRY THE BASS
PLAYER YENT TO NEYYORK LAST YEAR. SO HE'S EXPERIENCED THE
CULTURAL DIFFERENCES. BUT JON THE GUITAR MAN ANO WILL
THE ORUMMER HAVE TO YET TO TASTE THE MANY DELIGHTS OF
YOUR EXPANSIVE CONTINENT.
HRR: HOY 00 THE AMERICAN BANOS 00 IN EUROPE?
WELLY: VERY YELL. I SHOULO IMAGINE. ESPECIALLY IN
GERMANY. THE U.K. YILL ONLY EVER SEE FOREIGN BANDS
OOING A HANDFUL OF DATES. CUZ BASICALLY IT'S NOT AS
LUCRATIVE AS THE CONTINENT. BUT THERE'S A MASSIVE FOLLOWING FOR
ANYTHING AMERICAN. IF U.S. BANDS STARTED YEARING POLKA DOT COY-
BOY HATS AND HIGH HEELED SKATEBOARD TRAINERS. THEN ALL THE KIOS
WOULO BE WEARING IT OVER HERE.(SOMEQNE DO IT PLEASEOTKEAOVENT
OF THE YHOLE FAT /EPITAPH PHENOMENON FOR THE FIRST TIME SAY U.S.
BANDS FULLY CREATE THEIR YON TOTALLY AMERI-CENTRIC IMAGE AND
SOUNO. BEFORE THAT EVERYTHING YAS PRETTY MUCH BASED ON U.K
STYLE.I'LLLEAVEITTHERETHOUGH.CUZIKNOYHOYMUCHHATEMAILI'LL
ONE TO MY FAVORITE LABEL.
SPONSE FROM ANY OTHER LABEL
WASN'T EXPECTING ANY-
IMME0IA1ELY AND YANTEO
WHILE TO YORK THINGS
PHONE. FAX MACHINE
YAS ALWAYS THE
STATURE TO
LEASES EURO-
WON'T FIND
RELEASE A
YHITE AN-
3
.
j^iS
mmmt
i
iSWta
GET IF I START MAKING SUCH LUDICROUS STATEMENTS AS
YAS CREATED ANYWHERE ELSE BUT IN OKLAHOMA IN 1873
MRR: HOW OID YOU WORK THINGS OUT WITH BYO SINCE
YOUR ALL THE WAY FROM EUROPE?
WELLY:I HAD AF'EW7"S LEFT ANO
REALIZEO THAT i '
HADN'T SENT
AYINGPUNK
SORRY!
HADN'T HAD ANY RE-
I'O SENT ONE TO. SO I
THING. BUT THEY PHONEO
TO WORK WITH US. IT TOOK A
OUT. BUT YE OIO. VIA THE
ANO POSTAL SYSTEM. B.Y.O.
ONLY REAL U.S. IABEL OF IT'S
OVERCOME PREJUDICES ANO RE-
PEAN BANOS. STILL TO THIS DAV. YOU
MANY U.S. LABELS WHO ARE PREPARED TO
U.K.BAND.UNLESSOFCOURSE IT'S ABLACK ANO
ARCHO RE-ISSUE FROM 1982!
MRR: 00 YOU THINK BANOS LIKE
CHUMBAWAMBAANO BAD RELIGION.
THAT HAVE STRONG POLITICAL BE-
LIEFS AGAINST SELLING OUT
SHOULO JUST KEEP THEIR MOUTH
SHUT IF
THEY'RE GOINGJ
AGAINST WHAT1
THEY HAVE
PREACHEO FROM
THEIR INCEPTION?
WELLY: BAD RELIGION
WAS ONE OF MY FAVORITE BANOS
FOR A LONG TIME. SO I WAS PRETTY
OISGRUNTLEO WHEN THEY SIGNED
TO COLUMBIA. SO MUCH SO THAT I
HAVEN'T BOUGHT THEIR RECORDS
SINCE. fWAS ALWAYS INSPIREO BY
THEIR LYRICS. ANO NOW IT'S LIKE
EVERYTHING THEY EVER SAID HAS
BEEN TARNISHED BY THEIR COR-
PORATE DIRECTION. I HAVE NOTHING AGAINST A BANO BEING POPULAR.
BUT IF A BAND IS THAT POPULAR THEN THEY DON'T NEEO TO SIGN TO A
MAJOR IN OROER TO FURTHER THEMSELVES. IN THE WAKE OF
THE YHOLE GREEN DAY THING. HOY MANY BANOS SIGNEO TO
MAJOR'S ANO THEN PROMPTLY DISAPPEARED. SPLITUPOR
GOT DROPPED? IT'S RIDICULOUS. THE BANDS USETHE
EXCUSE THAT THE MAJOR YILL BE ABLE TO GET THEM
ACROSS TO MORE PEOPLE. BUT THEN THEY ALWAYS
FIND. THAT NO ONE KNOWS ABOUT THEIR RECORD. NO
ONE CAN GET A HOLD OFTHEIR RECORD OR HAVE TO PAYA
RIDICULOUS PRICE FOR IT. IF A BAND THINKS THAT THEY ARE T H A T
POPULAR ANO YANT TO MAKE MONEY. THEY YILL MAKE FAR MORE BY
RELEASING STUFFJHEMSELVES ANYWAY. AS FOR CHUMBAYAMBA.I GUESS
THEY THINK THEY'RE STARTING THE 'REVOLUTION FROM WITHIN" BY PRO-
VIDING OH SO REBELLIOUS CHART MUSIC FOR MIDDLE CLASS STUOENTS.
BUT WHAT I OON'T THINK THEY REALIZE IS THAT BY BEING SO INTELLECTU-
ALLY CLEVER ANO SUBTLE WHEN MAKING A POINT TO THEMASSES. IS THAT
THE MASSES COMPLETELY MISS THE POINT. BECAUSE THEY OON'T YANT TO
HEAR ONE. THEY ALWAYS STRUCK ME AS UPPER MIOOLE CLASS ART STU-
OENTS DABBLING IN THE THEORIES OF ANARCHISM ANO LOOKING OOWN
THEIR NOSES AT PUNK ROCK ANYWAY. SO IT
OION'T SURPRISE ME WHEN THEY SIGNEO TO
LABEL THAT THEY SPENT TEN YEARS OPENLY ANO
OBSESSIVELY CRITICIZING. BUT I GUESS 'CORPORATE
KNOCKING' IS OUT OF VOGUE FOR THE '90S BOURGEOIS
ANARCHY-ELITE. AS FOR BANDS LIKE THIS KEEPING THEIR
MOUTHS SHUT. YOU'VE GOT 10 BEAR IN MIND THAT ANYONE'S BELIEF'S AT
ANYTIME YILL ALWAYS BE FROM THE POINT OF VIEW OF THEIR PRESENT
SITUATION. SO THEY PROBABLY DID MEAN YHAT THEY SAID YHEN THEY
SAIO IT. BUT WHEN CIRCUMSTANCES CHANGED.1HEY HAD TO JUMP SHIP
YITH THEM. I'M SURE EVERYONE KNOWS SOMEONE WHO SAYS 'FUCK
YORK' YHEN THEY'RE UNEMPLOYED AND THEN 'GET A JOB YOU LAZY
BASTARD!* YHEN THEY'RE YORKING. IT'S SYMPTOMATIC OF BEING
HUMAN.YHEREDOISIGN?
MRR: ANY LAST COMMENTS?
WELLY: THANKS FOR TAKING THE TIME ANO INTEREST IN OUR DUMB
PUNK BANO. EVERYONE HAS TO BUY OUR ALBUM ANO
ANO YATCH US PLAY FROM JUNE TO AUGUST
THROUGHOUT THE U.S.. HERE'S ONE I JUST MADE
UP; Q:HOYMANY MIOOLE CLASS STUDENTS OOES
IT TAKE TO CHANGE A LIGHT BULB? A: TWENTY. ONE
TO GET HIS MOTHER TO 00 IT BECAUSE IT'S BE-
NEATH HIM. ANO NINETEEN TO HOLD A BUSINESS
FORUM ON THE POSSIBILITY OF FUTURE CAREER IN
EXPLOITATION! YAK YAK YAK. TAKE CARE Y'HEAR.
OON'T LOOK DOYN!
COME
icamtration
I first discovered New
York City's Ricanstruc-
tion by accident, when I was ~^T i n
vited by some folks from a low- er East
Side squat to a pirate radio station benefit
that the band was doing at ABC NO RIO.
That night Ricanstruction surprised and
amazed everyone with their angry fusion of
political punk and subversive Salsa I've
been following them around ever since.
This interview with kad vocalist Ras Alano
was conducted before a recent show at
CBGB. Interviewed by Sparrow. Photos by
Sam LaHoz.
MRR: So you have a new release out on
CBGB Records. Is that label connected
with this infamous club?
Alano: Yes, it's the club owner Hilly Kristal's new
label.
MRR: How did that come about?
Alano: We played CBGB a few times and one day
Hilly approached us about doing something on a
label he was planning to start up. It seemed like a
good idea.
MRR: I've seen you guys several times
now, everyhere from a squat benefit for the
Zapatistas, to a Tompkins Square Park
Riot commemoration show, and one thing
I've noticed is that your audience seems to
be pretty diverse. Was this cultivated?
Alano: I wouldn't say cultivated. This was just the
audience that was there when we first started
playing. They came to a show and never left.
MRR: Although you guys are confronta-
tional in your approach, it seems to be
directed at some outside force, where the
audience always seems to be right along
side you waving their fists at that unseen
enemy.
Alano: When you do a show for a Latin Ametican
Guerrilla organization or political prisoners you're
bound to get a certain kind of audience. We do a lot
of shows for non-mainstream causes, so we tend to
get a lot of conscious people who are not susceptible
to any of the real enemys' schemes.
MRR: What are the enemys' schemes?
Alano: There are many. Divide and rule isjust one.
MRR: Speaking of dividing and conquer-
ing, I heard you're doing a showin Ohio for
the Anti-Racist Action Network which,
from what I know, is an organization that
does things like chasing Nazis out of town
and keeping the KKK from having march-
es. But it seems like these types of actions
just interfere with freedom of speech and
are not the answer to fighting Racism.
Alano: I'm no spokesman for the ARA, but I think
they do a little more than just chase Nazis around.
From what I know, they basically keep people
aware that racist organizations still exist and are, in
fact, thriving right here in these Un-united States.
They also try to serve notice that wherever racism
rears its ugly head there will be someone there to
counterattack.
MRR: But what about infringement on cer-
tain freedoms, such as freedom of speech
or freedom of assembly? Don't racist have
rights too?
Alano: The issue of freedom of speech is definitely
an important one. Obviously, everyone should
have a right to speak their mind or assemble
whether we agree with their views or not. But still
we have to understand the difference between
infringement of rights and self defense. If it's some-
one's goal to destroy you through the use of white
supremacy, you'd be a damn fool not to defend
yourself.
MRR: So when does "self defense" against
racism cross over the line and become
censorship?
Alano: It's really more a question of when does
racism cross over the line and become a declaration
ofwar. Self defense against attacks shou 1 d never be
considered the crime. You have to understand that
White Supremacy isn't iust some cute
ignorance to chuckle about. It's not
just Archie Bunker in some harmless
TV sitcom, you dig? On a historical
level, it's a tool of downpression, a tool
of slavery, of annihilation. Just ask the
Africans brought over in chains who
didn't make it through the middle
passage, or all those who were burned
or lynched or bombed sometime in
North America's sordid history. Or
the Native people of the Americas
who are extinct because of policies of supremacy.
Oh well, I guess we can't ask them, can we?... So I
guess you'll just have to take my word for it.
MRR: But does this bring us any closer to
ending racism?
Alano: White Supremacy won't end until the vic-
tims or those practicing White Supremacy decide
that it will end. If the instigators of White Suprem-
acy suddenly acquire a conscience and a spiritual
and intellectual awakening, White Supremacy will
end. However, since history shows us that this is
doubtful, it's up to the victims and their sympathiz-
ers to end it.
MRR: So how does all this relate to your
music?
Alano: We try to make our music an expression of
a higher ideal, so our music embraces brotherhood
and sisterhood, and with true brotherhood and
sisterhood their would be no racism.
MRR: Sometimes when bands with a polit-
ical message play to tbeir audience tbey
tend to be preaching to the converted. Do
you guys ever try to branch out to audienc-
es who might not be quite so receptive?
Alano: Obviously people who are racists or against
liberation struggles aren't generally going to be the
kinds of people that come to see a band like Rican-
struction. After all, we are named after a captive
nation that's been a colony of the U.S. for one-
hundred years. We don't make any bones about
being against imperialism and exploitation. We do
support the struggle to free Puerto Rico and all
people. We don't make any excuses or apologies for
our beliefs. Most of the people who come to see us
tend to be about the same vibe, although we also
get people who just came to the show because they
like ehe music and don't care too much about the
"politics" one way or the other. But that's cool too,
because those are the people I usually end up
reasoning with after the show, you know. We also
don't mind if people who are against our beliefs
come to our gatherings.. .we've got something to
say to them too.
MRR: So what's more important, the mu-
sic or the message?
Alano: The music is the message.
MRR: It's funny, when I first saw you guys
at Bullet Space with the congas and stuff I
was expecting Santana or somthing, but
you guys kind of surprised me by combin-
ing hardcore with salsa, do you consider
yourselves to be hardcore or salsa?
Alsno: Salsacore. Actually, neither, we don't get
caught up in labels.
MRR: But you've been called a hardcore
band.
Alano: Yes, but the definition of the word hardcore
is to be uncompromising to be hardcore is to be
straight up, real, practice what you preach. . . to hell
with labels.
MRR: I recently read where someone
called you "Puerto Punk". What does that
mean?
Alano: I don't know, I guess it's someone's way of
saying we're Puerto Rican Punks.
MRR: Is there really such a thing?
Alano: I suppose it depends on how and if you
define punk. I know for some people punk means
playing a specific kind of music and dressing and
thinking a certain way. Behavior and actions dic-
tated by an imaginary regulatory handbook where
anything that diverges from that book of rules is not
punk. I guess for some people a Puerto Rican or
any other Latino could never be a true punk unless
we stop dressing like Latinos and listeningto Latino
music. ■
MRR: So where does that place you guys?
Alano: Well, I always felt that the real definition of
a punk was someone who was an outsider, unac-
ceptable to the shitstem. A rebel who resists the
machinery of power and fought tooth and nail not
to be consumed by it. Someone who makes their
own rules and lives their own way no matter what
the fuck anyone else says or thinks. This to me is
also the definition of a Puerto Rican. We've been
downpressed for hundreds of years and have resist-
ed and survived. And we continue to resist. That's
life and that's political. Maybe it's punk, I don't
know. But I do know it ain't no fashion statement.
MRR: So as a Latino doing punk, do you
approach it differently?
Alano: I grew up listening to salsa and soul, Hip-
Hop and Jazz and a whole lot of othermusic that
people have given names to. Not just one kind of
music. I was always open to everything, so when I
discovered hardcore back in the day, I was down
with it right away. I liked it for its raw and angry
edge and for it's potentially subversive strength.
But when I started playing it, I didn't lose myself
completely to it. I was still someone who had
experienced life in the inner-city, in the Latino and
African diaspora, you know. In many ways this is a
very different world from the one that exist in
"punk" circles. People in the black ghettos of North
America don't necessarily have time to wave any
kind of freak-flagjust for fun; life alone is too much
of a daily struggle, mere survival is the priority, and
resistance the necessity. Our reality is the struggle,
the ghettos, poverty, racism, Fidel Castro and Che
Guevara, Malalcolm X and Huey Newton. Sla-
very and invasion, and cultural theft and spiritual
insult. This is a world that "punk' tends not to deal
witb, maybe because it's foreign to a lot of so-called
punks, I don't know. But this is part the experience
of Latinos in North America, shit, people of color
in North America, and it couldn't be denied. So it
seemed perfecdy natural to incorporate all these
things into Ricanstuction's music.
MRR: So who were some of the bands that
influenced you along the way?
Alano: There have been so many inspirations, you
know. That's hard. Anything thats ever moved me
becomes part of the art and the culture and the way
of thought. From The Clash, to Bad Brains, to
Crass and the DK's. Minor Threat, the Minute
Men; mosdy stufF with a degree of consciousness,
you know. LKJ and Steel Pulse, Burning Spear,
Fela and Marley, of course. Shit, Andres Jimenez
and Roy Brown, and Ruben Blades, Willie Colon
aad La Protesta. Coltrane and Miles andjaco,
Baretto and Ornette Coleman and Monk. Can you
get to that? Always looking for that edge, that
message, that sense of awareness.
MRR: And what about today's Punk scene?
Alano: Well, there are some bands that I like, such
as Antiproduct, Los Crudos, Negu Gorriak, but, I
feel like there's way too much reguritation of what
was done before. We've already had a Clash a long
time ago, do we need ten others now? I think we
should be seeking to expand and search and sub-
vert, experiment with the music, and not be afraid
of change. . . change is revolutionary. I'd like to see
less regurgitation and more subversion. As far as
the punk scene, in general, I think it still thrives in
its own way. There's still alternative forms of me-
dia, like pirate radio stations and underground
zines and mags all over the place, and indepen-
dently run punk spaces and record labels. And the
punk movement is global, there are punks from
countries other than the US and UK who still live
and breath the punk ethic. They still truly believe
in PMA and DIY and carry the message forward in
their hearts if not necessarily in their haircut.
MRR: So do you use Hardcore as a means
of getting out your political messages
about life as a Puerto Rican?
Alano: We use the music as a means of bringing
forth the message of humanity. Art, to be meaning-
ful, has to maintain its organic roots in the masses,
reflecting their trials and tribulations, joys and
sufferings. Music, hardcore or otherwise, has to
retain its connection with life without sacrificing its
aesthetic worth. Ricanstruction's never classfied
itself as a political band, per se, we generally don't
like messin' wit' politix, you know. But if life is
political, and it is, then there's no avoiding it. Being
apolitical is still a political stance, you dig? So if
we're gonna discuss the things that affect us then we
have to discuss poverly and exploitation, wage
slavery and downpression, war. . .and peace. Inev-
itably these thing all lead to the evils of capitalism
and the vital importance of burning down Baby-
lon. But, once again, this is not deliberate. We're
just talkin' 'bout life, man. Talkn' 'bout Babylon.
MRR: What exactly is Babylon?
Alano: Pure wickedness, man.
MRR: What?
Abno: Check revelations, man.
MRR: So is punk your means for burning
down Babylon? *
Alano: I think music can be a tool in the struggle
against the downpressor, yes.
MRR: How so?
Alamo: It serves as food for thought for starvng
minds, you know. It's a means for creating a dia-
logue about what's happening in our world, good
and bad. Sometimes it just puts the message out
there and sometimes if offers or demands solutions.
With music, whether punk, Hip-Hop, Salsa, reg-
gae, or any other music with an ear to the streets,
you have the potential of reaching people with
words and thoughts that may be foreign to them.
Ideas that may be new to them or that they may
have preferred to ignore or avoid or even run away
from. Music can make you think. It can either
embrace you, grab you by the thoat or punch you
dead in the face. Music can impel you to act, to fight
for what
you be-
lieve in,
and
against
what you
don't. It
makes you
move! It's
t h e
soundtrack
for revolu-
tion. It
can drive
you to
build. ..or
destroy.
MM
15 &§>
On April 14th, I was in the audience at the
Chameleon Club when the Streetwalkin' Cheetahs took
the stage. They had just rushed in from a gig in Modesto
and started their beer tabs rolling. In no tune they had
the power chords flying and the audience moving
forward into the pumping waves of the twin guitar
attack. Before the second song was over the bass player
launched himself into the crowd and was smothered in
a pile of bodies. He came up from the mass with mad
f Teaming eyes and a deep cut on the bridge of his nose.
Hood flew onto his strumming hand as he shook his
head to the savage beat layed out by the teeth gnashing,
eye patch wearing drummer who sat behind everyone
looking like the scent of human blood in the air was
intoxicating madness. A group of guys up front began
giving the singer the two fingered satanic salute and
yanking at his clothes. He obliged them by leaping off
of the stage with his guitar cutting sound chunks out
of the air. He landed on his feet and continued playing
a solo that Chuck Berry might have smiled at. The
people of the pit stood back for a moment in awe of
the sound before converguig upon him snuffing out
the guitar with their bodies, when the singer finally
made it back onto the stage it was time to start the
fourth song. The band was warmed up and snarling.
Sadly, this interview had to be conducted through the
mau, the Cheetahs are baaed in Los Angeles, and only
two of the members were available to answer my
stunning questionnaire. Please picture all of us in the
same room drinking PBR and grinding cheap smokes
into our faces because that is the way I want to
remember it. Interviewed by Jeff Porterfied.
MRU: All right, the standard questions; Who is in the
band, what instrument do you play and what was the
first record you bought or what record was the first to
have an impact on you?
Frank: The Cheetahs are made up of myself on vocals
and guitars, Art Jackson on guitars and vocals. Dino
Everett on bass and vocals, and Matt Spiezer on drums.
The first record I bought was the soundtrack to the
Muppet Movie when I was like eight vears old. I loved
"Electric Mavhem"! But the first rearrecords I bought
and actually Inspired me to plav were "Never Mind The
Bollocks", *"Rock & Roll HigTi School". Fear's first
album, Joan Jett's "I Love Rock n Roll" and Cheap
Trick's "Live At Budokan".
Dino: The first records I remember buving and having
an impact oil me were albums like the 'live at CBGB's
record, the NT Dolls first record, KISS and anything
from NT. I was living in New Hampshire and it just
seemed like that was the only
place in the world that had cool
music. I can't remember the actu-
al first one purchased. I had lots
of records mavbe "Little Willy"
by Sweet.
MRR: Tell us what song you
would love to cover but never
will and why? . ,
Frank: I'd love to cover He s A
Whore" bv Cheap Trick or do a
punk version of an old Stones
song or something. I'd also love
to do a cool old blues song and
rock it out, like something bv
Howlin' Wolf, Buddv Guv. or
Muddv Waters. But I don't think
the rest of the band would go for
it. Mainlv we cover songs we all
agree on" like "Faster & Louder"
bv The Dictators, "Looking. At
Tou" bv The MC5, "Do The Pop"
bv The Radio Birdman. and
"Cherrv Bomb" bv The Run-
awavs. Those tunes seem to
be tailor made for us!
Dino: Anvthing bv the Sex
Pistols but never would
because it just doesn't
work, bv the time those
songs were recorded for
Bollocks they had
reached a level of per-
fection that would nev-
er be reached again not
even by the Sex "Pistols.
MRR: Who are the influ-
ences that no one seems
to mention when they de-
scribe your soimd? There
must be someone who you
know is behind your sound
that no one picks up on;
Frank: The oovious influences
are the Detroit and New York
punk bands from the late 60's and
70's, but I think if vou listen
carefullv vou can hear bits of
British bands like The Damned
and Sex Pistols in our sound, and
hard edged power pop bands like
The Flaming Groovies and Red
Kross. We trv not to shv awav
from writing good, hooky songs.
I mean, we plav everything fast
and furious, but we want the
songs to stick in peoples heads.
So for everv mind numbing, loud
and proud, chainsaw rock attack
song like "Built For Speed" or
"Disease", vou get a cool, quirky
pop song or two like "Pepper-
mint."
Dino: I think anvthing youve
ever listened to whether you
liked it or not is an influence yet
Seople just mention for us the
IC5, Stooges (which I don't
think we sound like) Radio Bird-
man, Dead Boys, but we all have
huge record collections with ev-
erything from Crass to Nick
Lowe to Robert Johnson to Ma-
donna in our "stuff we like" piles
so the influences are endless. I
like lvric heaw folk stuff like
Phil Ochs and Penelope Houston
but that would never be picked
out of our sound I guarantee.
MRR: What band or musician
from the past would you have
liked to have played with?
Frank: I'd love to have played
with Stiv Bators, Fred Sonic
Smith or Johnnv Thunders.
Those guvs are some of our fa-
vorites and it's a drag they're
dead. Other than that, we been
reallv luckv and have managed to
plav "with most of our heroes like
WaVne Kramer from the MC5,
Deriiz Tek from Radio Birdman,
Cherie Currie from The Run-
awavs, and I even got to plav with
Bob'Dorough, the guv who wrote
and sang all the old Schoolhouse
Rock classics. Now that
was __^^^_ a
blast!
Dino: None of
them. I got far too much enjoy-
ment out of listening to them.
MRR: If you had to sum up the
core belief or aim of your Dand
how would you?
Frank: The Streetwalkm' Chee-
tahs are all about high energy and
not giving a fuck, i know that
everv band savs thev don't care
about anvthing, but with us it's
different." WeTe not trying to
convince anvone that we re the a
bunch of bad-ass punks. We're
not all dressed up in mohawks
and leather jackets with their
Operation Iw patches promi-
nently displaved in all the right
politfcallv incorrect places. We
could give a fuck about looking
cool or being cool in the eves of
the punk communitv. or anv oth-
er communitv for that matter.
The onlv thing we care about is
writing "good songs and putting
on the best fuckin' live show
vou've ever seen!
Dino: The aim for me is to keep
it enjoyable. That's all I'm con-
cerned with. I gave up thinking
vou could make lots of money
doing this vears ago. I have verv
strong feelings about different
things but I don't think it's neces-
sary to clutter up this band with
it as I've seen too many bands
that go that route and then all
thev wind up doing is explaining
whv thev aren't still clinging to
that idealistic view thev had earlv
on in their career when thev
thought thev could change the
world.. Ain't" gonna happen so
whv bother... whv can't music be
intended solelv" for the enjoy-
ment of it (whether on the part of
the plaver or the listener) If
someone gets something out of it
great then they are the ones to
talk to.
MRR: Which do you prefer re-
cording or/playing live?
Frank: Recording is fun, but
plaving live is where it's at. I
mean, I love going in the
studio and making records
and I love sitting around
and tweaking the mixes to
get what vou want, but
there's no immediate pav
back. You don't get the
reaction of the crowd to
pump vou up. Playing
live is the best because
vou're affecting people.
You're not changing the
world or anything, but
vou are having a direct
affect on peoples lives for
that 30 or 40 minutes that
vou're plaving in front of
them That's" whv I can't ever
understand all "these shoe-
gazer bands that just stand
around staring at the floor during
their concerts. Jesus, wake up!
Dino: I would ^prefer to record all
of our music live and then send it
out to the world. I hate recording
with a passion because that s
when it seems evervone (band
members, engineers, "label guys,
managers, etc.) decide to change
a song that vou've plaved hun-
dreds of times live but now thev
think it needs this much reverb or
this much echo or "let's change
this part"...I am an avid collector
of bootlegs for just that reason,
bootlegs let vou near the version
of the song "exactlv the wav the
band plavs it. So manv bands get
into the studio and lose the con-
trol over their songs and what
thev are left with is the musical
vision of some dickhead who
probablv never plaved an instru-
ment.
MRR: Give us a couple juicy
anecdotes from your live shows.
Frank: Man, everv show has a
weird anecdote! Well, I'll give ya
a couple of highlights. There was
the time I broke a bunch of
bottles while rolling around in
the pit and had some kid grab a
piece of glass and trv to cut mv
wrists. I had to bitch slap him.
Then there was the time I ate a
bunch of popcorn before we went
onstage ana proceeded to puke it
all up during the last song. It was
just a steamv mess of white and
green good "all over the stage.
Then there was the time Dmo
leapt off the stage and into the
crowd and broke his bass and two
ribs. Or the time when me and
Dino got into a fist fight onstage
in Bakersf ield. We played an out-
door gig in New York once where
Art beat his guitar so bad with his
fists that he ended up covered m
blood and broke the guitar in
half. One time we did a gig m
Woodstock, NT where we all ate
this mushroom and honey mix-
ture before we went onstage.
Man, we were flying high for like
ten hours after that shit!
Dino: I think my favorite thing
that ever happened at a live show
was when we opened for Sympo-
sium at the Whiskev and my bass
went out near the end so I was
just swinging it around and de-
stroyed the mike stand and then
the "Whiskev people wanted to
charge me $75 for a mike stand.
I'm standing there on stageyell-
ing back and forth with the Whis-
kev people and then Derrick
from the B-Movie Rats runs up
on stage and starts telling them
that he broke it and they cant
blame us for what a fan did. That
showed me a level of camarade-
rie and unitv I haven't seen m
vears in L.A., verv few bands here
like other bands..".I miss the unity
of the old davs because punk rock
now is a monev maker for record
companies the mentality of the
folks plaving it have charlged
nobodv wants you to succeed
faster "than them, etc... when I
started plaving it was because we
didn't like "what we saw up there
on stage and we were gonna
change that fact by doing it our-
selves and to tell ftie truth I still
don't like what I see. not enough
bands give it their all when they
play live.
MRR: Who are your favorite
unsigned groups? Who do
you feel deserves more at
tention?
Frank: My favorite
unsigned or indie
bands are: The
BellRavs, a kill-
er punk soul
band outta
River-
side. The B-Movie Rats, a great
L.A. band we plav with a lot. The
Hellacopters oufta Sweden are
one of mv favorites, as are The
Donnas and Nashville Pussy. I
also love Texas Ten & The Stiff
Ones, Doorslammer/The Egoma-
niacs, The Black Widows, The
Skeletones, The Demonics, Blaz-
ing Halev, and Electric * ranken-
stein. I think Nashville Pussy are
gonna be huge and I think the
Hellacopters would be really big
in the States if they ever tour
Tier©
Dino: Unfortunately I am not too
up on the newest bands I will say
that here in LA. The B-Movie
Rats and the BellRavs are my
favorites, but I still think the
world is missing out on some
great forgotten stuff like Crime.
Thev were a great band that
never reallv put anything out,
even the Avengers records are
impossible to find...I say go back
and discover what you missed
and chances are whatever band
vou think is gonna set the world
on fire probablv lit their match
from one of these older unsigned
forgotten bands.
MRR: If you had the power to do
so, which band would you have
permanently removed from the
radiowaves? , _ ..
Frank: That's a tough one. I really
don't listen to the radio because!
think it's all crap. So to have to
pick one band outta all those
shittv groups is tough. I guess I d
have to sav...Chumbawumba.
Those guvs are the biggest sell
outs of them all. They used to be
part of the whole Crass DIY
Anarchist scene, and now they
are one of the worst pop bands
ever! I hate that song Tub
Humping" song, or whatever it s
called. It makes want to kill! .
Dino: Rather than removing
something that maybe someone
out there wants to hear I would
like to see more choices available
on the radio, I am
prettv much rele-
gated to listening
to Sports talk ra-
dio as I
don't
feel
musicallv there is anything on
there for me..True there are col-
lege stations that play just about
evervthing but vou pretty much
have" to sit in the parking lot of
the school to pick em up.
MRR: What do you see as the
future for your band?
Frank: I hope that in the future
we get to tour more often. Its
reallv hard to tour at this level
because vou have to leave your
dav job to do it and then you don t
make anv monev on the road and
vou come back poor, broke and
homeless. I've done it many a
time and will do it again, but it d
be a lot easier and a lot less
stressful if someone would help
us. We do evervthing ourselves.
Everything. Everv tour weve
done'has been us scammmg our
wav on board and just winging it.
It's" worked out so far. but it dbe
nice toget decent booking agent.
Dino: We will eventually break
up like all bands. Beyond that I
couldn't tell you.
MRR: Lastly, any upcoming
plans, tours, stuff? (This is a good
time For the promo material) .
Frank: We're going on tour this
summer with Brian James from
The Damned, Then we're doing a
headlining club tour and some
dates with The Skeletones. We
have a new single out, it's a cover
of "Cherrv Bomb" by The Run-
aways with their original singer
Cherie Currie on lead vocals. The
B-side is a song Art sings called
"Burn Silver Lake Bum. It s our
anti-Silver Lake anthem written
against all those art rock fuck off
bands in that part of Hollywood
who couldn't put on a good rock
and roll concert if their life de-
pended on it. For people who
don't already have our shit,
there's an album called Over-
drive, an EF called Heart 1 ull Of
Napalm, and a single called Do
The Fop" with Demz Tek.
They're all on Alive/Bomp
Records. You can find it in stores,
or order it through them. Other
than that, just check vou local
paper for us 'cause we'll be com-
ing to vou town soon to burn
the mo'ther ^■tate^ fuck-
er down!
^ttORWR
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Illumination Records
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Send all yer cash or money orders
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Email:dgq@walrus.com
Rock
and
Roll
1-94 Recordings Presents
A Rock 'n' Roll Extravaganza
That will leave you...
"DRUNK ON ROCK"
The Hookers
The Reclusives
Murder City Wrecks
Screaming Bloody Marys
Jeff Dahl & The Kevin K Band
The Dragons
Johnny Wreckless
Dead Flower Bloom
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The Ca$h Registers
The Candy Snatchers
• Puke-A-Rama
The Short Fuses
The Chinese Millionaires
The Bulemics
TheSinisters*
Rocket 455
Electric Frankenstein*
Asteroid B-612
The Lovemasters
The B-Movie Rats*
The Weaklings
Nashville Pussy
Rick Blaze & The Balusters
The Morning Shakes
Alan Valentine & The Drugstore Cowboys
All Previously Unreleased Except *
SMASH IT U P
p r e .-> e ft t >"...
Coming Soon:
TRASH BRATS
1991 Debut
First time on CD
Remixed and Remastered
With bonus tracks
"DRUNK ON ROCK" CD
$10 ppd U.S. / $12 Elsewhere
1-94 Recordings
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TOKEN ENTRY - FROM BENEATH THE STREETS LP/CD
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Remastered with 1 3 killer bonus tracks on the CD (studio
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SWEET DIESEL - SEARCH AND ANNOY EP
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THE TEMPLARS- 1118-1312 MINI-LP
Latest from America's top Oi! band. On CD (with 3 bonus
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While I am not a big fan of Black Flag, I do rec-
ognize their place as "Pioneers of Punk". The stuff
by Black Flag that I do like, I like a lot. However,
Black Flag went through so many personnel changes
that caused their sound to vary so much I could hardly
consider them the same band. Gregg Ginn is the com-
mon denominator that kept Black Flag un-
der one moniker. A pretty remark-
able feet, considering he struggled
to keep the band together for near-
ly a decade, dealing with all sorts
of personality conflicts and all the
other bullshit that comes with be-
ing in a punk band.
Even early on Black Flag went
through many line up changes, fi-
nally becoming semi stable with
Keith Morris on vocals, Greg Ginn
on guitar Chuck Dukowski on bass
and Robo on drums. This remains
today my favorite version of Black
Flag, mostly because I like Keith Mor-
ris and do not like Henry Rollins. The four
joined in Hermosa Beach, California (near
L.A.). As many other early punk bands the
circus acts of rock and roll had become too
pompous and boring for their tastes. The first
Ramones album lended a new direction, a
simple more aggressive sound that was real.
Something they could identify with. It was
1977 and Black Flag was born. They quick-
ly earned a reputation of being a wild and dan-
gerous live act. Their popularity grew almost imme-
diately. They recorded some demos, that would later
be released on their own label, SST, as the "Nervous
Breakdown EP". To me, this is a must have, as well
as all recordings with Keith Morris. Black Flag was
developing their style at a time when punk rock was
coming into it's own. California did not want punk
rock; neither did the rest of America, and the law
did what ever it could to stop puck rock, alas to no
avail. Black Flag's shows were exciting and explo-
sive, and like Johnny Appleseed, they were spread-
ing the energy and influencing people everywhere
they went. They were proving that it did not take
great musician, nor years of extensive training to be
in a great band. Their energy and excitement was
contagious. But their ever-changing line-up problems
did not go away. Keith Morris quit the band and went
on to form the Circle Jerks, taking some songs a
long with him. Keith was replaced by Chavo Ped-
erast for a year-and-a-half , then Chavo was replaced
by Dez Cadena, my second favorite Black
Flag singer (Keith being my favorite). It was
with this line up that Black Flag went on its
first US tour. It was late 1980; the band
made its way to New York, spreading their
excitement along the way, to an even big-
ger audience.
Black Flag was growing in popularity
by leaps and bounds; they became one of
America's biggest punk bands, bringing
punk rock to a much larger audience.
Black Flag had been releasing
records on their own label
SST. MCA Records almost
picked them up, but after
hearing the "Damaged"
record they decided that
Black Flag were too "anti-par-
ent" and did not pick the band
up. Black Flag could not es-
cape line-up problems. After a
UK tour in 1981, Robo decided
to stay in England. Bill Stevens
was brought in to play drums.
Steverns (from the Descen-
dants) was trying to reach con-
obligations with SST, but was not
into the band. Many more line-up changes followed
with: Chuck Biscuits, Kira Roessler, Henry Rollins,
etc., etc. I am almost bored talking about Black Flag
now.
The Black Flag phenomena is certainly an im-
pressive one. Greg Ginn's drive and struggle to keep
the band together is something to take note of. I'm
sure most of you are familiar with T.V. Party and
Six Pack. My recommendation is to check out the
"The Decline of Western Civilization" video, and any
early recordings with Keith Morris. There is a ton of
Black Flag stuff out there, official and unofficial.
Check it out for yourselves.
tractual
Black Flag Discography :
• Nervous Breakdown/Fix Me
Ie//I've Had It/Wasted
(SST Records SST-001) -78
•Jealous Again (12" EPs: Revenge/White Minority/
No Values /Jealous Again/You Bet We've ... (SST
Records SST-003) -80
• ** LP ** Damaged (Unicorn/SST Records
SST-7) -81
•Depression/Rise Above (Timecoast) -81
•Louie Louie/Damaged I (Posh Boy PBS-
13) -81— later re-release (SST Records
SST- 175) -88
•Six Pack/I've Heard It Before/Ameri-
can Waste (SST Records SST-005) -81
•TV Party //I've Got to Run/My Rules
(SST Records SST-012) -81
• ** LP ** Everything Went Black (com-
pilation) (SST Records/Cherry Red SST
15) -82
• ** LP ** My War (SST Records SST-
023) -84
•Slip It In/??? (12") (SST Records SST
12001) -84
.** L p ** Family Man (SST
Records SST 026) -84
•Family Man/I Won't Stick
Any of You Until I Can Stick
All of You (12") (SST Records
SST-1200D-84
.** LP ** Slip It In (SST Records
SST 029) -84
• ** LP ** First 4 Years (first
cassette, later also as LP; SST
Records SST-021) -84 - re-release
on CD .
• ** LP ** Live -84 (first cassette,
later also as LP; SST-030) -84
later also as CD (SST-CD-030) -97
•Keep It in the Family/??? (12")
• Process of Weeding Out (12" EP; inc:
tals; SST Records SST-037) -85
• ** LP ** Loose Nut (SST Records SST-035) -85
• ** LP ** In My Head (SST Records SST-045)
• ** LP ** Who's Got the 10 1/2 (live) (SST Records
SST-081; cassette and CD have extra songs) -86
•Annihilate This Week (12 " EP; liveja samalta keikal-
ta kuin 'Who's ...' SST Records SST-081) -86
• ** LP ** Wasted Again (compilation; SST Records
SST- 1 16) I Can See You (3 " CD-single; SST Records
SST-226) -89
• ** CD ** Damaged/ Jealous Again (SST)
Most important tracks on compilations:
•Cracks In the Sidewalk: Clocked In (SST/New Al-
liance NAR 001) -80
•Chunks: Machine (SST/New Alliance NAR 003) -
81
•Rodney at the ROQ: No Values (Posh Boy PBS-
106) -80
•Rodney at the ROQ Vol 8: Rise Above (Posh Boy
PBS- 123) -81
• The Future Loos Bright: Six Pack, I've Heard It
Before, American Waste (SST/Posh Boy PBC-120)
-81
•Let Them Eat Jellybeans: Police Story (Alterna-
tive Tentacles VIRUS-4) -82
•Decline of Western Civilization: White Minority, De-
pression, Revenge (all live) (Slash SR-105) -81
•God Bless America: Louie, Louie
•Rat Music for Rat People: Scream (live) (Go Records
GO-003) -82
•Blood on the ROQ: Rise Above (Quiet QLP-
3) -83
•Repo Man (soundtrack): TV Par-
ty
• Blasting Concept: Nervous
Breakdown, Jealous Again I've
Heard It Before (SST Records SST-
013) -83
•Blasting Concept Vol. 2: 1-Can See
You (SST Records SST-043) -86
•The Sound of Hollywood: ???'
• COPulation LP: ??? (Mystic
Records MLP-33128)
• Underground Hits 1: ??? (Aggres-
sive Rock-Production)
Bootlegs:
•Live SO 36 18.2.-86 (live)
• 7-11 (live)
•No Shoes, No Shirt, No Service (live)
• The Com-
plete 1982
Demos Plus
More (dem-
os + radio
show)
• Annihla-
tion (Live at
Palladium
Aug 31,
1985)
P\ll J**r-lldMjtS
On T'vinyl with
two new songs
that you wont near
anywhere else
Love Gun/You Gotta Roll
$3.75 U.S./$4.75 other
Send money to:
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harpooning the kids for five years
The Criminals
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CDEP $4.00 ppd
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WISIGOTH
"Une Hecatombs pour les Immortels" 7'
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are written Insldel This stuff Is realy Intense, with Intricate song
structures. Incredibly tight playing, and horrifying, tortured
screams from the two vocalists. Canadian Import.
T $4.20
REATARDS "Teenage Hate" LP/CD
Memphis' premier bedroom punk rock'n'roll 3 piece. On
their 1st full-length release. 15-year-old Jay Reatard and his
band have crafted 18blasts of lo-fl.hl-volume garage shred-
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guitar solos, yelling, no ska. and covers of FEAR. THE DEAD
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trials of life. love, and not fitting In. It's beautiful. It's punk. All
you have to do Is listen.
LP $7.55, CD $6.95
OUT COLD s/t CD
The Real Fucking Thing Not Some Crossover Moch Metal
Funky Mixed Up Excuse For HC. The closest thing you can get
toanalrplanecrash and surviving from this Boston band and
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THE DEAD BOYS. BLACK FLAG, and THE FREEZE, and not
Influenced by FUGAZII
CO $7.75
REINA AVEJA "Bee Complex" 7*
Heavy, heavy sludge-grlnd-crust in the vein of SLEEP or AN AL
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Into each wrenching, guttural scream, while Becky on drums
is as heavy as anybody this side of Dale Crover. Margaret on
guitar and Jessica on bass complete this hard-hitting band.
7" $3.70
ARCH VILLAINS
"We Hate Your Ugly Face" V
4 tunes of '60s-garoge-turned-evll with whining organ, reck-
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HOT ROD HONEYS "The Thrills, the Booze,
the Dope, the Chicks" 7"
Good time hardcore anthems for fans of booze, dope,
pointless anger, and insidiously catchy melodies, all the way
from Belgium. This gultar/bass/drums trio dedicates this 4-
song blue-vinyl slab 'to all we rocked, boozed and fucked
with all over the globe.' US tour coming this summer. Belgian
Import.
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3<i/lp
we are g-7 welcoming committee records, a collectively owned
and operated record label, send an ire for a catalog of music and
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any of the following cd's for S30.00 ppd: the weakerthans, i spy,
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S12.00 $11.00 U.S. ppd to: g-7 bo* 3-905 corydon Winnipeg, mb r3m-3s3 Canada cronos " netcom.ca
Tales of Terror
6-song CD $8
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RECORDS
This month's 1 st Shredder deal is a set of volumes 2, 3, 4
and 5 of the SHREDS CD series. Some of these have been
returned from stores, and may have minor defects like slight
marks or cracks in the jewel case, or may be a previous
pressing with different mastering, or previous artwork on
the disc itself, but they play perfect. The cost for the set is
$1 5 PPD! That's right, 4 great full length CD's for $1 5!!!!
Order now, because the price is going up soon. Make the
checks payable to Brett Matthews, PO Box 8345, Berkeley,
CA 94707. The SHREDS CDs compile tracks from indie
singles released in the '90s. Bands include The Fondled,
Bubble Boys, Loose Change, Broken Toys, Detroit Cobras,
Subincision, Grumpies, Discount, Krabs, Beltones,
Oxymorons, Fiendz, Those Unknown, Headwound, Fuckboyz,
Round Nine, Gob, McRackins, Stand GT, Connie Dungs, Strike,
Dugans, Parasites, Dr. Bob's Nightmare, New Speedway
Kings, Buglite, Padded Cell, The Phuzz, etc. nUBFfiTmD
► aJ"
IlKMOS
Deal #2 is the Shredder 1 Oth Anniversary box set of "The
World's In Shreds" singles, all on colored vinyl. It's a limited
edition of 1 00 that we've been saving all these years, and
we have about 40 left. Send $20 to Brett Mathews at the
address above. Check our web site for other deals.
http://www.infoasis.com/people/ampop/sh.html
1+2 RECORDS
NEW RELEASE ON Slimmer 1998
THE SMUGGLERS
GROWING UP SMUGGLER
A 10 YEAR ANNIVERSARY LIVE
LP (1+2LP116)
1+2 Records proudly pre-
sents Canadian Garage
pop kings, The Smugglers'
brandnew vinyl It'a thler
10th anniversay album
and was recorded on 24
track In Madrid, Spain.
Tneir show are lull ot
rock'n roll action Fast
paced performance,
aggresive, wild and tun!
You'll start to dance with
them when you listen it
The songs are from 5 al-
bums of their albums and
out of print stuff. Many
songs are not avallble now without this LP (LP version included
extra cut!) Also this hot property is handed over to be shanked,
cranked, mixed and produced by rock'n rod god Kurt Hock from
Fastbacks. Highly recommended!!!
SCRATCH B0NC0WAX
LET ME BE CD (1+2CD089)
SOT IKN2M*
1+2 proudly presents LA's
punk rock flnests, SBWs
second full length. They
are pure punk rock band
as same as Electric Fran-
kenstein or Nashville
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that any independent release deserves credit for all the work and money that goes into it. Staff: (JB) John Backstrom, (PB) Paul Barger, (EC)
Enrico Cadena, (MC) Mel Cheplowitz, (RC) Rob Coons, (DD) Dr Dante, (JF) Jonathan Floyd, (BG) Brian Gathy, (TG) Todd Gullion, (LH)
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ABSTAIN/NASUM - split EP
American and Swedish
grind units team up to fuckingmake
your head erupt. ABSTAIN has
been one of LA's best kept secrets
for a while, and if you missed their
3" CD of last year, you're missing
out. You can hear definite
TERRORIZER influences, and
shit, they even do aTERRORIZER
cover, for Christ's sake! NASUM
is Sweden's answer to early
NAPALM DEATH. Total high-quality grind with crazy-ass dis-
torted guitar. (MW)
(Yellow Dog, PO Box 550208, 10372 Berlin, GERMANY)
AEROBITCH/LOUDMOUTHS - split EP
What can I say except that the LOUDMOUTHS do it again
with a scorcher of a side. These rock'n'roll sickos have been one
of the prides of the San Francisco punk scene for quite some time.
This is the last record from the original line-up. Dulcinea sounds
the best I've ever heard her on the song "Basket Case." Again,
recorded on punk rock 4-track and sounding loud and fierce. The
LEWD cover with Jay singing came out great. Thanks guys and
gals for continuing to be one of the sincerely grooviest bands in
town. AEROBITCH play some solid punk with female vocals.
Worth a check out! Two good bands for the price of one. (TG)
(Punch, Apdo.60167, 28080 Madrid, SPAIN)
AFFRONT - "Relationshit" EP
Limited-edition green vinyl !
This whole package has a lot of that
"we're so clever" attitude going
on. From the name of the record
company, Propane Existence, to
the obligatory "thank you" list.
Some of the folks thanked by the
band are Bruce Willis and Dave
Grohl. The lead singer Peter is de-
scribed as sXe, but the band also
makes it a point to thank Bud weiser,
and of course there is the name of the record company. So, what
about the music? These guys are from DC, and there is more than
a hint of old-school DC hardcore influence, but there is a touch of
A.F.I., GUTTERMOUTH here as well. The overall sound is a bit
like MODEL AMERICAN, and that brings us to that FEAR line
in "Decline of Western Civilization", "Some of us are born with
problems." Exactly. (JV)
(Propane Existence, PO Box 42339, Washington, DC 20015)
AGORAPHOBIC NOSEBLEED/LACERATION - split EP
Two sides of indecipherable metallic thrash, the way it
should be, although I find LACERATION'S vocals getting on
my nerves a little. Their lyrics, however, take the cake... totally
funny. This one's been out for a while, but we're only now
reviewing it, go figure. (AM)
(Satan's Pimp, PO Box 13141, Reno, NV 89507)
ALIEN BLOOD TRANSFUSION - "Ilsa/Don't Talk to Me"
From what I can surmise, singer/guitarist Mike finally got
to meet and have his photo taken with one of his idols, the actress
who plays Ilsa, She- Wolf of the S.S. He was so excited by this
that he wrote a generic rock song, but he couldn't come with
appropriate lyrics, so he just sampled from her movies. Fine.
Their version of the EYES' "Don't Talk To Me" is okay, but to
me it will always be a song that should be sung by a woman. All
that combined with the incredibly annoying 5" format, I am left
speechless. (CK)
(Acme, PO Box 441, Dracut, MA 01826)
ALTERNATIVE TV - "The Image is Cracked" LP
On this reissue LP, you have an opportunity to check out
one of the more distinctive bands that debuted in '77 England, but
ATV's focus is more diffuse. There are magnificent punk an-
thems ("Action Time Vision," "You Bastard"); respectably
angry punkers ("Love Lies Limp"), and weird experimental
numbers ("Red"), making for a challenging but inconsistent
listening experience. Ultimately, they're most fondly remem-
bered as a singles band, and anyone who also wants a taste of
band-leader Mark Perry's eclecticism (which was to influence
bands British postpunk bands like PIL and SIOUXSIE
& THE BANSHEES) will want to give this a spin. (SS)
(Get Back, Piazza Maltoni 16, 50065 Pontassieve, Firenze,
ITALY)
ANNALISE - "Something's Got to Give" CD
The second release I've liked from these UK folk. Tight
tuneful melodic punk in the later LEATHERFACE, SNUFF and
SENSELESS THINGS sound with a leaning towards the pop
stuff. Still right up my alley. A good release with a sound that I
have a fondness for. Worth checking out if you like this melodic
Brit stuff, too. (RL)
($7: Pigdog, PO Box 43, Hull, HU1 1AA, UK)
SM
E'lMflWS
ARMCHAIR MARTIAN - "Monsters Always Scream" CD
These guys are pretty fucking cool . I saw them live recently,
and even though they had a bass player who'd been in the band a
week, there was definitely something special there. The guitar
olaver singer guy certainly has the major talent thing going on.
Bands that come to mind are HUSKER DU, DESCENDENTS
and the REPLACEMENTS. Those are some serious names in my
book. These guys may be huge someday with "a break", but I
think they're great anyways. (RL)
(My, PO Box 170280, San Francisco, CA 941 17)
ASSHOLE PARADE - "Lhighve" 8" EP
After initially stealing the show at last years' Fiesta Grande,
I would understand why every label on the fucking planet would
want to do a live ASSHOLE PARADE record. The matenal
comes from when they played over KFJC (a radio station, you
ninny), and the quality is better than most studio recordings you
hear today. Rad format, good recording, and most importantly,
straightforward high energy thrash executed by one of the best
American hardcore bands today. (MW)
(Deep Six, PO Box 691 1, Burbank, CA 91510-691 1)
ASSNINE SOLUTION - "Cause Effect" EP
Eight songs of really fast, thrashy, lo-fi hardcore on this
release. Some of the weird chords used keep it from falling into
the mass of fast, thrashy bands out there. The song "Hardcore
Guys Never Smile" is pretty great. Fans of Beer City records take
(Assnine, 3095 N 50th Ave, Chippewa Falls, WI 54729)
AUTORTTAR - "Deaf and Blind"
EP
1 songs of German thrash. I
can' t believe what it must be like to
live in Berlin right now with bands
like STALKER HC, SKRUPEL,
EBOLA and AUTORTTAR (not to
mention countless other good, fast
core bands) all residing there. If
you' ve missed AUTORTTAR' s last
couple of records, pick this one up.
Even though its not quite as strong
as some of their earlier ones, it's still a good dose of fast hardcore
thrash. (MW) ennn ,.
(Rodel, c/o Keule Sternkicker, Allmendeweg 89, 13 509 Berlin,
GERMANY)
BEDFORD - "Year One" EP
99% of the time, I hate sappy love songs. Still, it must be
something in the Pennsylvanian water, because like fellow pop
punkers PLOW UNITED and early WESTON, BEDFORD cap-
tures that love struck innocence without falling into pure shitty
sappiness. I can't believe I'm going to say this, but this a great
record for a sunny day. (JF)
(System Untitled, 55 Searle St, Pittston, PA 18640)
BELVEDERE - "Because No One Stopped Us" CD
The title must refer to the release, because this is pretty
wimpy pop punk that has been done so many times before. Lame
introspective lyrics on top of that SoCal DESCENDENTS brand
of music we have all heard too much of. Fifteen tracks in all, and
I could not listen through a single one of these songs. I pass on this
one (CW)
(206, 8314 Greenwood Ave N #102 , Seattle, WA 98103)
BEST DEFENSE - "Six Gun Justice" CD
If your old enough to remember going to shows in the
Reagan years and trying to escape the wrath of right wing stomper
boys obsessed with kickin' ass, this might bring on some bad Doc
Marten flash backs. Circa 1987, Pennsylvania's white suburban
skins, BEST DEFENSE are afraid of a red scare?? Ha! Poor
retards. Blinded by the sheen of their own heads, here's what these
skinhead bros got to say: "Gotta fight against the traitors, commies
and faggots get out! We won't give our land to them, we'll win
without a doubt, American and proud." Their running anti-queer
theme seems ironic especially with their Polk Street "Waiting for
my man" boy hustler band photo. Musically, I find sick pleasure
in their hard-edged oi/ hardcore guitar sound. Hmm... now if only
they changed all the lyrics to refer to sex, drugs & r'n'r. I'd dig it.
(Pure Impact, PO Box 16, 1910 Kampenhout, BELGIUM)
BIERMUDAS - "Punkrock" EP
Good quality, sing-a-long oi from Germany. From the band
name, to the "Kill All Hippies" t-shirt worn by one, to the music
on the vinyl, these guys are so oi, it's not even funny. Lots of "Oi
Oi"s and a burp here and there. Six tracks with the quality ranging
from very good to kind of so-so. (KK)
(DSS, PO Box 739, 4021 Linz, AUSTRIA)
BIKINI KILL - "The Singles" CD
Certainly a functional release from this late great band. A
collection of "the singles". The singles were great, so this must be
too Call it riot grrl, punk rock, whatever, I call it good clean fun.
Sorta. Oh ya, the dreaded digitalized versions really pack some
serious punch. Sorry anal vinyl fucks. (RL)
(Kill Rock Stars)
BILLYBOY E LA SUA BANDA
- "Preti e Suore" EP
I like this. A couple of drunken
sailor, sing-a-long type oi songs,
two thrashy hardcore tunes, one of
which called "Billybestia" has the
utmost killer sing-a-long breakdown
chorus and a traditional Italian folk
song done oi, oi style. Pretty cool.
(RM)
(C/O Carlo, via San Bernardo 9,
29100, Piacenza, ITALY)
BillyBoyeJuua
Baniia
TIM
BILLY BOY E LA SUA BANDA - "Morte e Chupa-Chupa"
EP *
Can't say much about this. Mostly sounds like typical
Italian stuff, you know, NEGAZIONE, INDIGESTI, etc. Fast,
spiraling songs with gruff vocals... and stuff... in Italiano, so don't
even ask me what they're saying. Something like "spaghetti,
linguine, cheese and macaroni" I guess. The coolest stuff is the
AC/DC co ver, but I heard the MURPH YS do that one live, so they
still gotta get wid da program and stuff! (JB)
(Durango 95 Records, c/o Muselli Carlo, via San Bernado 9
29100, Piacenza, ITALY)
BOILING MAN/BROKEN -
split EP
Don't know why I get stuff
like this, but ya play the cards yer
dealt, I guess. These are some good
guys who make the music with the
twang-twang, bam-bam, "I hate
you.buddy!" stuff. But, seriously...
I'd have to say, if they were run-
ning the "Drag Your Butt Across
The Carpet 500", BROKEN would
win hands down (or butts down,
maybe). The music seemed to be a bit tighter, a bit harder, plus
they went the extra step and included a nifty little sample, and
made it work. In terms of comparison I'd have to say they both
remind me of the ACCUSED, but that's probably way-off. Better
yet, there was this guy I knew when I was first gettin' into punk
that did alot of speed or somethin. We called him "Shaky Carl".
Anyway, this was the kind of stuff Shaky Carl was into... but I
don't know if that helps you either. (JB)
(Boiling Man: PO Box 158, New Haven, CT 06501. Broken: PO
Box 1271 New Haven, CT 06505)
BOLLOCKS - "Total Fuckin' Bollocks" CD
These folks are a Japanese G.B.H. Super slick.
Uhhhhh uhhhhhh hummmmm... uhhhhh
(TG)
(Straight Up, Kowa Bid 2f/3f, Minami-2 Nishi-1, chuou-ku,
Supporo 060, JAPAN)
BOOT PARTY - "The Suss" EP
This band is channeling the spirit of Hoxton Tom or
something. Total 4-SKINS, kick you in the face shit. The title
song from this, which is also on their "Boots to Concrete" LP, is
as good an oi song as your sorry ass is ever going to hear. Jumpy
and catchy, with lots of hooks. The b-side is much of the same
with the second of the two songs leaning more towards hardcore.
These guys are, in all likelihood, a bunch of flag-hugging morons,
but this is one hell of a release. (RM)
(Vulture Rock, PO Box 40104, Albuquerque, NM 87196)
BOYCOTT/DISTRESS - split 10"
Pretty damn good "Smash the State" style hardcore from
both of these bands. DISTRESS delivers five tracks, and BOY-
COTT belts out a hefty ten. Comes with a cool lyric booklet not
unlike something you'd get with a CRASS album. Good release.
(CW)
(Ignition, 1800 AK Alkmaar, HOLLAND)
BORIS THE SPRINKLER - "1998 Summer Tour" 10"
I want to start out by saying that Epicenter Zone had a
poster on the wall that had a picture of the Brett guy from the
Green Bay Packers. He was surrounded by trophies, including a
replica of the Super Bowl Trophy made entirely of cheese! He
was also wearing braces! When the hero of Wisconsin wears
braces and worships a trophy made of cheese, it seems obvious
what kind of statewide intelligence level we are dealing with
here. And before you start asking why did Epicenter even bother
putting that ridiculous poster on the wall, let me just say that
occasionally we need to humor ourselves at the expense of
others. Oh yeah, I almost forgot about the record. One side is
some remixed versions of previously released antlercore, the
other side is a black-on-black screen of a band photo, song titles,
etc... (RC)
(Clearview, 2157 Pueblo Drive, Garland, TX 75040)
THE BRAINEATERS - "I, Braineater" EP
Wow, what a cool looking record. Re-released from 1979
with all the original packaging. As much as all this 70' s retro shit
has quickly become a hyped-up, yawn-a-thon, this record cannot
be denied. It's fucking incredible! One more coup for Canadian
punk rock! Lots of rockin' organ (none of that Kraftwerk shit),
simplistic, just awesome. Some of the members went on to be in
bands like DOA, MODERNETTES, and K-TELS. Definately
worth getting if you can find it. (JN)
(Super Electro, PO Box 20401, Seattle, WA 98102)
BREAK-UPS - "The Songs
May Last a Minute and a
Half..." EP
The catchy powerchord
punk here meets most of the re-
quirements: it's fast, catchy, has
decent choruses, and (at its best)
has a sneering "fuck you" atti-
tude (as on "My Cousin's Got
the Big Ones," which recalls
NO ALTERNATIVE). Their
one live track, "Bye Bye Baby," is one of those instances where
you can sense how well their energy can whip a club audience
into a frenzy. A strong release, albeit familiar. (SS)
(Woundup, PO Box 3695, Kansas City, MO 66103)
THE BREWTS - "P.O.A." LP
Ah geez. This band isn't terrible or anything but man,
they're trying too hard to sound like the SKATALITES, OP IVY
and JUDGE, or some shit like that, all on one record. For
comparisons, about the only band I can think of is the
READYMEN, from Oregon, only this band isn't as good. There
are some good songs, but overall this, unlike Juicy Fruit, doesn't
move me. (RM)
(Reanimator)
ssnoi
BRUISERS/RANDUMBS - "I've Got My Dirts" - split EP
Somethin' about these bands make the 40 of Mickey's I'm
drinkin' not seem like so much piss! That's good, huh? The
BRUISERS start things off with a BLITZ cover, which sounds
pretty much like the original - no points for originality - 1 already
got the BLITZ version. The RANDUMBS steal the show...
again! Highlights for Children would talk about their Sonoma-
based xenophobia (??) on "Noma Pride '98". Ask yourself, do
you want to be like Goofus or Gallant? I trust you' 11 make the right
choice. (JB)
(PO Box 132, Sonoma, CA 95476)
CHERUB SCOURGE - "Friday
the 13th" EP
Whoa... This is kinda lost on
me, I think. The first song is a
three-and-a-half-minute-long dark
& moody self-indulgent guitar
wank off, with doubled-over me-
tallic monotone mumbling for vo-
cals... Then the next song is a 52-
second goofy punk number, and
I'll admit my ignorance, but this
sounds like it might be a cover, but
I'm not sure by who. Flip it over and the only other song that's
credited to being written by a member of the band is actually okay,
not really great, but mediocre fast garage rock punk, sorta like
SCARED OF CHAKA without that certain flair, ya know? Then,
to cap it all off, they followed that with a lackluster cover of
SCREECHING WEASEL'S "Ashtray"?!?! I'm stumped, your
turn. (PB)
(Cherub Scourge c/o Brent Starkey, 421 Lee Street, Louisville,
Kentucky, 40217-1 139)
CHERUB SCOURGE - "We Eat Punks for Breakfast" CD
These bushy-tailed kids from Kentucky seem to be having
a lot fun from what I gather. Professing to "eat punks for
breakfast", definitely lends to their easily digestible, happy-go-
lucky /Lookout-y sound. This is energetic, pop-aware punk with
one mohawk and one devil lock to even shit out. Problem is these
guys do a hell of a lotta padding with five covers: CLASH,
OPERATION IVY, VELVET UNDERGROUND, etc... leaving
this CD way too thin to sink your teeth into. (DL)
(Better Days, 1591 Bardstown Rd, Louisville, Kentucky 40205)
CONCRETE CELL/SATANIC SURFERS - split CD
Two solid pop punk bands interpret their favorite punk
tunes. SATANIC SURFERS do STIFF LITTLE FINGERS,
CHRISTIE and RICH KIDS ON LSD. CONCRETE CELL do
covers of the GORILLA BISCUITS (akickass version of "Things
We Say"), THIN LIZZY and the DEAD KENNEDYS. This one
is probably only for die hard fans of these bands. (CW)
(Genet, PO Box 447, 9000 Gent 1, BELGIUM)
CHINESE TAKEAWAY -"To-
tally Taken Away" 2x7"EP
Confucius say, "Punkrocker
who can not appreciate CHINESE
TAKEAWAY, very hungry punk
rocker." So fans of the
BUZZCOCKS and the VIBRA-
TORS will want to eat this greasy
wave of CHINESE TAKEAWAY
up. These kids offer up a double 7-
inch order of stir-fried sing-a- jl
longs, with hook drenched tunes
about r'n'r and girls. Brit-accented vocals in dire need of Sudafed
slung with a blistering treble guitar, keep the
CHINESE TAKEAWAY chugging full steam ahead. Appar-
ently, this hot wax outta Germany has a pressing of only 250
copies, and I recommend they start re-pressin' now lest they
become the world's forgotten boys and end up on some "Killed
By Death" comp in 2010. Wok on! (DL)
(New LifeShark, PO Box 700 320, D-44883 Bochum, GER-
MANY)
CRACKED COP SKULLS
"Why Pussyfoot When You Can
Kill?" EP
Hadn't ever really thought
about that. Anyway - it's some
older stuff from this UK outfit that
was comprised mostly of (semi)
famous members of other (semi)
famous UK hardcore bands. Ap-
parently intended to be on a comp
LP that didn't happen, Paolo
(SOA) had the sense to get it out I
on it' sown. Another 9 tracks from back in 1995 - it's totally solid
stuff - catchy, spiteful hardcore - political topics, but on the
personal vein - no preaching or whatnot. Great stuff, great name !
(TM)
(S.O.A., c/o Paolo Petralia, Via Oderisi da Gubbio 67/69, 00146
Roma, ITALY)
THE CREEPS - "Victims" EP
This is some really stinky
metal punk that the four-track is
not working to the advantage. My
opinion (which doesn ' t mean shit),
put this out as a demo tape instead
of a record and keep practicing.
(TG)
(Retribution, PO Box 3506, Co-
lumbus, OH 43210)
w
w
§
urn
CRIMPSHRINE - "The Sound of a New World Being Born"
LP
This is great stuff from the Gilman/East Bay heyday. Hope-
fully you've heard this stuff as well as OP IVY, ISOCRACY and
SWEET BABY. But are these guys becoming the COCKSPARRER
of the East Bay with these "selected tracks" re-issue comps? Just
release the original recordings in their entirety maybe with the
original packaging and toss in a collection of the compilation
tracks. Buying these types of re-issues sucks. Especially from a
band that didn't release that much in the first place. (RL)
(Lookout)
CRISPY NUTS - "Will" EP
This cool three-piece from
Tokyo swaps vocal duties between
Momoko (who has a high-pitched
wail) and Hiroshi (who sorta
growls), and together, their sound
is incredibly distinctive; take the
killer production of the ELECRIC
DEADS EPs, throw in breakneck
velocity, and add solid material
(it's all decent, but the title track is
the standout), and you have four
compulsively listenable tracks. These NUTS that are guaranteed
to remain fresh by the time they arrive in your collection.
Recommended. (SS)
(Wrench, BCM Box 4049, London WC1N 3XX, ENGLAND)
CRIVITS - "The More the Truth Hurts..." CD
In some far-away village, somewhere in the heart of some
poverty stricken, oppressive society, there is a kid who looks kind
of different. He probably listens to a different kind of music,
which is maybe why he seems to think differently from everyone
else. This kid may be pretty far-removed from any real punk
scene, but one thing he does know is GREEN DAY signed to a
major label and a shitload of money. CRTVITS knows this also,
and they know full well that the sXe hardcore thing is pretty hot
as well. So there you have it, all wrapped into one blockbuster
album waiting to happen. Buy this CD and make some dreams
come true. (JV)
(Ignition, PO Box 417, 1800 AK Alkmaar, HOLLAND)
CRUDE BE/HARSH - split EP
CRUDE BE play a fast tempo hardcore with a singer that
growls through the song. HARSH play a hardcore that, even at 78
rpms, could be best described as slow. A cool split if only for the
contrasting qualities of the two bands. (CW)
(Yellow Dog, PO Box 55 02 08, 10 372 Berlin, GERMANY)
THE CRUSADERS ■ "She Beats Me Up" EP
Oh my god.... This record is so terrible, I don't know
where to start Well, first off, they're from Australia fuck,
how do I describe this okay, wait... this is almost a perfect
blend of the PHANTOM SURFERS (costume wise) and the
MUMMIES (music wise) with Estrus style cover art and Sven-
Eric style graphics on the back sheesh get a mother fucking
clue !!!!!!!!!! And to top it off, there's not one well written song
on this ten inch slab of flattened shit but this band has
nothing to worry about, this record will sell like hot cakes,
because everybody these days loves shit.... (SW)
(Stolen c/o International Trash, PO Box 4 1 , Prahran, 3 1 8 1 AUSTRALIA)
BMW
DAHMER - "Dahmerized" LP
I could be totally wrong, but I think this is their first full
length. Made up of the unreleased "Relapse" 7" and their '96
demo tape, this is actually pretty great-sounding. Is this consid-
ered power violence? It's hard to call something sung in French
"power violence"... Anti-racist, anti-homophobic, pro-serial killer
thrash. I have no idea what the lyrics are about, but I'll just
assume that they're about maple syrup and jelly donuts. (LH)
(Clean Plate, PO Box 709, Hampshire College, Amherst, MA
01002)
DARE DARE DEVIL ■ "Jerk Your Brain Off' CD
I started typing the title as "Jerk Your Brian Off, which
would have put an entirely different cast on this review, and
might have misled a few readers about DARE DARE DEVIL's
sexual identity. It's muscle-bound French sleaze-core, fast and
powerful (if a little faceless). Pummeling drums, blazing guitars,
low-minded lyrics, and a hoarse singer with a Jello Biafra warble
to his voice... the sound of four Euro-mopeds as they speed off
into the sunset. They're more American-sounding than the T.V.
KILLERS, but I suspect that they'd both fit on the same bill at
whateyer tasteful little cabaret it is that they play at. Another
unexpected hit for the French, following that whole World Cup
debacle. (JH)
(Banana Juice, BP 7605, F-35176 Chartres de Bretagne,
FRANCE)
D.B.S7D.O.A. - split EP
A far cry (20 fuckin' years)
from the glory days of D.O.A,
here comes a disappointing re-
lease from the old hosers. The first J
song sounds too much like "I'm
Not Your Steppin' Stone", and I
then degenerates to generic hard
rock mediocrity. D.O.A. heat up a
degree or two on the second song,
"Used To Be Revolution" which
commentaries on the current state '
of punk. On the flip, D.B.S. explore a late-' 80s, bad Gilman/East
Bay style with quirky bass lines that put me to sleep. This is a
drain to listen to. Sorry guys, but never do I need to hear this
again. (DL)
(Empty, Erlanger Str 7, 90765 Furth, MT-424, GERMANY)
DEAD CITY REBELS - "Rock 'n' Roll Enemy #1" 10"
Straightforward, traditional punk rock that absolutely rocks.
Faster-paced and catchy and packing enough energy to power a
small city, it reminds me of early NEW BOMB TURKS at times.
Also has some very cool IGGY POP-like vocals. From Canaduh,
this really is one of the better records I've heard in some time.
(KK)
(High Society, St Petersburger Str 4, 18017 Rostock, GER-
MANY)
(fc
DEFAULT - "Die With Honor"
EP
This is fast hardcore with
I everyone except the drummer
pitching in on the harshly screamed
vocals. At times the music has a
slight CAPITALIST CASUAL-
TIES feel to it. The record suffers
from really poor production. This
one sided EP is probably worthy of
a demo tape, but not a full 7".
' Actually I am surprised this isn't
on Beer City! (RC) . „„.*—*
(Power Ground, 1309, South 21st St, Manitowoc, WI 54220)
DESPAIR - "Kill" CD
These East Coasters crunch out some metal tinged hardcore
similar to bands like TURMOIL and TORN APART. If you like
it when band members all jump in synchronization, and they
throw their instruments around before they stage dive into the
crowd, then this is for you. (RC)
(Initial, PO Box 17131, Louisville, KY 40217)
DESTROY ALL MONSTERS - "Singles" LP
Here's yet another go around for the singles this Detroit
band pushed out in the late 70' s, this being the band most
notorious for the presence of ex-STOOGE Ron Asheton. The
songs feature the 'languid' vocals ofpinprick-pupiledNiagra and
an overall sound that hearkens back to pre-77 punk with spidery
guitar leads and thumping bass ala, well, the STOOGES. Only,
not quite. I would also state at this time that the pressing I listened
to had major mastering problems... fucked noise all over side B.
Entire pressing? Esh. There was a triple-CD set of stuff by this
band that predates the arrival of Mr. Asheton that is highly
recommended to those punks out there who like a good glue nod
now and then. Seriously. Pick that up, if you dare. (RW)
(Get Back c/o Runt, PO Box 2947, San Francisco, CA 94126)
DETENTION - "Live in New
Jersey, 1983" EP
"Dead rock 'n' rollers, they
wereouttacontrollers!"Comeon,
you know the words... and you'll
probably recognize the artwork
as the cover of Killed By Death
#2, the comp that made New
Jersey ' s DETENTION famous (at
least within the pinhead record
collector circuit). Five songs, re-
corded live at the height of their
career, these do about as much justice as can be done for a long
broken-up, obscure punk band. Of course, the classic "Dead Rock
'n' Rollers" is the stand-out on this; no surprises there. (IM)
(no address)
mi UK! if
DIG DUG - "Whoa..." EP
I don't know if it's just because I haven't been listening to
as much stuff in the poppier vein of punk, or what, but this record,-
this band, is totally fresh sounding. Fresh as in not at all stale and
tired and boring. Hand claps along with some awesome, catchy
guitar work, great lyrics, perfect production... all the pieces fit
just exactly right for a prize-winner of a 7"-with one exception-
some of the songs are too long. It's been scientifically proven the
best punk/rock songs are those topping out at 2 1/2, 3 minutes
tops. Otherwise, keep it up! (IM)
(Rebound, 17019 Evergreen Elm Way, Houston, TX 77059)
DIMESTORE HALOES -
"Shooting Stars" EP
Far from being the
STOOGES, this is still enjoyable
punk rock with horror overtones
kinda like the MISFITS, picking
up where their LP of last year left
off. Extra points for wearing make
up on the cover. (EC)
(America Punk, 802 S Broadway,
MD 21231)
DISGRUNTLED - "For the Love of Money" EP
On the first song of side A, the singer was trying to put too
many words in one line and enunciating each one. Don't ya know
you're supposed to scream unintelligibly so we can't understand
you? Isn't that why you have lyric sheets? This is pretty generic
hardcore with "money is evil - consumerism sucks" lyrics. But
now I'm listening to "The Journey" on side B and I really like it.
Is this the same band? It kinda reminds me of
LOGICAL NONSENSE. I go back and listen to the record again.
I think if the vocals were a little more emotional (not emo - but
angry) sounding, this record would be much better. (DP)
(The Riot Nerd Coalition, 1352 Cinanni Court, Gloucester,
Ontario, KIT 1Z7, CANADA)
DOOM/CRESS - split 10"
On this, DOOM demonstrate their opinion on the whole
Princess Di thing, and I think you can guess where they stand...
"Fuck You English Rose!" Fucking A! Three of their best songs
of recent times and a HAWKWIND cover to boot. I wasn't super
impressed with the CRESS LP from a while back, but I' m bowled
over by their four tracks on here - angry, intense punk railing
against the sickness that is society. Yes, they still sound a bit like
CRASS, but they're carving their own niche now. This is one for
the collection. (AM)
(Flat Earth, PO Box 169, Bradford, BD7 1 YS, UK)
DREXEL - "No One Told Me" CD
Not bad, but not terribly exciting pop punk of the post
GREEN DAY school. They do cover "Rainbow Connection"
and "Screaming At a Wall", so you gotta give them some props.
Overall it is competent and fairly hummable. Decent for the
genre. (BG)
(Fork In Hand, PO Box 230023, Astor Station, Boston, MA
02123)
^"ftfii
not
DROPKICK MURPHYS -
"Curse of a Fallen Soul" EP
Wow! Holy Shit! For the
first time in my reviewing career I
J am totally taken aback! No shit,
dude. This is, hands down, the best
1 thing I've heard this year!!! All
Hail the Al Barr era of the
MURPHYS !!! I am literally pissing
I myself as I'm writing this. Not to
kap on Mike or anything, but this is
how DROPKICK should have been
in the first place. Perhaps the UTTERS have finally handed the
streetpunk torch to these guys. Run ! ! 4-originals and one kickass
IRON CROSS Cover! The Barr has been raised (Ha)! Waddya
waitin' fer, the second coming? Get yer ass offa my couch and get
this already, heh? (JB)
(TKO, 4104 24th St #103, San Francisco, CA 941 14)
THE DUCKY BOYS - "Dark Days" CD
Amazing! Holy fuck! Roehrs-rock extraordanaire! Much
less straight- ahead street oi sound than last time I heard them. Just
rocking, fucking beautiful, loud shit. This will be a favorite on the
stereo for a while. So much energy, and heart, and balls; this is
getting me going even in my current slightly-hung-over-too-
early-to-be-here-filling-my-head-with-punk-rock state of mind.
Sooo recommended! Don't wait. (RY)
(GMM, PO Box 15234, Atlanta, GA 30333)
EATER - "The Album" LP
Originally released in '77, this is classic '77 English punk
rock. If you don't own the original you must buy this - four extra
cuts this time around. (KK)
(Get Backt, Piazza Maltoni 16, 50065 Pontassieve, Firenze,
ITALY)
THE ENKINDELS - "Buzzclip 2000" CD
Really catchy poppy punk type stuff. Gruff vocals and big-
ass production that never totally takes off. But certainly an
example of where punk is now in terms of mainstream accessibil-
ity. The first thing I thought of was GOLDFINGER. That drum-
mer sure does love his snare rolls. (LH)
(Initial, PO Box 17131, Louisville, KY 40217)
E-150/UNABOMBER - split EP
E-fucking-1-50 pummel
through three songs of non-stop
hardcore with great hooks and a
vocalist spitting out lyrics that at-
tack authority on a number of fronts
whether it be the press or the con-
tradictory actions of legislators.
Even more abrasive then their split
with IVICH. UNABOMBER
spend a lot of time on the crunch-
ing, slow end of hardcore, which
gets rather tedious, though it does pick up now and then. Lyrics
are great, mainly giving the finger to rock attitudes and confor-
mity in the scene. "Then SHELTER, everyone's Krishna. Now
PATH OF RESISTANCE, everyone's idiots." (TH)
(Don't Belong, M.G.S., PO Box 8035, 33200 Xixon, SPAIN)
BMMl
EVANCE - "False Peace" EP
Anthemic sing-along (if you
know Japanese, of course) punk
akin to G.B.H. with a little early
DISCHARGE and a lot of Lemmy
MOTORHEAD vocals. (PB)
(HG Fact, 401 Hongo-M, 2-36-2
Yayoi-Cho, Nakano-Ku, Tokyo
164, JAPAN)
EXCRUCIATING TERROR - "Divided We Fall" LP
Heavy duty SoCal grind that alternates from powerful blast
beats to straight hardcore with some of the most throat-shredding
vocals around nowadays. I have heard from a few folks that they
think this is a bit generic. But I leave it to you, the consumer, to
buy this, and see why every time they play Gilman Street the
place turns into a fucking house of chaos! (RC)
(Pessimer, PO Box 1070, Hermosa Beach, CA 90254)
THE EXPLODING CRUSTACEANS - "Get in the Tub"
CD
At first I was fooled by the awesome cover. Then when I got
over the fact that the first track was some metal-hardcore gar-
bage, the CRUSTACEANS slowly mutated through an East Bay
phase into some light PANSY DIVISION rock. The dirty, juve-
nile lyrics and titles just happen to be very hetero. The only cute
title happens to be "Hobbit Pussy". Nine tunes in the funny-to-
high-school-kids vein. (HM)
(Conspiratorial Efforts, PO Box 7456, Santa Cruz, CA 95061)
FANG - "American Nightmare" LP
While initially I thought it some weird joke that this would
get assigned to me, perhaps it's fair, as I never really followed
them "before", so I'm somewhat objective. This taken at face
value is some slower to mid-paced punchy punk with rocking
anthemic choruses that people would usually pick up on. There ' s
a weird "wanna be" English style at times that you can't avoid
noticing, but no crime there. One of those bands you almost wish
you didn't know so much about. I don't see Sammy as being any
modern hero as the liner notes describe, but hey - it's a decent
punk record. (TM)
(Wingnut, 1442A Walnut St #59, Berkeley, CA 94709)
FEDERAL OFFENSE - "You
Think There's Not A Threat
Anymore" EP
Fast, thrashy, punk rock
from Dallas. Unlike most bands of
this kind, they know how to play
fast and abrasive without being
overly macho or taking themselves
too seriously. Political songs and
goofy songs. Good Stuff. (JN)
(Uncontrolled, PO Box 150206,
Dallas, TX 75315-0206)
i'STOT
THE FELONS - "Behind Bars"
EP
This is the kind of stuff I
listened to in the early '80s. Hardcore,
but still melodic enough to make me
shake my head. Even the song sub-
jects "Jealous" and "Brainwashed"
remind me of that. DAG NASTY
and 7 SECONDS are good compari-
sons. I still take out my old hardcore
records once in a while, play them
real loud and sing along at the top of
my lungs. So, if I'm in that mood anytime in the future, I think I'll
sneak this one in for fun. (CK)
($3: Enervating, PO Box 25742, Chicago, IL 60625)
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FIVE O FIVE - "Clean Up The
Streets" EP
These guys are all sixteen
years old, but they ' d beat HANSON
in a streetlight any day. Pretty amaz-
ing, really. They're comparable to
FIFTEEN, both in musical style as
well as lyrical content, but they're
not generic or overly obvious like
most FIFTEEN-sounding bands.
Good stuff. Can ' t wait to hear what
they're doing a few years down the
line. (JN)
(Mike Wakeham, 33 Wedge ST, Lowell, MA 01851)
THE 5.6.7.8.'s - "Smilly Willy/
Mr. Lee"
I always love reviewing
5.6.7.8's records, cuz these three
girls always ring my boner
chime and this 45 has got their
old bass player Omo on it, whom I
had a major crush on some years
ago oh, the joys of having jerk
off fantasies like mine alright,
shit, the production here is pretty
marvelous, I gotta tell you pretty
Motown-ish.... '60s black, living in the projects style.... but these
girls do live in the projects the Japanese projects.... I've been
there, and there is a warm feeling of rock and roll there... hell, I
even got horny there (SW)
(Dionysus, PO Box 1975, Burbank, CA 91507)
FMD/TWENTYTHIRDCHAPTER - split EP
If I had a monthly top ten list, then this record would
definitely make it on there. One side has TWENTY
THIRDCHAPTER turning in an intense, very slow to break-neck
brand of crust core that reminded me a bit of a brutal ENEMY
SOIL/NAPALM DEATH hybrid. The other side has a posthu-
mous release from FUCKING MASS DESTRUCTION (FMD)
that sounds like BATTLE OF DISARM, FISHY and SPAZZ all
chewed up into a spit-laden chewy ball of anger and excrement.
Whaa? It's fucking good mate! (JV)
(35 Huffman Ave, Dayton, OH 45403 or PO Box 12401, Mem-
phis, TN 38182)
F-MINUS ■ "Wont Bleed Me"
7"
First off, I wish this record
was longer. The first side was over
by the time I finished... writing...
this... line. Can't decide who this
sounds like either, but I will tell
youthatit'skindamid-80'ssound-
ing, fast stuff, dual female/male
vox with political lyrics that are
good, but all-in-all nothin' too
memorable. (JB)
(Pelado, 521 W Wilson #B202, Costa Mesa, CA 92627)
FUCKFACE - LP
Last release from this now-defunct SF band. This here is
Mission-style hardcore at its best. I tried to play it at work, but the
doctor said "I can't do a delicate brain operation while listening
to this. It makes me too angry. Take that shit to the orthopedic
room where they can take their aggressions out with hammers
and drills." 'Nuff said. If you know who FUCKFACE is you
don't need me to tell you to get this record, but if you don't, I'm
tellin' you now. Your only disappointment will be that you can
no longer see them live. (DP)
(Six Weeks, 225 Lincoln Avenue, Cotati, CA 94931)
FUNERAL ORATION - "Survival" LP
If I read the lyrics on this record before listening to it, I
would definitely think this was an emo band. But this guy sounds
too upbeat and enthusiastic for that to be so. What a paradox ! I'm
on my second listen and I have to say I'm liking what I hear. This
band definitely has that Hopeless sound. Straight-up punk rock,
but with strong Vocals. These guys from Holland have been
around for awhile — this is their seventh LP (third one on
Hopeless), but they haven't changed all that much except to
slicken up a bit. I liked the packaging on their old stuff better, tho
I appreciate the poster and sticker included with this. (DP)
(Hopeless, PO Box 7495, Van Nuys, CA 91409-7495)
GIMMICKS - "High Heels" 10"
I saw these dudes earlier this month, at a downwardly-
mobile, neon-lit yuppie corral here in San Francisco, where the
local yokels focused on their beers and billiards and a lone
woman in her sixties held her ears to preserve her hearing... that
night their schtick (gimmick?) was done up to the nines, with
Clairol blue-black dye jobs, tapered cigarette pants, and
Jaggeresque leaps and howls... They're a Seattle band working
a sorta CHROME CRANKS/DMZ gig, with doses of organ and
caveman fuzz guitar. Sixties rock remade for the impending
millenium. You get the picture, right? Those pouty sneers, the
hollow stares, that disillusioned abandon - they can all be yours
for the taking. (JH)
(Estrus)
GOATSUCKERS - "Tribute To Alex" 10"
This is mildly catchy punk with a organ thrown in. The
problem is it's just not catchy enough. It comes of like bad classic
rock. Skip it. (TG)
(Nest of Vipers)
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GLOBAL HOLOCAUST/OB-
NOXIOUS RACE - split EP
Both bands, which also share
some members, hail from Canada
and have the uncanny knack for
writing hardcore that sounds like it
came from the mid- '80s. HOLO-
CAUST sound like they could' ve
been on the "Vile Peace" compLP
that came out in the late '80s fea-
turing the UK's premier grind/
crust/hardcore bands. OBNOX-
IOUS RACE first song is pure 1984 hardcore, with great vocals
and song writing. The last two of their tracks have a little more
"crusty" feeling to 'em. (MW)
(T.S., c/o Simon Pare, 827 Goldbourn, Greenfield Park, Quebec,
J4V 3H4 CANADA)
GODSTOMPER - "Saturday
Morning Powerviolence" EP
If you're into power vio-
lence, you probably know this duo,
bass and drums, kicks ass. They do
another fine job of audible assault
here. Their second ripping EP this
year. Recorded even heavier than
the "Gun Culture" EP. The drums
sound beefy, damn this is so full. A
must have. (TJ)
(Slap A Ham, PO Box 420843, San
Francisco, CA 94142-0843)
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GOOD CLEAN FUN - "Who
Shares Wins" EP
There's only a couple
records that have the potential to
completely change the scene to-
day, and this EP is one of them.
Continuing the tradition of bands
like STRAIGHT YOUTH and
GRUDGE, GOOD CLEAN FUN
are a ultra-positive, gay-friendly,
sharing, caring, straight edge band
hailing from DC. Just to give you a
little sample, "Our friendship's done, it really hurts/but maybe I
could have all your old shirts." Possibly the most inspiring lyrics
that have ever graced a straight edge record. (MW)
(Phyte, PO Box 14228, Santa Barbara, CA 93107)
GOOD CLEAN FUN - "Shop-
ping For A Crew" EP
If there is one thing many
straight edgers are criticized for, it
is for not having a sense of humor.
Well, GCF seems to have a laugh
at their own scene and beliefs.
"Sweet Tooth" reminds all the har-
assed vegans whom eat sugar, they
are not true vegans and are pro-
moting tooth decay in their de-
pravity. Funny, but true. Goofy
sXe HC with valid points. (TJ)
($3.50:-UnderEstimated, PO Box 13274, Chicago, IL 60613)
SHOPPING FOR A CREW
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THE GOONS - "Living in America" CD
Musically this is tight and energetic punk, reminds me a lot
of the DEAD KENNEDYS' "Bedtime For Democracy" era.
Good production, but the thing that I absolutely love about this
CD is Serge's vocals. He totally has the cross of Gary Floyd (the
DICKS) and Jello Biafra (DEAD KENNEDYS) operatic-tones-
thing fucking dialed. Co-produced by Kent Stax (from DC
hardcore legends SCREAM) and Brian Baker (duh!). For those
that are too young to have gotten into the DKs, or too burnt out
and jaded, this is a good way to slowly ease you back into a sound
that seems to be forgotten. (PB)
(Torque, PO Box 229, Arlington, VA 22210-0229)
GUITAR GANGSTERS - "Prohibition/Money With Men-
aces" CD
I heard this UK band's last full length, dug it and was
surprised to find out they had many prior releases. Strong Brit
punk in the SLF, UK SUBS, CHELSEA vein. Their first two
LP's from 1 989 or so are on this disc. Tuneful yet anthemic. Very
strong once again. (RL)
(Captain Oi!)
HAIL MARY - "My Will to Die
is Dead" EP
This EP didn't lunge off the
turntable at me like their past re-
cordings have done, especially
their EP on Prank, but this is such
an incredible band, and an incred-
ible EP. This is hardcore. Not
grind, not emo, not slickly pro-
duced chunka machismo bullshit.
But they have a big and full sound.
A dose of late-era BORN
AGAINST (sorry, they must cringe when they read that sorta
shit, but the comparisons are unavoidable), melodic and thick,
but with a whole bunch of noisey chaos that only a few bands like
ANGEL HAIR ever tapped into. This is my favorite late '90s
hardcore band. (PB)
(Vermiform, PO Box 12065, Richmond, VA 23241)
HALLRAKER - "She" EP
Three tracks of solid mid tempo hardcore. The liner notes
say "words and music inspired by the Simpsons." Are they
talking about the TV show? I wished their lyrics were about the
Simpsons, but no such luck. Horrible LED ZEPPELIN cover on
the flipside. (CW)
(Phyte)
HARUM SCARUM - "Corpo-
rate Pennies" EP
Blistering melodic hardcore
punk played by women, some or
all of whom may be dykes. Songs
structures alternate between slow
and fast parts while the lyrics talk
about the dyke community, reli-
gion and the rich. (MM)
(Live Transmission, PO Box
14284 SE, Portland, OR 97293-
0284)
Uta! mi k
HATEMAIL - "Feed Me to the
Lions" EP
Young and spirited in the
BLATZ vein with loose tunes ac-
commodating the frantic vocal
onslaught. These enthusiastic
youngsters overkill the choruses
on a few songs and realize it in
"Upperdecker" where they appro-
priately terminate the madness with
a flushing toilet. HATEMAIL
show great potential to be a mega-
geek superstars. (HM)
(Church Bingo Terrorism, PO Box 804, Montebello, CA 90640)
HAVE NOTS - LP
Man, fuck Japan. Those fuckers have hijacked the rock, and
I'm getting sick of them letting it back into the country in dribs
and drabs via REGISTRATORS, ROOM 41, TITANS,
FIRST ALERT etc. Well, it's our own fault I guess, always
supporting fraudulent bands and second-rate hacks at the expense
of the real thing. I'm guilty too. Anyway, here's this month' s butt-
kicking from our betters across the way. It's the best rock platter
I've heard in months. Sigh. Go buy it, stupid. Twelve songs with
just the right production, muzzy but powerful. "Telephone" on
side one will go into my year-end top ten for songs fer sure. I'm
putting my rising sun headband on now... (RW)
(Repent, 535 Stevenson St., San Francisco, CA, 94103)
HEADCASE - "Still Fighting" CD
Fucking Oi! Punk FUCKYOU!!! Normally, this kind of
stuff would be pretty boring. Songs about violence, apathy ,. ...yeah,
I've heard it all before and so have you; musically, it's not much
different.. .COMB AT 84, BUSINESS, (BURRRRRRRRRRP!!!)
but I'm tellin' ya Stewart, sometimes it's just a feeling you get, a
very special feeling ! You know what I mean, right? Of course you
do. Two minor complaints. I'm not too keen about the whole
glorification of hooliganism, the tragedy of Hillsborough, not to
mention the embarrassing scenes the English made this year
should be enough to stop this kind of stupidity. It has nothing to
do with skinhead or football! Secondly, only five songs??? You
can't leave me hanging like that. Can't wait for the next stuff...
hurryhurryhurryhurry hurryhurryhurryhurry ! (JB)
(Pure Impact, PO Box 16-1910 Kamenhout, BELGIUM)
THEE HEADCOATS/LOLLIPOP - split 45
I think Tom bought this at a record store in Berkeley. Is Am
Rep too cool to send us records? As far as I'm concerned, this
could have been a one-sided single because LOLLIPOP sucks
(pun intended), and thee mighty HEADCOATS "I Wanna Get
Fucked" saves this single from a frisbee contest here at MRR.
(EC)
(Am Rep, 2200 4th St NE, Minneapolis, MN 55418)
HEAVE - "Cotton Swab" EP
This debut EP by Madison,
WI's HEAVE isn't that bad. In
some of this, there's an element of
early YOUTH BRIGADE, mu-
sic-wise. Butalotof the rest of this
just sounds like any new unre-
fined band. However, according
to the cover and insert they've
been around for the last 3-4 years?
So, I dunno, there' s a hint of ska in
one song, but most of this is sloppy
dirty street punk. OI! (PB)
(Heave, 1 1 14 Marg Street, Madison, WI 53716)
HIC ET NUNC - "Howling Monkey Blues" CD EP
Motor City by way of Slovenia, yep! Once again some
foreign band from God-knows-here have upped a musical style
from us and totally ran with it in ways unimagined by us. The best
way to describe this is almost as some off-center variation of the
STOOGES but with a distinctly European flair. Think of
RADIOPUHELIMET or even UNION CARBIDE etc. but not
really. These do the Detroit power-chordAvah-wah pummel as
well as anybody along with some convoluted twists and turns that
brings to mind SONIC YOUTH but not really. At any rate it
rocks, the tunes are good and it is way swanky, best of the month
for me. (JY)
(FV Music, Kersnikova 4, 1000 Ljubljana, SLOVANIA)
HIGHSCHOOLSWEETHEARTS
- "Find a Way/Single White
Female"
Two tracks that would fit
right in on the first BLONDIE
LP. Which is alright by me. No
"X Offender" but still a cool re-
lease. Gal vocals with a little
punky rock' n' roll thing going on.
Not overly bubblegum either.
Basically a good pop thing. (RL)
(Get Hip, PO Box 666,
Cannonsburg, PA 15317)
HOODS - "Alone" CD
So I just saw these guys recently at Gilman Street. About
mid-set the guitarist said something to the crowd to the effect,
"Are you guys a bunch of faggots, why don't you get up here and
dance". Then a little later he said some other "faggot" slag, which
unfortunately I couldn't hear. Now the use of the word "faggot"
in this situation is completely up for interpretation. Does he
really dislike "faggots", and feels threatened by them ? Or is this
just some slang word carried over from his tough guy high school
days?. How can we take a step forward, when we always fall two
steps back? By the way, this is quality hardcore with a heavy
SICK OF IT ALL slant. Buy it and come to your own conclu-
sions. (RC)
(Breakout, PO Box 1464 San Ramon, CA 94583)
WMMf
HUMAN INVESTMENT - "Invest Your Efforts into
Humanity's Struggle or be a Human Investment" LP
Album titles this long and thought provoking are only
available on independent, D.I. Y. -produced records. There are
some bands that have entire songs that aren't as long. HUMAN
INVESTMENT is a bit of a throwback to the early days of
hardcore, with more than a dose of peace punk politics implicit in
every song. I've really been craving a record like this since
attending a recent STRATFORD MERCENARIES show, and
here it is (albeit a wee bit slower than I'd prefer). Lyrically
speaking, I'd say these guys hit all the points without making us
feel like we've heard it all before, though you probably have. (JV)
(Rotten Propaganda, PO Box 42325, Pittsburgh, PA 15203)
ILL REPUTE - "And Now" CD
Oxnard, what a weird place. Killer surf, Mexican Nazi
skinheads and, of course, 'nardcore. This band was one the
pioneers of that scene and sound, but seeing as their last album
sucked ass, I was expecting the same from this and well... it does.
Seriously, a bunch of guys pushing 40 screaming "Nardcore will
never die" oh the first song. Oh brother. Pretty d-u-m-b and not
in a good way. As for the music, think LAGWAGON, NOFX,
etc.(RM)
(Edge, PO Box 71 1 1, Oxnard, CA 93031)
INCOMPLETE AA - CD
Sloppily-played, so-so produced and plenty of stupid lyrics.
Yet for all that, I really like this CD. Maybe, it's because it has a
feel that reminds me of Dez-era BLACK FLAG. That "I'm
trapped in Southern California commuter cities, and can't get
out" frustration, that doesn't always give us the most coherent
rants, but does give us heartfelt ones. And on that note, INCOM-
PLETE AA delivers. (JF)
(Rude, 20121 Deihl St, Walnut, CA 91789)
INITIAL DETONATION -
"Mary Kaye Commandos" EP
Tuned-down, layered, rhyth-
mic hardcore from the Midwest,
with dual male/female vocals and
moody, metallic melodies. Four
long-ish songs heavy on the power
and each one varying in speed and
rhythm and focusing, lyrically, on
some of the fucked up elements of
our society, including domestic vio-
lence. This is an intense record.
(AM)
($3: Sensual Underground Ministries, PO Box 8545, Tulsa, OK
74101)
JOHNNY REVOLTING - "Trailer Park Gold" CD
Lotsa short songs, semi-pop-punk, no- frills attitude. Very
acceptable, party rock, great for the kids - in fact, I'll probably
listen to it another time, then find a 1 6-year-old to bestow it upon
(RY)
($11: Revolting, 127 Broadmoor Dr, Tonawanda, NY 14150)
KARMA/BULLSHIT PROPAGANDA - split LP
Both these bands play very political punk rock with KARMA
being a bit like NAUSEA due to the male/female vocals trading
off. BULLSHIT PROPAGANDA are really fucking punk with
thrash style music and "Cookie Monster™" vocals. They attack
conformity in the scene as well as other political issues. (MM)
(Discliche, c/o Thijs Van Der Spank, Regulus 25, 2221-MT
Katwijk Aan Zee, NETHERLANDS)
KGS - "Cutcord and Destruc-
tion" EP
at the moment I write
this review, I'm also listening to it
as well, and I gotta say, it's one real
piece of garbage fast, sludgy
guitars, distorted vocal howls in
some other language there ' s not
even any info on the sleave as to
where these motherfuckers are
from.... but, I tell you this though,
this shit sells I hear people with
their tastes up their asses listening to this kinda shit all the time..
(SW)
(Rebelable)
KLASSE KRIMINALE - "Mind Invaders" EP
Since 1985 KLASSE KRIMINALE have been one of the
most prominent anti-racist skinhead bands in Europe. From their
debut 7" EP "Construito in Italy" to this newest EP, "Mind
Invaders", KLASSE KRIMINALE has stayed true to their prin-
cipals. The new EP contains a good original as well as a fine cover
of "Angels with Dirty Faces" by SHAM 69. Try this one. (BR)
(Marco Balestrino, C.P. 426 Centrale 17100 Savona, ITALY)
KONTATTO - "Estremo" CDEP
Five songs of professionally-played rocking punk rock with
English song titles and Italian lyrics, or accent, I couldn't tell. Lots
of leads on this puppy. They have asong called "Girl Power" which
has a guy pretending to be a girl with a high voice going
"OHHH OOOHHHH" while another guy sings "PHUUUCK
HUGHHH" over a metal progression with GUNS 'N' ROSES-
style leads and it ends with the guy yelling
"SUCH MIEEE DEEEK". This may be the worst release I've ever
reviewed for MRR. (MM)
(Visigalli Emilio, Fermo Posta Maleo, Lo 20076, Italy)
tM
Wlmmumt.
KRUPTED PEASANT FARMERZ - "Peasants by Birth,
Farmerz by Trade, Krupted by the Dollar" CD
I've seen this San Jose band several tirnes. The most recent
was at a house party with the GIST and BREAKFAST OF
CHAMPIONS; I don't know if it was all the Hamm's I drank, the
whip-its, the crowd or a combination of the three, but that show
was awesome fun. These boys put out some anthems so catchy
that I'm not even annoyed at the kinda preachy lyrics (there's an
anti-gun song for chrissake). This here CD is, I believe, a re-issue
of stuff recorded and put out by Farmhouse in '94 with a few live
and compilation tracks thrown in. "Slluks" is a hilarious cover of
the MISFITS' "Skulls" played backward which was originally
released on the hundred band compilation "Wood-Paneled Pacer
Wagon..." on Too Many. I'm stoked that they included this,
because when I want to hear it, I can just push a coupla buttons on
the CD player instead of having to search on a record side with 25
other one-minute songs on it. Worth picking up if you don't
already have it. (DP)
(Coldfront, PO Box 8345, Berkeley, CA 94707)
LAST YEAR'S YOUTH - "Modern Living" EP .
Another great GMM record! This is fast punk rock played
with authority by some tough street punks out of St. Louis. These
guys are bristling with attitude! In "Burn Washington Burn"
LAST YEAR'S YOUTH sing: "We pay taxes so they can live
liberal, conservative. ..What do they give? Political self-made
millionaires. Our nation's dying and no one cares! Bullshit
watered down politics !" LAST YEAR' S YOUTH are the mother-
fuckin' guns! Buy this one immediately! (BR)
(GMM, PO Box 15234, Atlanta, GA 30333)
LATEST FLAMES - "I Try!"
EP
Vegas garage punk with a
yelping brace of tunes on the A-
side and a moody instrumental that
leads up to the winner on this EP:
"In The Middle of the Back", which
meshes the energy and the intent
for effect. You know, catchy. I like
to think this EP would give you a
pretty good take on their live set -
if they come thru town... (RW)
(Wood Shampoo, PO Box 27801, Las Vegas, Nevada, 89126-
1801)
LEWD - "Kill Yourself... Again" CD
A great, much-anticipated comp of everything put out by
these West Coast folks circa 1979 into the '80s. Funny thing is,
this now- popular band was never really popular back in the day.
They seemed to be doing the junkie-punk rock thing when
everyone else moved on to the BLACK FLAG/CIRCLE JERKS
thing. This still- kicks ass though, in light of all the bands now
doing the UK '77 or PAGANS thing. Hey I dig the STITCHES,
too. Anyways, a great welcomed re-issue on every level. (RL)
(Chuckie-Boy, 2802 E Madison St #116, Seattle, WA 981 12)
LIPMONGER - "Dissed Again" CD
Man, I hate it when this happens. Lame band name, lame
cover (in this case, sexist as all get-out), and lame lyrics, but
decent music. I didn't want to like this from the get-go, but I must
admit, for generic pop punk it's pretty okay. They know about
dynamics and how to wrench maximum hooks out of a chorus.
And with only five songs on here, they get in and out before you
have time to get sick of them. Not bad. (BG)
(Gooseneck, 549 N Courtland St, East Stroudsburg, PA 18301)
LITHIUM JOE -"WarStories"
EP
Melodic English political
pop punk with the proverbial
"edge" for real. Excellent singing
on here, that' s pop, but not lame or
wimpy like early WHO. Good stuff
worth finding or sending for. (MM)
(Resolve, Flat 3, Westbourne
House, 101 Westbourne Ave, Hull
HU5 3HT, UK)
LOOSE CHANGE - "Fire it Up!" CD
This is the pop punk shit! These guys keep getting better
with every release. Hey, pop punk with energy and some crunch-
ing guitars. It's still possible. Don't let the dream die! As good as
anything Fat, Epitaph or Dr. Strange has put out in the last year
or two. Not only that, but the se gu ys have the balls to cover both
the PRIMITIVES and the OUTFIELD. That's a fucking accom-
plishment in my book. Totally great!(RL)
(Coldfront, PO Box 8345, Berkeley, CA 94707)
LOUDMOUTHS - "Spit it Out"
EP
The last time I saw these
unruly punkers play, they had the
South of Market audience whipped
into a regular frenzy, with inbred
European tourists, clean-cut curi-
osity-seekers, and one lone
mohawk with a backpack all sway-
ing back and forth in a tide of
drunken humanity... their ability
to manage crowds is right up there
with their rock'n'roll chops. "Spit it Out" and "Fingered" are in
the tried-arid-true LOUDMOUTHS mold, tough and mean
hardcore punk , straight out of the roller derby and headlong into
the gutter. Rough and raw, kind of like the band are on stage.
There's also the sped-up EATER cover that's been sneaking its
way into the set, featuring their recently -departed second guitar-
ist, late of the SPITES. On collectable pink vinyl, for all you
retentive fucks. (JH)
(702, PO Box 204, Reno, NV 89504)
Gressvik, Norway)
MACHINE GUN SURFERS -
EP
Despite the name, there's
only one instrumental here, and
it's somewhere between the
RIPOFFS' "Heatseeker" and a
regular surf instro. Two songs are
high-energy specimens of pop
punk, and "We Can't Surf" flat-
out kicks ass. Well worth a listen.
(DD)
Dead Cool, Haugetangvn 13, 1621
THE MAHARAJAS - "Something Moody...& Groovy!" 10"
Organ-drenched, English-style garage rock, divided into a
"moody" side (slower, melancholy songs) and a more movin'
"groovy" side. Most of the stuff on here is good but not great. You
know, if there weren't so many bands doing this thing, I would
probably flip after hearing this 10". The MAHARAJAS have got
the '60s sound down. But as the 60's garage revival is as flooded
as just about any other genre of punk, I'll pass on this in favor for
something with a bit more bite. (IM)
(Teen Sound, L.A. Pascucci, 66-00168, Rome, ITALY)
MANEURYSM - "Swallowed
by Karma" EP
MANEURYSM's chaotic
style of pulsing HC is disturbing,
yet moving in their intensity . Lyr-
ics are thoughtful, direct and pow-
erful in social and personal com-
mentary. Heavy. (TJ)
(Power Ground, 1309 South 21
St, Manitowoc, WI 54220)
THE MARSHES/FAKE HYPPI - split EP
Well, this is a cool surprise. France's FAKE HYPPI steal
the show with two melodic, emotionally transcendent songs that
are like the gut punch that makes you smile. Their sound is kinda
like an updated DAG NASTY-type thing, yet not derivative. And
speakingofDAG NASTY, their old drummer is in the MARSHES.
The style is real poppy, yet not predictably so. There's lots of
interesting changes, yet something in the sound doesn't gel. I
can't really put my finger on what, but it is still worth hearing. A
good release. (BG)
($5: Kerosene, BP 3701, 54097 Nancy Cedex, FRANCE)
THE MEAT JOY - CD
Nine quirky punky-sorta thangs. Very straight forward rock
at times that almost has a '60s psych edge. Big production and
chunky guitar sound keeps it modern-rocking. Deep female
vocals give the whole thing a bit of a HAMMERBOX feel. A J.
Robbins production. (LH)
(Death Rebel, PO Box 33047, Washington, DC 20033-0047)
MMf
MASONICS - "In a Man's
Heart" EP
Very cool English-retro
which, to my ears, sound very
much like a young Billy Childish
fronting the MILKSHAKES ; yes,
it does have that type of vibe
especially "Hey Calinda" which
sounds like it could' ve come right
off the first MILKSHAKES LP.
Naturally you also get the KINKS ,
BEATLES thing happening as
well a touch of mod soul/pop a la the ACTION. The authenticity
factor on this record is so right-on it's scary (two scaries this
month, spot the other) and actually I can't say I've heard any-
thing in recent times that hits the bullseye like this. Very Boss.
(JY)
(Royal, 7 rue Tholoze, 75081 Paris, FRANCE)
MIGRAINES • "Juvenilia" CD
These MIGRAINES dish out some enthusiastic, goofy,
well- executed pop punk. "Juvenilia's" non-stop assault could be
a blessing or a nightmare when there's no breathing room
between the almost-too-consistent pace. "Banana Chandelier"
has a bitchin 'piano solo and offers some breathing room with an
awesome sound byte from the "Every Which Way but Loose"
movie. Two songs feature some quality commentary from Bitchass
the Clown, whoever that is. (HM)
(Onefoot, PO Box 30666, Long Beach, CA 90853)
MILLION SIX - "Clean-Head" CD
Ugh, boring melodic punk/hardcore that sounds like a
dumbed down version of FACE TO FACE crossed with
STRAIGHT FACE. Except that this record is even more boring
than those afore mentioned bands. Worse is their attempts at
instrumental jams, which just make me ache for the singer.
Though I must admit his voice sounds like shit. Jeez, this band
will probably make it big. (JF)
($12: Satellite, 920 E Colorado Blvd. #151, Pasadena, CA
91106)
MOTHER FUCKING TITTY SUCKERS/46 SHORT - split
45
It sounds like the MFTS are having a drunken practice, and
their singer's either bored or too drunk. They're loose and
lethargic which sounds good on some songs. I do appreciate the
effort and creativity of their self portraits. Once you change the
turntable speed, 46 SHORT are in your face with an early '80s
SoCal feel sorta CIRCLE JERKS. The pessimistic lyrics on
"Recipe for Misery" are delivered quite well making this my fave
tune of the EP. (HM)
(Last Dollar, PO Box 3980, Long Beach, CA 90803)
MR. CRISPY/PETER THE GREAT - split EP
A great little pop punk split from these two Oklahoma
bands. MR. CRISPY does a wonderful "Southpark" spin off
before tearing into a SCREECHING WEASEL type of thing.
PETER THE GREAT has an early AGENT ORANGE sound
happening. Punk rock with a bit of mod overtones. A split worth
checking out. (RL)
($3: We're Not On A Label, Edmond, OK 73083)
THE MR. T EXPERIENCE - "Road to Ruin" LP
That's right, another pop-punk band covering an entire
RAMONES LP. A different pop-punk band and a different
RAMONES LP, but isn't it kind of the same thing? The one
difference here is that MTX puts at least a little twist to most of
the cuts so that it doesn't sound like a mere replica of the original.
(KK)
(Clearview)
MY PAL TRIGGER - "Lessons in Ancient History" CD
Flat out the most disappointing record I've heard all year.
I've been a fan of all the previous output from this band, but this
record is just flat out boring. Really, if you're going to have sparse
lyrics, please don't put them into a slow-moving indie-style four-
minute song. I wish I could say something nicer, but it wasn' t until
the fourth listen that I was able to stay awake through this. Sorry,
but this is the type of records that give credibility to emo-indie-
haters everywhere. (JF)
(Kat, PO Box 460692, Escondido, CA 92046)
it j, l ilH iiii a! will 84
NITROBREW - LP
Why the fuck are there so many bands these days that
still pull that out of tune, swampy, badly played, noisy, JON
SPENCER, style cowboy slop????????? Shit, this time it's
French but I can easily see this turd winding up on Crypt
Records once again, some people call this shit rock and roll,
bu t I sa y it comes closer to the experimental art damage of the
BUTTHOLE SURFERS you can't fuck to this slop Igotta
take the needle off RIGHT NOW! !!!!!!!!!!!!!!!! (SW)
(NestOfVipers/SympaticBar, 1 1 Rue,StMichel-35000Rennes,
FRANCE)
NOTHING COOL - "What A Wonderful World" CD
Catchy pop punk from the guy that got robbed at gun point
at Epicenter! Very much like an updated version of
CRIMPSHRINE with the gruff vocals and catchy tunes occa-
sionally busting into hardcore. Includes a fun butchering of
"Ohh Child" by the FIVE STAIRSTEPS. (LH)
(Dummy Up, PO Box 642634, San Francisco, CA 94146)
f NASHVILLE PUSSY
, »SOCK IT TO ME-BABY!
NASHVILLE PUSSY - "Sock it
to Me/Misunderstood"
I happened into a
NASHVILLE PUSSY show last
May, and little could have pre-
pared me for what I witnessed there.
For sheer spectacle, these guys and
girls are right up there with the
worst of pro- wrestling and midget-
tossing - a heavy metal take on the
Nuremberg Rally where the Stars
& Bars fluttered gently in the
breeze, and balding punks goose-stepped in circular formation.
Minds were expanded, toes were crushed, and all that remains to
remember them by is their LP and various singles. This little
number is out of left field, a couple of re wed-up covers free from
their TED NUGENT-on-Kool-Whip appeal that they work in
front of a crowd. MITCH RYDER' s "Sock It to Me" gets sped up
and fucked up, without the slide-whistle sound effects of the
original. The choice of the SAINTS' "Misunderstood" seems a
little introspective and thoughtful lyrically for these folks -
c'mon, "I've been misunderstood for too long"? Is there a
sensitive heart beating above that beergut? (JH)
(Black Lung, PO Box 252, Richmond, VA 23218)
NICE AND EASY - "Stuff 'N'
Fings" EP
What exactly is "streetrock"
supposed to be? Sort of like
PETER & the TEST TUBE BABIES
with a weird metal or glam edge on
one song. Then it's sort of like the
JAM with a weird metal or glam
edge. The verse of "Love Seals
Destiny" could pass for "That's
Entertainment" almost exactly.
What a fuckin' weird record
cover... (LH)
(DSS, 85 Paul Rd., Kamloops, BC U2C 6T1, CANADA)
OJOROJO/INFLICTED - split
EP
Damn. Another scorcher -
I'm pulling some great stuff this
month. Two tracks each from
Oakland ' s gutter hardcore legends
who coax loads of impact some-
how out of complicated and intri-
cate songs, and a straight on me-
tallic assault from Wisconsin.
Impressive stuff - both of these
bands aren't getting the recogni-
tion they should be. (TM)
(Power Ground, 1309 S 21st St, Manitowoc WI, 54220)
ON FILE - "Monday thru to
Friday/Back to the Roots" 45
This Scottish band plays
melodic oi/street punk with appeal-
ing harmonies and highly compe-
tent punk hooks. The songs are
carefully crafted, eligible for many
sing-along choruses at the pub. The
pleasant punk record is quite infec-
tious. Look for some ON FILE
material on "Punks, Skins and
Herberts Vol. 4" as well. (BR)
(Helen of Oi, 35 Becton Lane,
Barton On Sea, New Milton, Hampshire , BH257AB, UK)
THE OPPRESSED/IMPACT
split 2xEP
IMPACT is slow to mid
tempo, boring-as-fuck oi, sung i
French. Ouch! Hated it! The OP
PRESSED cough up one original
song, that's already available els
where, as well as three covers, whici
have also already been released,
waste of time, money and natura
resources. (RM)
(DSS,POBox739,4021 Linz, AUSTRIA^
Houston, TX 77254)
PANTHER - "Broken Rock V
Roll Blaster" EP
Once again, Japanese know-
how comes up with something out
of the ordinary. Energetic garage
slop with high-pitched female vo-
cals that veer from playfully Lolita-
ish to gutsy screaming. Fans of the
generic may have a problem with
this, but I wish there was more
wacked-out stuff like this. (DD)
(Twist Like This, PO Box 540995,
PARIS AT 2 A.M. - "6-4 Mea-
sures in the 4-4 Loop" EP
The look of this EP and the
band's name had me thinking that
this was going to be really indie-
rockin' emo. In fact these Green
Bay folks (could they be F.O.N,
[friends of n0rb]?) play some up-
tempo melodic hardcore, that
clangs around enough to keep it
from getting pretty. There are some
emo-ish elements, but they don't
stop and wallow in it but always keep moving on, maybe a more
straight-through CURRENT. (TH)
($3: Fish Girl, 128 Hudson St., Green Bay, WI 54303-1946)
PERSUADERS - "Van Ride" EP
Now this is the stuff I like.
Turn those guitars the fuck up and
rock. From New Orleans and fea-
turing King Louie of the
ROYAL PENDLETONS, they've
got the bluesy garage rock thing
down so well that I just want to
keep playing this over and over,
drink a bunch of whiskey and start
screaming my head off like the
singer. Oh yeah. (CK)
(Royal, 7, Rue Tholoze, 75018, Paris, FRANCE)
PENIS FLYTRAP - "Tales of Terror" CD EP
As Count Floyd used to say... "Ooooh! Sca-r-rey". And
thatcan be the only thing one can say of that old horror-punk band
from the '80s: 45 GRAVE. Unfortunately, the singer of said old
band has a new project and is still milling the kitsch-horror-
vampire thing. Hasn't even GLEN DANZIG given up on that
shit! I suppose Ms. Cancer hasn't put herself in the fortunate
position of" being able to crank out bad comic-book titles for a
living and instead is doing this. I suppose one can appreciate it for
its camp goth/horroroh-woe-is-me-because-I'm-a- vampire, yada,
yada. More closer to the 45 GRAVE pre-"Party Time" but more
doom/gloom affected, too. Funny (and unfortunate) I suppose.
(JY)
(Bloody Dagger, 7336 Santa Monica Blvd #705, W Hollywood,
CA 90046)
ITS SB HE!
THE PETTYFORDS
"Mmmm... Pettyfords" EP
Okay, I'm from Hawaii, and
I know how hard it is to have a
band, much less a punk scene on
an isolated island. I really want to
be as supportive as possible. But
jeez, why do so many of the bands
go out of their way to write totally
vapid lyrics? Musically, it' s really
catchy pop punk. Really tight and
everything. But lyrically...
"Dave's a Homo"? Come on! It's 15 years too late to jump on the
DESCENDENTS ' bandwagon. .. There was a time when I thought
the Hawaii music scene was as creative and challenging as any
other in the states. But somehow, time stopped there and the rest
of the world kept on spinning. (LH)
(Wet Noodle, PO Box 235789, Honolulu, HI 96823)
PINK KROSS - "Chopper Chix from VP Hell!" CD
These She-Devils On Wheels growl more than other
girlsville British garage bands. They bang out their rough and
unruly rock without losing their taste for a sweet melody. It's
strange, sometimes they sound like raw L7, and others like thee
HEADCOATEES. (TJ)
(Teen-CRecordingz,POBox 15107, Glasgow, Gl 1US, SCOT-
LAND)
THE PORK GUYS - "Four
Lights" EP
Four tracks of raw punk re-
corded live at the Anthrax in Con-
necticut, featuring the songs "Face
the Facts (You're Not Black)" and
"Fuck Christmas, Fuck You", two
almost classics. Cool. (AM)
(Self Starter Foundation, PO Box
1776, Horsham, PA 19044)
PRESSURE POINT/UNITED
BLOOD - split EP
Here's some rough-and-
tumble street punk for you skins,
punks, and boot-boys. PRES-
SURE POINT delivers some of
their very best material ! Mike and
the band come out kicking with a
fast and strong version of "Police
On My Back" by the CLASH.
Great! Next you have a real good
original song "Boots n' Booze"
with intelligent lyrics about a man' s personal convictions. PRES-
SURE POINT has been a favourite up this way for a long time.
Now they will be recognized by the entire United States oi/street
punk population! UNITED BLOOD tear-it-up with their origi-
nal "Crossfire" and then end the side with the novelty song
"Drunk Last Night". This split offers some of Northern
California's best local music. Buy it! (BR)
(Coldfront, PO Box 8345, Berkeley, CA 94707)
■
WMmm
THE PROCESS - "End Times" CD
Punks and headbangers will unite over this one. Ukiah's
the PROCESS strike out super fast with 17 metallic-guitar dam-
aged, r'n'r/ hardcore rips like some metal-punk hybrid reminis-
cent of the mid-late '80s. In the mindset of forefathers S.O.D,
these American beasts sing about wanting to kill hippies (all
right!), and bum out on chicks on the rag (like, whatever!). At
their best, they kick out the jams like early-EXODUS with a
HELLACOPTERS tilt akin to PORTRAIT OF POVERTY. Shit,
there's no denying I've always been a sucker for heshers. This
rocks, but things do fade slightly 3/4 the way through as they level
out into a more melodic incline and the overlapping vocals wear
a lil' thin. These boys like their "whoa-whoas", that's for sure.
Nevertheless, this is a tough release with headbanger approval,
way. (DL)
(Industrial Strength, 2824 Regatta Blvd, Richmond, CA 94804)
PRODUCT - "Dedication" EP
OK on the front cover is the
token action shot with one of the
band members wearing an X
Swatch. On the back cover is a
picture of a bunch of pubescent
kids dog-piling over the vocalist.
Any guesses on what this sounds
like? Hmm, maybe an Italian
STRIFE? That would be my sum-
mary. (RC)
(Twilight, MBE 120 V. Delia
Grada 4/E, 40122 Bologna, ITALY)
PROTECT- "Proud Ones...I'll Keep on Standing Till I
Die" CD
All the East Coast, rebirth of '88-style wieners need to take
some notes from these fellows. PROTECT has the style wired
with a nice full sound, no slow downs and some harsh fuckin'
vocals. The energy, full-throttle bass and drums and the harsh
chugga chugga of the guitar will get even the most jaded straight-
edge hardcore fan finger pointing and pig-piling. (TH)
(Kohki Shinohara 52 1,2-17-2, Shinsayam-City , Saitama 350- 1 3,
JAPAN)
PUSSYCATS - "Playin' Dirty" LP
Pressed on red vinyl, this all-girl trio spit out a loose, rude,
angry bunch of originals (frequently having difficulty holding the
drums and guitars in rhythm), and definitely take their cue from
bands like LUNACHICKS. They're best represented by crazy
punked-out anthems like "No TV" and "Fuckin' Bitch", mixed in
with several covers, including a killer version of the WEIRDOS'
"Helium Bar." (Their try at DEVO's "Mongoloid" was less ef-
fective, but 999's "Nasty, Nasty" fares well.) For fans of a more
cut-loose punk style. (SS)
(Munster, Apdo. 18107-28080 Madrid, SPAIN)
RADIATION NATION/
TOXIC DRUNKS - split EP
TOXIC DRUNKS are a
noisy little outfit out of Florida.
Talk about raw - yowch! The sec-
ond song is much reminiscent of
THE FEEDERZ. The singer
sounds like she's hemorrhaging
or giving birth to a washer/dryer
set or something. I mean that in a
good way, it's intense. However,
doyourselfafavoranddon'tpeek '
at the lyric sheet. RADIATION NATION sounds like the same
band and, in fact, all of these songs sound pretty damn simillar.
Nonetheless, an enjoyable racket.(JN)
(no address)
THE RANDUMBS - "Back
From Sonoma" EP
Good God this band fuckin'
kicks so much ass ! Simple, snotty,
catchy, and punk as fuck, it doesn' t
get any better than the four songs
here. These guys mix equal parts
G.G. ALLIN, old QUEERS, AN-
GRY SAMOANS, add a dash of
hardcore and manage to churn out
the best release by a Bay Area, or
American punk band, in quite some
time. Love the cover art too, which features MRR's own Bruce
"who loves ya baby" Roehrs. Rock on fellas, this Bud's for you.
(RM)
(TKO, 4104 24th St #103, San Francisco, CA 941 14)
THE RANKS - "Beach Towel
Twist" EP
Three basic (and trebly) surf
instros (of the sort that weren't
getting reviewed around here for
a while, but don't ask me). The
drummer pushes things along at
a nice clip on the B side making
for more energetic than currently
average instros, although things
threaten to get ragged at a few
moments (I know all about these
amped-up drummers, let me tell
you). (DD)
(Daddy-O, PO Box 6328, Beaverton, OR 97007)
REDHEADED STEPCHILDREN/THE INFECTED - split
EP
Do you snowboard? Skateboard? 20 years old or younger?
Like NOFX? If you answered "yes" to all these questions, this is
your dream record (if only one "yes," it could be your next
favorite record, I don't know, I don't know you.) REDHEADED
STEPCHILDREN are very catchy, my toe is tapping now
without control. The INFECTED are rougher, yet still fit into the
before mentioned style of music, "good time", mid-tempo punk.
(TJ)
($3: Eugene, 215 W Vista DrLexington, KY 40503)
<^"fffli
w
REMISSION - "Temporary Ser-
vice = Temporary Slavery" EP
Fuck, these guys can't seem
to do wrong by me. I'm not sure
why more people haven't picked
up on them - they've got a ton of
releases, and it's all high-test fast
hardcore. We're talking top notch,
innovative shit. Political lyrics that
aren't stupid or simplistic. Hell -
they even cover a CRUCIFUCKS
song this time around. Get on it!
Get the old stuff too! (TM)
(Denied A Custom, c/o Yoshiyuki Takahashi, 3-5-12-106
Hashigadai, Narita-SHI, Chiba 286-0037, JAPAN)
THE RETARD BEATERS - "Pulling Jive" EP
Ha! Somebody spit a loogie into the face of blind justice and
impartiality when they handed this seven inch to me/or review!
Whatta scam ! I've been waking up every morning to a janky tape
version of this record for a month! Anyhow, this disk shines more
brightly than all the rings on Liz Taylor's fingers. Mostly mid-
tempo and melodic. The bass is turned up way too loud, but that's
alright. Aaron Cometbus's signature drumming style appears
here, along with some cool graphics by him, Cindy Ovenrack, and
others. Cindy's vocals are tuneless, but charming. Great lyrics
about Russian politics, local politics, gangs, and booze. There's
only about 300 records available for you, ever- no second
pressing, and you gotta order direct from Var, so get the lead out
or cry to your mama when you can't find one a couple of months
from now. (JN)
(No Idea, PO Box 14636, Gainesville, FL 32604-4636)
mm
ROHT - "Mfg. Dissent" CD
Simple cover graphics, earnest liner notes, and a photo
depicting various dust-bowl types desperately brandishing the
American flag... it's not often that I hear bands with a social
conscience, but that's what ROHT appear to be. Musically
they're rougher and snottier than I woulda thought, kind of like
the CRUCIFUCKS on fewer drugs. Introspective lyrics,
midtempo music, and some twisted vocal stylings. (JH)
(Trocar, 5207 5th Ave NE, Seattle, WA 98105)
R00M41
BRAIN SHAKE
ROOM 41 -"Shake/Lucy's Sad"
Japan's ROOM 41 dive into
a two-song shake-a-thon of the
most hips-friendly variety. Hon-
ing in on the spirit of American
r' n ' r and wrenchin' it with a kami-
kaze twist. Room 41 make this
humble offering a sure-fire hot
pink snatch for all you backdoor
fans of THE DIRTYS & snot-
nosed groupies of THE
STITCHES. What the fuck do you
have to lose, anyway? (DL)
(Empty, PO Box 12034, Seattle, Washington 98102)
ROTTEN SOUND- "Psychotic Veterinarian" EP
I believe this is the vinyl version of their mini-CD from 3
or 4 years ago. If you haven' t heard Finland' s ROTTEN SOUND,
you're gonna shit if you like hyper-speed grindcore. Really well-
written songs with varying vocal styles and 1000 mph. drum
beats. Great shit, even if it is the second time around. (MW)
(SOA, c/o Paolo Petralia, via Oderisi da Gubbio 67/69, 00146
Roma, ITALY)
shmeqiihi
RETRIBUTION - "Broken" EP
Let's make this as simple as
possible, shall we? This is killer
hardcore from Kentucky that
sounds a lot like INFEST. And
these guys are pissed. Listen up,
"Anarchy through spare change.
What a bunch of shit. How long
will it take for you to get a clue.
With bastards like this I've got no
choice. Only one thing left to do.
Clear the deck. Save the scene."
Hey guys, just wait till you come to the Bay Area and some
sidewalk crusty tells you that he will "let you spit on him for a
quarter". (RC)
($3: Passive Fist, PO Box 9313, Savannah, GA 31412)
RIDICULUM - "... for President" EP
Snotty fast paced halfway anti-social political punk rock
with a sense of humor. Sort of reminds me of a weird cross
between early MDC and the SHOWCASE SHOWDOWN. Hands
down a clear-cut winner. So go steal money from mommy's
purse, and mail it to... (JF)
($3: Noxious Release, 6 Glen Rd, New Fairfield, CT 06812)
ROYAL PENDLETONS - "Oh Yeah, Baby" LP
Live, these guys are one of the great extant frat bands. This,
their first full-length rocks and stomps and has some great songs
(originals as well as well-chosen covers), but sounds a little thin
(despite Alex Chilton co-production) in places which is a shame,
because this should have been a solid A+ piece of work. None-
theless, there's plenty of prime cut stuff in which to sink one's
choppers here. (DD)
(Sympathy for the Record Industry)
RUIN BOIS - "Sempre en Galiza" CD
Well, the song writing and music on this 13-song CD is
good. Catchy, traditional oi which treads somewhere between
the LAST RESORT and COCKNEY REJECTS. But the vocals!
Oh god! This is the worst singer for an oi band I've ever had to
listen to. He tries to sound all powerful and snotty and shit but
comes off sounding whiny and pathetic. Find a new singer and
get back to me. (RM)
(Pure Impact)
THE SATELLITERS - "Shake, Shake, Shake" EP
This is what the MAKERS used to sound like before they
sold out, raunchy guitars, Jagger vocals, basic two-chord riffs
that go to the center of your brain. Only one thing, why do
the SATELLITERS wear masks on the cover? Are they too ugly
to be seen, or is this some all star project to be kept secret? (EC)
(Dionysus, PO Box 1975, Burbank, CA 91507)
lfeTO?!if
SCARPER - "Not as Punk as
You" EP
Nope, you're not. And I'm
not really that punk, so where does
that leave y a? Two tracks filled with
riffs that had me digging thru my
record collection trying to figure
out where I've heard 'em before.
Kinda FASTBACKS-y sounding
with female vocals (I think they're
female), but not quite infectious.
They also threw in two ska-influ-
enced songs I won't bother to comment on because, well, they're
ska songs. A reminder to the band and label: If you're from a small
or not well known foreign city, please indicate somewhere on your
packaging your country of origin. I had to spend time to research
that and my time is valuable, fucko. (DP)
(Resolve, Fat 3, Westbourne House, 101 Westbourne Avenue,
Hull, HU5 3HT, AUSTRALIA)
LA SECTA - "Blue Tales of a Wild Weekend by the Fuzz
Godz" CD
This CD comes with the zine No Action #2, so check that
review for further info. LA SECTA is a Spanish, metallic band
that listens to a lot of the STOOGES. (CK)
(No Action!, Apdo. 52, 08830 Sant Boi, SPAIN)
SECTION 5 - "They Think it's All Over.. Is it, Fuck?" CD
Avoid questions like the above at all costs when your band
releases its reunion CD. SECTION 5 were an English oi outfit
active in the early/mid-' 80-s, and in the intervening years have
traded the Doc Martens for puffy white athletic shoes (the unform
of the working class in America, that's for sure ). Fourteen tracks
of mid-tempo oi/street-punk, sticking to the established sound off
their earlier LPs - kinda cleanly produced for my tastes, profes-
sional even. Lyrically there are digs at junkies, council estate
residents, the ruling elite, and the uncaring world at large. I'm not
sure how these dudes/blokes fit into the current World of Oi, but
there seem to be plenty of up-an-coming bands picking up where
they dropped the ball. (JH)
(Pure Impact, no address)
SELF DESTRUCT - "Rock Bottom" CD
Time and time again, people refer the compact disc format
as the '90s version of demo tapes, and this is why. Their music
isn't bad. Fast, angry hardcore played by boys, but there was very
little effort put into this. A record that looks like no effort was put
into it, is usually passed over, and usually for good reason. Imean,
if you don' t have enough interest in your own band' s self released
CD, who is going to? Hopefully they're selling this for costs, and
hopefully they'll at least break even, and hopefully they find a
label that'll want to put out their music and that will have more
interest in them than they do in themselves. (PB)
(1872 Leonard Lane, Las Vegas, NV 89108)
7207REDENCION 9-11- split CD
720° from Argentina has got a solid style that mixes straight
hardcore with some thumping metal beats. At times it has almost
a slower NYHC style. REDENCION 9-1 1 from Chile is quite
similar in style, with a little more sxe hardcore influence. I
actually liked them better. This isn't essential, but if your into
hardcore from far away lands then write to... (RC)
($10US: Actitud Mental Positiva, PO Box 3893, Correo Central
1000, ARGENTINA)
SHORT MILLIE - "Foe Of Someone Else" CD
SHORT MILLIE plays the LESS THAN JAKE-style of
Skacore, which is different from the OPERATION IVY or
SKANKIN' PICKLE versions. You'd know if you had to listen
to as much of this stuff as I do. Of course, if this doesn't make
sense to you, you probably stopped reading at the word ska. (JF)
(Whitehouse, 830 Baylor Wissman Rd, Lanesville, IN 47136)
SHYSTER - "February" CD
Best thing I have reviewed this month. Punkcore in the
IAWBOX, SAMIAM and JAWBREAKER vein. Progressive
songs in that catchy pop punk vein, with sort of gloomy over-
tones. The lyrics are introspective but avoid cliches. Singer has
a muted voice that sound like it is funneled through a garbage can,
but that could be the production. Still it works real well. Seven
tracks total, all of them good. Scary Kozik artwork on the cover
that looks like a post- apocalypse Charlie Brown. Well worth
having. (CW)
(Man's Ruin)
SIREN - "Becoming Wheels" CD
I thought this came out a couple of years ago, but I guess
maybe this is the first CD release. Anyway, this recording
captures SIREN in a more raw, aggressive mood than the handful
of times I saw them a few years back. This is kinda like a more
pumped, HC version of early YOUTH BRIGADE. At times it
really moves. In its best moments, it is anthemic and thought-
provoking, in its worst, self righteous and repetitive. Overall, it
is more the former, though. And at least you don't have to watch
Brian Zero's slightly- overdramatic theatrics while listening to
this. I'd recommend it. (BG)
(Cool Guy, 10140 Gard Ave, Santa Fe Springs, CA, 90670)
SLAB - "Reflect" CD
Not really too much to tell about this one. You have heard
it all before on your favorite Fat or Epitaph records. They offer
no new spin on things or personality in these songs. Just more
boring pop punk. (BG)
(Onset, PO Box 1918, Garden Green, CA 92842)
Slight Stoppers
SLIGHT SLAPPERS - "Very
Best of... " 2"
Fuck this record kicks amaz-
ing ass!! I never knew that
SLIGHT SLAPPERS were such
amazing and well-connected mu-
sicians. Really, once you get this
2" slab of beauty playing you'll
hear 12 songs of some of the most
brilliant blurrcore ever produced.
In addition this record has guest
appearances by members of: HIS
HERO IS GONE, DYSTOPIA,
CODE 1 3 and even GISM. Hands down, this is the best piece of
vinyl that I've ever reviewed. The only thing is, I believe it is
limited, so you better hunt it out, because this is even better than
sex' (JF)
(Slap A Ham, PO Box 420843, San Francisco, CA 94142-0843)
Vwy Besr Of
SUqkT SUppcits
i 3 (J
OTor
SLIGHT SLAPPERS - "Very Best of..." 2"
Holy shit! Finally a "Best Of..." of this seminal Japanese
hardcore godhead! ! ! ! Although I'm a little disappointed that this
wasn't a double 2". (PB)
(Slap A Ham, PO Box 420843, San Francisco, CA 94142)
SOCIAL INFESTATION - "Redemption is Only Skin Deep...
"CD
These guys played the Prank Fest a couple of months ago.
In all honesty, I wasn't really paying attention when they played,
and now I wish I did, because this CD rips! This is a mix of dark
crushing grind and vicious blast beats. The vocals are a pained
mix of screeches and howls. Their take on a lyric sheet is quite
interesting. They have songs explanations instead of lyrics. If you
want the lyrics you have to write to the band. The say the reason
they do this is because some of their lyrics change. And, they feel
that "if the listener has the reason why the song was written he/
she may be forced to listen harder and hopefully gather more from
the music." Excellent! (RC)
(Goatlord, PO Box 14230, Atlanta, GA 30324-1230)
THE SONICS - "The Witch/Keep a-Knockin'"
how the fuck am I supposed to review this?????? This
single is a part of the reissue Norton juke box series, and there's
like six SONICS cuts in all, and I noticed that the singles are
scattered to a bunch of different reviewers this month, so that
means mine will sit smugly in the middle of a slew of SONICS
reviews whatever.... but I do gotta say this, about six or seven
years ago, I talked a bunch of bad shit about Norton Records, but
I want to take it back most of the time I don't know what the
fuck I'm talkirtg about, that's why I review records, just like most
of the people who write for this magazine don't know what
they're talking about but now that I am older and just a little
wiser, I realize all the good work that Norton has done over the
years in reissuing and documenting some of the greatest old rock
and roll ever.... (SW)
(Norton, Box 646, Cooper Station, New York, NY 10276)
SONICS - "Boss Hoss/The Hustler"
Convince your local old-man bar to slip this into the
jukebox, right between PETULA CLARK and BRASIL '66,and
watch the fun. Hilarity ensues... "Boss Hoss" is a hormonally-
charged love song from one teenager to his set of wheels.
"Believe me buddy, I'm no fool/I got the money workin' after
school" - they'll spend many happy nights together before he
takes one turn too fast and wraps it around a telephone pole, just
watch. "The Hustler" is a rollin' number about a sleazy malcon-
tent who loves 'em and leaves 'em - in that order. Along with
LINK WRAY, the SONICS are a band that anyone who likes
honest rock'n'roll - from middle-aged moms to surly teen punks
- will dig. (JH)
(Norton, Box 646, Cooper Station, New York, NY 10276)
THE SONICS - "Strychnine/Shot Down"
One of nine singles in Norton Record's "Juke Box Series,"
I can only assume this is already in your collection. It's classic
'60s garage trash, beautifully mastered, and full of that distorted
power that characterizes the SONICS (who some argue were the
greatest American band in the genre) at their best. Obviously, this
is mandatory, but an even better strategy is to see if you can find
copies of their excellent LPs on reissue. (SS)
(Norton, Box 646, Cooper Station, New York, NY 10376)
SONICS - "Cinderella/He's Waiting"
A generic boring garage blues-rock single from this over-
rated "classic" band in the early AEROSMITH vein. (RL)
(Norton)
SONICS - "Cinderella/He's Waiting"
...aww, make fun of the SONICS? You've broken my
fragile, anemic little heart (sniff !) I've never heard AEROSMITH
except for "Walk This Way", so maybe the comparison is wasted
on me... but "Cinderella" is one of the classics in the canon of
Northwestern American rock'n'roll, frequently covered but never
touched by any band who tried.. "He's Waiting" takes the '60s
"put down" song to its ultimate length, namely "you're going to
burn in hell 'cause you done me wrong", and has amazing riff that
could sink a fleet of lesser rock'n'roll bands. Mind stated,
mission accomplished. (JH)
(Norton)
SONICS - "Psycho/Have Love Will Travel"
This is a re-issue of this very influential '60s garage band.
This shit has a killer warm tone to it. It sounds great cranked up.
These songs have summer time, barbeques and keg parties
stamped all over them. Fans of good-time garage don't miss.
(TG)
(Norton, PO Box 646, Cooper Station, New York, NY 10276)
SONNY VINCENT - "Electric
KO Live in France" EP
Yeah, yeah, yeah. . . this band
is made up of some bon-a-fide
geniuses of rock 'n roll music
making (Scott Asheton of the
STOOGES and Steve Baise of the
DEVIL DOGS), and yeah, the
sound quality isn't bad for a live
recording.. .it'sjustliverecordings
are hard for me to get into. Ah
fuck, I guess I'm just whining _
'cause I wanna get my hands on some studio stuff by these guys.
It stands well enough on its own without flaunting the "ex-
members of. . ." tag. Two balls out songs coupled with two that are
more on the slow/droning side. Fans of either of the above
mentioned bands should not slouch on catching this. (IM)
(Nest of Vipers, 60 rue des Greves, 35960 Vivier-sur-Mer,
FRANCE)
I!raiiK!Wi
SONNY VINCENT AND HIS RAT RACE CHOIR - "Pure
Filth" 10"
I reviewed one of his records, like, two months ago. This is
the geriatric set - Cheetah Chrome, Captain Sensible, and
Sonny Vincent of early NY outfit the TESTORS. It's real decent
rock and roll, and at least these guys aren't trying to pull off a
revival of something. I find it a bit unexciting, even with it's
technical perfection and masterful musicianship. Nothing wrong
with this, and no-one I want to offend here, so I'll be going now...
(RY)
(Safety Pin, PO Box 51241, 28080 Madrid, SPAIN)
SOULQUAKE SYSTEM - "A Firm Statement" CD
Horrible ass shit. It's got a little NYHC mixed with some
FEAR FACTORY type shit, with lame-ass guitar solos and tough
guy vocals. They thank a ton of great Swedish sXe bands, so the
only good quality about this CD is to look at their thanks list and
go buy those bands releases. Oh, and another lame quality is
there's no addresses anywhere, just fucking e-mail addresses.
How fucking punk. (MW)
(Black Mark Productions)
STEPSISTER - "Straight Up, No Chaser" CD
The first band they thank on this CD is the LAUGHING
HYENAS and that sums up this CD better than I could. The only
thing that is missing is the throat piercing screaming of the
HYENAS. Well, maybe you just need to drink more. (CK)
(Red Hour, PO Box 44302, Cleveland, OH 44144)
STREETWALKIN' CHEETAHS - "Cherry Bomb" EP
Okay, another pointless version of the RUNAWAYS
"Cherry Bomb" which has to be our generation's version of
"Radar Love" (see a review from last issue, notice how I always
tie shit together) even if Ms. Cherie Curry (who is/was(?)
married to the guitar player from TOTO) herself does the lead
vocals (she sorta sounds like WAYNE COUNTY here). Flip
side has two tunes which sounds so close to the HUMPERS it's
scary. Aggro-old-school punk at its finest, if one can forget about
the A-side, that is. (JY)
(Alive/Total Energy, PO Box 71 12, Burbank, CA 91510)
SPECIAL DUTIES - "Distorted Truth" LP
There's 21 songs on this LP. Old basic English punk from
demos and records circa 1982. The singers name is Steve Arro-
gant, and they had arecord called "Bullshit Crass". Somehow that
song didn't make it to this LP. (MM)
(Get Back, Piazza Maltoni 16, 50065 Pontassieve, Firenze,
ITALY)
SQUIRM - "Another Fine
Mess...." EP
Raw, energetic, snotty, ev-
erything punk's about! But judg-
ing by the chest hair and weapons,
these cats are a bit older than youth-
ful high schoolers. In this case, age
brings some musical ability and
song- writing skills, these are good
things. If you're in Minnesota and
want some men masked in paper
bags toting rifles to hang out with
you, set up SQUIRM's first show (according to this 7" it hasn't
happened yet), so they can stop only playing with themselves.
(TJ)
(Squirm, PO Box 6880, St Paul, MN 55106)
STEEL MINERS - "Ballin" LP
Long Pittsburgh, PA trio, with a brand spanking new slab
that to my ears sound like prime LAZY COWGIRLS crossed
with classic 6T's garageland mania (is that a fuckin' FARFISA I
hear in the distant background?). And the combo is truly blessed,
blew away my past impressions of the band certainly and also
plenty of big, big, gut-bustin' gee-tar turned up and played
furiously. Seems to be a trend with bands combining the guitar
power and grit of punk rock with the 'tude of yer DAVE
AGULAR or somethin' and it be a good thing, the evidence is
here. Rejoice. (JY)
(Get Hip, PO Box 666, Canonsburg, PA 15317)
THE STRYCHNINE BABIES - "Kill Society/Dead Love"
Wow! These guys rock in a serious '77-style punk kind of
way. Catchy, great dual vocals, lots of guitar and steady bass/
drum section. They liken themselves to the DEAD BOYS, and
they're not that far off. The A-side in particular will have your
head bouncing and your feet tapping. A rocker. (KK)
(American Punk, 802 S Broadway, Baltimore, MD, 21231)
STUNTMEN/DR
BOB'S NIGHTMARE -splitEP
Split of two bands from
Philly. The STUNTMEN start
things off on a somewhat eh...
auspicious note with a pretty
straight, competent but totally
faithful version of the JAM's "All
Over the World". The second tune
by them then starts to sound more
like a more-poppish BAD RELI-
GION-ish tune, even though it would actually be a really good
BR song if they did it. Good band, if not totally too original. DR
BOB'S NIGHTMARE, though not too different, does more of
an offensive goofball-old school-punk thing with your obliga-
tory overdone background singing/yelling (about lunch money
in this case). It's amusing, but you've heard this shit before. So
in this case, the STUNTMEN win by one, because they are not
afraid to flaunt their influences. (JY)
(Thermoplastic, 44 1 1 Larchwood Ave, Philadelphia, PA 1 9 1 04)
SUFFER - "Conform" EP
The second, and unfortunately last, SUFFER EPhas all the
power and fuck you of the first EP, but they've opened up their
sound a bit to include some more time changes and even play
around a bit with soft slowdowns. They succeed without getting
wimpy. Overall, this is gritty, fast paced, and layered hardcore
with super well-written political lyrics and a wonderful ode to
masturbation thrown in, just so you don' t think they're always out
there smashing the state. (TH)
(Flat Earth, PO Box 169, Bradford, BD7 1YS, UK)
fr« W? ft fr^f
THUGS - "Katana" CD
Freakish and crazed, this Japanese band wanks out some
terrifying shit! There's some things I like about it, there are actual
musical elements of garage and proto-stoner metal. There's also
a lot of freak noise I can't deal with, though it's not BOREDOMS
arty, it's not even SONIC YOUTH arty, it's just fucked up
noisy ! On the fence, I'd have to say I like it, but who know's what
I'll do with it after today. (RY)
(Straight Up, KOWA bid 2F Minami-2Nishi-l Chuou-Ku
Sapporo 060, JAPAN)
SWITCHBLADE - "A Half a
PackofMorleyV'EP
This is an emo-sounding
band from Sweden. A pretty good
imitation of ANGEL HAIR, the
new generic flavor of hardcore
these days. At times there is some
standard hardcore thrown in for
good measure. This band would
actually be a lot better if they tossed
away the guitar playing dissonance
and stayed to a consistent style.
Even so, it is a decent release, seven songs and not one I objected
to overwhelmingly. Decent release. (CW)
(Trust No One, Helgalunden 5, 1 1 858 Stockholm, SWEDEN)
TAANG! TV, VOLUME ONE - Video
A surprisingly disappointing release with lots of videos that
don't want to be music videos. You know, grainy imagery and
footage of bands being themselves like walking around and
setting up their equipment. Includes SLF, BULLET LA VOLT A,
SSD, STRANGLEHOLD and so on. A mighty impressive roster,
but only GANGREEN deliver a memorable good punk rock
video. For completists only. (RL)
(Taang!)
3 WAY CUM - "The Last
Cumshow?" EP
I fuckin' suck at guessing
the speed of these records. It wasn ' t
until the second song with the drum
solo thing that I realized that this
EPisa33 1/3 and not 45 rpm! Not
especially metal hardcore from
SWEDEN. Musically, it reminds
meoflate '80s West Coast hardcore
like FINAL CONFLICT or espe-
cially ATTITUDE ADJUST-
MENT. Vocally, it's sort of the old Manic Ears' sound. Pretty
good sounding production as well. (LH)
(Elderberry, c/o Hakeskog/Karlsson, Hermansvagen 94 KV, 554
53, Jonkoping, SWEDEN)
THUMBS DOWN - "Going for Gold" CD
I eat generic sXe HC up like a starving dog. But, I would
like to think that Belgium could have something different to add
to this late '80s sXe genre. THUMBS DOWN come complete
with all the '80s parts; build ups, breakdowns and sing along
chorus (done well, too.). (TJ)
(Genet, PO Box 447, Gent 9000, BELGIUM)
TOMORROW/STEAM PIG -
split EP
The best side of this split
belongs to STEAM PIG. Hailing
out of Ireland, these guys turn out
some oi-to-your-head punk that's
getting them compared to the likes
of RANCID and SWINGING
UTTERS. What a load of shit!
These guys deserve better com-
parisons, along the lines of
UNITED BLOOD, WORKING
STIFFS, or even DROPKICK MURPHYS. The other side is
TOMORROW, who play a more hardcore-sounding brand of
punk sung in Italian, though the band is from Japan(?). Sound
weird? It is; it's cool, now pay the fucking money. (JV)
($5: F.F.T., Asahi Plaza Umeda 1212, 4-11 Tsuruno-cho, Kita-
ku 530-0014 Osaka, JAPAN)
TUNNEL RATS/HELLSTOMPER - split EP
Title: "Divided by History, United in Hatred". The cover:
California map in gun sight. I guess these guys think there are no
rednecks in California. We may be bogged down with smarmy
emo-wiff-boys from time to time, but some of us appreciate your
hairy, drunken, asshole rock and roll, because we ' ve got mud and
beer and not a damn thing to do all day here, too. TUNNEL RATS' ,
"Beat You With Your Birkenstock" is the highlight track, scares
me to think these boys live just a few miles from my mom!
"Prison Tan" by HELLSTOMPER delivers the whoopass as
well. (RY)
(Woundup, PO Box 3695, Kansas City, KS 66103)
§
3 SHU
HHW
fa
UNDEAD - "Til Death" CD
I've always followed the UNDEAD, sometimes getting to
a record way after the fact. I could' ve waited a little longer before
hearing this one. Very crisp, clean, digital, airless, bloodless,
sterile production. Rock isn't supposed to sound like this, like
every instrument is suspended from a string at opposite ends of a
stainless steel cafeteria. The songs are perfectly good, they just
sound so, so... sucked dry. I'm gonna tape this thing onto a D60
and toss it with my socks into the wash. Then we'll see. Oh, the
guitar is way too wanky-metal. I don't think the wash is gonna
change that. (RW)
(Underworld, 10738 Millen, Montreal, Quebec, PQ H2C 2EG,
CANADA)
THE VANDALS/LONGFELLOW - split EP
Damn, the second show I ever saw, like 15 years ago, was
the VANDALS. I can't believe they are still kicking around. It
sounds pretty damn alright, too. If they dropped the crazy guitar
pyrotechnics they'd be better, though. One of these songs is
"Sheena is a Punk Rocker", a good, if a bit on the rock side, cover.
LONGFELLOW do some hyper pop admirably well. At least
they put some heart and personality into it. If only the other half
million pop punkers would learn from their example. This comp
would fit nicely on an end of summer tape. (BG)
(Kung Fu, PO Box 3061, Seal Beach, CA 90740)
THE VOIATILES
NEVER LEARNED TO SKATE
THE VOLATILES/
THE MUSHUGANAS - split 45
Good thing these folks
tipped me off to the hidden grooves
on this one. I might' ve missed the
MUSHUGANAS' GG
ALLIN cover that kicks ass over
the mid-tempo bore of a regular
track. The VOLATILES' have
BUZZCOCKS features on their
regular track and some poppy '77
style on their hidden track. Cool
concept with no hints on the package, in fact very minimal
graphics. (HM)
($3.50: Rocco Empire, 3415 W Drummond 1 W, Chicago, IL
60647)
WAILERS - "Live Wire/Dirty Robber"
I could review this one without even listening to it, but I did
anyway. I love this band, and it's nice to see these reissues so
maybe people will realize the greatness of the WAILERS. A
bunch of kids from Tacoma, WA who loved to listen to R&B music
and then started playing it for their friends. They influenced
the SONICS.the KINGSMEN and JIMMY HENDRIX. Do your-
self a favor and pick up this single and the album reissue, too.
You'll be so glad you did. (CK)
(Norton Records, PO Box 646, Cooper Station, New York,
NY 10276)
WAILERS - "Hang Up/Bama Lama Bama Loo"
Jeez, if ever arecord didn't need a review... I could read this
Pacific Northwest band's history outta the book; just let me say
that if you're tired of the current crop of '60s garage bands, you
can get the fever back by dropping the needle on this 45 . It' s what
rock 'n roll is all about. Primitive? State of the art back then, pal.
(RW)
(Norton, PO Box 646, Cooper Station, New York, NY, 10276)
WAILERS - "Out of our Tree/You Weren't Using Your
Head"
Public spirit-minded Norton has, in addition to rereleasing
Etiquette's classic SONICS and WAILERS LPs, put out a slew
of 45s (big holes and all, for the jukes in your favorite dives). I
don't know offhand if these are all the original couplings (what
do you think I am, a record geek?) or if the flip-side (Rockin'
Robin Roberts on vocals) is one of the bonus tracks on the "Out
of Our Tree" LP reissue, but it's solid. "Out of Our Tree" is, of
course, one of the all-time great stompers. (DD)
(Norton, Box 646, Cooper Station, New York, NY 10276)
WAILERS - "The Fabulous Wailers at the Castle" LP
Re-ish of classic Northwestern fare circa 1963 or so. With
extensive liner notes courtesy of Billy Miller. The WAILERS were
one of the mainstays of the Northwestern era, even if they
weren't quite as punk rock as the SONICS, these guys did the
songs first that the SONICS would later do. Still, this is a record
of mostly instrumentally-based R&B tunes, pretty swanky and
soulful and definitely not punk rock or even garage, but still
pretty damn good. A few songs do appear here, mostly again in
a R&B vein, including the version of "Louie Louie" cut by the
WAILERS and Rockin' Robin, which is historically credited as
the version that got the ball rolling. Still, not a essential record
from that era but good for those quiet cocktail moments... (JY).
(Norton Records, Box 646, Cooper Station, New York, New
York 10276)
WAILERS/SONICS - split 45
Quick and easy-what you got here is a great little 45 for the
jukebox you wish you had. Both bands beat out boss versions of
"Louie, Louie". Since the Sonics were born of the WAILERS,
it's kinda cool hearing the difference a few years can make. The
WAILERS version is more of a strolling song, while the
SONICS come through with their trademark almost outta con-
trol style. (IM)
(Norton, PO Box 646 Cooper Sta, NY, NY 10276)
WITCHBERRY WILD - "Brown Sauce" LP
I do not know what to make of this one. The singer sounds
like across between Handsome Dick Manitoba and Scott Drake,
which is an ideal combination in my opinion, though he' s singing
in an accent I don't recognize, possibly Swedish. The music is
sort of surf, but the guitarist couldn't find a reverb so he got
distortion instead. Overall, something I would enjoy listening to
a few times. (CK)
(no address)
U II &
YELLOW SLOTH CHICKEN BROTH
mUOWSLOmCHOOENBROIH
-"Party of Four" EP
Two fantasizing members
of YSCB duel it out as they try to
out do each other professing their
love to celebrity sex objects. Ted
likes Jennifer Love Hewitt and
Alyssa Milano, while John pre-
fers Scully and Neve. Ain't that
sweet? Both of these lovesick kids
I wrote cute little lyrics about their
fornication fantasies. If you '
haven't been grossed out enough, YSCB put these songs to
QUEERS-style pop punk. It's a sure hit with the weekend
suburbanite kiddie punks. (HM)
(Slap Happy, PO Box 249, Byron, CA 95414)
YOUNG GINNS - "Discography" CD
Strange what a bit of time will do. When I got the
YOUNG GINNS EP on Gravity several years back, I was pretty
disappointed, expecting it to have more NATION OF ULYSSES
elements (there's an ex-member) and some of the then-trademark
Gravity frenzy. I'm still not all that hot on it, but now I hear an
underlying hectic quality that is really appealing to me, and if you
were trying to sell this CD, you could say it has an early SST
records quality. I think things are a bit too held-back for me to say
that, however. Cool VOID cover. (TH)
(Honey Bear, PO Box 460346, San Francisco, CA 94146)
mmmy
V/A - "Hard Core Ball" CD
Damn, I'm scoring this month. First that awesome REMIS-
SION EP, then this. Great sampler, which seems to be a rare
combination. Quality almost uninterrupted - some of the best
Japanese hardcore bands happening at the moment. Which
would be to say, some of the best hardcore happening anywhere
at the moment! Partial line-up: NUMB, ESIP, HALF LIFE,
JOHN HOLMEZ, PROTECT (!!!!), STRENGTH, SLANG,
FACE OF CHANGE and more. Good luck tracking this one
down... (TM)
(Straight Up, Kowa Bldg 2F, Minami-2, Nishi-1, Chuou-Ku
Sapporo, 060 JAPAN)
V/A - "Es Chaos is die Botschaft!" LP
This comp claims to be the best and worst of Austrian
punk's first generation (1978-'84), and since I didn't know shit
about it, I checked out some records in the MRR library. Both
CHUZPE's rickety tunes kick butt over their 2nd 7". POBEL's
beginner punk is riddled with Austrian obscenities.
KLEENEX ACTIV and RONNIE URINI rip off "Police on My
Back" and "Rock and Roll High School" respectively. There are
two well representative tracks of SCHUND's screeching female
vocal sound. BOSLINGE sing, talk and yell with varied enthu-
siasm on "ScheiB Kibarei" (fuck off cops). STD's early 7
SECONDS-ish "Konflict" rocks, but you get gypped off with
EXTREM's"HouseoftheRisingSun"andthe DEAD MITELS'
tunes. CHAOS has a cool new wave hit. RATS' SEX PISTOLS-
like tracks are decent, and DIRT SHIT's flangey guitar kicks ass
with their hit "Discoscheisser" (roughly translates to "disco
shit"). Neat lesson on Austrian punks' infancy. (HM)
(Luziprak, Hermann Bahr-Str. 20, 1210 Vienna, AUSTRIA)
V/A - "Bombenbeilage" CD
This sampler comes with #23 of Plastic Bomb zine and
represents the output of the labels Vitaminpillen, Bad Taste and
Rabauz Records. Those labels can be hit or miss, and this is
demonstrated ably here. There's plenty of typical Euro-bands-
imitating-popular- Yanks on here, but there's some good stuff too
- BAMBIX, RAGGITY ANNE, BREZHNEV and THE AN-
NOYED, to name the ones that stood out to me. (AM)
(Plastic Bomb, see zine reviews for address)
V/A - "Cashing in on Christmas" CD
Ho ! Fucking, Ho ! X-Mas in July (or August, I guess) ! ! This
offer is being made in time for all your X-Mas shopping needs!
12, count 'em 12 bands from both sides of the pond singing all
your favorite punk/X-Mas hits ! ! Bands like... DEAD END CRUIS-
ERS... WRETCHED ONES... TIMEBOMB... LOWER CLASS
BRATS... and many, many, more! ! ! If you order today, you get
a CD insert, a plastic display case, and a special porno video shot
with all the bands over a long weekend (video offer not available
where YOU live)!!! So order now!! Operators are standing by!
(JB)
(Black Hole, 1 2 W Willow Grove Ave Box 1 30, Philadephia, PA
19118)
V/A - "Oh Canaduh! 2" LP
Shit, I don't know enough about Canadian punk to really
give this tribute record an adequate review. Really this LP of
mostly Canadian bands covering Canadian bands is out of my
knowledge range. I do know though, that I really enjoyed this LP.
Especially the tacks by SERVOTRON and HUEVO RANCHE-
ROS, covering the UJRKS "Locator" and YOUNG CANADI-
ANS "Hawaii" respectively . Really, there are 1 8 songs on this LP
and I enjoyed them all, and that's all I can say. (JF)
(Lance Rock, 1223 College Dr, Nanaimo, BC V9R 5Z5,
CANADA)
V/A - "Punks, Skins, and Herberts Vol 4" LP
This Helen of Oi! Comp includes four bands - BRASS
TACKS (of WI), ON FILE (of Scotland), BEERGUT 100 (of
Scotland), and the MFC (of PA). While this is a better comp than
the last H.O.O. comp that I reviewed, certainly better from a
production standpoint, this still isn't anything to write home
about. If you live in an area where you go to see these bands, you
probably feel different about these bands, as you should. How-
ever, I ask you this: What the hell does a band from York, PA
know about the "inner-city"? Maybe they should change the
song to "suburban rampage" in the light of the only publicity that
has come from that burg? Anyway, lyric sheets would clear-up
a lot of this mess. (JB)
(Helen of Oi!, 35 Becton Lane, Barton-On-Sea, New Milton,
Hampshire, BH25 7AB, UK)
ft Jfc»! Wt <?
II if a! mi fe
V/A - "Put Some Pussy in Your Punk" CD
Every group on this sixteen-band compilation features the
talents of the female vocalists, and you gotta appreciate where the
label is coming from with the concept for this one. Okay, I think
some of the bands suck, but that happens with every comp and
personal taste is what separates us from one another. Thank god.
I dug BALLGAGGER, the HEROINES and good 'ol
NAKED AGGRESSION, but each of the bands does their varsity
best and you can fill out your own report card after you buy one,
right? The domination theme that runs throughout is sure to jump
start a few conversations anyway. (RW)
(On The Rag, PO Box 251, Norco, CA, 91760-0251)
V/A - "Swamp Surfing in Memphis" CD
A reissue of an LP from 1986 featuring some great Mem-
phis bands: the HELLCATS, PANTHER BURNS, PARADOXI-
CAL BABEL, ODD JOBS and SHE WOLF. Two songs by each
in a blues garage rock style. Dirty and sweat-drenched. Just what
I expect, and want, from that city. (CK)
(Au Go Go, GPO Box 542d, Melbourne, Vic 3001, AUSTRA-
LIA)
V/A - "Shit Like a Champion Today" CD
Compilation from the South Bend, Indiana area encom-
passing many styles of music from kinda political-sounding
hardcore, to ska, to sloppy, drunk punk. ANGRY NOISE has this
distorto-thang going where it sounds like all their strings are loose
and snotty vocals. I like 'em. Then this one band, DEADBEATS,
even wrote a song about me. It's called "Everyone's Having Sex
But Me". I also liked the NINJA's "HasegawaMust Die". By far
the best, tho, are the old-school bonus tracks, even tho the sound
quality is way shinier. MY 3 THUMBS do a song called "Ass",
a sloppy little ditty trying to set a record for the number of times
they could say, the word "ass" in one song. Not quite on the GG
ALLIN level, but good potty humor nonetheless. (DP)
(Plinko Productions, 1001 E Wayne St, South Bend, IN 46617)
V/A - "Right to Assemble - Vol-
ume One" EP
This is one of the greatest
regional compilations I've heard
in a long fuckin' time. Six bands
from New Brunswick, New Jer-
sey, all great at what they do, all of
which sound totally unique from
each other. The DEGENERICS
play snotty F.Y.P punk with a
danceable GORILLA BISCUITS-
esque beat. STORMSHADOW
sound sorta like Orange County's DIVISIA, and the lyrics for
their song are taken from the Bill Sheild books "The Southeast
Asian Book of the Dead" & "Human Shrapnel". Excellent.
HEIDNIK STEW are tough and beefy street punk and F ANSHEN
are a fast and screaming blur of hardcore noise. TRY.FAIL.TRY
sound alot like Georgia' s QUADILIACHA; great catchy hardcore,
lots of tempo changes and hooks, and excellent lyrics. But my
absolute favorite track on this EP is WORTHLESS' "Something
For Everyone". Great youthful posi-core poppy melodic punk,
like 7 SECONDS were prior to their years of U2 emulation.
Informative stuff about how to put together your own 7" and
lyrics and contact info too! This is a great effort and hopefully will
inspire someone else down the line to do something like this for
their hometown. (PB)
(Right To Assemble, PO Box 68, Jamesburg, NJ 0883 1)
V/A - "Teenage Shutdown - Jump, Jive, & Harmonize" LP
History comes alive for garage punks everywhere with top
of the line hotrockin' quality to pointy boot. Excavated from the
mid-sixties strictly to make your crotch sweat like a teenage
primate. This collection will make you wanna put on your hot
pants and let THEE MIDNITERS,THE INCROWD, COBRAS,
JIMMY STOKELY & THE EXILES, LOS SHAINS, & THE
SHANDELLS stroke you. Recommended x-mas gift for that
special untamed man/ or woman in your life. (DL)
(CRYPT)
V/A - "Teenage Shutdown - I'm a No-Count" LP
The fourth in the newest series of absolute unknown garage
rockers from the '60s. Mr. Tim Warren, who brought into the
world the Back From the Grave series, is back again... and watch
out! This album features "19 Top Teen Punk Stomp Classics,"
which sums up the content of this record pretty succinctly. Raw
and savage and just downright great songs. Complete with good
liner notes on the bands & songs, color, reproduciton of the
original record labels, and most important, great sound quality-
this series, not just any individual record, is essential for fans of
the outta control '60s punk sound. (IM)
(Crypt)
V/A - "Teenage Shutdown - Things Been Bad" LP
I am special, so I got to hear all five initial volumes of this
new series before I came up the hill to do my reviews and I had
this one picked out as my fave of the bunch. Cool, here it is. The
sound and selection promised in the liners really delivers; this
record is all totally (to me) unknown garage pound of the highest
caliber. The series as a whole seems to concentrate on intense
moodiness as an overall vibe, and this one could and should have
parents scheduling brain-salves for junior following overexpo-
sure. Teen shit these days always offers up immunity to reality as
a cure for personal shortcomings... these bands wallowed in their
shit in the best way possible. An absolute must for anyone into
punk. (RW)
(Crypt)
3
i 3 y
V/A - "Teenage Shutdown - You Treated Me Bad" LP
In those murky years before the Nixon presidency and the
first run of "Room 222", scores of frustrated young boys gathered
together in neighborhood wood-sheds to write tender, stirring
songs of love, love lost, and their hopes and fears (mostly fears)
- a million-and-a-half teen garage singles were recorded in the
space of six weeks, which has kept Greg Shaw and his ilk in beetle
boats ever since the first "Nuggets" hit the shelf at the local K-
Mart. People are still trying to sort of what happened, leading to
this current (and ptetty bitchin') series. Containing numbers from
the GREMLINS, the PLAGUES, the SOUND EXTRACTION,
the POSSUMS, the MORTICIANS, MYSTERY MEN, and
many others. It's right up there with the best of the "Back From
the Grave" series that launched Crypt, and features more boy-
screams crammed into one space than John Wayne Gacy's
rumpus room... dig in, gorehounds. (JH)
(Crypt)
V/A - "Their Sympathetic Majesties Request" 2xLP
Sympathy. ..a decade of obscurity and obsolescence. ..is 10-
years-old?? Aargh, that proves I' m old as dirt, because this double
LP spanning 1989-1993 has me reeling back to a time when I
spent many a boozy weekend at Raji ' s, Hollywood and witnessed
many of these bands in the flesh. To start, the cover art is a fuckin'
amazing painting by Mark Ryden. He can paint my porch any-
time. Well-representing Sympathy ' s some 500 odd r' n 'r releases,
this comp. does a good job with a long list of highlights: RON
URINI, JONESTOWN, thee HEADCOATS, TRBNGR,
ROCKET FROM THE CRYPT, the ZEROS, the DWARVES,
PANTHER BURNS, Monsieur JEFFEREY EVANS, the
HUMPERS, PENETRATION MOON. Oh, won't you lend a
sympathetic ear? (DL)
(Sympathy)
V/A - "There's Something Rot-
ten in Red Lion" EP
Four Pennsylvania bands
serve up their own brands of rau-
cous thrash and raw-edged punk.
The last band on the record is the
one I like the best, ARMED CITI-
ZENS, but they're all worth a lis-
ten. The others are SCAM,
HELLCATS and SQUIRE. (AM)
*°$J ($3: Second Amendment, 342 West
Jackson St, York, PA 17403)
V/A - "Vault of Hardcore" EP
This EP comes with Dirty
#3. It features four bands that are
definitely in the old-school HC vein.
The only one that really stuck out to
me was the DETRIMENTALS,
whose song could be off of an old
BLACK FLAG demo. Actually,
the CRABWEBS song was pretty
cool too, in a raw, aggro way. The
other bands are GRUMP and
the CRUDS. Not too shabby. (BG)
(1286 Highgate Rd, Ottawa, Ontario, K2C 2Y4, CANADA)
BMMT
V/A - "We are a Happy Family?" LP
Here's a new cool compilation of all the best French punk
rock bands going right now. SPLASH 4, NO TALENTS and
STEVIE & THE JERKS are probably familiar to Americans.
I'm guessing most of the following bands are offshoots of the
first three. TECKELS (oi, with the NO TALENTS boys!),
BANG (pop), LOUD MUFFLERS ('50s rock), GODZILLA
(HEADCOATS style) and LOS KOGARS (surf). Yeah, you
need this one! (MM)
(Blood Brother, BP 55, 92123 Montrouge, Cedex, FRANCE)
V/A - "What Goes Up Must
Come Down" EP
Though their intentions are
noble — to encourage punks to
seek out, if not at least appreciate
early rock 'n' roll — the result is
as disastrous as the fiery plane
crash which inspired this tribute
to Ritchie Valens. Of the four songs
here, the most horrible abomina-
tion is the cover of "Summertime
Biues," (which, by the Way, is a
fucking EDDIE COCHRANE song, not RITCHIE VALENS!)
completely bastardized as a ska song by a band who doesn't even
deserved to get mentioned because of the disservice they've done
to rock 'n' roll by covering this song. Ugh. My heart sinks. In
addition to the above unmentioned band, this includes: TUP ACS,
PLUG and the DORKS. Hey, if you wanna hear some real
rockin' early rock 'n' roll, stay far away from this and go to the
source. (IM)
($3: Shoe Gazer, 8951 W Emerson, Des Plaines, IL 60016)
V/A - "You Don't Have to be Tom Jones" CD
A good pop punk comp (three tracks each) with the TANK
(some formerly BROWN LOBSTER TANK), SMARTBOMB
(ditto WELT), KID WITH MAN HEAD and MAN WITHOUT
PLAN. Mostly exclusive tracks (thanks bio) and limited to 1000.
A good release as well as a good bio. (RL)
($5:, Coolidge, 157 Coolidge Terrace, Wyckoff, NJ 07481)
V/A - "Youth Against Political Violence! The Real Hardcore
Punk" CD
24 songs from ten bands from all over the world. Yeah,
there's a little bit of everything, Brazilian pop-punk from
WHITE FROGS, the New York mosh metal of Argentina's
LOQUERO and Chile's DONFAGO, and the ska-core of the
U.S.'s STINKAHOLIC. Many of these bands suffer from too
much wanking in one form or another. Tighten that shit up, and
keep in mind songs over three minutes are dangerous territory!
(TH)
($ 10:Actitud Mental Positiva,C.C. 3893 Correro Central, 1000,
Buenos Aires, ARGENTINA)
BY
ONTO
Diftei {,*m Halts UK
If
JUL*
2 S.F.CA
3 SAUNAS, CA
6 EUREKA, CA
7 CORVALIS.OR
8 BEND, OR
STINKY 1
HALL
BREWEI
TBA
TBA
OTS
SUMMER
„ following dates with
PINHEftD CIRCUS
JULY
RUSSELVILLE. AR TBA
10 HOT SPRINGS, AR TBA
11 MEMPHIS, TN THE GARAGE
12 JOHNSON CITY, TN TBA
Destroying Musi
Future TODAY.
BOVINE.
P.O. Box 2134
Madison, Wl
53701
2/15/98
9 SOMEWHERE IN WASHINGTON
the following dates w/Swingin Utters,
22 Jacks & Brand New Unit
10 SURRY, BC BRIDGE VIEW
11 KELOWNA.BC TBA
1 2 CALGARY, ALB REPUBLIC
13 EDMONTON, ALB REBAR
14 SASKATOON LOUIE'S PUB
15 REGINA, TBA
16 WINNIPEG, MN W. COM. CNTR
the following dates
w/Swingin Utters, 22 Jacks
17 THUNDER BAY HALL
18 GREEN BAY. Wl TBA
19 MINN., MN TBA
20 MILWAUKEE, Wl TBA
21 CHICAGO, IL METRO
the following with great local bands
22 MANKATO, MN EAGLES HALL
23 LINCOLN, NB TBA
24 DENVER, CO
25 FT. COLLINS, CO
26 BILLINGS. MT
27 GRT FALLS, MT
28 MISSOULA, MT
30 VANCOUVER, BC
AUGUST
N. VANCVER, BC
VICTORIA ISL. BC
OFF
EUGENE. OR
BEND, OR
THE RAVEN
STARLIGHT RM
HALL
HALL
JAY'S UPSTRS
TBA
HALL
HALL
TBA
HALL
TBA
LIZARD&SNAKE
2758 ROSEWOOD
TBA
TBA
6 S.F..CA STINKY'S
*»7SBGM)S
Youth Brigade & Finhead Circus
7 N.CAL..CA HALL
8 RIVERSIDE, CA THE BARN
9 LA..CA _ TROUBADOR
13 SALEM, NC
14 CHAPEL HILL, NC
15 COLUMBIA, SC
16 CHARLOTTE, NC
17 KNOXVILLE.TN
18 CHATTANOOGA.TN TBA
19 BIRMINGHAM, AL THE UNITY
20 JACKSON. MS TBA
21 AUSTIN, TX TBA
22 HOUSTON, TX FITZGERALD'S
23 CORPS CRISTl.TX GAMES NMORE
24 DALLAS, TX RUBBER GLOVE
25 SAN ANTONIO, TX WACKY'S
26 CHRIST WHO KNOWS?
27 TUSCON, AZ SCRAPPY'S
28 TEMPE. AZ TEMPE BOWL
AUGUST
1 CORONA, CA SHOWCASE
2 LOS ANGELES. CA BOLLOCKS
6 SAN FRAN, CA STINKY'S
7 N. CAL TBA
8 EUREKA. CA BREWERY
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debut CD out now
Available for $9 USA/CAN, $11 WORLD
Cash or Money Order payable to Jason Duncan
upcoming: Boris/ Parasites 7", Heromakers CD, & Automatics 7"
#B041. Split LP. 6 from CP, 17 from ANb.
An inhuman sonic bulldozer that crushes all
in it's path !!! NY's grindsludge kingpins
destroy with a massive onslaught of churning
satanoviolence, while D.C.'s pack of
rabid ultragrind speedfreaks let loose
with an unrelenting barrage of power and
neck-snapping fury !!!
VINYL IS LIMITED TO 2500!!!
1st 300 via mail on RED VINYL!
ULCER
OR B042. 45 + song 'Discography' CD.
The East Coast pioneers of modern blazing
caustic hardcore rage repressed AND
released on digital ! CD contains all the
tracks from the 'Indignation' LP, Fetus 7",
split 7 "s w/ Capitalist Casualties &
Failure Face (45 studio/vinyl tracks),
PLUS a bonus live show !!!
WHAT ELSE WE GOT FOR VA'
Thug/Grecnmachine 7"
Tomsk 7/Boris 7"
Enemy Soil/Agoraphobic Nosebleed 7"
Noothgrush/deadbodieseverywhere7"
Ice Nine/Charles Bronson 7"
Enemy Soil/Desperate Corruption 7"
Fork- 3 song 7" e.p.
Spazz/Brutal Truth 7"
ETO/Taste of Fear 7"
Agoraphobic Nosebleed- 30 song 7" e.p.
Grief/Suppression 7"
Thug/ Apartment 213 7"
LOUD & UGLY Vol.2 comp 7"
Up Next: SUPPRESSION Discography' CD ,
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Independent Until Death!
Zine Grab Bag selection is great!
We have added some new zines to the grab bag along
with regulars like HeartattaCk, Going Nowhere, Sty
Zine, Shoelace, No Rules?, Spank, Bad Stain,
Motion Sickness, Slug and Lettuce .Muddle and
interbang Zine to name just a few so this is a good
time to pick one up. But remember it is a grab bag so
you may not get all of these in your grab bag. The
deal is that for $5.00 you get about 2 1/2 pounds of
zines sent priority mail in the USA. Outside USA add
more money and we'll send as many as we can. To
date we have moved over 400 of them. That's over
1000 pounds of zines. Got a zine? Send us a sample.
This month we are featuring a small sampling of the
thousands of 7"s we carrv in the mail-order cataloq.
All of the 7"s below are $3.50 postpaid each
Get 4 or more 7"s for $3.00 each
Cattf BANO-Title Description
3215...HICKEY7VOODOO GLOW SKULLS-Split 7 EP. I was
hoping we could get these in stock because it's a laugh riot.
Tons of funny phone messages from VGS's threatening
Hickeys life for stealing their trumpet accompanied by lame
toots from the stolen trumpet. Hickey songs and booklet too!
1884 ...FY. P. -Made in the USA 7" EP. Recess founder & pro
skater Todd, released this in '91 . Raging vintage FYP.6 songs.
3090.. .AGAINST ALL AUTHORITY/ANTIFLAG-Split 7". 2
great politcal punk bands deliver once again on Records of
Rebellion. Break out the studded jsckets.
1721...ANTI-FLAG-Kill Kill-Kill 7. EP. 4 great classically punk
songs by this great Pittsburgh PA band on SelfServ/Ripe
Records Quality stuff Morrawks!
1348.. .CHOKING VICTIM-Crack RocH Steady 7" ep. 4 tonus
from this NYC sauat/Dunk/ska ala. Op. Ivv. Raw &fun
3132 BORIS THE SPRINKLER-LMtte Yellow Box B/W Why
Don't We Do IL..+1 more 7 EP. Hey. Boris rock. There are
two different versions of the cxiver art. I'm willing to bet they
mnrto more of one (hee. hfee)
3C57...EAST COAST PANIU-Uowhere City 7" EP. Ex-Pis*
members put forth some genuine aggressive punk with
nwle.f emale vocals from CT on Rsd Tape Records.
Mala/Female
als and foldout .ns irt
3060 DREGS, THE-S/T 7" EP. These guy*3 are, the absolute
epitome of what NYC drunk punk di scum 1% all .about in 1998.
Period.
1928.. .PLAN A PROJECT-532 Seconds 7" EP. Actual title is
"532 Seconds of Oppressed Anger. Individuality, Insecurity,
Uncompromising Moral Commodity, and a Kid who got Sold
Short" Fast as hell 'If squat style sloppy orunk east bay ska
punk with cool shout-alcng choruses.
320V..SP!TBOY-Rasana 7 EP. Fully packaged/produced 3
song Spitboy 7" EP. Feminist, humanist, political inspiration
to be found here
1254...SUBMACHINE-Cex Uete-rent 7" EP. Rich Kids & The
B/W Raped and A Wreck. Pittsburg PA angry hardcore
3116 ..V/A-Stop Homophobia Vol 2 7" % EP. Great cause &
great tunes features Qecemberists, Mouthfull , Homomilitia,
Half lings, and Powersnatch. Comes with 12-page booklet
Voi 1 is out-of-print, sp act quickty'
1963...V/A-PU y at Your Own Risk /ol. 1 comp 7 tP. 1st tn a
series of Recess Records comps w'th F.Y.P., Oegenerates,
The Yah Mos, Gr ups, and more. 6 songs w/inserta.
1861 ..SEA MONK€YS-Wide Awake! 7" EP. Brand New 4
soncis 7" from these KJYC qoofballs on Stiff Pole Records.
3070...SERVOTRON-Join the Evolution B/W P<
Mover(live) 7". Are we no; men... Wo are Oevo, No we aren't
We are Servotron and we shall continue to release diffi
versions of People Mover 'til the end of time.
1345 PINK LINCOLNS-Sumo Fumes II 7 EP Ex-Lion Ta
& Tarzan 02 B/W Pretty in Pink Great band/release
1974.. .TEAM DRESCH-Deattached B/W Venus Lady
Great 1997 release on Outpunk featuring a new lineup with
Donna on guitar. 2 solid songs.
1439 ..V/A-Brouhaha 7 EP. Jawbreaker plays Caroline, plus
Crinqer, Nuisance & Monsula. Rerelease of classic EP 1990
1896. ..PARASITES, THE-V.M.Live 5/3/96. 2nd edition 7" EP.
All new songs with this 2nd V.M Live 7" for this band. 4 songs
clocking In at 9:57. Live at Fireside Bowl. Chicago.
3204. MONSTER X-Attrition 7" EP 8 song 7" EP from
Syracuse str8-edge grind gods. This band is amazing, truly
qreat with intelligent lyrics Cover folds into big poster.
1691. ..HIS HERO IS GONE-The Dead of the Night in 8
Movements 7" EP. 8 song, crusty, angry and grinding politi-
core EP on Prank. ■
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Jfanzine Reviews*
Between The Lions
Reviews by: (AR) Aragorn, (LB) Lily Boe, (BC) Brianna Chesser, (JO Jeremy Cool,
(MD) Mikel Delgado, (RD) Raphael DiDonato, (GF) Gardner Fusuhara, (HH) Harald
Hartmann, (JH) Jeff Heermann, (M J) Mary Jane, (AM) Allan McNaughton, (JM) Jeff
Mason, (RM) Raimundo Murguia, (AR) Aragorn, (SS) Sean Sullivan, (TO Travis T,
(CW) Charles Wolski, (JW) Joe Whiting, (KW) Kelli Williams, (JX) Jux, (TX) Trixie.
Please send your zine in for review. Write down any information you want included in the
review; method of printing, number of pages, issue number and post paid price. If you want
us to include a foreign post paid price, tell us. If you accept trades, tell us. The only
information we will include is what you provide us. It's very simple.
Specific criticisms aside, it should be understood that any independent release deserves
credit for all the time and money going into it.
ALTERNAR #2 / $2 ppd
8 1 / 2 x 1 1 - copied - 22 pgs-Portu-
guese
This is a pretty straightforward inter-
views and reviews type zine covering
the street rock scenes. There's inter-
views with Desmond Decker, Indefer-
encia, Klasse Kriminale and band histo-
ries of the 4-Skins and the Meteors. It's
all in Portuguese, so I'm not really sure
what exactly is going on with the ques-
tions and what have you. Looks inter-
esting if you speak the language. (RM)
1364, 01059-970 / Sao Paulo, Brazil
ANARCHY IS ENTERTAINMENT
#3/3 stamps
5 1/2x81/2- copied - 32 pgs
Embarrassing! Hand drawn genital draw-
ings, the politics of pogs and Chinese
mysticism. Bad personal poetry, an in-
terview with the Oi! Scouts (ouch), a
"history" of ska (the two-tone years),
etc, etc, ad nauseam. (AR)
166 Spring St / Newton, NY
07860
ANTEBELLUM #6 / 64c ppd
8 1/2x11 -copied- 24 pgs
I thought this was going to be
kind of crappy, but it's fairly
interesting. What you get for
yourtwo stamps is a long inter-
view with Jorge from The Ca-
sualties, a short piece on
former Black Panther Ojore
Lutalo who, like many of the
Panthers, is serving time on
bogus charges and a short rant
about the U.S. backed war
against the Zapatistas in Mex-
ico. Has its moments. (RM)
4466 Brookmere St / Kent-
wood, Ml 49512
BOISE LIFE #3 / $1 or 3 stamps ppd
5 1/2x71/4- copied - 44 pgs
I am so glad I'm not in high school
anymore. Written mostly by one per-
son, with a few contributions, there's
some family stories, an interview with Jim
Goad, stuff on the Misfits, essays and an
interview with Six Finger Satellite. Mon-
key jokes and other miscellaneous stuff.
Trades ok.
Brianna Langness / 3618 Tulara Drive /
Boise, ID 83706
CENSOR THIS INQUIRER #1 / $2
ppd
8 1/2x11 - offset - 56 pgs
What does one say about a magazine that
is trying so hard to be both offensive and
funny? Censor This isn't very funny. The
tabloid spoof idea doesn't mean that pic-
tures of naked women with goats heads
are funny. I don't mean that as a political
statement; it's just not funny. Censor
This is moronic and contains interviews
with The Bar Feeders, All , Armed Citi-
zens and Dead Lazlos Place. (SS)
PO Box 431 2/Sunland, CA91 041 -431 2
CHUMPIRE 99
+ 101 / stamp
11 x 14 - copied -
1 page
I have always liked
one page zines be-
cause they often
tend to have a con-
densed, informa-
tive format. Re-
member Radio
Riot? How about
Bullshit Monthly?
Chumpire is an-
otheronepageras
good as the afore-
mentioned. Greg
cuts to the chase
' in each of the is-
sues. He's got just record and zine re-
views. That's it. And in issue 99, he has a
small bit of a traveling diary, which works
perfectly. I am getting sick of the larger
format zines which more and more tend
to have useless photos and downloaded
internet garbage to pad the issue up.
Get this, and see what I mean. (CW)
Greg Knowles / PO Box 680 / Con-
neaut Lake, PA 16316-0680
COMPLETE CONTROL #1 / $.55
or stamps or trades
5 1/2 x 8 1/2 - copied - 32 pgs
"The true beauty of life on the go
comes not from the unknown sites and
virgin experiences and the thrill of what
lurks around every corner, but more so
to the inner questioning of yourself and
the symptoms around you and how
God-damned small you are in the thick
of it all." Word, this zine is mainly
personal writing on the feelings that
gnaw, inspire and frustrate a person
yearning to escape the gears of the
soul-crushing corporate/society /work
machine. Squatting, veganism, family
problems and living without money are
some of the topics touched on in a non
posturing, honest and excellent first
issue. (TT)
PO Box 5021 / Richmond, VA 23220
CONSPIRACY THEORY #2 / $1
or 3 stamps
8 1/2x51/2- copied - 36 pgs
A straight edge zine that adores Jewell,
and seems to have a crush on the star
of Nickelodeon's "The secret world of
Alex Mack". I'm not sure what to make
of all this, mostly I think that I just don't
get it. I'm sure that some of it's sup-
posed to be a joke, but there doesn't
seem to be any punch line. There's a
couple of nearly runny cartoons, some
stuff about vegetarianism and a few
other pages of mildly amusing writing.
Yawn. (JW)
1 940 Highland Ave / Rochester, NY
14618-1141
CONSTANT AGITATION #5 / $1
or trade
8 1/2x51/2- photocopied- 28pgs
Catchy name for a photozine. It's cool
to see someone doing a photozine.
There aren't enough of them, especial-
ly ones with really good photos. This
has that kinda thrown together look
that doesn't really help a photozine, but
the pictures, the important part of the
zine, all look pretty good-especially
since this was photocopied. Photos of:
Nadsat Nation, Mazinga, Gepetto Files,
Groovie Ghoulies, Muffs and more.
CIM)
PO Box 1 582 / Ann Arbor, Ml 481 06-
1582
DEVIATED PREVERT #1 / $2 ppd
5 1/2x81/2- copied - 48 pgs
A nice thick first issue. The editor is a
real movie critic, with an extensive movie
column and some pretty crazy stories
about working in a movie rental joint.
There's also an amusingly pathetic in-
terview with the man behind Planet
Pimp Records and a good review with
Eric from The Oblivians. Throw in some
record and show reviews, a healthy
dose of opinion and some '50's clip art
and there you have it. (TT)
8033 Sunset Blvd #982 / Hollywood,
CA 90046-2427
DISPROPORTION #3 / $1 ppd
8 1/2x11 - copied - 34 pgs
This zine varies between negative, vio-
lent writing and earnest, personal/polit-
ical stuff, and it's hard to see where the
two connect. The violent stuff is funny,
and the other stuff is interesting, so
eitherway, it's cool. There's also some
reviews, an interview with Larry of the
Rickets and a Unabomber tribute. (AM)
272 Seneca St / Chittenango, NY
13037
DOGPRINT #1 1 / $4 ppd
8 1/2x11- offset - 80 pgs
Columns, band pictures, record, CD
and zine reviews. Interviews with Chris
from Spazz/Slap A Ham Records,
Amber Inn, Refused, Three Studies for
a Crucifixion. Well-written and thought-
provoking. I'm not sure what else to
say. (RL)
PO Box 21 20 / Teaneck, NJ 07666
DOLL #131 /$10
11x8- offset - 148 pgs - Japanese
In this issue Rancid makes the front
cover with an in depth interview includ-
ing great photos. There is also an in
depth interview with the Specials in-
cluding great photos. Beyond that, there
are loads of band interviews and infor-
mation with more cool photos. This zine
is simply the best place to go for infor-
mation on the current Japanese alter-
native music scene. Finally the zine
includes 40 pages of ads. Definitely for
those aficionados of the Far Eastern
scene. Unfortunately, the editors did
not put a return address on the enve-
lope and the address inside is written
with Japanese characters. But hey, they
must have a web site! (HH)
EARQUAKE #59 / $3
8 x 5 - copied - 28pgs - French
The usual great consistency from this
small French zine. There are interviews
with the bands Diskonto, The Drags and
Cluster Bomb Unit. There are also lots of
record and zine reviews. Always worth
checking out! (HH)
Frrderic Leca / 88160 Le Menil-Thillot /
France
EL PUUUNK #1 / ?
8 1/2x11 - offset - 32 pgs - French
Opening this up, page three hits me with
a prominent drawing of a woman with her
face covered and huge breasts exposed.
It's there, right under the Thank You list.
Huh. Maybe its part of the thankyou, a gift
as it were (though the first people on the
list are the parents -yuck!). Dare I turn the
Kage? Okay, I did but not much else in
ere impresses me either. Interviews with
Blue Tip, Lagwagon, No Use For A Name,
Swingin' Utters and more. And it's all just
so. ..slick. Maybe this kind of thing flies in
France. (TX)
40 rue du Bocage / 33200 Bordeaux /
France
A Fanzine Reviews^
The
IDEA
Part 18
Kodiak
Cordelia's Dad
Cynthia Connolly
50p/$2
EXISTENTIAL COWGIRL #? / $1
5 1/2x81/2- copied -26 pgs
I always read the crappy looking zines first
when I review, so this one knocked me for
a loop when I actually dug into it. It's a
couple of short, short stories about doing
coke, hanging out with Lithuanians in Lon-
don and getting a job as an exotic dancer
for the first time. The style shifts from
each story, but the tone is always in first
person, confessional, and very journal-
like. The latter half is a weird ass play that
revolves around a group of friends who
talk theory, do drugs, talk shit on hipsters,
and miscommunicate. Very, very good
reading if you're interested in reading
about real life through a foggy pair of
glasses. (KW)
51 55 Arden Way #4 / Carmichael, CA
95608
FAR FROM HOME #9 / $1
8 1/2x11 - offset - 48 pgs
There is a point where music loses it's
magic. Where the intensity and vigor
that is the possibility of hardcore shows
itself to be trite and very much played
out. Far from Home passes this point
by with enthusiasm. Within you find
boring interviews with boring people
(Strife, Fury 666, Against All Authori-
ty), words about the llluminati, some
letters, some columns, and advertise-
ments. At least its free (in person).
(AR)
751 2 Amigo Ave / Reseda, CA 91 335
FERVOR SCHMERVOR #1 / 55c
stamp?
8 1/2x11 -copied- 16 pgs
FS features a long story about attend-
ing the '98 US Open Snowboarding
Championships. Most of the story is
meeting pro 'boarders in the hotel.
There's a long, rambling interview with
Five Iron Frenzy (yet another ska band
with nothing to say), and a shorter one
with the Huntingtons. This is the edi-
tor's senior project; hope yr teacher
appreciates this kind of fluff. (JM)
PO Box 211015 / Columbus, OH
43211-1015
FIGURE 1 #1 /$1
8 1/2 x 5 1/2 - copied - 36 pgs
A surprisingly well done and readable
emo-diary kind of thing. Despite it's
overall touchy-feely vibe, and occa-
sional getting dangerously close to self
pity, I enjoyed reading this quite a bit.
Documenting the last few days of High
School before graduation, it demon-
strates once again, that good writing
can rise above any subject matter. (JW)
3708 Bloomingdale Ave / Valparaiso,
IN 46383
AQ #4 / $2 ppd
8 1 / 2 x 1 1 - copied - 26 pgs
If you're not into the oi or street punk
scenes, then you'll probably want to
steer clear of this. If you are interested
in those scenes, then this all interview
and review zine is definitely worth look-
ing for. Some of the bands featured
include District, The Dropkick Murphys,
Charge 69 and there is an interview
with Dave from Punkcore Records as
well. (RM)
William, 200 Gibson St / Berea, OH
44017
GLUTTON FOR PUNKISHMENT
$?
5 1/2 x 8 1/2 - copied - 24 pgs
I certainly hope this is a joke cuz it's
grade-A pathetic. An explanation of the
different "styles" in the punk scene
(eg. " Emo: this is short for emotional " )
and lots of pictures of naked chicks and
their open legs made this scream "Tur-
key! " to me. Terrible poetry and lame
band interviews, scene reports
and whining about how it's
good that Chumbawumba
signed to a major rounds it out.
There's one halfway decent col-
umn here by a woman who
realizes how lame this zine is,
but continues to martyr herself
by participating. Karyn: getthe
fuck out now; start your own
fucking zine already! No shit.
(KW)
Reese Ikler / PO Box 1 5295 /
San Francisco, CA 941 1 5
GO METRIC #9 / stamps?
7x8 1 /2 -' copied - 24 pages
This is one of those disjointed
zines that has a smattering of
stuff in it. There are two inter-
views, one with the Parasites
and the Young Fresh Fellows.
But then there is this strange
Charlie Brown (the cartoon)
play that makes no sense and
I am at a loss for words on how
to describe it, other than being
horrible.After that, he has two |
friends debate the pros and
cons of Starship Troopers, apparently
a film or something. And finally, a ran-
dom page of baseball predictions and
info. Huh? The zine ends with record
reviews. While the interviews and the
reviews are fine, the rest made no
sense and I could not get through it all.
(CW)
Mike Faloon / PO Box 250878 / New
York, NY 1 0025
GNASH #1 / free
8 1/2x7 -copied- 16pgs
This rather spacious zine's features
include an interview with a commercial
scientist, a comic strip, a step by step
account of a boring keg party, a quiz to
find out what your room says about you
and a good piece on the corporate
music industry infiltrating the sub-nich-
es of youth culture. (According to Watch
Magazine teenage music niche list,
Chumbawamba is now considered jock
rock!) Marci says this is a school project
that she hopes will serve as a little piece
of subversion to counteract the main-
stream media. This zine is a fair start
toward that end but I'd like to see her
dig a little deeper into her ideas and put
all that empty space to use. (RL)
R R #1 / Fergus, ON / NIM 2W3 /
Canada
HANGING LIKE A HEX #1 / $1
8 1/2x11 - offset - 64 pgs
I'm guessing I went into this with my
expectations too high, most likely be-
cause of the really cool packaging (cattle-
branded lunchbag, broken bits of cas-
sette tapes inside), but with the zine itself,
all I could find were sorta uninteresting
interviews with Brutal Truth, Tortoise,
Ifanzine Reviews I —
N STRUGGLE
11 IOMOIS PUNK ZIM:
COLUMNS - KKVIKWS
columns, etc. All were written in a some-
what snooty, bland fashion that I found to
be pretty repellent. I mean, these guys
are very intelligent, and the layout and
printing job for this zine is truly a thing of
beauty, but I just couldn't relate to a lot of
the writing topics and style of delivery.
Better luck next time? (RD)
201 Maple Ln / N. Syracuse, NY
13212
HAZLO TU MISMO #4 / $3 ppd
8 1/2x11- offset - 32 pgs - Spanish
Typical columns, interviews and re-
views type zine out of Argentina.
Some of the bands interviewed in-
clude Los Crudos, Freak Show and
one with Mike from Phyte records.
It's got a lot of info packed in it and
has a definite political slant to it.
Worth looking over. (RM)
CC 213(1412), Buenos Aires, Ar-
gentina
HERE BE THE DRAGONS $1
ppd
5 1/2x81/2- offset - 28 pgs
Oh yes, this is great! A political zine
that doesn't choke the reader with
way-out theory or "preaching to the
converted" boring ass articles. This
issue includes how to use worms
(yes, worms!) in yourcompost, Chris-
tianity in the punk scene, lots of thoughts
on kids and a kick ass expose on urinary
tract infections. Very approachable, read-
able and helpful. More zines like this need
to exist.(KW)
Mike & Eric / 2036 Wendover St # 4 /
Pittsburgh, PA 15217
THE IDEA #18/ $2 ppd
5 1/2x8 1/2 -copied -24 pgs
Lengthy, thoughtful interviews with Cyn-
thia Connolly, Kodiak and Cordelia's
Dad. Also some reviews. This is really
fine, it just has a more artsy, highbrow
feeling to it. (MJ)
Michael Sanderson / 2 Castle Close /
Middleton St. George / Darlington /
co. Durham DL2 1 DE / UK
IN STRUGGLE #1 /$1 or $2
8 1/2x11 - offset - 34 pgs
Heavy. A zine done by two heroin ad-
dicts in prison. While there is some
music in here, most of it is about the
authors (or co-inmates) and theirfucked
up lives in or out of prison. I found this
pretty interesting, and the only advice I
would have would be that to those of us
not in prison, daily prison life is some-
thing we know nothing about, this would
be your biggest strength as writers, to
give us a view of a life we don't know.
That's usually what makes a zine inter-
esting to me. (other zinesters please
note; you and your friends on a road trip
no longer = an interesting experience)
(GF)
PO Box 1 1 232 / Salt Lake City, UT
84147-0232
INTERBANG #7 / $2
8 1/2X11 - offset - 64 pgs
Holy metal album cover! Besides that,
lots of good personal/political rants on
Chiapas, Mumia, veganism, Victory
Records, non-monagamy, sexism, hard-
■■n.»iii,',iky,ra
\y®
Lob Cnulo* • Freak Show • Cutillo 1'icil • Propi* D#»icl6n
Thyte Records • Kort Proce**
line bullshit & homophobia in the scene.
Interviews with J Church and Red Gaurd
from Urban Guerilla Poets. Book, zine
and record reviews. I didn't necessarily
agree with everything Ben had to say
but I felt like he was honest, candid and
open to criticism which are qualities I
can respect. (RL)
PO Box 671 / Ravenna, OH 44266
IT'S RAINING TRUTHS #2 / $3
8 1/2x51/2- copied - 48 pgs
Thoughtful hardcore sXe-ish zine (nev-
er thought I'd say that...) with inter-
views with 97a, Driven, Reaching For-
ward and Palataka. The editor asks
interesting questions about the scene,
activism, lyrics, politics and such. There
is also writing on Christianity in hard-
core (a trend that should die!!!), anar-
cho-socialism, plus lots of reviews. The
coversays" hardcore against homopho-
bia " , but the subject is barely addressed.
I also would have liked to read more
about Dutch culture, the political and
social climate... maybe next time. Good
effort here. (MD)
Pytrik/Topaasl /5231 KL Den Bosch
/ Holland
KEROSENE #6 / $6
1 1 x 8 - offset - 64pgs - French
There are lots of interviews in this
issue including Les Thugs, Kero-
sene 454, Unsane, the Marshes
and June of 44. There are also
lots of record reviews and some
ads. This zine lay-out is quite in-
teresting, although it seems just a
bit too professional for my per-
sonal taste. Nevertheless inter-
esting! (HH)
BP3701 / 54097 Nancy /France
Clutch, the Donnas and the Genitortur-
ers, but there's also stuff on Grease,
exploitation movies and the command-
ments of making a compilation tape for a
friend or loved one. Will sit next to your
toilet for weeks. CAM)
. PO Box 44 1493 / Boston, MA 02 144
LOTS OF SPACE FOR CANNONS
#2 / $1 ppd
4 1/4x51/2- copied - 46 pgs
This is mostly personal writing — stuff
about graduating high school, losing your
childhood, checking out the big city, etc.
There's an interview with the Broadways
(the one question I cared about, the an-
swer was cut off) and a good one with the
woman behind Jinx, Chicago's vegetari-
an cafe. No reviews, one ad. If this sounds
good to you, check it out. (JM)
14WEIm/Roselle, IL60172
MARILYN BURNS #1 / $1 ppd
5 1/2x8 1/2 -copied- 18 pgs
An agonizingly personal string of stories,
■ JFANZINE REVIEWS*i »
KILL THE SCENE #10/ $3
8 1/2x11 - copied - 28 pgs
This has something to do with The
Confederacy Of Scum, which is
guess, a bunch of rednecks who
like bands like Antiseen. The cov-
er says "We've been destroying
punk since 1992". Funny idea I
guess, but not much to devote
your life to. Interviews with The
Tunnel Rats, Cocknoose,
uh... other shit... I really don't care.
The main idea seems to be to
offend pc fucks like myself at
mags like MRR, and yes, I am offended.
Success! If you think there is some-
thing clever in offending people by say-
ing "nigger", "cunt" and "faggot" alot,
here ya go. I don't even know what to
say...(GF)
PO Box 9042 / East Ridge, TN 3741 2
LOLLIPOP #44 / $5 ppd
8 1/2x11 -offset- 140 pgs
Somewhere between a glossy alterna-
tive mag and a punk music zine. Plenty
fat, and with tons to read, with little
reviews and little fun sections tucked in
wherever an unsuspecting white space
might have been. The main culprits are
the Jesus Lizard, Cinder from Tilt,
all relating to the pain of love and a little bit
about illness. The writing is okay, it just
feels like you're reading someone's diary.
Nice layout, it kinda looks like a Gravity
release. (MJ)
Dan / PO Box 898 / Largo, FL 33779
MASTIBATOR Y ROCK AND ROLL
#2/$1
5 1/2x8 1/2 -copied -24 pgs
Food Not Bombs flyers, Life is Hell re-
prints, anti-racist and anti : conformity rant-
ing... And yeah the spelling of the title is
right. (AR)
Phillip Bennett / 4246 Beulah Dr / La
Canada CA 91 011
NATURAL MYSTIC #7 / $1 ppd
8 1/2x11 - offset - 30 pgs - Spanish
Typical columns, interviews and reviews
type zine out of Argentina. Some of the
bands interviewed include Logical Non-
sense, the ska band Komando Moriles
and Cleanser. It's got a lot of info
packed in it. Okay, but nothing special.
(RM)
CC 3893, Correo Central (1000), Ar-
gentina
NERVOUS CONDITION: HAILI
#2/SCENERY #8 / $1
8 1/2x7 -photocopied - 32pgs
What a treat! This is a split zine done by
two of my favorite Florida people-Mike
from Scenery and Alison from Haili.
How it works is like this: they each
wrote stuff, then gave what they wrote
to each other for the other person to
illustrate and layout. And given the
creativity overflowing from both of these
people, the result is incredible. Great
personal zine type writing with good
handwritten, stark contrasty graphics.
Arty in a really good way. Mike and
Alison got into each other's head to do
this. Now it's your turn to get into their
heads. Ah, I've read this three times
now and looking through it as I write
this review, looks like I'm gonna take
a break to read it again. (IM)
PO Box 14223/ Gainesville, FL32604
NO ACTION #2 / $6
11x8- offset - 68 pgs - Spanish
Must admit this is my fave zine of the
month. Exceptionally great lay-out with
loads of interesting photos and graph-
ics. There are interviews with Dr. Ca-
lypso, The Allnighters, Groove Crew,
The Charlatans plus more. There are
also record, zine and movie reviews
including a listing of Elvis films. Finally
the zine includes a free CD from the
Basque band La Secta. Great! (HH)
Miguel Ceide / Aptdo 52 / 08830 -
Saint Boi / Barcelona / Spain
OI-PUNK#19/$1
8 1/2x5 1/2 -copied -24 pgs
This is one of those unfortunate zines
that has aspirations that are much
higher than it's abilities. Lots of good
ideas here, tons of potential, but it
never quite makes it. The interviews,
with The Dwarves, The Hi- fives, First
Class and Resurgents AD, are a good
example. There's no real depth to the
questions and consequently most of
the responses are one or two short
sentences, that give just about no in-
formation. Had a little bit more time
been spent working on the questions
beforehand, as well as learning a bit
about the bands, the interviews could
have been excellent. Oh well, perhaps
this is just an off issue and the next one
will kick ass. (JW)
PO Box 2552 / Pearland, TX 77588
ONLY ONE TONGUE #2 / 50 cents
8 1/2x11 - copied - 28 pgs
A very promising music zine with a
vague focus on pop punk (Discount
and/or Mr. T Experience are mentioned
on almost every page). Includes inter-
views with Kissing Book and My Pal
Trigger, and the usual like record re-
views, lists and mediocre columns.
I think it's a little premature to have a
reader's poll results at the second is-
sue, but this has promise. (KW)
Emily and Tommy / 3208 Deerlake Dr.
/ Knoxville, TN 37912
OPULENCE! CRAP $1
8 1/2x11 - offset - 40pgs
Not something I'd go outta my way to
read, but this is definitely teeming with
enthusiastic D.I.Y. attitude. The major-
ity of this zine is centered around the
W.E. (Wilmington Exchange) Fest;
there's even a big W.E. Fest insert with
the zine. Lots of candid photos and
article about the going-ons of this year's
event. Article on mail art, a crossword,
A-Team drinking game. (IM)
PO Box 2071 /Wilmington, NC 28402
P.A.Y.B.E.V. #1 /$2
8 1/2x5 1 /2 - copied - 40 pgs
This is a fanzine all about a protest in
front of Niketown in Boston over... you
guessed it, Indonesian sweatshops.
There's a lot of reprints of anti-Nike
flyers and Nike promo material as well
as some funny photos from the protest
itself. I'm not sure what future
issues of this fanzine would look like,
more protest pictures I guess. (SS)
PO Box 890 / Alston, MA 02 134
PEPPERPOT #5 / $2
8 1/2x51/2- copied - 36 pgs
I was totally into this zine from the
beginning; a great combination of infor-
mation both personal and political, seri-
ous and funny. There's articles on Ro-
hypnol (a sedative "rape" drug), vegan
recipes, short stories, a scene report
from Berlin, an illustration of hobo mark-
ings, womyn's health information, and
D.O.A. The thing I found most inspiring
was the fact that this self-described
Rebel With Menopause is 52!!! I am
often strapped to find punk women role
models that are over 30, so I was just
blown away by how fearless and free-
spirited she is. It's comforting to know
there are people in punk that stick to
their ideals over time, especially as so
many people that seem like they would
be around forever move on to get a so-
called "real" life. This zine rocks, read
it. (RU
RR6 - S15-C20 / Gibsons, BC VON
IVO
PRE-TEEN DIGEST #2 / $1
4 1/2 x 5 1/2 - copied - 32 pgs
This whole trend that I've noticed lately of
people telling sexist jokes in the assump-
tion that because it's a joke, it's not sexist
really disturbs me. Like we are all sup-
posed to understand that because you
are "punk, " your politics are right on and
any language or behavioron your part that
demonstrates otherwise should be ig-
nored; and anyone that questions this
assumption is labeled as being part of the
"p.c. police." Fuck that. I will always
question bullshit when I see it, whether
it's coming from the mouth of a punk, or
not. Oh yeah, Mike says not to take his
zine seriously. Whetheryou do or not, it's
still complete and utter horseshit. (RL)
920 Holland St. / Winston-Salem, NC
27101-5712
PROFANE EXISTENCE #35 / $3 ppd
8 1/2x11 - offset - 64 pgs
The kids at Profane pull it of again with yet
another issue. It's quite possible that no
one out there covers crust and politics as
well as these kids do. Interviews with
Coprofilia, Unhinged, Sindios, the defen-
dants in the Mc Libel trial and an article on
Epitaph. Oh yeah, and Mumia's on the
cover. (SS)
PO Box 8722 / Minneapolis, MN 55408
■ JFANZINE REVIEWS^
RAD PARTY #17/ $2
5 x 4 - copied - 64 pgs - French
Interesting lay-out for this small French
zine. Done in the style of Cometbus, but
centers itself more on the music scene
itself. There is more on the writer's trip to
the Bay Area, some interesting drawings
and some ads. If you understand French,
this looks like an interesting read. (HH)
Small Budget Productions / B.P. No. 7 /
781 10 Le Vesinet / France
RADIO TOLD ME TO KILL #3 /
$1.50
8 1/2X11 - photocopied - 29pgs
Hey fuckheads, how about putting your
address somewhere in yer mag? This is
a pretty good fanzine for those who like
shit along the lines of: the Humpers,
New Bomb Turks, Daniel Clowes, the
Mullens. ..'cause all these losers are
interviewed in here. It's all cut and
paste and looks sorta shitty (except
the KILLER cover!), but the content
pulls it through. Good reviews too,
which isn't something I find myself say-
ing often. Too bad you can't get it
though. No fucking address!!! (IM)
RAG + BONE #6 / $4 ppd
5 1/2 x 8 1/2 - offset - 40 pgs
It says the first 500 copies of this come
with a free CD, but I don't know what's
on it... This is a cool zine from an Amer-
ican^) living in Japan. Stuff here on:
Melt Banana, Guitar Wolf, Exile Osaka
zine, and various stuff about life in
Japan. These are the parts I liked best.
Trying to get visas to China, commuter
motels, all totally interesting. Definitely
recommended for Japanese music and/
or culture fans. (GF)
Semi-Roar: Suginami-Ku Ogiku-
bo / 3-39-7 / Hirokawa-So /
#102 Tokyo, Japan, 167-0051
RAZE THE WALLS #2 / $3
8 1/2 x 11 - offset - 36 pgs
It's amazing that this is only is-
sue two. Raze The Walls has
already made a name for them-
selves as the most articulate,
revolutionary magazine covering
prison related issues. The im-
portance of zines like this can't
be overstated in our prison hap-
py society and I'm glad to see
Raze The Walls put out such an
impressive issue again. (SS)
2351 College Station #523 /
Athens, GA 30605
RUMPSHAKER #4 / $3 ppd
8 1/2 x 11 -offset- 112 pgs
This is the best hardcore fanzine
've read all year. Eric is able to
walk that fine line where he is
both critical of the modern hard-
core scene and supportive. Add
to his incisive and hilarious edito-
rials the fact that he is an excellent
writer and you have this long awaited
fourth issue of Rumpshaker. Still not
convinced? How about interviews with
Lifetime (about the break-up), Con-
verge, Endeavor, Pieball and famous
hardcore moms. And don't even get
me started on the choose your own
punk adventure and the comparisons
between deadheads and hardcore kids.
Sell your soul if you must but buy this
fanzine. (SS)
72-38 65th PI / Glendale, NY 1 1385
Jfanzine reviewsV
SAUCY #3 / $3
8 1/2x11 - copied - 69 pgs
Old style layout-cut and paste, not all
done on computer, looks nice. Too
much drawing and poetry type stuff,
but quite a bit of good writing here
too. Interview with Ian Mackaye
and Unwound. Some stuff about
nutrition, and menstruation. I liked
this zine, nice feel and tone. (GF)
320 York St / Cornwall, ON K6J
323 / Canada
THE SECRET FILES OF CAP-
TAIN SISSY #3 / $2 ppd
7x81/2- copied - 48 pgs
The last issue of this was promis-
ing, and Andy came through for us.
This zine has more teen spirit than
a Bis show. It's political with a sense
of fun and hope. There are long bits
about being in our nation's capital
on Independence Day, protesting
in the nude, lots of right on stuff
about work and the ridiculous work
"ethic" our country exists under,
an interview with the Prison Activist
Resource Center and being a tick-
le-whore (for real!). Definitely fun
and worthwhile. (MD)
PO Box 4493 / Ann Arbor, Ml
48106
SHOOTING SPACE #2 / $1
5 x 5 - offset - 1 4 pgs
This is the second installment of what
could aptly be described as the Men's
Wltn iPeciai gu»Hi...
issue twc
vitreous humor
DISCOUNT
»EAK 714
RMMUlfWK
*
&
...and some other sti/f!
SELF DEFENSE #4 / $1 ppd
5 1/2x8 1/2 -copied -20 pgs
Cut'n'paste zine talkin' 'bout life for a
chica punk living in Kansas. Discover-
ing punk culture through the mail, punk
vs rrat, Lawrence and Wichita scene
reports, interview with Unwound, Food
Not Bombs in different cities. The es-
say that a Cherrie Moraga lecture in-
spired is the highlight of the issue, all
about the pressure of having to answer
"what are you?" (TX)
Marissa / 1 35 N Terrace / Wichita, KS
67208
THE SET-UP #2 / $1 ppd
8 1/2x11 - offset - 28 pgs
This guy seems nice enough, mostly
this is pretty good, interviews with Dis-
count, Vitreous Humor, Rain On The
Parade, and Speak 714 (that's right,
Dan O'Mahoney has another band).
Reviews, standard stuff. I just can't get
past the straight-edge stuff. While he
doesn't actually say anything offensive,
if you think Earth Crisis are great, then
I must assume you agree with their pro
life shit and if you say Shelter is your
favorite band, then I must suppose
you're down with their "women are
inferior, homosexuals are an aberra-
tion" stance, and find myself with no
choice but to tell you to fuck off. Do you
people think this shit is a joke? Go to
hell. (GF)
641 Broad Acres Rd / Narberth. PA
19072
Recovery Project diaries. All text by Sam
McPheeters, it encompasses mostly tour
related stuff. At times funny, at times
witty, at times downright sarcastic, this
tends to follow in the vein of his previous
zines (I Yeast Roll, Dear Jesus, Error,
Tubesteak Gazette, etcXThis issue like
the first, was offset like a CD insert
booklet, which makes it a pretty nifty
thing. Stick it over your RANCID CD
when company arrives, punk.(CW)
Vermiform Recs./ PO Box 1 2065 / Rich-
mond VA 23241
SLEEP IS THE ENEMY #1 / $1 ppd
or trades
5 1/2x8 1/2 -copied- 16 pgs
Brandon moved to San Francisco from
the Midwest. He likes to whine and com-
plain about it here because he gets spare
changed all the time and has to look at
the crusties that hang out in front of
McDonalds. Poor guy. Hey, my heart
goes out to you, buddy, really. Just keep
writing your mildly amusing articles about
cheesy washed up metal bands and your
lists of stupid things that make you cry,
ya big baby. (TT)
1 25 Clayton St. #2 / San Francisco, CA
94117
SOAP & SPIKES #4 / $? ppd
8 1/2x11 - offset - 30 pgs
There's plenty of punk history in this issue
of Soap & Spikes. An interview with Nicki
Sicki from prison about the early days of
Verbal Abuse delivers some excellent
stories from the early days of the SF
scene. Jim O'Connorfrom poseurstore
in LA is interviewed as well as the
Canadian band The Sinisters. This plus
all the reviews makes for a solid punk
product. (SS)
431 Burlington Ave #4 / Burlington,
ON / L7S 1 R3 Canada
SPAGHETTI DINNER AND
DANCING #1 2 / $1 ppd or stamps
5 1/2x8 1/2 -copied -22 pgs
This is the third time I have reviewed
this zine and it has really grown on me.
Randy does a great job of filling his
niche in the zine world by writing about
his true passion; hiking around in the
woods. He describes the scenery in-
credibly well, naming the shrubbery
and rock formations as only an experi-
enced wildlife writer can, and really
brings you into the peaceful, grand
moment. This issue he explores more
of Montana, visits the site of an 1 877
Native American slaughter and runs
into a bear. Excellent. (TT)
PO Box 2536 / Missoula, MT 59806
SPIDER STOMPING #2 / $1 ppd
8 1/2x5 1/2 -copied -20 pgs
Lily's got some of the best adolescent
humor I've seen in a long time. We're
talking butts, mullet haircuts, stories
about drunkjocks and her friend's mom
being a jerk. I laughed out loud at the
kids jokes and was a bit confused by
the story of marrying Hank Williams Jr.
But all in all, I found the whole thing very
entertaining. (SS)
c/o Migraine / 1 608 Cedar / Berkeley,
CA 94703
STY #30 / $2 ppd
5 1/2x8 1/2 -copied- 20 pgs
Unlike the other 27 issues, Icki had
nothing to do with this one; some friend
of his put it
together.
It starts off
with some
dull com-
ics, but
there's
some
good stuff
too-the
Berkeley/
N. Oak-
and donut
scene, a
funny
piece on
telemar-
keting and
a good ar-
ticle on the
history of breakdancing somebody
wrote when they were 9. More good
than bad, but some of both. (JM)
Migraine / PO Box 673 / Portland, OR
97207
SURREPTITIOUS #8 / $1 or trade
5 1/2x41/4- copied- 32 pgs
Pick of the Month (finally....)! In an
effort to avoid seeming only bitter and
cynical, Sprout offers these little gems.
Some housemate stories, replying in
person to verbal insults yelled in the
street and punkrocklove stories that
must flutter the hearts of spikey-haired
young things all over. I mean really, he
takes the Cometbus definition to heart
and applies it. Lucky Eugene. (TX)
PO Box 11751 / Eugene, OR 97440
TEN THINGS JESUS WANTS
YOU TO KNOW #1 9 / $3 ppd
8 1/2x11 - offset - 68 pgs
Yet another installment of the North-
west's top punk rag. This one has Mor-
al Crux, Discount and SLF, as well as
the usual high quality columns, advice
for the lovelorn, letters, food and beer
recipes and a piece on boys who fake
orgasms. Not to mention tons of record
and zine reviews and some cool photo-
graphs. Consistently a winner. (AM)
831 5 Lake City Way NE #192 / Seat-
tle, WA 981 15
THOUGHT BOMB #5 / $2
8 1 12 x 56 1 /2 - copied - 64 pgs
A very political zine from an extremely
involved activist living in a suburb of
Chicago. Articles about racism, neigh-
borhood involvement in a fight against
a new airport, child pornography and
more . This guy is probably doing more
for his community than any three peo-
ple, and he has the time to put out a
quality zine. Inspirational. Checkitout.
(JW)
Anthony Rayson / 27009 E Egyptian
Trail / Monee, IL 60449
TRAILER TRASH #1 / $3 ppd
5 1/2x81/2- copied - 80 pgs
Lots to read, lots to think about. I really
enjoyed the anti-work sentiment and
hellish stories about working in a record
store and as a painter. There's also
writing on how the military spends
money and lots and lots of scams for
you to try at your own risk. On top of all
that, there's info on making a pinhole
camera, plus some reviews. Then,
there's a hilarious reprint from a Chris-
tian guide for teenage girls. Thumbs up!
(MD)
PO Box 864 / Cantonment, FL 32533
TRASH TIMES #3 / $2
5 1/2x8 1/2 -copied -24 pgs
As the title suggests, this is a zine for
those of you who enjoy the "trashier"
elements of the punk rock world. The
pieces that make this zine can be found
in better form elsewhere, but what's
here isn't bad. Interviews with Electric
Frankestein and Greg Lowery (part two),
a short article on the director Jim Jar-
musch (.Mystery Train, A Night on
Earth), a comparison between the Rev.
Jim Jones and Elvis Presley, along with
the obligatory record reviews. The re-
views contain old as well as new releases,
which is actually kinda cool, given that
most of the people reading this are gonna
be as interested the music of yesterday
as the slop coming out today. (IM)
PO Box 248 / Glenview, IL 60025
THE TROUBLE WITH NORMAL #34
/ $1+ stamp
8 1/2x5 1/2 -copied -52 pgs
Can you believe that I've gone this long
without having read this? And I had no
idea it had been around this long. It's got
interviews with (the former MRR writer)
Eugene Chadbourne, Lynyrd's Innards,
and even one with Chumbawumba, in
which Boone actually asks them some
truly thought-provoking questions, which
is a pleasant change. It didn't blow my
mind or anything, but it's a pretty solid
zine, he seems to have good taste, and
it's a great deal to boot. (RD)
PO Box 329 / Columbia, MO 65205-
0329
jFANZINE REVIEWs1 »
UNDER THE VOLCANO #44 / $2
ppd
8 1/2x11 - offset - 56 pgs
CTVhas been at this so long now its hard
find anything new to say about them. The
interviews range from punk bands Snuff,
Good Riddance and Two Man Advan-
tage, to goth rocker Lycia. The colum-
nists talk as much about Techno as they
do Rock n' Roll. That should give you an
idea of how eclectic Under The Volcano
can be. (SS)
PO Box 236 / Nesconset, NY 1 1 767
UPSTART #1 /$3ppd
8 1/2x11 - offset - 24 pgs
This is a well put together skinhead zine
from Missouri. It seems the editor de-
cided to do this after some sort of
disagreement with Tim, so it's nice to
see MRRbe inspirational in one way or
another. Interviews with District 13,
Riot Squad and the editor's own band,
the Main Street Saints, and an article
on a crew of Kansas City Wizards fans
called the Hooligans that sounds like it
was written by someone who took Bill
Buford's Among The Thugs too seri-
ously. The atmosphere at a football
game comes from the sound of thou-
sands of people united in a love from
their team, not from a couple of hun-
dred self-styled 'hooligans' making ar-
seholes of themselves. You all want to
be English so bad it's pathetic. Nice
zine though, hope it continues. (AM)
PO Box 10005 / Kansas City, MO
64171
URBAN LEGENDS #1 / $1 and 2
stamps
5 1/2x81/2- copied - 32 pgs
This zine is off to a really good start,
and the editor has a lot of enthusi-
asm. There's a cool interview with
Red Monkey and one with the Bangs.
Plus, there's lots of writing on TV,
boredom, bicycles and more. I really
liked the piece about the Au Pairs,
and there's an "urban legend" about
Phil Collins. Fun and worth checking
out. (MD)
3001 Breeze Terrace / Austin, TX
78722
VISION ON #14/$1 ppd
8 1/2x11 - offset - 44 pgs
Ya know, this is a quality product.
There are millions of reviews through-
out the pages, with columns and
interviews thrown in. It includes inter-
views with Man Or Astroman? and
lots of British bands, like Lovejunk,
Pinto, the Headchecks and South-
paw. Along with book reviews and a
really interested, genuine attitude,
this makes for good, solid reading.
(MJ)
Steve/27, Springbank Croft /Holm-
firth / W. Yorkshire HD7 1 LW / UK
VORTEX #2 / $4 ppd
8 1/2x11 - offset - 32 pgs
This zine really intrigues me as to won-
dering what the Singapore scene is
like. Unfortunately, not many personal
opinions are given on the local scene,
but there sure is a lot of coverage.
There are interviews with Indecision
Records, Spiral Objective, and a quick-
ie with Bob from Minus; all in a crystal-
clear layout and a superb printing job. I
understand that international postage
is quite pricey, but the hefty tag does
make this pretty hard to obtain. A prom-
Jfanz
INE REVIEWS
ising first effort (corny, I know, but it's
true), I'm looking forward, to seeing
what this evolves into. (RD)
Andy Leong / Blk 1 2 Toh Yi Drive / # 1 0-
391 Singapore 590012
WAKEUPORDIE#11/3stampsor
trade
8 1/2x11 - copied -64 pgs
I think people should, at one time or
another, have unlimited access to a
photocopier in the hopes of producing
a mammoth tome like this. If Mitch
hadn't, I doubt he would've gone into
such detail as he does when recount-
ing his discussion with his mom about
youth culture in their respective gen-
erations, his dealings with tinnitus
and his thoughts on seeing Jello Bi-
afra speak. I've seen far too many
zines sacrificing interesting detail for
brevity - I'm assuming because of the
cost of printing more pages. This
zine has gotten bad reviews in the
past because of the spelling which is
sometimes beyond deciphering even
in context, so be warned. Recom-
mended. (TX)
Mitch Brown / 624 Zoll / Warren-
burg, MO 64093
WAR CRIME #9 / $2
8 1/2x11 - offset - 64 pgs
This is the type of rag that I should
like. It's on the "right" side of all of
the issues we should care about. It
gives real information (as opposed to
just reprints) on court cases, issues
that are developing, and prisoners.
But it just comes off without a lot of
personality. You get the feeling that
this is a list of positions that are right
and should be followed... Animal rights
(pro ALF), the EZLN, and Environmen-
talism (pro EF!). There are quite a few
good reviews but good in the sense of
being right without being right on! (AR)
Mike / PO Box 2741 / Tucson, AZ
85702
WHAT A WONDERFUL WORLD
#2 / 50C ppd
8 1/2 x 5 1/2 - copied - 20 pgs
There's some really great shit in this
product from the great northwest. Most
of it is taken from other sources and
includes articles on billboard manipula-
tion and media hoaxing. For those of
you actually interested in music there's
an interview with pop punk masterminds
Zeke. (SS)
7550 Roosevelt Ave SW / Port Or-
chard, WA 98367 - 9367
historical piece that explains why the doors
of businesses open outward, a wild inter-
view with a woman that plays "Cyber-
speed" music (high speed classical/met-
al), a scary story about getting way too
drunk and stoned and some funny car-
toons and fake ads. Sounds bizarre
doesn't it? I liked it a lot. (TT)
321 N. Pottstown Pk. / Exton, PA 19341
WISHY WASHY BEER #1 / IRC
8 x 5 - copied - 24 pgs - French
Very humorous zine with lots of funny
aaaiasiflsiiiii
WILLZINE #2 / $1 ppd
7x81/2- copied - 32 pgs
There's something for everybody here
and though a couple of the stories drag
on a tad too much, everything in here is
interesting and/or humorous. Acritique
of video store behavior and manners, a
photos and graphics. There is a special
interview about May of 68, that is when
French youth culture nearly toppled the
French government. There is also an in-
terview with the oi band Barikad. Plus,
there are a bunch of movie reviews, and
as I said, lots of good humor! (HH)
Stephane Cormary / 25 Chemin de
Heredia / 31 500 Toulouse / France
ZINEWORLD #7 / $3
8 1/2x51/2- copied - 64 pgs
Think of a half size Fact Sheet 5 and leave
out all the stuff that's not zine reviews,
and you'll have a pretty good idea what
this is like. Well done and sometimes
amusing reviews on a wide spectrum of
zines. This excellent reference book de-
serves a place on everyones book shelf.
(JW)
537 Jones St #2386 / San Francisco, CA
94102
worship aplenty. Basic, but the spirit' s there.
PO Box 264 / Bronxville, NY 10708
CROSS CHECK #2/2 stamps
About punk and hockey, but there's not
much here. Unit 731 , some reviews, some
weird US military stuff going on.
Derek Robertson / 102 Lombardi Rd /
Pearl River. NY 10965
DIRTY #3 / $?
Interviews with The Misfits, The Humpers,
Electric Frankenstein and lots of reviews.
1 286 Highgate Rd / Ottawa, ON KZC ZY4
/ Canada
FREE REFILLS #4 / 3 stamps
Interviews with Against All Authority and
Catch 22, record reviews.
169 Valley Rd / Oxford, NJ 07863
NO SOH #4 / $1 ppd
Reviews, life story and brief interviews.
66 St Paul' sRd/ Clifton/ Bristol VS381 LP
/UK
OI!PUNK#18/$1 ppd
Interviews with the Queers, Porcelain Boys,
Stanley and Butch of 30 Foot Fall, plus
some stories and reviews.
PO Box 2552 / Pearland. TX 77588
NO SOH #4 /$i ppd
Reviews, life story and brief interviews.
66 St Paul' s Rd / Clifton / Bristol VS38 1 LP
/UK
PUNKSOXO #2 / $1 ppd
Interview w/ In The Shit, Victory Band pro-
mos and old band photos.
Andy Drake / 18 Woodland Way / King-
swood / Bristol BS15 1QH / UK
SHUTDOWN #1 / $1 or trade
Writing on vegetarianism (pro), smoking
(anti). boycotting Nike and McDonalds,
equality, standard punk zine fare.
PO Box 2624 / Portland, OR 97208-2624
SO FUCKIN WHAT? #2 / $1 25 or
$1+stamps
As you may have gleaned from the title, this
is a very intelligent read. It's basically just an
interview with The End and Bri from Doom.
with questions like "what is anarchy to
you?" and some sinister clip-art, complete
with conspiracy theories.
253 Alexander St. #322 / Rochester, NY
14607
TALK TO STRANGERS #1 / $1 +2
stamps
Good info on how milk does a body dam-
age, a rape story, vegan recipes. Very cut
and paste.
Lizzie / 2275 Morrison / Dexter, Ml 481 30
MORE LISTINGS
BACTERIA #1 /$2ppd
Kinda "by-the-numbers" NY punk-based zine
with interviews of the Unseen. Truents, and
columns. Casualties and Moderat Likvidation
WAR AGAINST THE IDIOTS #8 / $1
Show reviews, babbling, and an interview
with Animal Chin. Cute, but Liam's self-
righteousness gets on my nerves a bit.
1731 Cleveland St. / Evanston, IL 60202
ZM£ Of We MONTH;
Neat Damned Noise is
a true "fanzine" in the
sense that it is dedi-
cated to solely cover-
ing one of the oldest
punk bands still going,
the Damned. The lat-
est issue, "Damned
Across America" came
out recently, covering
the last US tour the
Damned did. Mikel
Delgado looks into the
obsession via e-mail
with Neat Damned
Noise editor, Henrik.
• jqs^m p^att^ jro&^p
MRR: When and why did you become
such a huge fan of the damned?
HENRIK: I bought "Machine Gun Eti-
quette" back in 1980 (I was 15 back
then) and thought it was a great album,
but it wasn't until 1982 that the bug r&
ally did bite. I'd just seen the Dead
Kennedys in Denmark (that's where I'm
from) and I didn't think anything could
top that. However, I went to England
on vacation and there I happened to
catch the Damned live at the Brixton
Ace. That forever changed my life. As
they say, I was another person when I
walked out of that place - Man, I was
on a permanent high for weeks! I've
seen hundreds of gigs since then, but
that still remains the best one I've ever witnessed. On a good night the
Damned will fukkin' nail you!
MRR: What was the first issue of NDN like and how has it changed?
When did the first issue come out?
HENRIK: The first issue of NDN came out in 1993. At that time the
Damned was basically dead. They hadn't done anything for years and
one of the reasons I did it was to keep their flame burning somehow
Well coincidentally they just started gigging with a new line-up just as
the first issue came out! This meant that I could write about news gig
reviews, etc. too which made the zine a lot better and of course much
more interesting - it wasn't just a write-up of an old dead band. I also
did it kind of like an experiment to see what reaction I'd get and it was
truly overwhelming. I do a regular issue every 6 months - this summer
II have issue 10 out. What keeps me going most of all is the great mail
I receive from fans around the world. Damned fans are amazing - ev-
erybody is SO into the band!!! I have subscribers from twenty some-
thing countries, and I've gotten some great friends through NDN. The
zine really hasn't changed much, but I plan to re- vamp it after issue 10
I need to get a desktop publishing program. Today I still do everything
by glue and scissors...
MRR: In doing this zine, what have you learned about the damned
that has surprised you?
HENRIK: A nice surprise about the Damned is that they're totally down
to earth and very much in tune with their fans. Compared to other
bands from their generation like the Clash, Pistols & Siouxsie the
Damned have always been very approachable. They've never afraid to
speak their mind and they've never been part of some clever manage-
ment scheme. Also they're happy to talk to the fans before or after
their gigs and they don't distance themselves with a wall of security
etc. They crush the myth of "you shouldn't meet your idols ecos they
can not live up to your expectations." big time. They're all so damn
nice!!
MRR: How would you describe a typical damned fan? Have you
noticed a change in their fan base over the years?
HENRIK: Damned fans come in all types and shapes. The common de-
V — .. « nominator is
that they're all hooked on the music. The typical Damned fan puts the
Damned above everything else, and is on what you might call a never
ending journey to find more Damned music to listen to, go to more
Damned gigs, find out more about the band, etc. The Damned is IN-
CREDIBLY special to a lot of people around the world. While many of
the old hardcore fans are still around, there are also a constant wave
of teenagers discovering the Damned for the first time. Finally, many
Damned fans are musicians themselves, which I take as a compliment
to the Damned.
MRR: Do you ever worry about running out of things to write about
for your zine?
HENRIK: In the beginning I used to think that I would, but now there
are just a pile of stuff to write about and I get so many great contribu-
tions all the time. Each zine is 50+ pages (11 "x8.5"), but it's always a
real nightmare cramming everything into each issue. One of the great
things about the Damned is all of their various side projects and guest
appearances here and there. As an example I had a feature in last issue
(issue 9) on Brian James' new excellent combo "The Dripping Lips"
Some of these related projects are fab and quite fun to write about -
sometimes it involves a lot of detective work! If a topic gets too big I'll
just make it into a special zine only dealing with that topic. Like the
latest issue - "Damned Across America" - is such a special release It's
all about the Damned's recent US tour - 1 don't believe in cutting a
great story down for the sake of space - if something requires 50+ pages
and 100+ photos to be told right, then so be it.
MRR: What other projects have you put out?
HENRIK: Besides the actual Neat Damned Noise zine, I've put out a 24-
track CD called "It's A Damned Damned Damned World" with 24 bands
from around the world crankin' out Damned covers (including my own
group "Fine"). Actually there were so many bands interested in con-
tributing that I could easily have done a double CD! I've also done three
7 s and the last one is just out. It's by a great horror punk band from
England (fans of the Damned by the way!) called Bride Just Died. It's a
4-track EP titled "We Are The Hungry". I urge you to listen to it' I like
tons of other music besides the Damned and I've been planning to
start a regular music zine/record label called just "Neat Noise" but so
far I just haven't had the time to get it off the ground...
MRR: What's your all time favorite record by the damned?
HENRIK: That's always the hard question because I basically like all of
them. But "Machine Gun Etiquette" is a true fucking monster of a time-
less masterpiece record.
u^m^ 131 other things m the scene are umpiring to you these days?
HENRIK: Again, I like a lot of different bands, some new some old I'm
not biased - if it sounds good, it sounds good. The scene is fucked up in
many places because of the regular bullshit with the clubs, promoters,
labels and the whole fucked-up music biz thing in general. My advise
to anyone is: Do it yourself, start your own zine, label, club, whatever
There are also many great things happening today, and I still immensely
^njoy going to watch a new band blow me away.
u^m^I 181 are your futme P lans for neat damned noise?
HENRIK: Well, apart from what I've already said, only time will tell...
You can reach Neat Damned Noise at: PO Box 42850-123 / Houston,
TX 77242-2850 or at neatdn@aol.com.
+ ,**«**■*
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DISCLOSE - No More Pain (32-lracks) LP $9:00
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MEANWHILE - LAWLESS SOLIDARITY 10" LTD.
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LOVE IS ALL AROUND - V/A CO
Incl. Doom, Ol Pollol,Totalit6r,Atomvjnler, Meanwhile + more
ABRASIVE WHEELS - When the punks go marchln LP S1 1 :00
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CHAOS UK - BURNING BRITAIN EP
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CHAOS UK . MAKE HALF A KILLING MLP
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ONE WAY SYSTEM - GIVE US A FUTURE 7"
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s
Distortion Records, Box 129, 401 22
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Ph: +46 31-15 04 18. Fax: +46 31-15 23 23
NEW S_Or tO-DAVl
I never mind the melody...
m ...here's Sound Pollution
pflPTC
"Cleanm Op <
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01 N. * YufK |
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UNCURBED
"Peacelovepunklife.." LP/CD
1 6 new tracks of some of the most fierce
Swedish HC ever! Punk as fuck doesn't
even begin with it. Their best yet. ..this
will fucking floor you.
M**-' *»•
VA. ^
"Flashbacks" CD
(tocography re-issue of the Sweetish legends.
Includes 25 tracks, with 2 urveteased ones
(they wbt8 on the 1st edition). If you new
heard them you are missing out. From soft
intros into some of the beat raging thrash you
ever heard. Get it, wotda don't do them justice.
[ SLIGHT SLAPPERS
SHORT HATE TEMPER
DISTRIBUTED IN THE U.SUY
ChirRi
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"Two Monkeys" LP/CD
the new studioalbum - great as usual!
ailable in Northamerica through Rotz Recordings!
COCK SPARRER
Run Away", "Guilty As Charged"LP/CD/VC
RA "Is This For Real?", "Fuel", "Access Only"
THE MARSHES "Fledgling"
FLAG OF DEMOCRACY
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TONY ADOLESCENT & ADZ
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■split LP/CD*
iTokyo and Texas team up for a thorough ass
Slocking. Sight Stopper s do 9 tracks of high octane
I, frenzied is the word. Short Hate Temper Was t
Kit 9 tracks of blistering stop start HC.
\ classic is born
HELLNATION
"Your Chaos Days Are Numbered"
LP/CD
37 new tracks!
Unrelenting -HC power thrash!
ROMANTIC GORILLA
CD
1 9 song follow up to their classic split
with Spazz. All the speed, craziness,
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Tokyo greats.
KRIGSHOT
"Terrorist Attack" 7"EP
The second coming of MOB 47!
7 track debut of raging Swedish thrash.
Fucking awesome! LP/CD on Sound
Pollution later this year!
PRICES (including postage): 7"EP
USA $3.50
LP
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CD
$8
CD*
world (sufacej/Canada & Mexico (air) $4
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$9
$8
Europe(air)/W. Hemisphere (air) $5
$12
$10
$9
Asia/Australia (air) $6
$14
$11
$10
MCR €0. JAPAN
rtnirnii"r inn ■ -> m a a 2 songs in time for the World
GRIFF"" France 98 issue EP$4 Cuft T nijl «, to700eopte .
HELLNATION "Thrash Or Die" EP *4j«~
MCR prices ppd. in USA
Canada & Mexico add t J, Europe & S. America add S2, Aus. add S3
send a stamp for a complete list of available titles & info.
overseas send $ 1 or 2 IRCs
no checks! use a money order
e-mai! address: polktte@fuse.nel
http://hoiiie.fuse.net/soundpollution/
SOUND POLLUTION
P.O.Box 17742/Covingtori,KY.41017/TJSA
NEW FROM
9 ESSINUSER
RECORDS
wtumic itu uiic stopped Us /
Corripared to^8 fingers
Lotrfe anil face to Face.
ng in a B
;LA5H3;W,
Willi
hords
rat V/rac!'.
u'U Ivy?
No Use for a Mania
Crn Jloui,
Cri' l.itri
>'ul ii mi-^ 3X 4
CD $10
includes bonu;
tracks
All items ppri in US. • Can. and Mex. add $1 per item • Overseas
add $3 tor each CO. $4 tor each LP • Checks. MOs. or cash
payable to PessimiserRecords
POB 1070 Hermosa Beach CA 90254
http://theologianrecords.com/pessimiser.html
ainclude postage.
ftdd 8.6% sales tax.
j Mexican orders add
opean orders add 20%
. US Funds only!!
206 Records
Send two .32 stamps for
a catalog and stickers
and check out other 206
Records releases.
You can still get the
Unpunk Album and Punk
Rock Volume 1 for only
$5, so buy em now.
Distributed by Rotz Records, Smash
Records, Cargo Records, Southwest,
Dutch East, Disgruntled Mailorder,
Morphius Record Group, Nail, Soda
Jerk Records & Sour Tooth Dist.
for updated tour iwforiwfic* Mid
ctr*i°f NeAf sfufV
Hey Punks, send $10/CD
to 206 Records
8314 Greenwood Ave. N.
Suite 102
Seattle, WA 98103
(206) 781-0553
fax (206) 781-0500
diris@206records.com
tcoo-o-gix>
records
www.206records.com
No Records:
26* - IMmm, ma.
27th - rochester, ny.
28th- new york city
29th . new jersey
30th - Philadelphia
lit- wash, dc.
2nd • ricniDond or
norfolk, va.
3rd - raleigh, lie.
4th - south Carolina
Sth-atlanta
6th - gainesville. 11.
* 7th - new Orleans, la.
+« 8th - houston, tx.
* 9th • auttin, tx.
* 10th - demon, tx.
* - without grief
pob 4452 ing,ca. 90309
VySfTl'/// -livhuhsc dale: 'July 4tti, 199H.
Tfizz Kmz & auajxiiiaeHa split 7"
New EP of Athens, Georgia hardcore crammed up your
puckered cornhole, so open wide kids.. .both bands play
with insane speed and hooks, enough to make that whole
"power violence" thing seem a little silly, now don't ya
think? The first 500 get mentions in our nightly prayers.
$3 ppd. USA/ $5 ppd anywhere else
Plus both bands will be on seperate tours of the United
States starting in July. Check out BOTH bands in the San
Francisco Bay Area the weekend of August 14th, 1998.
Call NO RECORDS @ (510) 704- 0130 for more info.
Still Available:
Zero6 THE GR'UPS "Buildings Are The Purtiest Trees I've
Seen" 7"
Zero5 THE GR'UPS s/t 7"
Zero4 OMEGA MAN 8 song CD Ep
Zero3 FIFTEEN "Allegra" 14 song live CD
Zero2 SCROG "The Sacred Masses" 7"
Checks/Money Orders/Cash to: NO RECORDS
www.geocities.com/SunsetStrip/alley/1627/inrJex.html
RFRkVi pv r* CD = $9 USA/ S1 2 World
94712 CD Ep = 34 USA/ World
7" = S3 USA/ S5 World
jfr-
nil Natural Lemon & Lime Flauors
Turning Into Small LP/CD
Trie WorCd/lnferno Triencfsdip Society .
T'he True Story of the "BricCaewater 'Astrai Leaaue L9/CT)
LP $7 CD $10
SASE FOR CATALOG
Future:Rye CoaHtion^The Lapse, The Sin-Eaters, Computer Cougar
THERE'S
ACTUALLY
SOMETHING NEW
ON HONEY BEAR!
YOUNG
GINNS!
DIMESTORE HALOES in..
Thrill City
Crime
Control"
CD $10
or
hot pink
vinyl
V.M.L Records
P.OBox 183
Franklin Pk, IL
60131 U.S.A
"Why dont
Lesbians Love me?"
for $8
"Pervert at Large"
sloppy seconds split w/
the vindictives 7" $3 SCREECHING WEASEL
; v. w . IJV 7| V.M.Live 7 "s and self-titled CD now out!
teen soon to cum: get yer dirty digits on it
'?°k s V.M.Live Lp/Cd! for just $ 1 0. CD only.
13 song retrospective CD.
$11ppd.
OTHER STUFF
l-Spy CD $1 1
V/A "Keskideez" 7" (w/J Church, Rhythm Collision...)
$3.50
Discount/Shotwell Coho 7" $3.50
V/A "Windmills Of Your Mind" (Japanese comp) 7° $3.50
Girlfrendo "Get Ready To Be..." 7" $4.50 (my fav at the
moment)
Lung Leg "The Negative Delinquent" $4.50 (1st EP) 7"
Lung Leg "Shagg The Tiger 7" (2nd EP on Piao!) $4.50
J Church "You Think You're Cool" CD (Japan only on
Snuffy Smiles) $10
V/A "Brouhaha" 7" (w/Jawbreaker, Cringer...) $3.50
Registrators "4 Vibrate" 7" (only a few) $7
Unwound CD (first LP) $11
VSSCD$11
Punjab Rovers 7" (Cornershop!) $3
Phantom Pregnancies/Cinnamon Imperials 7" $3.50
Famous Boyfriend "Orgasm" (French pop thing) $3.50
$3.50
Famous Boyfriend "555" 7" $3.50
Hulaboy "Lucy" 7" (Hula/Boyracer collaboration) $3.50
Boyracer "How To Train Your Parakeet" 7" $3.50
Boyracer "The Racer 1 00" 7" $3.50
Boyracer "Best Flipstar" 7" $3.50
Boyracer "Rocket Racer" 7" $3.50
Boyracer"'Present Tense" 7" $3.50
...But Alive CD (on G-7) $11
Amy Linton/Stewart Anderson 7" (Henry's
Dress/Boyracer collaboration) $3.50
Mike Nichols & His Excellency 7" $3.50
Sisterhood Of Convoluted Thinkers 7" $3.50
Travis Cut 7" (ex-Newtown Neurotics) $3.50
FAYE WONG STUFF!!!
Wonder what all the hype is about? Did you like her in
"Chung King Express"? Don't wanna shell out the money
for import CDs? Tapes!
Faye Wong "Di Dar" $4
Faye Wong "Ingratiate Oneself $4
Faye Wong "Sky" $4
HONEY BEAR RARITIES
Only a few each of these... So state alternatives.
Las Mordidas/Mukilteo Fairies 7" $10
Wat Tyler/Mambo Taxi 7" $10
Unwound/Steel Pole 7" $10
Superchunk/Tsunami 7" $10
J Church/Small 23 7" $10
All checks/M.O. to Lance Hahn. All prices are post paid in
the U.S. Send a stamp for the J Church newsletter and
complete catalog.
HONEY BEAR - PO Box 460346 - SF.CA 94146
D.O.A.
FESTIVAL OF ATHEISTS
Enhanced CO, LP & Cassette
Its lucking wild. This is worth htvtaa
not only for the- music, but you've got
to see the interactive video shU man,
it's crazy. - MiximumRocJcNftoll
New 13-song studio CO also available in limited edition yel-
low vinyl. Enlanced portion includes 8 videos 1979-1994.
D.O.A.
THE LOST TAPES
CO, IP & Cassette
16 previously unreleased tracks by the
original D.O.A. guys, 1978-1984. Also
available in limited edition red vinyl.
d.b.s.
OS FOR INSIGNIFICANT fx
The third album by North Vancouver's
shit-kickin'est punks.
D.O.A./d.b.s. spiitr
A split-EP 7" featuring one track from
each band's new studio album plus
one other track from each not avail-
able anywhere else. Imported from
Germany. On yellow vinyl with blood
Spurts.
SMEAR
WHATEVER, MARY cd-ep
6-song introductory EP from that
nard-edged melodic gang of women
from Toronto.
TOXIC REASONS
HO PEACE IH OUR TIME CD
IH THE HOUSE OF BOO
Enchanced CD
THE DAMNED
"DISCO MAN"/ "PRETTY
VACANT" 7"
PIGMENT VEHICLE MURDERS QHLYFOREPLAY
WHEN YOU'RE HOT FOR REVENGE CD
DOG EAT DOGMA OOGZILLA Enhanced CO
REAL MCKENZJES clash of the tartans cd
SHAM 09, JOHNNY HANSON PRESENTS
PUCK ROCK VOL. 2, the rest of THE
DAMNED TRIPLE LIVE SET (CD/10")
SUDDEN DEATH RECORDS
MOSCROP P.O. #43001. BURNABY, BC CANADA VSG 3H0
MRR N ? i72 - "This Smokes. Rough
pop punk with emo tendencies. Along the
ways of early lawbreaker and Dag Nasty."
Top io in MRR. Summer Tour and CD OUT NOW!
Punk Rag N ? 8 - "How can you describe
something so pure and wonderful? This is
easily the best punk album to come out of
Colorado!" Summer Tour and CDEP OUT NOW!
Also Available From Soda Jerk Records:
Messy Hairs/Ginders Split, 7
V/A - (37 Bands!) Punker Than Your Mother, CD
The Thumbs Sweet Merciful Crap It's..., 7"
Five By Nine S/T, 7"
Nobodys/Pinhead Circus 7/10 Split, 7"
Bleed Hot Rod Racer, 7"
7" - S 3 /$5 - U.S./World
CDEP-$8/$io-U.S./World
CD- $io/$i2-U.S. /World
PO Box 4056
Boulder. CO 80306
www.soddierkrecords.com
Send stamp for catalog
<DDh't
Never say died!
he said
Bobby Steele ex.
tarns******
en***
is back
'Out
The Ondead "til death"
Realease date June l Bi
Also available
Bobby's project band with
Dave Ari from the Devil Dogs
Underworld Records
Price
IP - CD
Can
10$ -12$
ISA
10$ -12$
World
12$ -14$
10738 Millen, Montreal, Qc, Canada H2C
(514) 383-2280, Fax (514) 383-4617
Send S.A.S.E. for free shit and catalog, Distributors: call now for pre-order
CD only
10$ppdUS&Can.
12$ world, on order
post marked
before June l3t
THE DKBD
ftAUOm'kl
Collection CD
Ail their vinyl releases on one
handy CD. 31 songs!
$8.00 ppd
nothing
cool
"What A Wonderful World" CD
8 brand new songs. Their best
ever! It's cheap!
$6.75 ppd
The "I'm A Idiot" contest is still in full swing, so keep sending us stupid crap.
Send a stamp for a full catalog, or a buck for a sampler cassette, sticker and
catalog. Prices are post paid in North America. Elsewhere, send more dough.
The Grease Co nip has been delayed. Don't order yet!
Make checks and money orders to
DUMMYUP PO Box 642634 San Francisco, CA 94164-2634
www. chickenisgoodfood. com
OVERSEAS $11 PPD OVERSEAS $14PPO
UNION CARBIDE PRODUCTIONS - THE GOLDEN AGE OF
U C P Legendary Carbide recordings mixed with a few hard-to-get
gems. Incl. a couple of trax from their Steve Albini recordings. CD-JI 2
THE ODD NUMBERS - A GUIDE TO MODERN LIVING (LTD
ED PICTURE-DISC) The European pfcturedisc-version of this sure-to-
be-classic is limited to 500 copies!" PIC-LP-$I0
ODD NUMBERS-MOVE ON UP/I AM ONE
Ltd 7" /or the Dolores Singles Club made in 500 copies. Covers of Curtis
Mayfield and The Who. 7"-$4-
STARMARKET ■ SUNDAYS WORST ENEMY
Starmaltet returns with a brand new record filled with powerful pop-
tunas. Supported Texas Is The Reason on their European tour. Pic-disc
is limited to 500 copies! CD/MC-LP-$I27$I0
STARMARKET-UNSAU) Superhit from the latest album with three
unrdeased democracies. CDS-S7
STARMARKET- T-shirt "Sundays, ."-cover on white TS-SI2
RANDY-THE REST IS SILENCE Ultra-fast and socially aware
punk. Rave reviews in MRU, among others. CD/IP-$I2/$I»
RANDY- Tour T-thirt "The Rest..."-cover on white TS-S9
MONSTER-DEBBIE Soul/SKA-influenced 77-punk. 7"-S4
BRICK-SUOMI Chicagasomding HC-mayhem. Look out for their
upcoming album produced by Shellac's lob Weston! CO-SI 2
M LMKIHfl Mflt MCHM fSrf HC)
FRODUS - 22D-I0
Spazx-core from DC-trio feat, lattery-member. CD-SI2
OUTSTAND - WHITE CANE Beautiful debut i-oang med with
. tmotiolal, energetic post-HC. HCD.$»
NINE - TO THE BOTTOM Angry HC with enwtyrlcs. MCD-$f
N L B- Label-Hood Label-logo on blue hood H0OD-S4S (We ah*
carry tees for the NU-bands like Ultimate Concern, Nine, Outstand.)
Ken Rock (Garage Punk V Roll)
CRY - WRONG ATTITUDE Longrunning Swedish garage-punkers
: with a 7" for Ken Rock. 7"-$S
IDYLS - DOWN WITH IDYLS Fundamentalist garage feat, a
j member with a Phd in Garage-Rock (No joke!!). 7"-S5
X-RAYS • GROWN UP DRUNK English punkers release a 7" for
Ken Rock. 7"-S5 '*
b«H3BlffiMRM(M dL.hpl)
THE SOUNDTRACK OF OUR LIVES - WELCOME TO THE
INFANT FREEBASE The amazing debutalbum from this band
featuring the ceremembers of Union Carbide. This special vinyl
edition is limited to 1000 2-LP-SI3
V'A - THE ROOTS OF SWEDISH POP VOL I -MOD
, Y EARS A compilation of early, Swedish Mod-pop from the 70's to
'8<'.s. GREAT stuff! CD-SI2
m - THE ROOTS OF SWEDISH POP VOL 2-GARAGE
YEARS Fantastic Swedish garage for those who aren't lucky
enough to have all those obscure vinyls. CD-SI 2
SUPER EIGHT GROUP - LADY OF THE SUN
A perfect blend of 65/66 modfpsychadelia. CDEP-S9
GWi;N STACYS- l,2,3,GO!
Reincarnation of The Jam,- but this group hail from Sederkbping in
Sweden. An instant hit! CDEP-S7
ROADRUNNERS - S/T
Garagepunk/R A B with a singer who sounds like an angry, young
Van Morrison. CDEP-J7
UPPERS- Label T-shirt Target-logo on white! TS-JI2
ALL PRICES EXCLUDES POSTAGE I PACKING !!!
Weights Classified: Ep/7" = 60 g I2"/Lp = 200 g CD = I IS g
Airmail prices: 250 g = S6, 500 g = $12,1000 g = $25,
2000 g = $35
(Ex. 3xLp, 5 Cd * 3 Ep = 1355 g = rate $35 , gat it !)
Send cash only in rey. Envelope, no checks!!
Dolores Records AB
Box 129
401 22 Gothenburg
SWEDEN
Fax:+4631-150424
E-MAIL: dolores@algonet.se
Labels/Bands get in contact-we will carry your stuff!!!
Stores/Distr fax +4631-150424 for our latest wholesale list!
Please, list alternative, it really speeds things up!
*
Do you
ever get the
feeling
you've been
iwindledl
A blast from the past, MP-03
BORIS THE SPRINKLER
"Drugs and Masturbation"
Now back in p*in*I
* New photograph on the front of the
sleeve, with Rev. Norb and the
doofs looking particularly svelte.
* New text on the back of the sleeve
explaining what the hell is going
on with this strange project.
* New inside design guaranteed to be
100% free of pix of Ben Weasel
having a bad hair life.
* Most recent MP-03 vinyl was blue
for boys, so this one is pink for
girls. Pressing of 1 175 copies.
* Contest inside that will thrill old
school BORIS-collectors. Win an
ugly and rare QUENCHER split!
* The A side is different. No it's not.
Rather, the B side is different. No,
it's not either. Wait, they're both
different. Oh, no, they're both the
same as they ever were. ( ?!?!7)
* It fucking rocks, dooooooode!
THREE BVCKS!
PLUS ONE DOLLAR POSTAGE
OUTSIDE NORTH AMERICA: $2 POSTAGE
MUTANT POP RECORDS
5010 NUU SHASTA * CORUALLIS, OR 97330
MUTANT POP MAILORDER CATALOG
Hundreds of ki I let pop -punk EPs and CDs at
great prices! Tha catalog is has, plaasa write/
ttoo neto punk rock 7"& for pour enjoyment!!!
w.»sx. ."..usjasftm
Murder City Wrecks 'S/T' 45
From Detroit The Murder City
Wrecks play a style of mid
tempo snotty ,70's style of
punklOnce you have heard
this dont forget to check out
their new cd on G.M.M .
records!
The Doublecross
'What you dont know.J"
New Jersey is full of rad punk
bands and The Doublecross
are no exception to this!7
songs of fast political style
punk are delivered to you on
this 7".
Underground Invasion #1
37 songs and bands on this
cd.100% real punkland
only $5.00 ppd anywhere!
7"sare
$3.00 ppd in the U.S.A.
$5.00 ppd everywhere else
Underground Invasion #1
is $5.00 ppd everywhere!
send $2.00 for record
catalog and sticker.
Send $15.00 for record
catalog,sticker,patch,pin
and t-shirt!
catalog containes 100'sof
records by Beer City and
other labels!
Beer City .
POB 26035
Milwaukee, Wi 53226-
0035 U.S.A.
We accept credit cards..
phone 1-414-257-1511
fax 1-414-257-1517
web sitew...
http:3J' www -' :, eercity.com
email
records@beercity.com
Back again, this time even harder and meaner!
This one has five songs of angry as hell punk H CAN/EUR $5
and OI! These guys don't let up! | JAP/OZ $6 |
PRICES- INCLUDES POSTAGE 1
I US sent 1st class
loutside sent Airmail
HEADACHE RECORDS
PO BOX 204
MIDLAND PARK NJ 07432
U.S.A.
\MAxjMtffiRi
Attention Classifieds Readers: When responding to tlic.se .ids ivi
Utopia where eve ryone is looking nut for everyone el.si ,ind we ie ,
you send money to. There are people out there in punkland w ho v
tell you how seared 1 feel when I see an ad that begins Hi uvn o
enilx i thai the wot Id i.i Mill; leaders is not .1 |uink r<v k
1 "i>| He earelill \\ li.it von lell licoole and In e.jielnl ■.■ 1 , ,
500 RAW CDS FOR $675! liardknocks
Manufacturing does it all from raw CDs
to complete packages, cheek out our 1000
CD Package for $1399 Includes graphic
design. Film. 1 page eoloi inserl 1 color
label. graphic insertion. |ewel box. shrink
wrapping. If you demand excellent qual-
ity, last turnaround and up front pric- FOR SALE/TRADE: raie pin k
ing. call us at 'iin;s) 242-7359 for all your inci main liioudMains/KBl) !\pi
duplication needs Send SI toi lis' •■. Mike 1 ■■ ,11 l.o
Telok Kui'a . S nitapore 1 l.'iiitiO 01
thw@oari !':i net sl!
FREE PUNK RARITIES on vinyl list. US
and European bands from the late 70s to
early 80s. Write for list: Jeff Gebenini, Cu-
racao str. 9 (2 Hoog), 1058 BJ Amsterdam,
Holland. Send priced punk wants lists! I'll
try to find it.
SWEDISH ROCK IMPORTS
ti'i'i ' i ten lei , IV t 1 ishr-iu
is/KHl) 'mm .tern
[ALANS: PUNK ROCK/HARDCORE
Ishop and mailorder, established 1981. We
Icarry old and new records, CDs, t-shirts,
Izines and other stuff. Lots of second hand
lUK & US punk at good prices. Skate shop
Itoo! Web site: www.alans.co.uk. Email:
lmrr@alans.co.uk. Alans, 53 Mesnes St.,
iWigan, WN1 1QX, England. For cata-
logue send SASE (UK) or IRC (overseas.)
YOUR BANDS RECORDING for cheap.
Any format (tape, vinyl, cd) made into a cd-
r reference cd in red book format. First disc
is $25 and each disc after that is $8.00. For
details and information write to 605 S. Lin-
wood, Visalia, CA 93277 or email
Fusz002@aol.com
I'm Mret i = la / New York. Y
ISA Send - A S.K for list ,v
s ol wotks
GIANT MAILORDER. 1000+ items
available. Punk, hardcore, alternative...
etc. Send $2 for a catalog. Outside Eu-
rope $3. Or visit the website: http://
www.inet-images.com/marginal/. Mar-
ginal Mail, Postbus 3051, 4700
GB Roosendaal, The Netherlands. E-
mail: marginal@concepts.nl
Rlv VIDEOS:
le In! !i i\\ !!.'.■ \ ul
FOR TRADE... STALIN/TIIRASII LP. RARE BRITISH PI NK/OII/IIC Set s,e . i,,
Dissaray / Flexi, Bastards / 7" flexi 1800+ itenu Ah1.t-.1ve Wheels Zounds m:ihsIl".u Kevin I'
Ahuiadako / Flexi v/a City Rocker LP, Want-list scrviie I'i.ms, send 1KC !oi rata- tie \VA !)K14.i Ava
v/a Eye of Thrash LP. Gauze.Gism, /nun. log: Khsta I.>7 Common Rise Ihtt hn Herts I.iti Bov Sets Fin
Cobra Systematic Death. Gai, Confuse, SG4 0HS. England IVl/fax. |i>14ti2l43tii!',<i scetidenis. Get I hi K
Kuro, Lip ('ream Anarchy, Friction, ^mammmmmmmmm m^m ^^m^bhi^m^^ '''•■ i/; Propaiumdia
Comes, Crow etc... Please send me youi I EfflB I Pa kic Tn.j \
trade/sale/want list. Write to Yosliiaki I WAlB
Nagano / 3-29-5-103 Daita. Setagava-
ku / Tokyo 155, Japan
[TRASH AMERICAN STYLE- the only
Istore that has supported hardcore/punk/
Inoise from old school to new school.
iBands/labels/zines get in touch so we can
Isell your stuff. 12 Mill Plain Rd., Dan-
Ibury, CT 06811. 203-792-1630.
OI! AIN'T DEAD! The Oppressed, Combat
84, Red Alert, Cocksparrer, The Business,
4-Skins, Major Accident and many nother
punk/Oi! releases stocked. All originals —
no re-presses— at fair prices. So get a life
and send an IRC or $1 to Yokel Records, 53
Louise Road, Dorchester, Dorset, DTI 2 LU,
UK for a full list.
COLLECTORS OF PUNK Garage-
Wave-Edge store open 6546 Hollywood
Blvd #218, Hollywood, CA 90028. Open
7 days 12:00 - 8:00. Call or send wants
for mailorder. For list send $2. Buy,
sell, trade. 213-467-6990 Fax: 213-
871-8637 http://gemm.com/ s.cgi/stu-
pidrec
EUROGRESSION (reed l>v Steve Al
SALE TRADE: Icons ol Eilth Varukers 4-
Skins. Ccicksparrci Disorder. Combat 84.
Conflict, plus lnails more. Anarcho-Oi! EUROGRESSION (reed by Steve Albi-
WANTED: BATTALION OF SAINTS we've got the lot No Future, Crass, Riot ni). F-13- (trashy, blusey. garage punk ala
video and bootleg sound recording from City, Syndicate, Mortarhate, etc. releases Misfits!, Blastoi'd: (psychobillysurf rock),
1984-1986 A lot of great shows were re- stocked. For a full list send an [RCorSl to 7" split single w/Eurogressidn & Winter
corded, including the Olympic w/ Bio- Yokel Records, 53 Louise Road, Dorches- Death Club. HCPunks (w/Cletus) the
ken Bones & Kraut So give me a break ter. Dorset DTI 2LU. UK Cil>s. Desaru. Tasos and more SASE for
corded, including the Olympic w/ Bro-
ken Bones & Kraut So give me a break
andeallJoev Maya @ 800-741-1103.
IGET "HEPPED UP On Goofballs"! The
[Piss Shivers CD that's flying off the
Ishelves. D.I.Y. punk rock grandeur for a
Imere $3.00 (postage paid). Payable to
ICedric Crouch, 46 Oberholtzer Rd., Bech-
Itelsville, PA 19505. Distros/traders get in
•touch.
0'S PUNK T-SHIRTS, stickers, and
records for sale! N.Y. Dolls, Ramones,
Benx. 999, The clash, and more! Plus
Bondage Babes t-shirts! Any size, any
colors! Send info: Kate. P.O.' Box 4054,
Carlsbad, CA 92018-4054. Send detailed
wants. Wholesale orders welcome.
IPAURA'S 2ND RELEASE is out! 'Reflex
I of Difference' 9 track CD. Brazilian hard-
Icore combining some old school & new
[school in-fluences in a very personal and
I current vein. Personal & social themes
lalmost always with a positive approach.
lUS $12 (ppd / air - world). Distros... get
lin touch! ! ! Conspiracy Chain c/o Marcio
ICotineli - Cx. Postal 87 - S. Paulo/SP -
101059-970- Brazil, email: paura®
lhipernet.com.br
PUNK RECORD COLLECTION set sale:
2000+ items, '77 - '85, worldwide rare 7"s /
Lps, Killed by Death, Back to Front, Blood-
stains across -stuff, hardcore, anarcho, Oi,
skinheads... Amebix, 4skins, Onion Dolls,
Big Boys, Sema 4, Mets, Mecano ltd., Re-
venge 88, Fast Cars, Directions, Hubble
Bubble, ... Send 2 IRCs Or $2 for list to: N.
Verbanck, B.P. 13, 66320 Marquixanes,
France.
FALSELY INCARCERATED Italian anar-
chist looking for people who would record
their record collections of early and late 80's
he, punk and oi, have $ or trade. Pen pals
welcomed too. Send list, stories photos,
bullshit, conspiracies, fantasies, etc. Also
looking for Ialiano pennaAmic masehio/
femminile. Send fotos di eomplesso, sitta,
popolo, penetrante, tatuaggio and anything^
Information per viaggi, scrivere inglese to:
Pellegrino Severino #270074, 4293 Rt. 47
Box f-1, Leesburg, New Jersey 08327.
NONE OF THE ABOVE records. Punk /
Hardcore / Metal / Wrestling Merchandise
all at one website. Fast service, good pric-
es. www.notarecords.com.
Death Club. HCPunks (w/Cletus) the
Cigs, Desaru. Tasos and more. SASE for
catalog All cd's $!0ppd/$4 7 "s. Street
Records, PO Box 1356 Folly Beach, SC
29439 (843)588-4024/6030 fax Disl by
Southern and Avant Garde.
SALE: DONNS - DOUBLE AGENT 7",
Dagen Ungdom, Hard-Ons - all 7 "s, Bad
Brains - Pay to Cum 7", New Bondage -
Backseat 7", Jumpers - You'll know bet-
ter 7", Red Scare - LP, Crewd - LP, Step-
mothers - You were never LP, No Expe-
rience Necessary - comp, Candy Apple -
7", Plastic Idols - Einstein, Decadents -
LP, Pointed Sticks - Out of luck 7". TK,
411 Chestnut Ave., Gaithersburg, MD
20877
POPPIE BRAIN RECORDS poop
comp". Tape - lo bands 30 songs.
Featuring: Piss Shivers, Assmen, Useless
Fucks, Roswells, Decepticons, Gimps,
Judgment Disorderly, Chapter Nine. The
Gunga Dins, Positively Negative, Kids
Inc., Suburban Legends, Ricardo Mon-
talban's Triumphant Return, Next To
None, The Illiterates. $3ppd US.
Amazing! Cash or checks payable to
Jesse Fisher. Poopie Brain Records, 754
Lancaster Ln, Geneva IL 60134
I ! ANC.ING LIKE A HEX # 1 out now! 64
pgs. with comics, debates, columns, Bru-
tal Truth. Tortoise, Braid, Overcast, 78
Days, No Reason. Order Of Deceit, Mike
Ailred, reviews, more, $2. #9 (Botch. Dis-
solve, Lockjaw. Geof Darrow, Another
Victim, Frodus, 56 pgs), #8 (Brothers -
Keeper, Unsane, Harvest, TITD, more, 4!! NEED ACCUSED - The Return of Martha
pi;s.) still available for SI each. 201 Maple Splatterhead CD, Business - 79-89 LP.
TAPE TRADERS WANTED! I'm looking
for dubs of grind/scumcore, noize, crust,
black metal, acidrock, psychedlia, gothick
musick or anything else cool. Email me and
I'll send you my list, sasanborn®
micron.com
N. Syracuse, NY 13212
ALL FIVE DIFFERENT killer issues $6.
USA-Can/$8. Mex.-S.Amer/$10. Else-
where. #12133 Clown Alley (Current) #11
Psycho ($5/$7/$9) #7 Hates #5 Fatal Error
($2/$3/$5) #4 Soldier Dolls ($l/$2/$3)
US Postal money order or ire's (payable
to:) Craig Hill, POB 987, San Carlos, CA
94070. No cash or c hecks!
OBSCURE PUNK 7 s tor sale (killed by
death. Sack to front, bloodstains across-
■'uff.. I also loads of oi, anarcho. hardcore.
77-84 *fr\{\ 2 ire's/2 us S for lisl with
+ 200D items to: N. Verbanck. BP 1 3. 66320
Marquixanes, France
lERRRRR!!! (SOUNDS OF TH) Splurge
iComp. w/ Ahtio Ethik, No-fi, Sprawl +
lAnus Grin. 60+ min. cassette w/ stickers
land booklets $2 ppd. from: Anti-Every-
Ithing, 22 S. Mallory St. Apt. #1, Hamp-
Iton, VA 23663. Bands! Send tapes for up-
Icoming cass. + vinyl projects. (We love
Inoise!) Send SASE/stamp(s) for real junk
Imail. Soon: Netenyahoo + Hello Kitty
ISkulls.
BANDS ! "I GOT SOLD OUT', Chum
bawamba "Tribute" compilation needs
your contributions. Pay respects to their
anarchist old or show disdain for their
MTV new! Any quality/format tape ac-
cepted. October 1 deadline. Thumpy
Records/John 2083 Galena Aurora, CO
80010.
I ATTENTION BANDS!! Sick and tired of
Ishitty LA shows? Look no further! LA's
lonly true all-ages venue is open! Bollocks
Ihas hosted the Business, Shap-Her, Stitch-
les, US Bombs, Criminals and more! Show
l& booking info @ 562-988-0622. Shows
lhappen Fri-Sun.
GG ALLIN 1956-1993. "Trouble Trouba-
dor" EP now on CD. Bonus tracks - in-
cludes: live, studio, spoken word & phone
conversations. $10.00 Mountain Records,
P.O. Box 1253, Easton, PA 18044
|7"s - 3 FOR $7 or 2 for $5 ppd. Jumpin'
ILand Mines "kurt on call/H-4 Deadly
iGames" 7" on red vinyl $3 ppd. INNE-
IBRASKA 10 song tape comp $3 ppd. Send
Istamp for a list, or send check or cash to
iBrian Tontegode / 4007 Lindsey Circle /
ILincoln, NE 68524-1030
SAN FRANCISCO'S The Loudmouths are
looking for a second guitarist who isn't a
wanker. Ya gotta have balls (ie: boys only
please, we got enough pussy in the band
already), be able to to practice a couple
times a week, and like to drink and have
fun. Don't call us unless you've heard us.
We're looking for another Loudmouth, not
just a guitar player. Beth 415-673-1291
Write: Dirk Stephan, Am Dreierfeld 46.
33719 Bielefeld. Germany
7" SALE: punk/hardcore. British punk.
Power violence. Crust. SubPop. AmRep. Al-
ternative. Promotional. Rare Compilations.
Box sets. Send SASE for list. Glenn. 1415
North 14th St. Boise, ID 83702 (email)
bunny@micron.net
I'UNK/SKA/HARDCORE en espaiiol.
Many countries including Spain and Bra-
zil Coche Bomba "La Polla", DeL'con Dos
"Skap", Anarchus 'AK 47". Sekta Core
Condenados A l.uchar", Forca Macabra
Ska Que Ska", "Punk Que Punk'.'" and too
many more. T-shirts, videos, stickers,
patches, new material every month. Send
$3 for 60 minute sample tape and list to:
LDE, 676 W 20th. San Pedro. CA 90731
VIDEOS - PAL (UK, etc.) & NTSC (USA,
etc.). Trade/sale. Thousands of shows/pro-
mos/tv clips. Stuff like Propagandhi, Busi-
ness, Screeching Weasel, Zounds, Exploit-
ed, Poison Idea, DK's, Blitz, Queers, Con-
flict, Rancid, GG, Dickies, Descendents,
Operation Ivy, Disorder, Rut£, Misfits, Sub-
humans, Snuff, Gin Goblins, SAE(UK), 2
IRC's (overseas) or decent trade list: Dave,
50a Great King St., Edinburgh, Scotland.
E-mail: gingoblin@easynet.co.uk
ATTENTION BANDS: New label (Offbe-
atrecords) needs bands for upcoming full-
length releases, split 7", and compilations.
Send demos to Offbeatrecords, ss-1, site-3,
comp-2, Trail, BC, Canada, V1R 2Y8. (Will
respond to every demo)
SAN FRANCISCO'S The Loudmouths are
looking for a second guitarist who isn't a
wanker. Ya gotta have balls (ie: boys only
please, we got enough pussy in the band al-
ready), be able to to practice a couple times
a week, and like to drink and have fun.
Don't call us unless you've heard us. We're
looking for another Loudmouth, not just a
guitar player. Beth 415-673-1291
RECORD SALE! Loads of late 70's/early
80's punk & Oi! from the US, UK & Eu-
rope. No Future, Secret, Riot City, R.O.R.
etc. I just may have that classic you've been
searching for, so please write for list. PH.
PO Box 6064, Evanston, IL 60204
OFFDAY: Abducted By Crustaceans, the
first full length album by these boys. "The
best of it's kind known to man" only $8ppd.
Crusty Records. Hidden cash only. PO 59-
1895 Commercial Dr., Vancouver BC V5N
4A6
CRUSTY RECORDS now accepting demo's
for compilation project. Punk, ska, heavy
metal, surf, noize. For info send recordings
to: PO Box 59, 1895 Commercial Dr. Van-
couver BC V5N 4A6
NEW ZEALAND PUNK records for
sale. Dum Dura Boys. Spelling Mis-
takes, Suburban Reptiles, Toy Love.
AK79 and Rip Shit Or Bust! Compila-
tions plus early Flying Nun and other
NZ punk/alternative records. Most in
mint condition. Send your offers, en-
quiries or NZ want lists to: G. Bastard,
PO Box 68343 Newton, Auckland 1032,
New Zealand.
CRASS RECORDS WANTED especially
7" flexidiscs, first pressings and print-
ed matter. Also any records by Conflict,
Flux Of Pink Indians, KUKL, Mob, Poi-
sion Girls, Rudimentary Peni. Mint
condition only. G. Bastard, PO Box
68343 Newton, Auckland 1032, New
Zealand.
RARE & OUT OF PRINT straightedge
records for sale: Wide Awake/Side bv
Side/YOT/NFAA/Brotherhood/Even
Score/Resolution, etc. Most 7"s are $15.
Send a long SASE for complete list to:
Racquel K. Reyes, 2883 Eisenhower Dr,
Des Plaines, IL ,60018.
JODIE FOSTER'S ARMY New CD avail-
able soon! Skate rock zines and bands I
should get in touch. JFA skateboards,!
stickers & buttons available now. $1 fori
sticker/info: Hurricane Records, 1573 N. I
Milwaukee Ave., P.O. Box 422, Chicago,
IL 60622
FEAR OF GOD discography and live/ re-
hearsals/unreleased... Confuse: Live plus
4 more rare jap thrash... tapes with cov-
ers are $3 U.S. / $5 world post-paid...
Well-hidden cash onlv! Sean Hogan /
15289 Youngwood Dr. / Whittier, CA
90605... I need Swankys demo CD/LP!
Erich Keller!: Get in touch! Joe Malaria!:
Fuck a Turkey!
COLLECTIBLE PUNK RECORDS for
trade or sale: Beastie Boys / Eat / Rotters
/ Lewd / Social Unrest / Braineater / SOA
(green) / Subhumans / Urinals / Anti-Ci-
max / Young & Useless / DOA //// 1 want:
Detention / Necros - Sex Drive / Fix -
Vengeance / Hollywood Squares /// PH#
(425) 774-6229 / Jason: P.O. Box 2223 /
Lynwood, WA 98036 USA / Email:
JXMBWF@aol.com see web page: http://
members@aol.com/ JXMBWF/TRADE.
html
MEGA-RARE KILLED BY DEATH punk
and hardcore set sale. Hundreds of rare
original 7"s and LPs: the Eat, the Freeze,
Genral Foodz, Germs, Lewd, Mad, Really
Red, Shirkers, SSD, etc. New stuff every
month. Send SASE (long envelope) for list
to: MikeB. / 159 Emerald Street /Maiden
MA 02148. Please send your top wants
list!
206 RECORDS puts out quality melodic
punk, skate rock and ska/punk music.
Send 2 $.32 stamps for a magazine and
catalog. We have great CDs from Veteran
Flashbax, Stinkaholic, Belvedere Ferd
Mert, and Manner Farm. Unpunk Sam-
pler CD only $5. 206 Records: 8314 Green-
wood Ave. North / Suite 102 / Seattle, WA
98103. www.206records.com
\MAXIMUMROCKNROi
TRADE/AUCTION: Septic Death -
Gore Story LP (Colored Vinyl), Gas-
tunk - Under the Sun LP, Symbol Six
- Ego 12" (Sealed), Cavity - Crawling
/ Perseverance 7" (Acetate sleeve, me-
tallic red printing, 50 made), Insane -
Politics 7", Hard Stance - Face Reali-
ty 7" (Workshed). Wants: Gism - De-
testation LP, Execute, Pinch and Ouch
v/a, Mixed Nuts v/a. Crippled Youth
7", Circle One LP (Upstart). Trade or
Money Offers to: Bill Skoulas / Poste
Restante / Eolou 100 / 10200 Athens /
VIDEOS FOR TRADE only: Misfits, Mi-
Inor Threat, Devo, Karen Black, Demoli-
Ition Doll Rods, Snap-Her, Ramones, GG
lAUin, ANTiSEEN, U.S. Bombs & many
■more, your list gets mine! ! ! Tim Graham
1/ 142 Poland Avenue / Struthers, OH
144471-0268
VIDEOS: over 1000 shows. All, Adoles-
cents. Adicts, Bad Brains. Bikini Kill.
Black Flag, Burn, N. Cave. Chaos UK,
Circle Jerks, Cows, Cro-Mags, Damned,
Dayglos. Descendants, Dickies, En-
tombed, Exploited, Eye Hate God, Flip-
per, Fugazi, GBH, SJ Hawkins, Hole,
Jawbox, KMFDM, Hyenas, Leeway.
Lyres, Madball, Marilyn Manson, Meat-
men, Mighty Bosstones, and many, many
more. $1 for 40 page list. Write Merle Al-
lin / 214 E. 24th St. #5b / NY, NY 10010.
Call (212) 889-8334. Quickest service
anywhere.
VIDEOS: over 1000 shows. Murder Junk-
ies, Dwarves, Fear, Antiseen, Screeching
Weasel, Queers, Rancid, Oplvy, Germs,
Pennywise, Trashwomen, Bad Religion
96, Conflict, Monster Magnet, NoFX,
Beasties, Mummies, Misfits, Lunachicks,
Insaints, Pistols, Buttholes, Primus, Dead
Boys, KDs, Ramones 96, Rollins, Circle
Jerks, Dickies, Social D., Exploited, 7
Year Bitch, and many, many more. Write
Merle Allin / 214 E. 24th St. #5b / NY,
NY 10010. Call (212) 889-8334. $1 for 40
pg catalog.
VIDEOS: over 1000 shows. GG, Anal
Cunt, Angry Samoans, Nashville Pussy,
Neurosis, Hole, Muffs, Rev. Horton Heat,
Junior Brown, Deicide, Sabbath, Pantera,
Type O, Sublime, Samhain, Toy Dolls,
Cramps, Clash, Dead Boys, J. Thunders,
punk movies & comps & many more.
Quick reliable service. Write Merle Allin
/ 214 E. 24th St. #5b/ NY, NY 10010. Call
(212)889-8334. $1 for list.
ITHE ANARCHIST ARMY and Sons of
Ithe gestapo got us equipment money
lean you help too? Geeking Dream by
Ithe Pimps includes "K-9 Christ", "My
|Dad Smokes Crack". Tape $4 send to:
ICNF, PO Box 9152, Virginia Beach, VA
23450
STREETPUNK/77 PUNK BANDS!!!
Want to be on my comp? Send me
your demos! I'm putting out a CD/LP
with a ton of bands and a couple of 7
inches too. Send to: Wicksworld,
PO Box 420834, San Francisco, CA
94142
MIGHTY SPHINCTER- videos wanted and
vinyl releases. Also Jesus Lizard video. John
PO Box 1501 Sarasota FL 34230
Johnearly@hotmail.com
PATCHES: Rudimentary Peni; G.B.H. -
Charged logo or Explosion logo; Violent
Society; Dead Kennedys - round logo. Par-
tisans; Vice Squad; Born Against: Subhu-
mans-Time Flies, Rats or Demolition Wars:
Discharge-spike jacket 7" cover; Amis-
chism. Fifty cents each plus one stamp per
patch ordered: Jade, 127 W. 15th St.. Apt.
4F. New York. NY 10011
GG ALLIN: Largest catalog in the world.
Get the real deal. Don't settle for shit
quality and long waiting. Included are
videos from 1981-1993, best copies any-
where and many masters. GG CDs, cas-
settes, rare singles, GG Doll, headstone
poster, many different t-shirts, prints
from original artwork and new Murder
Junkies releases and more. Fastest service
for years. Call if you have any questions.
Write Merle Allin / 214 E. 24th St. #5b /
NY, NY 10010. Call (212) 889-8334. $1 for
large GG catalog.
REGULAR EUROPE/WANTED Souris
Degliguee: "Varsovienne", "Indochine",
"Paris 23/05/89", "International Club".
Camera Silens: "Trainant", "Hier",
Trotskids-all; Skinorps-all; Decibelios-all;
Warrior Kids "Adolescent"; Docteur De-
stroy "Sante!"; The Herberts "Genera-
tion"; The stab "s/t"; R.A.S. KP Sleeve;
Labels: Poison Noir, Rebelles Europeens,
Street r'n'r (Stuart); Demos/Live: Nabat,
Bloody fuckers. Cash/trade: Marc, 755
Avenue Dalquier, Sainte-Foy. (Quebec),
GIV 3H8, Canada. (418)' 653-7118.
mdionne@spirit.ca
PUNK RECORD SALE Selling my whole
collection. Old, Rare, Recent Punk, Hard-
core, Metal, Oi, Ska & Industrial 12 "s, 10"s,
7"s & CD's. P.O. Box 422965, San Fran-
cisco, CA 94142-2965 U.S.A. Must send
SASE.
PUT YOUR AUDIO on CD. Up to 74 mins.
straight from your vinyl, cassette. DAT, cd.
VHS and most audio formats. S20 ppd in
US$to "Fandango." To have original items
returned, include $1 per item. Allow 2-4
weeks for processing. Fandango, POBox
80311, Charleston SC 294 1(5. (843)797-8723.
RARE/ORIGINALS AVAILABLE: Lewd
"Kill Yourself", DOA "Disco Sucks"
(Wastelanders), Genetic Control, Stru-
geons, Hot Nasties, Tolbiac's Toads
"Zera", Various "Bud Luxford Vol. 1",
Combat 84 "Send In",; Wanted: Detention
EP, Souris Deglinguee "Haine" EP
(WP200), R.A.S. "1984" LP, Skrewdriver
"All Screwed Up" LP (33 rpm Deutch
pressing), Plastic Surgery "Rivolta", Snix
"Coeur..."MLP, Bunker 84 "Combat" LP.
Marc, 755 Avenue Dalquier, Sainte-
Foy,(Quebec), GIV 3H8, Canada (418)653-
7118. mdionne@spirit.ca
SELLING AT DECENT PRICES punk/
Il/C/ LP'S/EP'S collectors from UK 77
to mid 80's. Also Wave/Industrial/Goth-
ic. Send 2 IRC's or $2. Old Continent
Distro 31 Ave A Blanqui 09100 Villeur-
banne. France Attn: R. Blanc.
PUNK OI! PSYCHOBILLY mail order
catalog. Dropkick Murphys, Bruisers,
Anti Heros, Infa Riot, Cocksparrer, De-
mented Are Go, Meteors, Last Resort,
Blitz, Oxymoron, Hellbillys, Patriot,
Skint, Squiggy, Templars, UK Subs,
Gonads, & tons more. Visa/MC accept-
ed. Send $1.00 for catalog to Cyclone
Records / 24 Pheasant Run / Merrimack,
NH 03054 USA. Mail order Hot line: (603)
424-6620 Stores: We deal direct!
THE ANARCHIST ARMY and sons of
the gestapo gol us equipment money can
you help, too? GEEKING DREAM by the
Pimps includes. "K-9 Christ." My Dad
Smokes Crack." Tape S4 send to: CNF /
P ( ). Box 9152 Virginia Beach, VA 23450
BOVVER 96 ghetto oi 7" and Knuckle-
girls 7" $4.00 T-shirts $10.00 96 Bottles I
of Beer CD $10.00 (Add a buck R.O.W.)
P.O. Box 18014 /Philadelphia, PA 19147
RAPID FIRE MAGAZINE #17 contains:
Anti-Flag, Unseen. Suicide Machines.
Kawasaki KLR-250, CD/Zine/Motorcyle
and 92 Live Band Reviews. $2.00 pp. Full
Page Ads=S7.">. l/2Page=$50, Offset
Printing Services Available. Rapid Fire,
RD#1, Box 3370, Starksboro. VT. 05487-
9701. 802-453-4078 anytime! All Checks
to Paul Allison.
WANTED- INFAMOUS SCIENTISTS
"noise 'n' rhythm" 7"/ Nomeansno "live
in warsaw" cass., "leave the seaside" 7"
w/ fear and loathing fanzine #25/ Show-
biz Giants "benevolent horn" cass., "gold
love" cass./ v/a "over a century of vivi-
section" LP, "theft of paradise" cass.
Ryan Rodier 301-609 King St., Saska-
toon, Saskatchewan, S7K 0N4 Canada,
nixer® sk.sympatico.ca
$5.00 LP's BY: Thee Ileadeoats/The
Mummies/Supercharger/Swingin' Neck-
brakers/Untamed Youth/The Makers/
The Mono Men/Splash Four/garage punk
7"s are cheap too. I'm weeding out my
record collection. Hurry and send a long
SASE to: Racquel K. Reves/2883 Eisen-
hower Drive/Des Plaines, IL 60018.
RARE, OUT OF PRINT Screeching Wea- I
sel/Pink Lincolns/The Queers/Jawbreak- 1
er/Crimpshrine/Parasites/Beatnik Ter- 1
mitesNindictives 7"s, 7" comps, and LP's I
for sale. Most are $15-$20. Send a long|
SASE to: Racquel K. Reyes/2883 Eisen-
hower Drive/Des Plaines, IL 60018
MUSH ULAN AS/VOLATILES split 7 out
now! First new material in over 2 years!
$3.50 ppd. From Rocco, 3415 W. Drummond
PI. 1W, Chicago, IL 60647.
MEGA-RARE KILLED BY DEATH
PUNK & HARDCORE set sale list. Hun-
dreds of rare original 7"s and LPs featured
on the Killed By Death and Bloodstains
compilations as well as rare Misfits, early
Dischord, Touch & Go, X-Claim releases.
New stuff every month. Send stamps or
SASE for newest list to: Mike B, 159 Em-
erald Street, Maiden, MA 02148.
SPIKED LEATHER, bondage, s-m. Pyr-
amid belts, collars, wristbands, restraints,
spikes, studs. Anything you need, punk
as fuck handmade leather produels. Are
you sick of paying out the ass for cheaply
made corporate leather-ware? Guaran-
teed highest quality at low prices. Cus-
tom orders also accepted. Send stamp for
catalog to: B. Leather, 2072 Richfield Dr.,
Dayton, Ohio 45420 and on the web:
www.delrio.com/~nate/sl/main.html
|UK, EUROPE, JAP AN... Need places to
Istay and ideas of where to go. Also plac-
les to play as a band. Into old punk and
|60's garage. Kate, PO Box 4054, Carls-
Ibad, CA 92018-4054, USA.
BORED? Go out and get a cheap tape re-
corder and record yourself and your
friends making noises, screaming, bang-
ing on stuff / whatever, etc. Then mail it
to me along w/ some art and your address
(you'll be very surprised!) Existential
Boredom: 22 S'. Mallory St. #1, Hampton,
VA 23663.
VILE, BLASPHEMOUS VIDEOS uncut
and uncensored sleaze, horror, exploita-
tion, sexploitation, xxx/fetish, witch-
craft, cult, asian/foreign, gore, satanism
and other films of the bizarre. We spe-
cialize in rare and obscure VHS videos
that are unavailable from any other
source! For a detailed catalog/review
guide. Send $3 ($5 outside USA) along
with age statement (over 18) to: Witch-
ing Hour Video, P.O. Box 806 - Universi-
ty Station , Lexington, KY 40506-0025
USA
GOTHS: LONELY, SHY, depressed, ag-
oraphobic, boring, dull, day-dreamy and
lost goth guy, 23, seeks empathetic spir-
its in the bay area, for long correspon-
dence and eventual get togethers. Read-
ing, writing, hanging around with friends.
Totally non-pretentious. Down to earth.
Loves people. Looking for love. The Cure,
the Smiths, Depeche Mode, Sisters. Bry-
an Hayhoe, 1499 Sutter, SF, CA, 94109.
Robert!
YOU HAVE YOUR HOME town history
to where you reside now, your changed
and changing ideas, the events which led
you to the beliefs that you believe in to-
day, and so on and so forth. So what's
the story? Looking for global correspon-
dence. I'm 25 y/o US resident who's work-
ing in the field of graphic design. I like
photography, pop punk/HC/emo type
music, etc . So if you're interested in shar-
ing your thoughts and feelings on an end-
less number of subjects and topics along
with exchanging mixed tapes and such,
write to: Rob Zdenek, 1396 Peace Dr.,
Pasadena, MD 21122
LOOKING FOR halfway decent bond-
age pants (used/new) for cheap prices.
Please send description of some sort
(size, price, color...). Size's
needed: women's 13-??, men's 34-?? Write
me: Kristen Bihr, 110 Hope Lane, High-
land Heights, KY 41076-1502
FILMS WANTED from underground, in-
dependent, student and amateur filmmak-
ers. This is an open call for entries for a
new weekly film showcase. All subjects /
all genres considered. Send your film
(8mm, Super 8, 16mm, or VHS-NTSC),
along with a brief synopsis and a short bio
to: Matt Stafford / c/o SOHA / 988 Am-
sterdam Avenue / NYC, NY 10025 / U.S.A.
BUTTONS - Since 1992 - pressing buttons
for the DIY scene. 1" or 1 5/8". $25 per 100
Satisfied customers include MDC and many
others. NO sexist, racist, or homophobic
materials!! Turnaround time about 1 week
I pay shipping. Send SASE for into sheet,
paper samples, etc. Skull Face Designs /
P.O. Box 19167 / Cincinnati OH 45219 -or
- email skull-faff@iuno.com
MONEY FROM PARKING METERS
Wrap a pillow case around a hammer to
reduce noise. Standing on the sidewalk
swing the hammer against the top part of
the meter forcing it back towards the
street. When it opens remove the internal
mechanism and slip it into another bag.
Do the whole street. Have a lookout. Please
reprint in your zine.
SHORT QUIZ: Are you single, fun-loving,
funny, spontaneous, feminine, attractive,
intelligent, and a lover of life? Are you
beautiful both inside and out? If the an-
swer is yes, write to me. Male actor 28 / 5'
5" / 135 lbs, (into art / music / electron-
ics), seeking woman for friendship and
possible relationship. 18 or over only.
91224-0904
PUNK OI! HARDCORE PSYCHOBILLY
garage fanzines. Send us a sample of your
zine along with ad rates. Cyclone Records
/ 24 Pheasant Run / Merrimack, NH 03054
I WANNA BIG BIG haus in Seattle/Bal-
lard started up, a haunted house of rock
n' roll! Workin' punks n' skins interested
write me, I'll be off the boat in November.
Charles Bell, F/T Northern Hawk,
P.O. Box 690, Unalaska, AK 99685
Springfield miserys Shelia Tublame write
me, this Johnny Rebels now Johnny Reb-
ble, 11 yrs older n' uglier, oi!
ATTENTION!!! DRUMMER needed to
complete our line-up. Influences include:
Stiff Little Fingers, Cock Sparrer, The
Jam... Interested? Must have car, job,
equipment, and experience! No 40oz
drunks, racists, homophobes, or flag wav-
in' hecklers! Call: Those Unknown,
(732)969-3035 New Jersey
RIDE ON zine editors moving to the Bay
Area this August. Pretty original of us, huh?
Well, you didn't grow up in Abington.
We're real excited about coming, but we
need some contacts/friends. So write us if
you might like to show us the diners, drink-
ing spots, bike paths, etc. We don't want to
mooch, just have a friendly face to say hi to
when we arrive. So Bay Area folks, please
write us! Pete and Jim, PO Box 236, Ab-
ington, PA 19001 Rideonzine@hotmail.com
PUNK PORN. Punk & alternative fe-
males & couples needed for adult vid-
eos. Punk, hardcore, metal, and indus-
trial bands needed for soundtracks. Fe-
males $450, males $150 No single men.
Send SASE & 18 years old age statement.
Firestorm Productions / Po Box 422965
/ San Francisco, CA 94142-2695 / USA
T-SHIRTS AND PATCHES high quali-
ty and cheap for you or your band. Some
of the patches I have are: Aus Rotten,
Los Crudos, Filth, Choking Victim, and
many more. Over 150 designs. I can also
make shirts and patches for your band.
Wholesale prices available for shops and
distros. For a catalog send 1 stamp
to: F.T.B. Inc. c/o Cheez 1 1 9 Chesterfield
Rd. Pittsburgh, PA 15213 or call (412)
682-4120
BANAL PROBE MAGAZINE is accept-
ing submissions for the MENSTRUA-
TION ISSUE Please snd your
TRUE STORIES about "that time of the
month" -men or women... all are wel-
come. Deadline: October 1st. PO Box
4333/ Austin, TX 78765 or
oysterpubs@mindspring.com. Send $2 if
you'd like to see a sample issue.
DWELLING PORTABLY in comfort at |
low cost. "Many detailed tips on tent liv-
ing; woods living; urban living in car, |
van, or bus. Easy to understand; by read-
ers who're actually walking the walk" -
Zine World. "An amazing resource" -
Factsheet 5. "Very helpful and useful]
information" - Slug & Lettuce. $1. 6/$5.
POB 190-mrr, Philomath OR 97370
WANTED: WRESTLING MERCH -
punk oriented a bonus. Looking for vid-
eos, t-shirts, stickers, etc. Prefer pre-1985
but anything will do. Send me your list,
I promise to reply or just write me any-
ways. Also available: Shit'N Piss zine.
one dollar ppd. Wrestling masks- write
for details, da gobbla po box 1554 Saska-
toon, SK S7K 3R3 Canada
BRUISERS "Street Rock N Roll" T-
Shirt. Large & X-Large $12.00 USA/ $14
World. Bruisers embroidered patches
$5.00 USA / $7.00 World. Send $1.00 for
catalog / fanzine to: Cyclone Records /
24 Pheasant Run / Merrimack, NH 03054
USA
MAGNETS! 2 1/4" full-color magnets
with your photo or logo, $1.00 each. Send
materials to Fandango Badges, PO Box
80311, Charleston, SC 29416. Phone (843)
797-8723.
GOTHS: LONELY, SHY, depressed, ag-
oraphobic, boring, dull, day-dreamy and
lost goth guy, 23, seeks empathetic spir-
its in the bay area, for long correspon-
dence and eventual get togethers. Read-
ing, writing, hanging around with
friends. Totally non-pretentious. Down
to earth. Loves people. Looking for love.
The Cure, the Smiths, Depeche Mode,
Sisters. Bryan Hayhoe, 1499 Sutter, SF,
CA, 94109. Robert!
Send $2.00 for complete
catalog, sticker & record!
(yewrJ ck chat cWo»*<aT)
Available NOW!
Mark Bruback (Spoken Word) & Whorehouse of
Representatives split 7" 'Burn Down Nike Town'
$4 ppd USA/S6 ppd World
Distributed by Choke, Dr. Strange. K Records,
Rhetoric. Sound Idea. Subterranean. Tribal War or to
order direct call 206-343-3 1 52
Still looking for punk bands with female vox
for upcoming rape relief benefit comp.
Send cash or money
orders only to
Katrina (not Outcast)
OUTCAST RECORDS
2£0^ 2"T\ve. Ste 184
Seattle. WA n\2\-\2%\)%N^-'
X2SS
Sore Loser LP/CD
First full length from this
Houston based pop-punk trio.
After a 7", 2 splits, and some
compilation tracks, this is by
far their best work ever. 17
incredible songs in all. CD out
July 1S/LP out late August.
The Tie That Binds 7"
3 new songs from this Onefoot
label band. More of the same
great melodic hardcore similar
to Samiam and Jawbreaker.
3 songs.
■
§)fig)=
^D
KSfSfia
Millhouse/Oig Dug split 7"
Houston vs. San Antonio pop-
punk. Check out the new Dig
Dug 7" out on Rebound Records
soon. Look for a new Dig
Dug/Yellow #5 split CD and a
MilThouse CD out soon.
Jessica Six/Schrasj split 7"
Two songs each from these two
Houston based indie rock
bands. Jessica Six has a song
on "The First Crush" comp. and
the "There Is A Light"
comp.Schrasj has 4 other rele-
ses out as well.
7"-$3
LP-$7
I
CD-$9
All releases are postage paid in the U.S. Add a little
extra money to compensate for the extra postage for
countries other than the U.S. Cash, checks, and money
orders (made out to John Chris t offol, or you won't eat
your stuff!) Only sand U.S. funds; Sand a stamp for
a catalog of other stuff I distribute.
Distributed thru Rhetoric. Rebound, Choke, Lumberjack,
Subterr a nean, Mo Idas. Parasol, Rots, eto—
The
DRIPPING LIPS
mmmu
BRIAN JAMES
FEATURING
BRIAN JAMES
DAVE TREGUMA
(DAHNED / SHAH 69)
ON TOUR
Sept. /Oct:. 91
MINOTAURE MANAGEMENT :
(213) 663 6357 Ext.2
September : 2 Phoenix, Az - 3 San Diego, Ca - 4 Costa Mesa, Ca - 5 Las Vegas, Nv - 6
Hollywood, Ca - 8 San Jose, Ca - 9 San Francisco, Ca - 10 Areata, Ca - 11 Portland, Or
- 12 Seattle, Wa - 13 Vancouver, Be - 15 Calgary, Alb. - 16 Edmonton, Alb - 18 Regina,
Sks - 1 9 Winnipeg, Mb - 20 Minneapolis, Mn - 21 Green bay, Wi - 22 Madison/Milwaukee
Wi - 23 Chicago, III - 24 Detroit, Mi - 25 Toronto, Ont - 26 Montreal, Pq - 27 Boston, Ma
29 New York, Ny - 30 Philadelphia, Pa - October: I Washington D.C./Baltimore, Md - 2
Virginia Beach, Va - 3 Raleigh, N.C./Chappel Hill, Nc - 4 Greensboro, Nc - 5 Charloette
No - 7 Orlando, Fl - 8 Miami, Fl - 9 Tampa, Fl - 10 Atlanta, Ga - 11 New Orleans, La
NEW ALBUM "READY TO CRACK" & 7" "MY HEAVEN"
OUT NOW ON ALIVE RECORDS : POB 7H2-BURBANK-CA9T510
013 - Takaisin todellisuiiteen CD $11.00
ABSURD ATTITIDE - Born to die... 7" EP $3.50
APPENDIX - Daiagnosis 82-83 CD $12 .00
BASTARDS- Insane world CD $12.00
BETTER TOMORROW VOL2 compilation CD
(Wind Of Pain,Totuus,Sharpeville etc) $5.00
DETESTATIONflPOSITIVENEGATIVE - 7" EP
(USA/Finland) $3.00
EHTOOLLINEN - Sodan jaloissa 2x7" EP $6.00
EPAJARJESTYS - Beat the fascists MCD $5.00
FAREWELL TO ARMS comp. LP (new furnish hard
core w/ Epajarjestys,Hardcores,01oula,Turun Tauti,
Valse Triste,Vapaus,Tuomiopaivan Lapset etc). ...$7.00
HARDCORE '83 comp. CD (reissue of '83 classic LP
w/ Kansan Uutiset,Riistetyt,Rattus,Varaus,Sekunda,
Tampere SS,Kuolema,Bastards etc) $12,00
HYLKlO/URBAN RIOT - split 7" EP $2.50
KATASTROF1ALUE - Vapaus on...7" EP $3.50
KOHU-63 - Merry christmas.VIadimir CD $10.00
KUOLLEET KUKAT - Live 1995 7" EP $3 50
L.A.M.F.- Runopoikia ja ninkkareita CD $13.00
L.A.M.F. - Kiitos tyhjasta CD $13 00
L.A.MF. - Niele lata MCD $5.00
PROPAGANDA 1-RUSSIA BOMBS FINLAND
comp. CD (reissue of '82 classic w/ RiistetytJCaaos,
Appendixjerveet Kadet,Sekunda,013 etc) $12 00
PROTESTI - 8 track 7" EP (demo '83) $3 00
RAJOITUS - Nyt on kuolema taalla 7" EP $3.00
RATTUS - TaaJta tullaan kuolema CD $12 00
ROTTEN SOUND - Sick bastard 7" EP $3.50
SCAPEGOAT OMNIBUS comp. 7" EP (Sharpeville,
Kirous.Forca Macabra,Selfish & PosiNega) $3.00
SELFISH - System kills 7" EP $3.50
SENSUURI - HellaS terroria korville CD (finnish
punk rock 79-80,lst LP + 1st 3 singles) $12.00
TAMPERE SS - Sotaa 7" EP ('83 classic) $3.00
TAMPERE SS - Kuollut ja kuopattu 7" EP $3.00
TRIBUTE TO KAAOS comp. 2x7" EP (Detestation,
Selfish.Olotila.Rajoitus.Forca Macabra etc) $6.00
TUOMIOPAIVAN LAPSET - Painukaa vittuun
2 i 7" EP (great new double EP + booklet) $6.00
UUTUUS - Systeemin rattaissa 7" EP $3.50
UUTUUS - Loppu on laheUa LP $8 00
VALVONTAKOMISSIO- Systeemi... CD $14.00
VARAUS - Requiem CD (compilation 82-84) ....$12.00
Prices don't include postage. Please add:
11 1 = $3 2-3 = $5 4-8 = $8 QD 1-2 = $5
3-4 = $8 5-8 = $15 12" 1 = $9 2-4 = $15
Payment in cash or I.M.O. (from post not
bank), no checks of any kind as banks
charge $15 for cashing a check.
For a complete list of hundreds more
records (lots of rare records too), send $1
or an ERC. Or free with any order.
http://www.dlc.fi/~pvallin/ptuotan.htm
P.TUOTANTO
BOX 69, 40101 JYVASKYLA
FINLAND
TEL/FAX: +358-14-282276
E-MAIL: voitto.vasko@pp.inet.fi
ik wes'DA&e to
OUP- "FP-ieNPS"
IN TH6 N6\M...
"'Z.I N6 INDU'STPY"
FU6K YOUP- 60P-NY "?r\Y-TD-PL/\Y"
60MPILMION 6D'S AND YOUP-
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PUBLICATION.
L6AV6 M6 ALONe!!!
CVb r\P6 ONLY $g.oo PPP!
£1011 'Happinew to p*aliti Palio:" CO
taiaiing vocalt itmptr the melodic
-emo pounding guitars it drum*. Can
be compared to 5CNS6R6LD w/ guts!
Cloiu "Times of Distraught" CO
10 brand new ranging HC/Punfc jam6
guaranteed to provide that alt out
assault we've come to love from V.S.!
ClOli "One and the Same" CO
14 songs! The it C? with the Wller Vt
CV plus bonus cuts. Tust completed
US i, Curope w/ A&N0STI6 FPONT!
you /nesouiTeu must send a. %eLF-r\DDi*£Ssec>
STrNMPBD &NV6U0P6 FOF- r\ 6MM-06. or iou VJON't get one!
ST0F-6S A.ND DISTPOS. Vie DEAL DlFitVT r\ND Hr\V6 NO
MINIMUM!!! in.31l.PUNP
T?', Manor Street, Lantaster, PA nUtr?
TUNNEL RATS
OUR WAR IS NEVER OVER CD $10
26 SONGS OF BALLS OUT SUMNIN
MONOLITH I Q
BOX 1234 - COQUITLAM, BC- V3J 6Z9
S^ww^dowccP^m/jgwilson
HELLSTOMPER/BEFORE I HANG
SPLIT CD $10
TWO SOUTHERN POWERHOUSES TAKE
ON ALL COMERS.
STIL1 HOT— ANTiSEEN-HELL CD
RANCID YAT-31 FUVORS OF HOSTIUTY CD
RANCID VAT-ICONOCLASTIC ICONS CD
CONQUERER WORM-RIDE ON CD
ALCOHOLICS INANIMOOS-DR KEGGER MD CD
FIRST CD IS $10 EACH ADD! IS $5
CASH OR MONEY ORDER TO JEFF
SKIPSKI
SASE FOR CATALOG
BALONEY SHRAPNEL
PO BOX 6504
PHOENIX, AZ 85005
http://www.slavepit.com/bs/
DISTRO-GET HIP/REVOLVER/SUBTERRANEAN
SCREECHING WEASEL-Box Sel
24 demo songs from 1986 & 2 live songs on
4 cassettes in a cassette album. $10
VIDEOS $15 each
MODEST MOUSE-TfflS IS...
Live 1/31/98 & 4/23/98. 121 minutes.
NOFX & NO USE FOR A NAME
Live in Vancouver, B.C. (Canada) on
2/17/98. Shot from on stage. 105 minutes
DAT NUTTY SKA SOUND- Vol. 2
Op Ivy, Bosstones, Skankin' Pickle & more
Volume One is also available. 1 19 minutes
DEAD KENNEDYS- Jello Biafra
DK's Portland 1 1/19/79 plus Jello T.V.
Clips. All Pro Shot. 1 10 minutes.
J CHURCH-Starfish Room
Live 6/4/97 & 10/13/96. 80 minutes.
GG ALLIN-The Worlds Happiest Man
GG speaks his mind. Jerry Springer & Jane
Whitney shows plus spoken word. 1 10 min
GG AUin: The Final Show is also avaliable.
$2 postage for orders under $20. Cash,
checks or money orders to J. Wilson, not
Monolithic! Large catalog: free with
order nr spnrl $1 nr 3 stamps.
EVERYDAY IS HALLOWEEN
Muddle Fanzine Sez: "FLATUS is
punk rock, end of story." The band
has remained a staple in the East
Coast pop-punk scene for nearly a
decade.
New Jersey's most feared punk
ensemble are back! Tight well
played funny punk with gruff
vocals and singalong choruses."
-MAXIMUMROCKNROLL
FLATUS DOUBLE SIDED
3 color OH Fronl/BP logo On Dock i XL)
NEW YORK'S HARDEST 2
DOUBLE SIDED
nvh logo on Irani. 8P logo on back 2
COLOR PRINT (Black. L Of XLI
NEW YORK'S HARDEST
DEMONSPEED or FLATUS
"Wonderfully wacked-out and con-
stantly swingin'...this sublimely nutty
outing is the absolute motherfuckin'
shit, man." .jersey BEAT
SKRATCH Magazine Sez: "I've been
waiting a long time to come across
a band like this. I can't seem to
take this off my CD player, it's
been there about a month."
black pumpkin records
box #122
61 East 8th Street
New York, NY 10003
USA
www. blackpumpkin.com
EAST BAY MENACE RECORDS
| Ring wurm
Enl ""■ En.l AH 7-
www.w
OLD SCHOOL HARDCORE FOR
THE 21st CENTURY
USA $3 EACH 2 FOR $5
5 FOR $10. WORLD$5PPD
CASH ONLY! NO CHECKS
DEMON SYSYSTEM- 13
"aborted teenage genera tion" 7"
raging "82 style hc from sweden
CODE -13 "A PART OF
AMERICA DIED TODA Y" T
THIRD AND BEST T FAST HC-PUNK
TAMPERE SS
"SOTAA"T EP
RE-ISSUE OF CLASSIC 1983 FINNISH HC
TAMPERE SS
"KUOLLUT& KUOPA TTU' T
UNRELEASED '83 FINNISH THRASH
HEIST
"PAIN IS CAUSING LIFE'T
PROTESTI 7"EP
1983 PROPAGANDA STYLE FINN HC
N.O.T.A./BROTHER INFERIOR T
TULSA HARDCORE OLD AND NEW
DISTRAUGHT 7" EP
MURDERERS 7"EP
CODE -13
"THEY MADE A WASTELAND...."!"
H-100'S
■ TEXAS DEA TH MA TCH' T
FAST, SNOTTY, EARLY 8<VS STYLE
MASSKONTROLL
"WARPATH 1 T
HEAVY, BRUTAL SWEDISH STYLE HC
CODE -13
"DOOMED SOCIETY T
BRISTLE "SYSTEM' 7"
DESTROY
"BURN THIS RACIST
SYSTEM DOWN T
CIVIL DISOBEDIENCE
"IN A FEW HOURS OF MADNESS" T
AUS ROTTEN
"FUCK NAZI SYMPA THY* T
check out our web site
www.havocrex.com
SEND FOR OUR FULL
CATALOG OF HARDCORE
T-SHIRTS AND TAPES
USA -SELF ADDRESSED STAMPED LONG
ENVELOPE, W0RLD-$1 OR 2 IRCS
HAVOC RECORDS P.O.BOX 8585,
MINNEAPOLIS, WIN 55408 USA
Sound Idea Distribution
PO Box 3204
Brandon, FL 33509-3204
Phone (813) 653-2550
Fax (813) 653-2658
www.ezbizware.com/sound
ORDERING INFORMATION.
Minimum order is S10 o r it irill he rtturaed.
PAYMENT IS TO BOB SUREN.
PRICES INCLUDE POSTAGE FOR THE VS. ONLY.
In the US, add $3 for first class postage, if you want it.
Can and Mm surface mail : add SI per item
C an and Mex airmail : S3 for first item, SI each additional
World surface mail : SI for first item, $1 each additional
World airmail : S4 for first item, SI each additional
PLEASE LIST ALTERNATIVES or you may
get a credit slip. Big orders get FREE STUFF-
CATALOGS: Send $1 US, $2 world.
Aus Ratten "Ann-Imperialist" 7" S3
Icons Of FUth "The Mortaraate Projects" CD $13.50
Murder-Suicide Pact LP $*
Murder-Suicide Pact CD S6
Totalitar "Multinatioadla" 7" S3
Disrupt "Si" 7" S3
Disnipt/Warcollapse 7" S3
Forca Machra "Traces" 7" S3
Fit For Abuse 7" S3
Defiance "No Time" 7" S3
Fuckface 12" S7.S0
K.B.S. "Destory Your enemy" LP S7
Health Hazard "Discograpny" LP $8.50
Cripple Bastrads "Massacore Live" 7" $5
Cripple Bastards "Your Lies In Check" CD $11
Decrepit 7" $3
NOTA/Brother Inferior 7" $3
Neos "Discography" CD $10
Codstomper "Gunplay" 7" $3.50
Diskonto/Abuse 10" $7 JO
Diskonto/Distjej 7" $3
Refuse "Screaming and Yelling" CD $6
Drop Kick Murpbys "Curse Of A Fallen Soul" 7" $330
One Way System "Gutter Bos" 3sLP bos set $22
Blitz "All Out Blitz" LP S8.50
A brassive Wheels "When The Punks Go Marching In" LP S8J0
Partisans "Police Story" LP $8 .50
Menace GLC "Final Vinyl" LP $8 JO
One Man Army "Dead End Stories" CD $12
V/A "Furious Years OF Italian Hardcore" CD $13.50
Ana-Sect "In Darkness There Is No Choice" CD $13
Remission "95-98" LP $7.50
Final Conllict "Tour" 7" $5
Final Conflict "Ashes To Ashes" LP $7.50
Final Conflict/No Reason 7" $5
Dread "Collection" CD $10
Gorilla Biscuits "Last Show Live" 7" $3.50
Mob 47 "War Victim" 7" $3.50
Systematic Death "For The Puns and Thrashers" CD $12
Death Side "Life Is A Chain of Games" LP $9
Human Investment LP $8.50
Rudimentary Peni "EPs of RP" LP $8.50
Rudimentary Peni "Death Church" LP $8.50
Anti-Flag/Dread LP picture disc $8.50
Ann-Flag "Kill" 7" $3 JO
Anti-Flag "Their System Doesn't Work For Yon" CD $11
Kuro/Com«CD$12
G1SM"S/T"CDS12
Gauze "S/T" CD $12
Unholy Grave/Warsore 7" $5
Unholy Grave/Entrails Massacre 7" $5
Unholy Grave "rlab-ed?" CD $13.50
Resist "Ignorance Is Bliss" LP $7.50
V/A "Best Of Profane Existence Far East" CD $12
7 Seconds "The Crew" LP $7
7 Seconds "Walk Together Rock Together" LP $7
Roswell Project "Maggots + Lies - You" 7" S5
STORES: GET IN TOUCH
FOR WHOLESALE RATES!
And be sure to visit the
Sound Idea Store
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in beautiful Brandon
Open 7 days - noon til 8 PM
USE THE PO BOX FOR ORDERING!
SKft\NKlN0 SKUH.
MBCORBS
■Sestet, 3N.I
qmvivBm
..SPV ■■■?.■ J— 1
?K,
raatol&pxJT
iFYou^ORCB raRw5fiw^w«
RENO DIVORCE 7" EP $3.00
THE BLAME 7" EP $3.00
GARAGE RATS SPLIT W/SPAT
7" EP $3.00
►CAP END KIPS
'FROM OOP <3APA<*E 10 Y0UFS'
8 SW<* CASSETTE $6.00 PPP
PUNK IN PUBLIC 7' EP $3.00 PPP
ELVIS T EP $3.00 PPP
PEAP ENP KIPS 7' EP $3.00 PPP
T-SHIRTS ANP
WORK SHIRTS $10.00 PPP
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LADY LAKE FL 32169
^P://MEMBERS.AOL.COM/LOYALDROOG
DISTRO: ROTZ, GET HIP, & RHETORIC, CHOKE
V. The SPITFIRES: "self titled" CD
-** •"" Debut from Vancouver, Canada's
finest 110% pure Punk Rock-N-Roll
mayhem Loud ass guitars, hard driven
beats, snotty and twisted vocals 1 1 trax (35
mins.) artwork by Joseph Vargo
27 trax of unreleased live material 8 previously
unreleased"' Going fast 1 You don't have a
punk collection without it.
Q uaziModo: Ten to Midnight CD
Cleveland's finest Garage Punk Quazi is sure
to rock your ass off N Y Dolls, MC5. Dead
Boys, Stooges. J Thunders style baby 1
CD' s $10 00ea PPD (US)
All 3 for $25 00
2 for $17.00
World add S2 00 per disc
Accept: Money Orders, Cash and Personal
Check payable to
Sonic Swirl
P.O. Box 770303
Lakewood, Ohio 44107
USA
LI * L DEPUTY RECORDS LX ' L OLE AD
GET
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LITLLE
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RECORDS
"FUCKFACE "BASTARD SUKA"7"
FIVE SONGS OF PURE UNADULTER-
ATED HARDCORE FROM SAN FRANCISCO.
"COWARD/ SAPsplit i2»
ONE'S SCARY AS HELL MAN IS THE
BASTARD STYLE HARDCORE THE
OTHER IS A MORE RAW RAPEMAN.
"LIZARDS "NAFUM K." 7"
SUPER FUN HYPER POPPUNKWITH
TINGES OF GARAGE FROM SACRAMENTO.
MIKE &the MOLESTERS debut r
THIS RECORD WILL BLOW YOUR
PANTS OFF(LITERALLY IFYOU ARE
UNDER EIGHTEEN). ROCKIN'TXPUNK.
GOOD RIDDANCE/
RELIANCE
SPLIT T"
TH E LITTLE DE P U T Y
VETERANS ARE BACK
AND ARETEAMED UP
WITH AN AWESOME SANTA
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""LOMESTAR SHOWDOWN" *ll.«P
FOUR RIP ROARIN'BANDS ALL HAILINGFROM
THE GREAT STATE OFTEXAS.W/ RECLUSIVES.
MOT A R D S ,WO RMDIRT AND THE CRY'OUT LOUDS
""LONESTAR SHOWDOWN" VOL. •91-
WE ROUNDED UP FOUR MORE OF TEXAS' BEST. FEATURING
PHANTOM CREEPS, PARANOIDS, HAMICKS, AND STRETFORD.
PLUS: "ALL YOU CAN EAT 7"
"SAP 7" 'GOOD RIDDANCE 7"
HICKEY 7" "MOTARDS/FUCKEMOS 7"
'GOMEZ LP/CO AND MUCH MUCH MORE.
f»R ICES: T"-^3 12"-/» cd-#»
Cash check or money order to Joey Edwards please.
If you live outside the U.S. send a little extra. I
will trade for USFL and black western Shirts!
P.O. BO X 7066 AU S T I N , TX 78713
(512) 476-4657 JO E Y ED W @M A I L. UTEXA3.EDU |
*
PROFANE EXISTENCEl
ANIGAUTARIAN, D.I.Y.ANARCHO-PUNK UNION FORGED IN HELL!
r
RECORDINGS:
DETESTATION new 7"
POST REGIMENT Jragtdia LP
OPERATION Frihtt? LP
BROTHER INFERIOR / WHOREHOUSE
OF REPRESENTATIVES iplit 7"
EXTINCTION OF MANKIND ntw 7"
ACCION MUTANTE ntw 7"
DETESTATION LP/CD
(CD oontoint tarty 7"i)
REACT Ditturb/na Iht Sonlt 7"
MANUAL SEVEN Tnt Snatttring 7"
STATE OF THE UNION t/l LP
LOST WORLD doubt* 7"
SERVITUDE Apporotut 7
DEFIANCE No Timt 7"
THE SYSTEM nought Control LP
HELLKRUSHER Doomtday Hour LP RESIST ignoranea i$ Blur LP
V/A WHISPERS DOUBLE LP and 7" HIATUS Way of DOOM EP
STATE OF FEAR LP NAUSEA Extinction LP
ASSRASH LP DOOM Polict Bastard I"
MISERY Noxt Jim* 7" nc MAr~A7IIJC
CHRISTDRIVER£wW/>«iflfl(i/7i# LP/CD C " ^"VlM^inC
COUNTERBLAST LP/contttt Protant Exiitonc* it tht large
FLEAS AND LICE 12"
ASSRASH / FLEAS ANO LICE 7"
HIATUS t/t 12"
COPROFILIA 7"
S ST. Shut up ana Drink LP
ASSRASH Savt tor Your Doomod... 7"
NAUSEA Extinction LP
DOOM Polict Bastard 7"
P.E. MAGAZINE
Pro/an* Exiittnct it tht large f t cir-
culation anarcno-punk rttourct
magazine in tha world. Included in
tacn inut art ntwt and rtvitwt
at wttl at inttrvitwt witti aotivittt
and political bandt tram around tbt
globt. Now tipandtd to 64 pagtt<
Stnd $3 tor tht tatttt ittut!
in, uln- , ,. DISKONTO A Shatfrtd Soci.ty 7" Stnd $3 for tht tatttt ittut!
LOST WORLD dnuhl* 7" f\e»r» en mrr ^ m
t DEAD blLENCE Mitt. 7" For more information on Profane Existence
SSil? ?V «a"te o f"the R U !S r ""»""»"■*'"«*"»■ *■ «" «■* «*•'
THE SYSTEM Thought Control LP M|SERy Wh „., , A , foo , Lp
U.S. PRICES: 7" Rtcordt art $3 50 pottage-odd. 12" Rtoordt art 18 50 pottagt paia, LP Recordt and Compact
Oit ci are $9 /.oetage-paid. Countervail Cateette it $5 pottage-paid and tht Wtiitpert eomp it $14 pottage paid
OVERSEAS POSTAGE: Canada and Mexico pleate add 20X. Europe and S. America add 30X. Elttwhtre add 50X
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political and anarcho-punk mutic and print lilt** (TEL 612-813-1216 • FAX 612-813-1219 • email trollp«1@aol com)
PROFANE EXISTENCE • P.O. BOX 8722 • MINNEAPOLIS, MN 55408 • USA
Records & Stuff We Sell:
115. LUNG FISH 'Artificial Horizon' * ©
II A f>A Al/C.l ID 'Blue is BG.-iut.ifur. a film by lames Schneider VIDEO fc*\
IT I I/AM- U" VHSorPAL ONLY ^)
113. MAKE-UP
111 SMART WENT CRAZY
III. BLUETIP
110. FUGAZI
109. HAPPY GO LICKY
108. AUTOCLAVE
106. LUNGFISH
105. MAKE-UP
101. BLUETIP
90. FUGAZI
40. MINOR THREAT CD has every song! ©
'In Mass Mind' *
'Con Art' *
2-song 7"
'End Hits' + *
M -long posthumous CD. £Q
all previously released, only
'Indivisible' *
Recorded Live si rhe i . , _. . • ,
f.™ ch™ in london After Dark *
'Dischord, No. 101' *
'Red Medicine'**
©
®
©
®
©
©
©
14. DISCHORD 1981 ISSStiSSS&i SB \&
13. MARGINAL MAN '*=<£ SB ©
^regular CD. price @/ + Cassette, price ©/ "^CD single, pi <■.
NEW(2%&) PRICES, including postage, in U.S.$:
m ®
®
E
G.
7"
LP
CD
MaxiCD
CD single
U.S.A.
3.50
9.00
10.00
12.00
4.00
4.50
11.00
11.00
13.00
5.00
Airmail
6.50
14.00
13.00
15.00
7.00
We accept Visa I MC I Discover - Call (703)3SI-7507 or E-mail or Fax t
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Stores: We deal direct Write us or fax us at (703)351-7582
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please send one US $ or
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For a plain but complete
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3819 BEECHER ST. NW, WASH., D.C. 20007- 1802
Pelado Records « Mail Order
This b their best yet. 4 new songs from ene ef I
77 style bands In the USA.
Out late Aug, No fake accents here these guys are real
Brits doing 77 UK Punk via the USA.
MORE 7" OUT NOW:
The BEES at The Primitive Rollers
4 song split 7'Svkh two L.A bands. The Bees have a
Stooges sound on their side and the Primitive Rollers have
a totall L.A.M.F sound!
The Eoileptix/The Druggies
4 songs from two of Detroit* wildest bands! For
fans of Killed By Death, 77 « early BO's PUnk
KICKSTARTER "HangiV On B Street"
4 songs of Thunders/Dolls/Ramones/Dead Boys induced
Punk Rock out of the Bay Area.
The CHEMO KIDS "Do The Retard"
Great snotty 77 style Punk out of Ohio! Similar to the
Stitches!!
The COMMIES "Better off Red"
4 songs of straight up 3 chord Punk Rock out of
Austin TX, fans of early Queers, Angry Samoans,
Ramones, Germs check it out.
The PROSTITUTES "Can't Teach Kids" LP
14 songs from one of the best Punk bands of the *0's.
77 American sound similar to the PAGANS.
LOS PINKOS 7"
Young kids doing 77 Garage Punk, very cool!
CORRODED "Virtual Reality"
Out of the UK 4 songs of 77/8 1 Brit Punk.
NO ONE'S VICTIM "The Chase"
Great CA. band mixing 77 K Street Punk.
You will be hearing about this band, very few left.
This Is It.. Punk Rock That's Real!
23 bands 29 songs. Dropkick Murphys, Prostitutes,
Suspects, Bomb Squadron, Woricin Stiffs K many more.
Still have a few of the old Pelado releases like
Dead End Kids, Frank M.U.B ak6) Druggies etc.
PELADO also does mall order for JUNK, TKO,
HOSTAGE, INCOGNITO, RADIO, Mutant Pop 4
send a SASE for a catalog.
PRICES for Pelado Records stuff only:
7 "US $3, Can/Mex $4, all others $5.50 or two
for $5, LP Is $7, $8, $1 I. CD comp $6, $7, $8.
US funds only, cash, money order to Patrick
Grindstaff. All lems sent First Class M Small
Packet/Air for quicker service.
PELADO RECORDS
521 W. Wilson #B202
Costa Mesa. CA 92627 USA
DIST: Got hip, Revolver, IOOO FIovmti, Rou, Ch<*«, Underground
M*d. Nail, Skull Duggory, Incognito, Outrider, Ditgruntkd
Others plcaM get (n touch I n«*d good dljuirmtot i
I
REC ORDS
I
-NEW RELEASE INEORIBATION
'Unitil The Darkness Is~Gone
STATECRAFT "Until The
Darkness Is Gone"
Five song CDEP. STATE-
CRAFT is a hardcore band
from Japan. Metallic hard-
core from Life Sentence
Records
SALE'./
feEc
J "cleanse and burn"
•J Death Mctalic HARDCORE.
(Ex: EXCESSIVE FORCE)
Apologies. Nothing But Words.
Rot The Blood Run.
Cleanse And Bum. Oecontsminots.
JESmUL
•BEACH RECORDI NGS]
DISTRIBUTES ALL LIFBSENTENCE CDS
^ALL CDS ARE &7.00PPD
IzgaaMBml
MAKE CHECK PAYABLE TO BEACH RECORDINGS
SEND A STAMP FOR A EREE CATALOG
OF ALL THE LIFESENTENCE CDS.
AND OTHER PUNK. HARDCORE AND
j SKA OLD SCHOOL NOT THE MTV SHITII -
CD MANUFACTURING
Compact Disc: Excellent qualify!
1,000 for $1,350. Package includes
replication with one or two color label,
standard four color book and tray card
printing, assembly in standard jewel
case, tray and shrink wrap. You supply
master on CD-R, film positives for
label, and composite negatives for CD
book and tray cards. We now offer a
short run CD package complete with
color print, shrink wrapped and retail
ready! 25 CD package $269.00, 50 CDs
$369.00, 100 CDs $549.00 from your
CD-R master and print ready electronic
files.
1,000 raw discs for
$800.00, 500 raw disc
write for details
Send a stamp lor a full catalog of punk, ska, & hardcore.
BEACH RECORDINGS | 1230 Market St. #135
San Francisco, CA 94102 | 415.533.3973 | beachrec@best.com
iTBLGcwrr
>Weco|Q
•*"" on tour
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21 SettUlieClly.UT ' Montrt«l,Que 5 »
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£ ™J?Mt 8 Longl.tand.NY § \
.SE£5m ? W«rnington.D E S|
to Wlllcee-Berre.RA % "g
NEW!! " M**lPhh.P* |i
w » 12 Knoxvflie.TN f
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Lowest 1« Jacksonville, Fl
L/enominator" u Gainesville, fl
y Picture d/ Sc 18 Baton Rouge, LA
"UTrVOlM 21 Auetin.TX
*4.50pnd 22 EIPaao.TX
K 23 Phoenix, AZ
Th, Locust LP (GSU 24 San Diego, CA
oullsts summer
I Bottlenekk mailorderr
V/A "Accidental Double Homicide" 2 X T EP (Satan's Pmp) inc. new
stuff by Suppression. Benumb, No Less. Exhumed. DBE. etc 6.00
Chaos UK 'Heard It. Seen It...' LP/CD (Vinyl Japan) All punk covers!
Inc. PI. GG Ain, E. CosteKo, Ian Duty, Sex Pistols, etc.... 10 0O/14.00
I Mil* Marker "Non Plus Ultra' LP (Paralogy) MMnotsMvm. i».«.7.00
I Ths Audience "Young Sour T (GSL) **> nu d» --• u*™ i»«t»3.00
I End at the Century Party 'Songs...' r EP (Enslaved, UK) 4.50
Pink Turds In Space The Complete. ' CD (Rejected. Ireland)..l4.00
Leathertace Tocography Pad T LP/CD (Rejected) 10.00/14.00
Saks S/T 10* EP (Hopscotch ■ reissue of Zalk) release) 6.00
Headache Set-titled LP (Flat Earth, UK) 10.00
Peace of Mind 'AN Set to Boogie...' LP (Flat Earth, UK) 10.00
Doom/CreM Split 10' EP (Flat Earth. UK) 9.00
Make Up / Lung Lag Split T EP (Vesuvius. UK) 4.00
Young GinnsDiscography CO (H. Bear) Uly»m « Unwouid Wks 10.00
I Slaves S/T 12" EP (ex-members of The VSS) (Loveletter) 7.00
I Amp* lor Christ 'Songs from MtZ'torr" CD (Total Annhilation) 9.00
I Bastard Noise / Spastic Colon Split LP/CD (Pinch a Loaf) ...lO.OOea.
I The Criminals 'Tomorrow's Too Late' CDEP (New Disorder) 5.50
I All Scars S/T T EP (Ace Fu) Members of Make Up, BselMM. Meumncs4 .00
La Shok 'So What - 7" (members of The Locust 4 Treadwell) 3.50
Hal Al Shaded Textures ol Tomorrow" LP/CD (TMU) .'..7.00/10.00
Jenny Piccolo 'Information Battle. " LP (Three One G) Back W...7.00
Ana 51 "Discography" 10" (Hopscotch) Pte-Death Wish Kids 6.00
Starlit* Desperation 'Show You What A Baby Won't" LP (GSL)... .7.00
Festival ol Dead Deer / Crimson Cure* Split 7" (Three One G) 4 00
tasteless commercialism...
1 1" Buttons : Angel Assassins, Angel Hair, Crimson Curse. Get Hustle.
I Hopscotch Records, Jenny Piccolo, Mohiider. Murder City Devils.
I Shortwave Channel. Starlite Desperation, Sunshine, Swing Kids.
Tristeza. T Tauri, Unbroken and The VSS 1.00 each or 7 lor 5.00
Vinyl stickers (T X 8") : Jenny Piccolo, Swing Kids, Locust 1.00
All prices POSTAGE PAID in the U.S. via 4th class mail
Priority : add 2.00 to total : Overseas surface: Add 2.00 lor first Item,
1.00 each additional ; Air: Add 3.00 for forst Item. 2.00 each additional.
| Uike checks and money orders payable to "Bofflwwkk" Send cash at your own risk
NlW 800-item mailorder catalog out now -
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Bottlenekk.... mailorder
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ry v v v v v v v v v v v v v v v v v v v v v
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art AHKte, -"wrw*&e rnrt"cp #/
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V ©1998 PrintNet. Inc '
lTATOCA^AX>0<X~AOvTOCA-AXXA>rA-
X
X
<
<
<
X
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r Piaffing tJ|E mrnimrtp ttmtb hpttBt
COOLIDGE 50:
bands from each state performing their state song
Featuring Plow United, A Mercy Union,
The Frownies, Fun Size, Huffy, Pezz,
Disgruntled Nation, Lynyrd's Innards, Doc
Hopper, Baboon, Boris The Sprinkler,
Dodgeball, The Automatics, Sideshow,
Pinhead Circus, Sicko, Haggis, One Good
Eye, Mandingo, Grapefruit and MORE!
Double CD $12
Distributed by: 1000 Flowers, Choke, Rotz, Lumberjack,
Ground Zero, Revelation, Rhetoric, Soda Jerk, Surefire,
Very, Red Eye (NC)
Coolidge Records
157 Coolidge Terrace
Wyckoff, NJ 07481
email: coolidge@gis.net
OUT SOONER THAN LATER
FOUR TWO PUDDING CD REIQSUE
LIZARDS SPAZZMATIC' CD _
STILL AVAILABLE
• LIVERACHE' 43 BAND vinyl orinkin comp
• ELMER SONGS OF S N R' 17 song cd/up
• SCHLONG t ONE EYE OPEN vinu split lp
• PINHEAD GUNPOUJDER
V CARRY THE BANNER 7 10*
• WOOD PANNEL PACER VUAGON uj/ MA09
100 PAND LP*7* VINYL COMP
•SONGS APOUT DRINK1N 7 CD
•UNESSENTIAL SCHLONG CD
/jfj^ HEY KIDDIES/
C\ NEW ADDRESS
S.VERY SMALL RECORDS
PO BOX 12939
GV1LLE FL 32604
^©fcSfe,,
The Stitches- You Tear Ue Out 7
-Hey Fuck head, the limited edition (200) and 1st
pressing (1000) are already out of print. The 2nd
press with yellow and black covers are available
now. Rignt up there with locals the US Bombs and
Smog Town, the Stitches hit you with another essen-
tial^!!!
to
—
e
■
■
n
e
B
—
■
n
a
*
B
pa
Remission- Hinety-Pive to Hinety-El^rt IT B
■
a
-24 tracks of pure ear bludgeoning, dual vocal
cnistcore. Members are/were in Default,
Maneurysm and Inflicted, so you know what you're
tetting here. Their debut album on Beer City was
lcking mind blowing, and this powerblast of
unleashed discontent is even belter. First 1000
come with an 1 1" x 17" printed poster
Ya. we got yer fiKkin Hate T$ $10 TTD
B-Movie Rats
-Red and White
'Hell on Wheels'
design on Black T.
Sizes: M + L
We re
Oct. 9-
Still
B-Movie
B-Movie
MOs
payable
to:
Dead
Beat
Records
Gonna Smoke You US Tour
NOV. 14 (Itinerary next issue)
available:
Eats- Killer Woman LP/OD
Rats- Teenage Queen ^
LP/ 10"
CD
USA
$3
$6
$9
Canada
$4
J7_
$10
World
$5
$11
Dead Beat fieeords
PO Box 283
Los Angeles, CA 90078
Ph/Fx.: (213)962-3065
E-Mail: Deadbeatrx@aol.com
From:
MAXIMUMROCKNROLL
P.O. BOX 460760
SAN FRANCISCO, CA 94146-0760
BULK RATE
U.S. POSTAGE
PAID
SAN FRANCISCO, CA
PERMIT No. 728
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P: 415.923.9814 ► F: 415.923.9617 ► E-mail: maximumrnr@mindspring.com